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Archive for the ‘Essays’ Category

Alex Stone–“The Magic Olympics: with tricks explained!” (Harper’s, July 2008)

Posted in Alex Stone, Arrested Development, Essays, Harper's, Illusion, Jens Lekman, Magicians, Paul Quarrington, Swedish Music on July 16, 2008| 5 Comments »

SOUNDTRACK: JENS LEKMAN-Night Fall Over Kortedala (2007)

My friend Eugenie introduced me to Jens. She put a song on a mix CD for me, and I really liked it. I picked up his EP collection Oh You’re So Silent, Jens. And he just released Night Falls last year.

Jens’ voice is unique. He’s got a Swedish accent, and his sing-speaks quite softly, so some of the words are quite heavily accented. And, his songs are quite fantastic. The lyrics are bizarre and wonderful. While his songs aren’t funny, per se, there are a number of lines that are just hilarious, even on multiple listens. In the past his songs were more or less acoustic affairs. On this one, he expands somewhat with some brass on a few tracks, some hip-hop flavorings and well, just about everything else.

Lekman released a twenty minute DJ track on his website last year. And it’s clear that the mash up qualities of that release influenced his recording sessions for Night Falls. It opens with the orchestral pomp of “And I Remember Every Kiss,” and the catchy, if inscrutable “The Opposite of Hallelujah. ” This leads to the great “A Postcard to Nina” which provides Jens’ loudest moment of a screamed/sung “Oh God, what have I done! I just came here to have some fun.” There is no screaming on the simple, gorgeous “Your Arms Around Me,” even though he cuts of the tip of his finger in it. “Shirin” is all about his haircutter (hence the album cover) and the repeated name makes for a lovely chorus. And, I can’t not talk about the last song “Friday Night at the Drive-In Bingo,” one of his most rocking songs (rocking being relative). It has a thrown-together, raucous feel, getting faster as the song moves along. It also has this wonderfully bizarre clarinet/saxophone/something line over the top of it that perfectly recalls an old-timey mournful swing band that you might hear at a church bingo function from thirty years ago. The song is funny and silly, and wholly enjoyable. And I can’t think of another song like it anywhere.

[READ: July 2, 2008] “The Magic Olympics”

There are two reasons why I’m mentioning this article. (more…)

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Kate Clinton–What the L (2005)

Posted in Consumerism, Corporate skewering, Essays, Funny (ha ha), Kate Clinton, Olu Dara, The Progressive on June 7, 2008| 1 Comment »

SOUNDTRACK: OLU DARA-In the World: From Natchez to New York (1998)

A friend of mine (Hi Jon!) made me a copy of this CD several years ago, and I just found it again and popped it in. I was delighted with how much I enjoyed it. I’d never heard of Olu Dara before, and I was quite pleased with the results. It’s a fun carribbean-esque/New Orleans jazz feeling CD. “Okra” and “Your Lips” are particularly fun. The only downside is “Jungle Jay” a rather uninspired rap. I just found that the rap is done by Nas, who is Dara’s son. I don’t know of Nas’s raps, but I assume they must be better than this one.

Overall, this record gives a nice upbeat feel of the heat in the summer time. Even though it has some raw sounding moments (his voice sounds quite vulnerable at times) it still maintains a good, solid sound. Knowing my tastes, I wouldn’t get more by Dara, and I wouldn’t listen to this all that often, but when the mood strikes, this will really hit the spot.

[READ: Winter 2006] What the L

I got tangled up in life, so I forgot that there were a number of books from a while back that I wanted to add to this blog listing. I’m going to intersperse them throughout here, but as you’ll see, some were read nearly two years ago, so I may not have all of my thoughts straight about them. (more…)

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Eric Hoffman & Gary Rudoren–Comedy By the Numbers (2007)

Posted in Dip-in Books, Eric Hoffman, Essays, Funny (ha ha), Funny (strange), Gary Rudoren, Lush, McSweeney's, Mr Show, Pretty Girls Make Graves, X-Ray Spex on May 6, 2008| Leave a Comment »

SOUNDTRACK: PRETTY GIRLS MAKE GRAVES-Elan Vital (2006).

Every time I listen to this record I think I’m not going to like it, and that is because I really don’t like the first song. I’ve never had a record that rubbed me so badly off the bat and then turned out to be such a fulfilling record overall.

I first heard PGMG when they first came out. I knew their band name from the Smiths’ song, so I had to see what they were about. But I was surprised to hear how unSmithsy they were. Their first two albums were great and then they seemed to go away for a while. When Elan Vital came out I’d read a few mixed reviews of it and it took me ages to pick it up. And, then, as I said, that first song…. I’m not sure what it is about the song that rubs me the wrong way. In and of itself it’s a very generic sounding song, but after listening to the rest of the album I think I figured out what i don’t like about song one.

The rest of the album is very sparse, almost angular, and yet they maintain an incredibly catchy aspect. There’s always at least one interesting part of every song. “Pyrite Pedestal” reminds one of later Lush, but only in the vocals, because Lush has always been kind of smooth and, well, lush. This song keeps the attitude of Lush, but sticks in a very simple melody line and instruments. The simplicity really highlights all of the aspects of the song…nothing is lost. And this is true for the rest of the songs as well. Each instrument, each vocal line, everything is so crisp, it really stands out.

As I’m reliving the record I’m realizing why it’s so hard to describe. It’s because although every song sounds like PGMG, the vocals are very strong and consistent and there’s a punk edge to everything, the styles of the songs vary greatly within the record. “Domino” is practically disco (but angry disco). And yet overall they remind me of X-Ray Spex. Andrea Zollo’s voice is less shrieky and much prettier than Poly Styrene’s and they are clearly post-grunge in their sensibilities, but they hearken back to the 1970s punk scene quite clearly.

Two other things that have changed in the band since their first two great albums: they’d added a keyboardist, who contributes really nice touches, and even carries one of the songs…but the keyboards never “soften” the songs. And, they use horns from time to time. I don’t recall if they did before but it does stand out in the mix now. (They are used to their detriment on the last song however. The main body of the song is quite good, but then it degenerates into a weird 4 minute keyboard and horn jam session. It’s as lame as it sounds. I don’t know what they were thinking ending their album like that.)

Oh, and so why don’t I like the first song? The whole album is clear sounding and immediate. Each song, with its differing styles and sounds is so unique. However, the first song sounds like they threw all of these elements together. There’s so much going on that it turns the whole song into mush. It sounds like a generic 90’s alternative song with layers of noise. But, don’t let that fool you. Skip track one and enjoy the awesome songs of Elan Vital

[READ: February 2008] Comedy By the Numbers.

A sample chapter of this book came with McSweeney’s 23. It was pretty funny so I bought the book. This is one of those strange books that McSweeney’s excels at: It seems like a joke and yet it is quite serious, except when it’s funny. So the premise is that this is a list of 169 comedy tropes that, once you master, will make you funny.

(more…)

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Rick Mercer–Rick Mercer Report: The Book (2007)

Posted in Beastie Boys, Canadian Content, Canadian Music, Corporate skewering, Dennis Miller, Dip-in Books, Essays, