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Archive for the ‘Fears’ Category

3rdSOUNDTRACK: PHINEAS AND FERB-“I Really Don’t Hate Christmas” (2009).

doofenI have grown to love Phineas and Ferb ever so much  in the past year.  Holy cow it makes me laugh so much  that I would totally watch  it even without the kids around.

This song, sung by the evil Dr Doofenshmirtz, explains how he has a backstory that makes him hate every holiday except Christmas–he just has a burning indifference to it.  The song is catchy and funny.

Of course since he is an evil scientist, he finds a reason to hate Christmas and launch his naughtyinator.  When carolers come to his door and repeat over and over that they want figgy pudding, he begins to get quite annoyed.  And we get this hilarious exchange:

CAROLERS: (singing) We won’t go until we get some, we won’t go until we get some….

DR. DOOFENSHMIRTZ: What? Are you threatening me? How dare you! No one barges into my home and demands desserts! What sort of plan is that anyway? “Let’s go to a stranger’s house, sing songs to him, and refuse to leave unless he hands us a food dish no one’s prepared since the 16th century!”

Just in time for the holidays:

[READ: December 20, 2012] Diary of a Wimpy Kid: The Third Wheel

Clark was more excited for this book than I was!  As soon as he saw it, he grabbed it and ran into his room to read it (for which I was both proud and a little annoyed as I wanted to read it).  I’m not sure how much he could have enjoyed it as it is all about going on a date, but he seemed to like it.

It’s not all about a date though.  It begins with Greg reminiscing about his time in the womb (a very odd thing for Clark to read, I’m sure).  rtHis mom listening to Mozart and just how much he could hear while in there.  Then he talks about his life as a wee one, which is very funny–he learned how to take the batteries out of the remote so his mom couldn’t put the educational shows back on (he’s also annoyed that Manny gets to watch whatever he wants now–no educational TV for him).

But Manny doesn’t come out on top all the time–there’s the boy who acts like a vampire at Sunday School and scares Manny to bits.  This may be why Manny only has imaginary friends (well, that and the fact that their mom reads Manny the children’s book she wrote about the boy who used to bite Greg–it  terrifies Manny).  Of course, the imaginary friends get in trouble for all the things Manny does (maybe Manny does come out on top all the time after all).

One of the funnier aspects of the Wimpy Kid series is the locations that they go to.  Like Corny’s, the family restaurant where the key is fun (not food), and the first time they went Greg almost sat on a PB&J sandwich that was never cleared away.  (And wait till you see what the family next to them are doing!). (more…)

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[WATCHED: December 16, 2012] McSweeney’s #11

11

THE DVD that came with Issue #11 was listed as a “Deleted Scenes” bonus feature for this issue.  The colophon of the book explains in great detail what they wanted to do and how they went about doing it all.  And that’s all quite amusing in itself.

Now, of course, there are no “deleted scenes” up front.  The DVD is, at first glance, authors reading from the works in the book.  But as you scroll down the menu, there are some deleted scenes, as well as behind the scenes features and audio commentary.  All in all there’s about two hours worth of stuff crammed in here and some of it is quite interesting.

DELETED SCENES

This is where the authors read from their works.  They each read between 3 and 6 minutes, with some of them reading different sections (Samantha Hunt), but most of them reading a chunk.   (more…)

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11SOUNDTRACK: THE ANTLERS-Live at the Black Cat, Washington DC, May 11, 2009 (2009).

antlersI mentioned that I was uncertain about my appreciation of this band.  And I wondered how they would hold up to a longer show.  The answer is surprisingly well.  The sound quality of this set isn’t great–the levels seem way too loud (not sure if that’s the band or the recording) and I really can’t understand the words, but the music is very moody and evocative and I like it quite a lot.

This set comes from the album Hospice, which is a concept album about a person dying of bone cancer (with lyrics like “they told me that there was no saving you” and song titles like “Kettering”).  Earlier descriptions made me think the album was a major drag to listen to– I mean the subject alone is exhausting–but musically it’s a different story.  There’s lush strings and interesting guitars.  And, at least live, the band can make a holy racket.

