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Archive for the ‘Coaltar of the Deepers’ Category

SOUNDTRACK: BORIS-tears e.p. (2019).

Boris tends toward being a very heavy band.  Their two recently albums D.E.A.R. and NO are some intense heavy metal.  They also do a lot of noise and heavy drone.  But they are not afraid of melody.  And they are not at all afraid to make pretty, dancey music.

There are five songs.  The first song “どうしてもあなたをゆるせない (doushitemoanataoyurusenai)” is on the disc twice.  The first version of this song is a remix by Narasaki under his name “Sadesper.”  It opens with a grooving bass line and some pretty guitars.  The drums are metronomic and there’s a sprinkling of keys.  I’m not sure who sings, but there’s a lot of falsetto. I love how just before the chorus there’s some orchestra hits.  It’s pretty much a full on dance song and it suits them perfectly.  You’d never guess it was Boris, but it makes sense once you realize it.  It even ends with a nifty guitar solo that sadly fades out.

“u fu fu” opens with a fast simple guitar chugging riff.  After a good ol’ “Whoo!” from Atsuo, the song pulses forward on the insistent grunted  “ooh ah” that works as a foundation to the song.  There’s a lots of great backing vocals in each ear. With about a minute to go, the bass takes over with a fast, heavy rumble before the harmonizing vocals kick in.

Up next is a fantastic cover of a Coaltar of the Deepers song “To the Beach.”  I didn’t know Coaltar of the Deepers before this release, but I have listened to them a bunch since and they are a terrific Japanese band unknown in the States.  I’m not sure how much this differs from the original , but this version is fantastic–slow and moody with lots of build and release.  The song starts with a pretty guitar melody and then a series of crashing chords and cymbals while Wata’s guitar soars.  The verses are slow with a whispered vocal.  But the choruses resume the crashing chords to punctuate things perfectly.  In the middle of the song as the vocals overlap and blend, it sounds magnificent.

“Peaches” comes next, it’s a 2 minute song sung by Wata.  A pulsing bass line propels the song forward as Wata chants the the word “peaches” over and over with an occasional “la la la” fleshes things out.  A repeating piano is added for a bit and then a shift to a kind o funky bass line that leads to the end of the songs.  It’s only two minutes long and kind of goofy but I wish it was longer.

The disc ends with an instrumental version of “どうしてもあなたをゆるせない.”  The song is so catchy and wonderful that hearing it a second time in the EP is a great thing.  It’s one of the few instrumentals that I think might sound better than the original because you can really hear what the musicians are doing–and its some great stuff.

[READ: October 29, 2020] The Ten Loves of Nishino

I have a stack of books waist high next to my desk which I intend to read.  And yet, I continue to find new (to me) books that I jump in and read first.  This book was recommended by the most recent Tiny Desk Contest winner Linda Diaz.  Why on earth would I read a book recommended by a person I’d never heard of before?  She said it was her favorite book ever (which seems weird since it only came out in English last year, but whatever).  It was also pretty short.  So I decided to check it out.

I have enjoyed many of the Japanese writers that I’ve read, so I was intrigued to read a contemporary female author (this book was translated by Allison Markin Powell).

So this book is written in ten chapters–each one written by a lover of Nishino, an enigmatic figure whom we only learn about from the women writing about him.

There is something strangely seductive about Nishino that these women find hard to resist.  He is aloof and puzzling, but that seems to make women want him even more.  But he is perpetually with women (more than these ten, it would appear). (more…)

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[ATTENDED: September 7, 2019] Boris

It was almost exactly two years ago that I first saw Boris.  They had come out with a new record and were actually thinking of calling it quits.  But they were inspired to do a tour, which I was sure was their last one, and it was spectacular.

Yet in the last two years they have signed to Third Man Records and have done a live session there.  They are just about to release a two album set called Love Evol (technically Lφve Evφl) and reissue Feedbacker and Akuma No Uta.  So when they announced that they were coming back–and coming to Jersey City–there was no way I could pass it up, even if it meant three concerts in three days.

Especially since the last time they played pretty much the whole new album, which was great, but I wanted to hear some older stuff too.

After the previous two nights of cutting it very close to the start of the show, I knew I wanted to get their early, in part because I had some merch to buy.  I’ve gotten very frugal about buying merch and I often don’t buy anything.  But Boris is a band that’s hard to find stuff here.  And even though Third Man was reissuing records which would mean they are much easier to get, I wasn’t taking any chances . So I arrived plenty early, bought some vinyl (and now greatly regret not buying the Tears EP, which I somehow didn’t know about and now see that it is impossible to get anywhere else). (more…)

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