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Alessandro Baricco–Novocento (1994) [translated 2010]

Posted in Alessandro Baricco, Ann Goldstein, Books about music, Bukkene Bruse, Christmas Album, ELP, Emerson, Lake & Palmer, Jelly Roll Morton, Play (Drama), Short Books, The Legend of 1900, Translation, Travel on December 15, 2014| Leave a Comment »

novocSOUNDTRACK: BUKKENE BRUSE-The Loveliest Rose (2002).

bruseI’m not entirely sure how I came to own this disc.  But I’m so glad I do.  This is a Christmas album from one of Norway’s traditional ensembles (pronounced: BUH-kayna BREW-sah).  They have been around since the 1990s and have toured extensively around the world.  This is their only Christmas album.  It was recorded in an Oslo church.

The album features four players on some great traditional instruments: Arve Moen Bergset – vocals, violin & Hardingfele; Annbjørg Lien – Hardingfele & nyckelharpa; Steinar Ofsdal – flute; Bjørn Ole Rasch – pipe organ.

The album is a wonderful collection of music.  I prefer the instrumentals, although Bergset does have a lovely singing voice.  What I found most interesting is that the sound of the music conveyed many non-Norwegian feelings.  I heard some Irish sounding traditional music and even some Native American (the flute in the final song).

The pipe organ sounds amazing and the fiddle, especially on “Father Fiddled on Christmas Eve” is fantastic.

Nine of the songs are traditional, the rest are written by the band, aside from St. Sunniva, the opening of which comes from ELP’s “Karn Evil 9, 3rd impression (I kid you not–it is quite stripped down here).

I really love this non-traditional traditional Christmas album.  I’m including the track listing mostly because I wanted to have all of this Norwegian in a post.

  1.   A Child Is Born in Bethlehem «Eit barn er født i Betlehem» (3:18) [great flute and a surprisingly catchy hallelujah]
  2.   Lullaby for Julie «Lullámus» (3:15) [great sound of the Hardanger fiddle which has two drone strings]
  3.   Spirit of the Grove «Haugebonden» (5:14) [a gorgeous melody]
  4.   Christmas Eve «Juleftan» (3:38) [unusual fiddle sounds and an unusual and captivating melody]
  5.   My Heart is with Jesus «Mit Hjerte Altid Vanker» (6:32) [the pipe organ really elevates this song]
  6.   St. Sunniva «St. Sunniva» (3:44) [organ and fiddle together in this Irish sounding song]
  7.   A Little Child So Pleasant/In the Sweet Christmas Time «Et lidet barn saa lystelig / I denne søde juletid» (7:20) [beautiful flute and solo violin]
  8.  Father Fiddled on Christmas Eve «Så spela far juleftan» (3:02) [that cool, unusual fiddle is back]
  9.  The Loveliest Rose has Been Found «Den fagraste rosa er funni» (2:35) [the voice is really great on this one]
  10.  Christmas Gangar «Romjulsgangar» (3:22) [beautiful fiddle and flute dance with some unusual sounds from both instruments]
  11. For Such Generous Gifts «For saadan’ mildheds gaver» (2:53) [a New Year’s tune that is rather haunting, I must say]

[READ: December 14, 2014] Novocento

In continuing with my obsessive reading of all things Baricco, I had to interlibrary loan this book from Johns Hopkins.

Novocento is confusingly titled because that is the Italian title as well and although it is a number (which could be translated) in this book it actually refers to a person, which would not get translated–so look carefully for the English edition (done by Oberon) and wonderfully translated by Ann Goldtsein).  It was designed as a play (and this edition is the play).  However, it is a one man monologue (with music ion the performance), so it doesn’t “read” like a play.

The book is 56 pages long.  They have also made a movie out of it (called The Legend of 1900, not just 1900 which is a different movie).  Amazingly the movie is 170 minutes (Italian version) and 120 minutes (international).  That must be a lot of music.