I’m a little surprised by the number of keyboard errors in “Atrophy.”  I mean an occasional bum note is fine, but there’s a bunch in that track.  It’s very weird.  But that is made up for by the vocals which are angsty and impassioned, especially on the final song “Cold War.”  The NPR site has three tracks available for viewing and I must say that watching the band is more exciting than just listening to them.  But I have really gained an appreciation for The Antlers.

Check out the show here.

[READ: December 16, 2012] McSweeney’s #11

This crazy title for this Issue/Post comes because the cover and spine of the book are all text.  Indeed, the book is gorgeously bound in black leather(ish) with shiny gold print.  Each author gets a summary of his or her work and a note that he or she is free (see each story below).

I did not read Issue #10 yet because it came out as a thrilling paperback, and I’ve been putting it off for a reason even I can’t quite fathom.  I anticipate reading that one last.  Again, no idea why.  In some ways, Issue #11 picks up where Issue #9 left off.  There’s lots of text on the cover, there’s letters and everything else that makes it look like McSweeney’s.  But as I said this one seems more somehow.  It’s the hardcover.  And, it’s also the DVD that accompanies the book.  I have a hard time believing I’ve owned this book for almost ten years and never watched the DVD but I finally got around to it.  More on that soon.

This issue contains letters, fiction, non-fiction and a play that picks up from Issue #9 (more…)

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first herpSOUNDTRACKMATES OF STATE-Live at the 9:30 Club, Washington DC, April 4, 2009 (2009).

mos930I enjoyed the Tiny Desk show from Mates of State quite a lot.  And this concert which is a full band (and occasionally just the husband and wife duo) was equally fun.

They play 15 songs in about an hour, some are short but there are a couple longer ones as well.    The band plays big songs with large hooks–a couple of listens and you are singing along with them.  They perform a kind of orchestrated synth pop, and while the songs are sweet-sounding, there is more to them than just hooks.

Most of this concert comes from their 2008 album Re-Arrange Us.  There’s a few tracks from  2003’s Team Boo as well.  All in all it’s a great show.  There are a bunch of songs on here that should be huge, they’re so catchy.  But Mates of State remain under the radar.  Discover them here.

[READ: November 3, 2012] First Hero

After finishing the available Beast Quest books, I learned that there was another Avantia series called The Chronicles of Avantia (four books so far).  Since Clark enjoyed the Beast Quest series so much, we decided to check this one out, too.

Well, wow is it a different beast altogether. First off, the book is much bigger.  Second, the words are more complicated and third, the action is much more violent.  This is not your second grader’s story of trudge, trudge, trudge, defeat (but not kill) the beast and then gain a prize.  Rather, our hero must avenge his father’s death before the villain literally destroys the cities of Avantia looking for the Mask of Death.

The action takes place long before the action of the Beast Quest series–so long before that they may as well not be related except for the land (although we haven’t heard of these towns either).  Even the beasts are different.

The main character in this series is a boy named Tanner.  He is the Chosen Rider of a phoenix-Beast called Firepos.  What’s interesting is that some of the story is told from Firepos’ point of view.  The main bad guy in the story is a guy named Derthsin.  Derthsin killed Tanner’s father (when Tanner was 7) and also kidnapped his mother.  There’s nothing too explicit about the death (except that Tanner witnessed it–yipes!)  The death is revisited and is certainly uncomfortable reading to a  7-year-old.   Tanner was raised by his grandmother Esme.  Esme, too, is killed by Derthsin (this one of a bit more graphic and Tanner is present) and boy was that awkward. (more…)

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SOUNDTRACK: ELFIN SADDLE-Wurld (2010).

Yesterday I mentioned the Wurld DVD.  Today I wanted to talk about the music.

