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Archive for the ‘Film & TV’ Category

[ATTENDED: May 9, 2024] Cannibal Corpse / Obituary / Frozen Soul

My son and his friends saw Amon Amarth open for Ghost last summer.  So when they announced a headlining tour, I grabbed us tickets.

The rest of the lineup didn’t thrill me though.  I mean, I guess, yes, Amon Amarth is a death metal band, but not REALLY.  The rest of the lineup was all (mostly old school) death metal bands.  Once I found the details of the settimes, I let the rest of the party know and we agreed that we could easily skip the first  two band and show up sometime in the middle of the 45 minute cannibal Corpse set.

Frozen Soul is a death metal band from Texas.  They formed in 2018.  I had not heard of them and wasn’t really that interested in seeing them anyway.  They are heavy death metal with growling vocals.  I give them props for the whole “frozen” vibe that they have going on.  One of their songs i called “encased in ice” and I was amused to see that were selling shorts that said “encased in ass” which doesn’t make any sense, but is still funny.

Obituary is another super old school band from Tampa (formed in 1984).  I know of them (their logo is very familiar) but I guess I never listened to anything they did.  They are heavy and fast but the singer actually does a kind of high voice when he sings (as well as some growling).  It’s a different vibe to be sure and more of what I think about with 80’s metal bands.

I feel like the addition of this band would be a nice change from the deep growling voices of the rest of the 4 hours of music. I didn’t care if we arrived in time for them and no one else did either.

I wasn’t really that interested in seeing Cannibal Corpse again.  I saw them open for Slayer five years ago.  They played a twenty minute set and I was glad to have seen it, but 20 minutes was plenty. (more…)

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[DID NOT ATTEND: March 20, 2024] Bombay Bicycle Club

 

The show opened with bouncy horns and fanfare as they sang the song “Just a Little More Time.”  The live version was bigger and felt more fun than the record and I knew that this was going to be an enjoyable set.

This segued into the second song on the new album, which had lots of drums and a cool guitar riff and sound.  I really enjoyed watching guitarist Jamie MacColl, confidently playing these riff and getting such varied sounds.

The middle of the song has Jack Steadman whispering I want to let go and forget and he was indeed whispering it pretty quietly.  So much so that some jackass yelled “fix the mic” just before he started getting louder.  Duh. (more…)

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SOUNDTRACK: JANN ARDEN-“Could I Be Your Girl” (1994).

It’s fascinating to watch the video for this song now, since all I really know about what Jann Arden looks like is the author photo and her TV appearances since the 2000s.

She’s got long dark hair!

The song is pretty and I guess lyrically it’s pretty dark and poetic.  This lyrics is pretty surprising for a pop song

And I am ashesI am JesusI am preciousCould I be your girl?

I don’t really care for the “oh my lord” backing vocals, for the sound, not the words.

Indeed, the whole song feels kind of bland.  For a song that seems pretty dramatic, I want a little more from the song.  Maybe the production is too smooth?

It’s catchy though and I suppose in the 90s it was pretty remarkable.  But really it’s just not my style.

At the bottom of this post, you can see Jann Arden talking about this song and basically telling me that I’m an idiot.

[READ: February 2024] The Bittlemores

I’ve known about Jann Arden pretty exclusively from her appearances on Canadian TV (she has her own sitcom too which is pretty funny in the parts I’ve watched).  She was a perennial guest on the Rick Mercer Report which I loved.  She was always funny and game for something.

Her music, on the other hand, is serious and poppy.

I didn’t know what to expect from this novel, but I knew I wanted to support her first foray into fiction (I won’t be reading her memoirs which sound very sad).

And I have to say that this story shocked me from the start because the home life she conveys in this story is so horrible, so miserable, that I was fairly shocked at the things I read.  And yet, her tone is never heavy, so even the most unpleasant things (an old man drowning kittens) are delivered in a tone that makes you not want to throw the book across the room and say “I thought you loved animals, Jann!”