The story is simple, Novocento, as he is called, was born on a ship–an ocean liner that transported people primarily from Europe to America in the early 20th century.  His parents were undoubtedly lower class and left him on the piano aboard the boat (we don’t hear their story at all).  One of the crew finds him and names him Danny Boodman T.D. Lemon Novocento.  Danny Boodman is the man who found him, T.D. Lemon was on the side of the box he was left in and Novocento was the year. (more…)

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Aparna Nacherla (State Theatre, New Brunswick, NJ, December 14, 2014) [JOHN OLIVER]

Posted in Aparna Nancherla, Funny (ha ha), John Oliver, NASA, New Brunswick, NJ, Pets, Set in New Jersey!, Space Force, State Theatre, Travel on December 14, 2014| Leave a Comment »

[ATTENDED: December 14, 2014] Aparna Nacherla

nanI’m updating this post in July of 2020, because Aparna Nancherla deserves her own post.  When we saw her, she was hilarious.  Since then she has gained some noterirty and I am always pleased to see her on TV shows (most recently in the Steve Carell-created Space Force).

This is what I wrote about her in my post for John Oliver, but I wanted her to have her own heading.

S. and I were excited to see John Oliver.

The show opened with an Indian woman stand up.  Nothing is more thankless than being an opening act for a comedian.  For starters, we didn’t know there would be an opening act.  Then we didn’t find out until we saw in tiny letters on the tiny marquee in the foyer that there would be an opening act.  And we pushed through the doors so quickly that I never saw her name.  And of course they announced it, but I don’t remember what they said her name was.  And even worse I can’t seem to find it online anywhere (searching for “Indian female comedian” did not help).  And we never got a program (if it was indeed listed in there). (more…)

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John Oliver (State Theatre, New Brunswick, NJ, December 14, 2014)

Posted in Aparna Nancherla, Community, Funny (ha ha), John Oliver, Jon Stewart, NASA, New Brunswick, NJ, Pets, Set in New Jersey!, State Theatre, The Daily Show, Travel on December 14, 2014| Leave a Comment »

[ATTENDED: December 14, 2014] John Oliver

oliverI have loved John Oliver for a long time.  I have been delighted to see him go from the British guy on the Daily Show (when he replaced Jon Stewart, he was really fantastic) to the British guy on Community and now the British guy with his own HBO show (which I have never seen since I don’t get HBO).  When I saw that he was doing standup in New Brunswick I had to go.  Our friends Eleanor and Liz went with us and we had a lovely night in good ol’ New Brunswick (strangely enough there was literally no one in the parking garage where we parked yet every restaurant was packed).

Sarah and I were worried that the stand up would reference his show, but it didn’t.  It was topical and funny and weird and funny and political and funny and very very funny.

The show opened with an Indian woman stand up.  Nothing is more thankless than being an opening act for a comedian.  For starters, we didn’t know there would be an opening act.  Then we didn’t find out until we saw in tiny letters on the tiny marquee in the foyer that there would be an opening act.  And we pushed through the doors so quickly that I never saw her name.  And of course they announced it, but I don’t remember what they said her name was.  And even worse I can’t seem to find it online anywhere (searching for “Indian female comedian” did not help believe it or not).  And we never got a program (if it was indeed listed in there).

[UPDATE: April 9, 2015] So I wrote to The State Theater and learned that our mystery comedian’s name is Aparna Nancherla.  You can see a clip of her on Conan where she tells the dog poop joke (and yes it is still funny).  But stay for the end to see the insane size difference between the two.