There are three songs that come on the audio extras portion of he DVD: “Wurld Soundtrack (abridged),” “A River of Horses” and “A Tree in Dark Water/A Sinking Celebration.”  The “Wurld Soundtrack” is indeed the music from the film.  The abridged version is about 15 minutes long, while the movie is about 23.  I’m not sure what got cut or why it needed to get cut, but it’s a good reference to the movie–dark, a little creepy with moments of beautiful melody.

“A River of Horses” is dominated by a xylophone melody and a cool piano riff.  It has a loping quality that I really like.  It’s instrumental (and serves as one of the main themes of the DVD).  “A Tree in Dark Water” is a slower dirge-like piece which features Honda’s “Da Da Dee Da” vocals.  It more or less morphs into “A Sinking Celebration” which has a sound not unlike a carnival, but a very slow, almost sad carnival.  Both of these songs work as backing music for other aspects of the DVD–I’m not sure if they were songs first that they decided to use for the DVD or vice versa.

For the full Elfin Saddle experience, though, it’s worth watching the live show that comes on the DVD.  The show is a 7 song set that they performed before the opening of the Wurld exhibit in Montreal.  So yes, this show was performed Live at the Montreal Museum of Contemporary Art.  Nearly all of the songs come from their debut album Ringing for the Begin Again.

The band plays a kind of droney world music. And it has a very homemade feel–cobbled together, but brilliantly.  There’s an accordion, a bowed saw and a bunch of other percussive items–things that look like found metal.  There are two singers, Jordan McKenzie does most of the singing and he sings in a deep voice and sometimes in a higher voice that has a middle eastern feel.  Emi Honda is Japanese and that’s evident in her intonations, whether she is singing backing or lead vocals.  The band is also utterly multi-instrumental. McKenzie sings, plays accordion and xylophone at the same time (must be seen to be believed) while Honda switches from saw to ukulele to drums all in one song.  She also later bows cymbals for a very eerie sound.  Although they make most of the noise themselves, they are accompanied by a cellist and a double bass (which acts as a percussive time keeper).  Once they add a tuba, the song sounds much more klezmerish (although there are elements of klezmer throughout).

In the background of the show, on the projection screen, is the spinning wurld from their art exhibit.  The whole show is mesmerizing.  Songs include: “The Bringer,” “Sakura,” ” Muskeg Parade,” “Wind Songs,” “Garden,” ” The Procession,” ” The Ocean.”

[READ: October 15, 2012] Five Dials #25B

The issue continues the theme of the short story and Frank O’Connor.  It features a hugely long story by Nathan Englander and a couple more unusual short stories as well.  I enjoyed Part 2 of the Cork Issue more than Part I.

CRAIG TAYLOR-A Letter from the Editor: On Englander and Lists
In addition to introducing us to Nathan Englander and wondering if we’ve all read his award-winning book What We Talk About When We Talk About Anne Frank, Taylor talks about lists.  The staff was pooled for their opinions with the intent to make it seem like the staff was an individual with specific tastes in Books, Music, Movies, Food, etc. (more…)

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SOUNDTRACK: BELLE AND SEBASTIAN-Live at KEXP, April 13, 2006 (2006).

This four song set samples a broad swath of Belle & Sebastian’s career.  It takes place after The Life Pursuit‘s release, but they only play one song from it “To Be Myself Completely” (with Stevie on vocals).

It’s amazing how quiet and shy the band seems i the interviews (or is that bored and petulant) especially after being through the mad swings of success.  Indeed, the interviews are almost embarrassing how unresponsive the band is (but not rude unresponsive, just unresponsive).  Like “where did the soul influence on this album come from?”  “Probably black America.”  “Did the new producer have any influence on the soulfulness?”  “Not really.”