But she pulls no punches as the story starts: “Harp Bittlemore is a horrible man.”  The Bittlemore farm was once a thriving farm but it is now mostly dried up and useless.  It is in the middle of nowhere, miles from anything and even more miles from the nearest city.  There’s a couple of sad cows and pigs.  And there’s a young girl.

Margaret is the Bittlemore child.  She hates living with the Bittlemores.  They are mean and unloving.  And she wants to get even with them.  What does a girl with no agency do to get back at the adults around her?  She gets pregnant.  At 14.

This didn’t punish the adults as much as it punished her, of course.   And as soon as The Bittlemores found out she was pregnant, they locked her in the house–for five months.  Margaret had been going to school but the adults told everyone that she had been accepted to a school in France and that she would no longer be in the area for a while.

When Margaret has the baby–at home, with Mrs Bittlemore stitching her up, Margaret makes a bold decision.  She runs away.  She climbs out the window of her room (while in a ton of pain) leaving behind her baby, and flees up the road with no destination.  She meets a truck driver (female, thankfully) named Tizzy who has a soft spot for this poor girl in trouble and she takes her as far as her route is going. (more…)

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SOUNDTRACK:

[READ: February 2024] Rick Mercer The Road Years

Sixteen years ago I read Rick Mercer’s first book.  Since then I’ve read a couple of his other books, but I missed the first part of this memoir, Talking to Canadians.  I guess I’ll have to track that book down too.  Because I love the way Mercer writes.  I loved his show and now I love his print.

About his first book I wrote:

Rick Mercer is a great political comedian.  He puts all American political commentators to shame. I’m sure that much of this difference is the way Canada is structured. There seems to be so much more openness to politicians there than in our system.  For reasons I can’t fathom, politicians agree to hang out with Rick even though in the next segment he will rant about their incompetence.

Well, this book goes some way to take the blinds off how the show worked.

So this book picks up where his previous memoir finished–just as he was about to start The Rick Mercer Report.

He explains that the premise of this book and indeed of his show was “What does it mean to be Canadian?”  [Spoiler: he never does find the answer to that].

He talks about how the show was spun off from This Hour Has 22 Minutes and was originally The Monday Report.  (It was going to be on Mondays and they figured if they called it that then the CBC would never move it).  They didn’t really have a plan for the show–it was all kind of seat of the pants until they were about to start filming.  They decided that everywhere in Canada there was something interesting happening.  And he would go to check it out and show the rest of the country.  It would spur local and national pride.  And it would be funny as well.

So Rick travelled around the country and rode on “The Train of Death” (fortunately, the book comes with pictures).  And soon it was established that if Rick could be put in danger or humiliated, well, that was the show right there–locals getting the best of the snooty Toronto TV guy.

So he wore a beard of bees, he was tucked into bed by Prime Minster Stephen Harper, he pulled a sleeping polar bear out of its den and he had lots of crazy adventures with Jann Arden. (more…)

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[ATTENDED: February 10, 2024] Scott Thompson as Buddy Cole in King

The last time Scott Thompson came to Philly I missed the whole event, so I was really excited to see that he was back in town.  I don’t really know how to keep up with comedians.  Is there a songkick for comedy?

Well, somehow I saw this announcement and I immediately grabbed a ticket.

The crazy thing about this show for me is that I was already going to a show in the day–a matinee with Nels Cline.  I was really excited to go to a matinee show and be home at night.  Whoops.  But two shows in a day isn’t too exhausting if they are both seated and they are each around 90 minutes.

I’ve always loved Scott Thompson and his Buddy Cole character is hilariously inappropriate.

I’d never been to City Winery before.  It’s a weird setup if you’re solo. I wound up sitting in the fourth of four seats that were already claimed by a family of three.  I arrived plenty early and ate a delicious meal before they showed up.  But wow, the table was the size of two tray tables.  It was really cozy.  And this family was not chatty.  With me or with themselves.  Awkward.  The other problem is that I had my back to the stage, so I had to turn in a weird way to see.  But whatever.