But she was very funny.  Her jokes were observational with some delightful nearly whispered punchlines that undermined her set ups.  She did an amusing but about drug store receipts.  There was a funny bit about going to customs in Australia and having to explain her occupation of “comedian.”  But a lot of her jokes were about making it in New York City.  There was a rather amusing dog poop joke and a very funny human poop joke.  The human poop joke was more about apartment hunting with a hilarious and disgusting premise that she claimed was a requirement for living in a new apartment (it was hilarious whether true or not). (more…)

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Mónica Maristain–Bolaño: A Biography in Conversations (2012) [translated 2014]

Posted in Beck, Biography, Books about writers, Bruno Montané, Christmas Album, Cigarettes, Death, Foreign Books, Interviews, Isabel Allende, Joy Division, Kit Maude, Monica Maristain, Nicanor Parra, Pranks, Repo Man, Roberto Bolaño, Sufjan Stevens, Translation, Travel on December 13, 2014| Leave a Comment »

bolano SOUNDTRACK: SUFJAN STEVENS Christmas Unicorn: Songs for Christmas, Vol. X (2010).

sufjan 10This is the final disc in the second Sufjan Steven Christmas box set.  It is comprised of mostly shorter songs except for the final one which is 13 minutes long.

Interspersed in the disc are three short instrumentals (under a minute each).  “It Came Upon A Midnight Clear” “Angels We Have Heard On High” and “We Three Kings” are all pretty with flutes and minimal electronics.

The more traditional songs are “Have Yourself A Merry Little Christmas” which sounds very much like a Sufjan song with some fun electronic sounds and orchestration and some unusual vocals.  “Up on the Housetop” features lots of drums and layered vocals. It is the standard version but tinkered with with in fun ways.  “We Need a Little Christmas” is a fun and traditional version with choral vocals.

The other three tracks are originals from Sufjan.  “Happy Karma Christmas” a slow track of mostly drums and echoed vocals. It reminds me of Beck’s discoey electronic moments.  “Justice Delivers Its Death” is based on the lyrics of “Silver and Gold” (from Rudolph) but it is a much darker song (obviously, given the title) and sounds nothing like it.

The final track is “Christmas Unicorn.”  It’s a sweet song with funny/thoughtful lyrics.  After three minutes it turns into a nice instrumental.  At the four minute mark a new refrain begins. It sounds like the song is going to fade to end, but it doesn’t. At 6:30, drums come back in and the song takes off with more singers and a fugue style of interweaving vocals.  At 7:36 a new melody is introduced which is, Joy Divisions’ “Love will Tear Us Apart.” They incorporate that into the fugue vocals and it works very well.  It’s a strange song and very unChristmassey, but it’s very cool and quite catchy by the end.

I don’t enjoy this second box set as much as the first, since it is so unChristmassey, but it has some really interesting songs on it.

[READ: December 13, 2014] Bolaño: A Biography in Conversations

I don’t often read biographies about authors I like, but once in a while one will catch my eye.  I knew Maristain’s name from Bolaño’s last published interview, so I was curious what she would do with this collection.  It was translated by Kit Maude, and I am also curious about some of the words that Maude chose to use (the word savage/savages comes up an awful lot when not referring to The Savage Detectives).  But overall it was an easy, quick read.

As the subtitle suggests, Maristain has compiled a loose biography of Bolaño based on interviews with others.  Some are interviews that she has conducted and others are previously existing interviews that she has cobbled together.  The people interviewed are primarily his family and his fellow poets/novelists/friends.

Bolaño was born April 28 1953 in Santiago de Chile.  Soon after, they moved to Valparaiso, and then other smaller towns in Chile. In 1968 they moved to the Mexico City because of his mother’s asthma (although he never set foot in Sonora, the scene of the crimes in 2666). They lived close to the Olympic park and were within walking distance of the Olympic torch during the 1968 Olympics.

He had a difficult upbringing, with his parents splitting up and his mother moving out and taking his sister with her.  Roberto, meanwhile, stayed with his father.  They eventually had a falling out and Roberto went twenty years without seeing him.  His father was a boxer and an opinionated man, and there are lots of quotes from him in the book.