But they do let the music speak for them.  And they don’t just do the horn songs or the strings songs.  They play “She’s Losing It” from Tigermilk (with lots of horns–it sounds great), they play “A Century of Fakers” with strings (although the female vocals seem a little too subdued on this track).  They also play a rollicking cover of Badfinger’s “No Matter What.”  It’s a delightfully poppy song which I didn’t know but which Sarah did (and I thought was the Beatles, and the DJ guessed Paul McCartney wrote it–he didn’t).  It’s when discussing this song that the band finally gets animated, perhaps they just don’t want to talk about themselves.

[READ: October 15, 2012] Five Dials #25

The issue is all about the short story.  Five stories from Lydia Davis, a short story contest from Zsuzsi Gardner, and a couple longer stories as well.   But there’s also some poetry and an essay.  And I fear I have to say I didn’t enjoy this issue as much as some of the other ones.  I love short stories, but I didn’t really love these very much.  And, the essay at the end was a lot of fury about very little.  I have to assume Part Two will simply kick ass.

CRAIG TAYLOR-A Letter from the Editors: On Orphans and Cork
Taylor name-checks the Cork International Short-Story Festival and mentions how this issue is a sort of tie in to the festival (and just how many writers wanted to be in this Cork issue).  Taylor says that many readers wanted more short stories in the Five Dials issues, and that Noel O’Regan, short story editor says that the short story is always alive–witness the great success of the Cork Festival.  Writers flock to it (and a hefty prize is given).  This issue is only Part I of the fiction issue because they simply had to break it into two parts. (more…)

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SOUNDTRACKMATES OF STATE-Tiny Desk Concert #163 (October 5, 2011).

Mates of State is another band that I only know of because of NPR.  I hadn’t heard them at all before this set (and another concert that they recorded for download).  I like them, although they haven’t totally blown me away.

Mates of State make delightful music.  I don’t know if there’s a better word for it–it’s poppy and upbeat without being cloying or treacly and it seems so happy.   The founders of Mates of State are a husband and wife.  They sing quite loudly and often in a high register.  Indeed, the write-up that accompanied this show says that the band is quite scaled back–that they are usually much bigger and louder and that they had a hard time in this small setting.

But it’s a very good set and a nice sample of the kind of music they play.   The set features keyboards, acoustic guitar and a trumpet.  They play two songs from their album Mountaintops, “Sway” and “Desire.”  They also play “My Only Offer” from Re-Arrange Us, their previous record.  Mates of State have released a bunch of stuff on Barsuk records, a wonderful indie label, so they get respect from me.

I was also amused when Kori Gardner commented that this was “the earliest concert they’ve ever done.”

[READ: November 3, 2012] Stealth the Ghost Panther

The final book of this arc has just come out and Clark was very excited to read it.  I’m torn about what to do if Scholastic releases the next story arc.  The books seem to come out every six months, but I don’t think I want to wait six months to read book 26 after reading book 25.  But then do I want to wait three years to read the next arc all at once?  No I do not.  Not since Clark will be ten!  I hope Scholastic picks up the pace here.

Anyhow, this six book arc ended with Stealth the Ghost Panther (the most fearsome beast yet!).  [The one thing I dislike about the series is that every next beast is “more fearsome” than the last, which somehow undermines the fearsomeness of the previous beasts, no?  Honestly, how could that be quantitatively true.  Having said that, this one is pretty scary.  The panther is scary, but worse, if it simply scratches you it turns you evil. (more…)

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SOUNDTRACKQUASI Live at SXSW, March 8, 2010

I really enjoyed a few Quasi albums back around the turn of the century, and then I kind of forgot about them.  But this set is really great.  The always excellent Janet Weiss on drums and harmonies and the wonderful Sam Coombs on guitar and vocals. Around the time of this album, American Gong, they added Joanna Bolme on bass which really fills out their sound.  The first song, “Repulsion,” rocks harder than any of their older stuff (which was more keyboard based).  Indeed this album was apparently much rockinger than any of their earlier releases–I must check it out.

This set was recorded during SXSW  from the Gibson Showroom in Austin.  They play five songs in about 20 minutes.  “Never Coming Back Again” has a far more country feel (especially the backing vocals which have a real twang.  The lengthy instrumental section of “Black Dogs and Bubbles” is great–especially check out Weiss’ drumming.  “Little White Horse” is a shambolic rave of a song–fun and noisy.