Scott was hilarious.

I had forgotten how much Buddy is, as Scott put it “an offensive stereotype.”

He started off by referencing the “Amazon Debacle.”  I don’t really know what happened, but several times he talked about cancelling Amazon.

Ah, well, here’s some context from Brooklyn magazine.

Buddy was supposed to have a bigger role in The Kids in the Hall revival, but Amazon didn’t like his take on the LGBTQI+ community. So Thompson used the snub as fodder and turned his frustration (and unused material) into a new show for Buddy. He’s bringing his show “King” to New York this weekend.

But the Buddy stories are fantastic.  He was there at Stonewall and hung out with Marsha P. Johnson.  The story is funny and at one point he says, I have to look this up because this part is new.

He was hanging out with Margaret Atwood and Dustin Hoffman at the first Burning Man.  He was on a ship sailing towards the Middle East.

And who is he going to offend?  Everyone!

He even made a Polish joke!  (If homophobia and racism are coming back, then so should Polish jokes).  Hilarious.

He began the night by talking about circumcision, of course. And how the popularization of circumcision in America was the fault of those who were too lazy to teach their kids how to clean themselves.  He cites Kellogg as being pro-circumcision (maybe true) but it works for the perfect punchline set up about Corn Flakes–why do you think there’s a cock on the box?

He talks about going to a bris and being visible upset by what is happening.  Someone at the ritual says the baby won’t remember any of it.  Buddy noted that pedophiles say the same thing.

He talked about transgender children (so much more chic than a sissy).  He has a funny bit about pronouns, a friend called Gratitude goes by ze/zir.  He said, if you say “ze” and I’m Canadian, I should say “zed.”  They were not amused.  Their friend has a friend called Circle of Fear who also identifies as irritating.

He talks about the #metoo movement and how its a good thing we don’t still call # a pound sign or else we’d say poundmetoo.

The end of the show revealed the origin of the title of the show King.

He ended the night with an encore performance of his first ever monologue as Buddy from The Kids in the Hall.

It was pretty crazy being in the same room as Buddy Cole.  He interacted a lot with the people in the front seats (including drinking their champagne), but I was happy being a little far back.  It was a really fun night.  And it ended early enough that I was home at a reasonable hour too!

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[ATTENDED: April 7, 2024] Kevin McDonald

I was so excited to hear about  this show as soon as it was announced.  When Scott Thompson came to PhilamMOCA in 2022 I completely missed it until after it had happened.  So I was psyched to get in on this before it sold out (and a second show was added, but without a musical opener).

The Kids in the Hall was one of my favorite shows in college.  I even liked their “massive bomb” Brain Candy.  I’ve read books about them and books by them. I assumed that I knew all of the good stories.  So I wasn’t entirely sure what Kevin could tell us.  Boy was I naïve.

Kevin came out and was immediately self-deprecating, shying away from our applause.  He then apologized, a lot.  He was sorry that he was a sketch comedian trying to do standup.  He apologized for destroying our childhoods and for making us all fail out of college.  It was a great start.

Kevin told us about the demographics of the people there–34% were 49 years old, dating someone for decades whom they would never marry and who were die-hard KITH fans.  The rest were people who had heard of KITH and lived within walking distance.  And there was a small extra part who were super die hard who loved Brain Candy–they were scary people.

He told us about a time when he was coming out of a place on Queen Street and a very drunk man looked at him and said, “It’s the guy from Brain Cancer!”  He kept shouting “he made brain cancer!” (more…)

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[ATTENDED: February 7, 2024] Joe Jack Talcum

I was so excited to hear about  this show as soon as it was announced.  When Scott Thompson came to PhilamMOCA in 2022 I completely missed it until after it had happened.  So I was psyched to get in on this before it sold out (and a second show was added, but without a musical opener).

I didn’t know who the musical opener was going to be until day of the show where I saw it was Joe Jack Talcum from the Dead Milkmen!  I had somehow thought it might be someone from Shadowy Men on a Shadowy Planet, although it makes 100% more sense that it was a local Philly fella.

I have never seen The Dead Milkmen even though I’ve been a fan forever.  I’ve also never seen Joe Jack in any context, so this proved to be a fun, if simple introduction.

He sounded much the same–slightly off-key and really into his songs.  He played acoustic guitar and harmonica and he sang five Dead Milkmen songs and 1 original.

I recognized the first song which was from the final Dead Milkmen album that I seriously listened to.  It made me want to relisten to the album. (more…)

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[LISTENED TO: December 2024] Mother-Daughter Murder Night

This was described as Gilmore Girls meets mystery novel.

And while I want to be clear that in no way was it Gilmore Girls related, it had a Gilmore Girls vibe.  Three generations of women living together (out of necessity) working together to solve a mystery.

The grandmother is Lana Rubicon (terrible name).  She has created a real estate empire.  I enjoy that she is a strong and powerful woman who had been pushed down but fought back and built her own fortune.  But she’s also cold and distant–especially to her daughter, Beth.

The plot moves on when Lana is diagnosed with cancer and has to move in with Beth and Beth’s daughter.

Like Gilmore Girls, Beth was impregnated when she was a teenager.  She decided to keep the baby and move out.  But she moved into a property that Lana owned in a waterfront community.

Lana thinks she’ll be back home pretty quickly but she winds up in worse shape and needs to be there for a a lot longer than she imagined.  Beth and Lana are quite antagonistic.  But Lana and Beth’s daughter Jack get along pretty well. (more…)

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[ATTENDED: November 7, 2023] Isiliel

This was my fourth show in four nights and I was surpirsed how little it had caught up with me.  I was fortunate in that most of the shows were fairly short.  And this one promised to be super short.

There was no opening act, so despite a 15 minute soundcheck and setup delay, the show still ended by 9:30, which was perfect.

So, who is Isiliel?  She is Himari Tsukishiro who is the main singer in the Japanese band Necronomidol.  As her site puts it

Isiliel is a solo dance/vocal project by Himari Tsukishiro (NECRONOMIDOL).
Mixing genres as diverse as folk, blackgaze and city pop via a worldwide team of veteran songwriters such as King Dude and NARASAKI of COALTAR OF THE DEEPERS, through Isiliel Himari will express hitherto unexplored depths of pathos and beauty on stage.

As Isiliel, she has one album out.  It is, as implied, a heavy metal sounding album, with heavy guitars and a lot of double bass.  But she does not sing like a heavy metal singer.  Her delivery is quiet and slow (and it’s in Japanese).

I hadn’t heard of either her or her main band until about a week before this show was announced.  But when I saw what Necronomidol looked like, I wanted to go to this show too.  It turned out she has some real fans in Philly.  The audience was probably about 30 people, but the show had about a week’s notice.  And several of these fans brought identical small red lanterns which they waved in time to the beat (I asked the merch guy if he was selling them and he said no–they brought them in!) (more…)

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[DID NOT ATTEND: November 7, 2023] Jeff Tweedy with Seth Meyers

Usually any show with Jeff Tweedy is one I want to go to. For one reason or another I wasn’t really feeling the need to see Jeff Tweedy read from his book.

Ironically I just finished listening to his first book (on audio with Tweedy reading) and loved it.  So, really there’s no reason I shouldn’t have gone.

Later on, when I found out that he was going to be interviewed by Seth Meyers, my personal choice for Late Night hijinks, I was really bummed that I didn’t get a ticket.  By then it was sold out.

I guess I didn’t realize it would be a kind of fun night of q and a and reading or whatever.

Oh well.

I did get to go to Isiliel that night, so it’s all good.

That night or the night before or earlier that day (who knows) Jeff was on Seth’s TV show.  I wonder if they talked about the same things in Jersey City as they did in NYC.

 

 

 

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