In 1977 Bolaño left Mexico for Spain (and never went back) and that’s when we start getting into his publishing history. (more…)

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Emmanuel Guibert & Joann Sfar–Sardine in Outer Space (2000) [translated 2006]

Posted in Adventure, Children's Books, Christmas Album, Emmanuel Guibert, Fantasy, First Second :01, Foreign Books, Funny (strange), Ghosts, Graphic Novel, Huh?, Joann Sfar, Late Night with Seth Meyers, Outer Space, Pirates, Sasha Watson, Sufjan Stevens, Superheroes, Translation on December 10, 2014| Leave a Comment »

sardineSOUNDTRACK: SUFJAN STEVENS and HIS UNWITTING COHORTS present I am Santa’s Helper even more songs for Christmas Vol. 7 (2007).

sufjan 7This is the first of Sufjan’s Christmas albums to really deviate from the style of the first six.  First off, there are 24 songs on the disc and second, it is 42 minutes long.  Most of the songs are between 1 and 2 minutes, although there are a couple of longer ones too.  There are a large number of songs that are traditional sounding and which have a beautiful chorale of voices supporting it.  But interspersed with these are some nonsensical tracks that sound mostly like goofy kids songs–out of tune, hastily created, sloppy and a lot of fun (I imagine he recorded these songs with the adults’ children while they were in between takes).  It’s surprising that the songs are interspersed like they are since the serious one are so pretty and the weird ones are so weird.

 It’s a ramshackle collection with some real highlights.

“Christ The Lord Is Born” pretty piano instrumental under a minute long.
“Christmas Woman” a big song with lots of orchestration (and clocking in at over 5 minuets).  With lots of backing vocals and a crazy sloppy guitar solo. I love it.
“Break Forth O Beauteous Heavenly Light” 1 minute of piano and chorus: traditional and pretty (this is a Bach song).
“Happy Family Christmas” piano and slightly wonky guitar and after the first verse a bunch distorted chaotic nonsense (with someone “singing” a guitar solo).  The first really weirdo song on a Christmas release of his.
“Jingle Bells” Continuing with the weird style, the “dashing through the snow” part is done with a very off guitar melody and kids laughing during the “laughing all the way” part. It’s silly and funny.
“Mysteries Of The Christmas Mist” 2 minutes of piano and other noises (this is one of many short Sufjan originals).
“Lift Up Your Heads Ye Mighty Gates” another pretty choral piece with many voices.
“We Wish You A Merry Christmas” crazy nonsense of sloppy silly singing and crazy out of tune guitars.
“Ah Holy Jesus” a slow pretty piano song with chorus
“Behold! The Birth Of Man, The Face Of Glory” a slow piano number, also pretty.
“Ding-a-ling-a-ring-a-ling” raucous and wild, with crazy guitars.  It’s 2 minutes of silly nonsense. It ends with someone saying “let’s do a real song”
“How Shall I Fitly Meet Thee?” pretty piano instrumental with voices.
“Mr. Frosty Man” sloppy guitars and nonsense.
“Make Haste To See The Baby” accordion and piano in a slow sombre song.
“Ah Holy Jesus” (reed organ version) this is the second version of this song.
“Hark! The Herald Angels Sing” straightforward and pretty with some over-orchestration later in the song
“Morning” pipe organ and flute in a nice instrumental.
“Idumea” the vocal chorale comes back on this sad song.  It is over 3 minutes long and is rather disturbing.
“Eternal Happiness Or Woe” a creepy kind of song with ringing bells and sounds of, well, woe.
“Ah Holy Jesus” [a cappella] the prettiest version on the disc.
“I Am Santa’s Helper” this is a funny song in which the only words are “I am Santa’s helper, you are Santa’s slave.”
“‘Maoz Tzur’ (Rock Of Ages)” a 42 second traditional Jewish hymn done on piano.
“Even The Earth Will Perish And The Universe Give Way” a low bass organ opens this final track on this long and often times weird Christmas disc.

But this is not the weirdest of Sufjan’s Christmas EPs.