The set ends with the inspiring Rise Up, a short stomper that encourages you to, yes rise up.  Weiss and Coombs both have other bands that they play in, so Quasi never seems like a full-time project.  But that seems to make their music all the better.  Listen here.

[READ: November 1, 2011] Under Wildwood

I enjoyed Wildwood, but I wasn’t blown away by it.  So I admit I wasn’t totally excited to read this one (especially since I had some other books lined up).  But Sarah managed to get it from the library (I guess it was not as a big a deal as I assumed it would be?) and I decided to give it a go.

I found it a little slow at first, but after about 40 pages, the book totally took off and I was fully engrossed.  Whether it was because there was less exposition since this was a sequel or because the story itself was more exciting, I couldn’t put the book down.  And, more importantly, the book did not feel like its 550 pages were excessive.  He really filled up every page with story.

But I was a little concerned because part of the story is set in an orphanage–a setting rife for cliché.  But Meloy has some great ideas and although he does use the orphanage as a scary setting (and employs some clichés from all orphanages) he transcends the conceit with some great characters and some evil owners who use demerits to completely move the story along outside of the orphanage–a great plot idea.

But let’s back up. (more…)

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SOUNDTRACK: ANIMANIACS-“Nations of the World” (1995).

I was a little too old for Animaniacs when it was first on.  And boy am I mad I missed it then, because it is hilarious.  And, astonishingly, educational.

Check out the countries of the world as sung by Yakko.

Genius lies within.

Incidentally, this isn’t the cleanest version of the video I’ve seen, but it has closed captioning so you can see all the countries!  For a clearer picture click this link.

[READ: September 2012] Spiros the Ghost Phoenix

After reading Book 12, Clark noticed on the back cover of the book that there was a cover for a book we hadn’t read yet.  So I looked it up and it was this one, a Special Edition.  There are several Beast Quest Special Edition books just like in the Droon series.  I never quite understood the purpose of the Special Editions in Droon–they were bigger, but you had to read them in sequence or the series didn’t make sense, and if you skipped them, you missed out on a huge plot development, so it was just an odd thing to do.

So I wasn’t surprised to find out that there were Special Editions in Beast Quest  but I was surprised to find out that the Special Edition has no relation to the sequence at all.  Indeed, they work fine as introductions to the series. (more…)

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SOUNDTRACK: BILLY KELLY-“People Really Like Milk” (2009).

I enjoyed Billy Kelly’s song with Davy Jones so much that I investigated him a little further and found this wonderful song.

It’s a poppy folk song about a very important topic: milk, and how much everyone loves it.  Kelly has a great delivery (especially the rhymes with milk) and the song itself is funny and bouncy   It will stay in your head for hours (in a good way).

I really can’t get enough of Billy Kelly.  And if you Google the song you’ll see him performing the it at a kid’s backyard party.  But here’s the official video (which Kelly animated).

[READ: 2011] Here Comes the Cat

Of all of the McSweeney’s McMullens books, this one has been our favorite.  It is a very simple story (told in Russian and English) with only four (English) and three (Russian) words repeated over and over.  And the colophon explains the history: “Here Comes the Cat!, the first ever Soviet/American picture-book collaboration  was originally published by Scholastic in 1989.”

СЮДА ИДЕТ КОТ! is pronounced syu-DAH ee-DYOT KOT! and it along with the translation Here comes the cat! is on every page in both languages (along with some other bilingual phrases–Hello, Mice at Work etc). And on every page, a mouse runs through the mouse village announcing Here Comes the Cat!  The villagers all look surprised as they run across the city with the news.  But what will happen when the shadow of the cat appears in the village?

This is a wonderful story, simple, yet full of humor and cleverness.  It tells a story that not everything is what it seems.  And the ending is quite funny. (more…)

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