[READ: December 5, 2014] Sardine in Outer Space

Sardine is a children’s book published by First Second.  It was originally published in France (and in French) and was translated by Sasha Watson.  There are six Sardine books out.  And I fear that this is one series that I’m really not very interested in finishing.

The inner flap says No Grownups Allowed, so I imagined that the story would be funny and a little naughty.

But really it’s just kind of uninspired.  Sardine is a young girl who works with (or lives with anyhow) the pirate Yellow Shoulder (who is apparently her uncle?) on his outer space pirate ship.  They spend nearly every story (each story is about ten pages) battling the evil (and suitably stupid) Supermuscleman and his evil henchman Doc Krok (a weird orange creature who looks like a walking sweet potato).  There’s also Little Louise, a boy who is Yellow’s..henchman? and may not be all that bright and a cat creature who doesn’t really do much. (more…)

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Joe Hill & Gabriel Rodriguez–Locke & Key: Welcome to Lovecraft (2008)

Posted in Christmas Album, Death, Demons, Fears, George O'Connor, Ghosts, Graphic Novel, Joe Hill, Late Night with Seth Meyers, Revenge, Sufjan Stevens, Supernatural, Violence, Yuck! on December 9, 2014| Leave a Comment »

lcoke1SOUNDTRACK: SUFJAN STEVENS and FRIENDS present Gloria songs for Christmas Vol. 6 (2006).

sufjan 6I was planning to write about Sufjan Steven’s first collection of Christmas albums, but I had forgotten that I had already done so back in 2009 [Vol 1 here; Vol 2 here; Vol 3 here; Vol 4 here and Vol 5 here.]

The next five volumes (from 2006-2010) came out in 2012.  This collection bucks the rather traditional tradition he had established with the earlier volumes.  Indeed, as the discs progress, they get more and more unusual.

But this first disc is quite traditional sounding.  It has 8 songs and is about thirty minutes long.

“Silent Night” is very pretty with gentle acoustic guitars and lots of backing vocalists. The solo is kind of a singing saw I think—a little odd, but neat.
“Lumberjack Christmas/No One Can Save You from Christmases Past” is filled with fiddles and is quite sweet (with a very familiar melody (and ho ho hos).
“Coventry Carol” I love the introductory melody of this song, it’s so pretty.  The voices feature multiple harmonies;  it’s quite lovely.
“The Midnight Clear” despite the title and first line, this is not “It Came Upon the Midnight Clear,” but a song inspired by that one. This is a very pretty song with a complex melody and lots of filigree in the instrumentation.
“Carol of St. Benjamin the Bearded One” I love this instrumental opening (about 90 seconds) which plays with a twist on “Hark Hear the Bells” and then plays some different instrumental sections but always returning to that Hark section. It’s very cool.  When the vocals come in it mellows out quite a bit and is still very pretty.
“Go Nightly Cares” has a very Elizabethan feel to it.  It’s a lovely 15th century instrumental.
“Barcarola (You Must Be A Christmas Tree)” is 7 minutes long. It begins slow but gets bigger and bigger with a section from Do You Hear What I Hear (the “following yonder star” melody)
“Auld Lang Syne” is a very pretty version on acoustic instruments with lots of singers.  It’s a nice way to end the EP.

[READ: December 5, 2014] Locke & Key 1

I heard about this graphic novel series when Joe Hill was on Seth Meyers’ show.  I didn’t really know too much about his writing style but I knew he wasn’t someone I was anxious to read (even if his book Heart Shaped Box must have something to do with the Nirvana song, right?).

But Seth made this graphic novel series sound really compelling, so I decided to check them out.  There are six collections in the series and they are all available now.

The first collection is called Welcome to Lovecraft and it sets the story in motion pretty much from the get go.  As the book opens we see two creepy looking youths harassing a pretty woman.  We see that they have killed at least two people, and things don’t look good for the lady.

Then we cut to some kids.  An older boy, Tyler; a young teen girl Kinsey (with dreadlocks and piercings) and a little boy. Bode.  They are all complaining about how much they hate living where they are.

Jump cut to a funeral with a bright red urn and Tyler looking down at it. (more…)

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Simon Rich–The Last Girlfriend on Earth: And Other Love Stories (2013)

Posted in Beer, Christmas Album, Fables, Fantasy, Fears, Funny (ha ha), Gods, Hitler, Humiliation, Kissing, Man Seeking Woman, Marriage Trouble, Morality, Myths, NASA, New Yorker, Religion, Sex, She & Him, Short Books, Simon Rich, Zooey Deschanel on December 5, 2014| Leave a Comment »

lastgSOUNDTRACK: SHE & HIM-A Very She & Him Christmas (2011).

shehimI love the packaging of this disc (the envelope with the Christmas letter/liner notes is charming).

I really enjoyed Zooey Deschanel’s singing in Elf, I thought it was really pretty and surprisingly unaffected.  So it’s not too surprising that she stared making records herself.  And M Ward seems like a perfect accompaniment to her slow, rather old school style of singing.

I have a hard time getting into the She & Him records though.  They’re just, yes, too slow for me.  The tempo is perfect for her voice, which is naturally very pure and clean.  And she even has a good crooning style, I just need the songs to be a little peppier.  Or like on “Run Run Reindeer,” I find her version is kind of abrupt, perhaps she doesn’t really hold her notes for very long which I find disconcerting.

I like the first two songs, “The Christmas Waltz,” and “Christmas Day” because they are songs I didn’t know already, so I had no expectations.  “Christmas Wish” is really nice with Ward taking lead vocals.   As for Zooey’s leads, I like “Sleigh Ride” quite a lot.  And their version of “Silver Bells” on ukulele is just beautiful.

This collection of songs is quite nice, if not a little too mellow.  It sets a mood and follows through all the way, which is good.  I really do wish I liked it more.

[READ: December 5, 2014] The Last Girlfriend on Earth

I love Simon Rich, but sometimes I lose touch with just how many books he releases.  So when he was on Seth Meyers the other night I learned that he had a new book out, which was great.  But then I also learned that I missed his last two books!  Jeez.  One is a novel and this one is a collection of short stories.

I have said before that I love Rich’s really short pieces–he is so good with a set up and punchline.  Most of these stories are longer, and they are pretty much all very funny indeed.

The book is set up in three parts: Boy Meets Girl, Boy Gets Girl and Boy Loses Girl.  And indeed, the stories in each section do match up to that general setup (it’s quite clever) although they are not connected to each other.  Several of these stories appeared in the New Yorker and it was fun to read them again and to see them in this new context.

Incidentally, they are making a TV show based on this book, airing in the new year on FXX, called Man Seeking Woman–I hope it’s good. (more…)

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Rod Spike (Ed Piskor)–Hip Hop Family Tree #300: Hip Hop/Comic Connection Pt. 2 (2014)

Posted in Books about music, Easy E, Ed Piskor, Graphic Novel, History, Rick Rubin, Rob Liefeld, Rod Spike, Spike Lee on November 30, 2014| Leave a Comment »

300SOUNDTRACK: HOSE-Mobo (single) (1981).

hoseHose was Rick Rubin’s first band and this single was the first release on Def Jam records.  Rubin is on guitar.  I would never have known of this release if it weren’t for the Hip Hop family Tree.

This three song single is a noisy slab of art punk.

The first side “Mobo” is a fairly conventional punk song.  There’s a loud fuzzy bass riff.  The drums are surprisingly tame (although I understand it may have been recorded on a boombox or something).  The guitars are mostly noise.  And the vocals are pretty clean (if bizarre).  It seems to be a part of (and maybe even precursor to) the sludge punk movement of the early 80s.

The B-side included 2 songs.  “Girls” which is 20 seconds of pure hardcore (the only word is girls).  As the song feedbacks out, they begin to do a crazy slow nonsensical cover of “We’re Going to the Zoo” (for over 3 minutes!).

Hose also released an album (called Hose) which I can’t even find online anywhere.  Guess Rubin’s not so proud of this.

[READ: November 24, 2014] Hip Hop/Comic Connection Pt. 2

This supplement to Hip Hop Family Tree was created by Rod Spike (think anagram). It shows the early connections for him between comic books and hip hop.

The book talks about the way that these two loves of his life merged in the 1990s.

We begin with Spike Lee in his early days (making the video for “White Lines, for instance).  Then we meet cartoonist and illustrator Rob Liefeld, doing work for Marvel.

Spike had made some big time commercials at this point and was ready to make one for Levis.  Liefeld submitted his name to be cast in the  upcoming Levis commercial.  Lee picked him and they made the commercial together (the comic version of Liefeld in this book is done in the style of Liefeld’s work, so he is crazy and creepy whereas in real life he’s a pretty normal looking kid). (more…)

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Ed Piskor–Hip Hop Family Tree 1981-1983 (2014)

Posted in Afrika Bambaataa, Bad Brains, Black Flag, Blondie, Books about music, Charlie Ahearn, Chic, Chuck D, DJ Kool Herc, Double Dee & Steinski, Doug E. Fresh, Dr. Dre, Easy E, Ed Piskor, Fab Five Freddy, Funky Four Plus One, G.L.O.B.E. & Whiz Kid, Grandmaster Flash and the Furious Five, Graphic Novel, Henry Rollins, Herbie Hancock, History, Hose, Ice-T, Jean-Michel Basquiat, Keith Haring, Keith LeBlanc, Kool Moe D, Kraftwerk, Kurtis Blow, Malcolm McDowell, Melle Mel, Michael Viner's Incredible Bongo Band, New Edition, Queen, Rammellzee, Rick Rubin, Run D.M.C, Soul Train, Spectrum City, Spoonie Gee, Sugarhill Gang, The Cold Crush Brothers, The Fantastic Five, The Furious Five, The Hellers, The Jonzun Crew, The Treacherous Three, Too Short, Violence, Whodini, Wild Style on November 29, 2014| Leave a Comment »

hhftSOUNDTRACK: G.L.O.B.E. & WHIZ KID-“Play that Beat Mr DJ” (Double Dee & Steinski Payoff Mix) (1985).

doubledeeThe original of this song (1983) was simply the drums and simple keyboard riff.  The “Payoff Mix” done by Double Dee & Steinski added the incredibly dense layer of samples that really make this song interesting (actually the samples are more interesting than the rap).

The samples included:

  • Adventures of Grandmaster Flash on the Wheels of Steel by Grandmaster Flash and The Furious Five
  • Play It Sam…Play “As Time Goes By” (Avalon/As Time Goes By) by Humphrey Bogart (dialogue spoken from the movie Casablanca)
  • That’s the joint – Funky Four Plus One
  • Take the Country to N.Y. City by Hamilton Bohannon
  • Don’t Make Me Wait (Acapella) by Peech Boys
  • Stop! In The Name Of Love by Diana Ross and the Supremes
  • Rockit by Herbie Hancock
  • Situation 12″ by Yazoo
  • Starski Live at the Disco Fever by Lovebug Starski
  • World’s Famous, Hobo Scratch, D’Ya Like Scratchin’ and Buffalo Gals by Malcolm McLaren
  • Apache by Incredible Bongo Band
  • Tutti Frutti by Little Richard
  • Last Night A DJ Saved My Life by Indeep
  • I’ll Tumble 4 Ya by Culture Club
  • Speech by Fiorello La Guardia from Reading the Comics – July,1945

Double Dee & Steinski went on to make some other great mashups (and these sound amazing since they were done circa 1985).  I particularly like Lesson 3.

Here’s the one that made them famous:

[READ: November 23, 2014] Hip Hop Family Tree 2

This volume picks up right where the previous one left off in 1981.

First we meet Doug E. Fresh who, devoid of records, starts the trend of beatboxing.  We also see The Sugarhill Gang doing a rap over the song “Apache” (while dressed like Native Americans).

The book bounces back to California (Oakland this time) where we meet Too Short, a great high school rapper who is interested in making money from his skills.  We also see a young Ice-T doing his gangland thing

Then it jumps back to Rick Rubin whose love of punk and metal (these goings on are happening at the same time as Black Flag is trying out a young Henry Rollins, and Bad Brains are in high gear–and often times the crowds mix amiably) fuses with his love of rap.  he really wants to be able to capture the rawness of the live sounds of both types of music onto a record (enter the Beastie Boys).  And, strangely enough (although perhaps it should be expected), Malcolm McDowell enters the picture.  We also see Fab Five Freddy making “Change the Beat” which includes a since-very-heavily sampled “Freshhhhh” (more…)

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Ed Piskor–Hip Hop Family Tree 1970s-1981 (2013)

Posted in Afrika Bambaataa, Blondie, Books about music, Charlie Ahearn, Chic, Chuck D, DJ Kool Herc, Ed Piskor, Fab Five Freddy, Funky Four Plus One, Grandmaster Flash and the Furious Five, Graphic Novel, History, Jean-Michel Basquiat, Kool Moe D, Kraftwerk, Kurtis Blow, Melle Mel, Michael Viner's Incredible Bongo Band, Queen, Rick Rubin, Soul Train, Spoonie Gee, Sugarhill Gang, The Cold Crush Brothers, The Fantastic Five, The Furious Five, The Hellers, The Treacherous Three, Violence on November 28, 2014| Leave a Comment »

hhftSOUNDTRACK: “The Adventures Of Grandmaster Flash On The Wheels Of Steel” (1981).

grandThis track was one of the first records to mix songs from other artists (yes, we call it sampling now).  It was a chance for Grandmaster Flash to show off his mad mixing skills.  He used three turntables, samples from the movie Flash Gordon (nice) and this songs:

Chic – “Good Times” ; Blondie – “Rapture” ; Queen – “Another One Bites the Dust” ; Sugarhill Gang – “8th Wonder” ; The Furious Five – “Birthday Party” ; Spoonie Gee – “Monster Jam” ; Michael Viner’s Incredible Bongo Band – “Apache” ; Grandmaster Flash and the Furious Five – “Freedom” ; Sugarhill Gang – “Rapper’s Delight” ; The Hellers – “Life Story”

It’s really impressive and it sounds seamless.

[READ: November 23, 2014] Hip Hop Family Tree 1

This book came across my desk at work and I was really excited to read it.  I thought I didn’t know all that much about the origins of hip hop.  And while I was largely right, I was also pleased that I knew so many of the big names.

So this is a graphic novel done by Ed Piskor.  Piskor’s style is familiar (it looks like old school indie comics, even though he was born in 1982). Now, I already said I don’t know all that much about hip hop history, so I can’t vouch for the veracity of this family tree (and I certainly suspect that Piskor likes some people and dislikes others), but I assume that this is a pretty accurate story about how hip hop came to be.

It all starts in the 1970s with DJ Kool Herc in the South Bronx.  He spins discs at parties and is hugely successful.  He starts looping records to extend the drum breaks.  His popularity inspires Grandmaster Flash who tries new techniques and Afrika Bambaataa who plays the most obscure records he can find (Kraftwerk, for instance).  Bambaataa was once a gang leader but he channeled his music into a more peaceful gang–Zulu Nation.  This group leads to some other early hip hop groups: The Treacherous Three, The Cold Crush Brothers, Funky Four Plus One (the first of the groups to feature a woman) and The Fantastic Five, (more…)

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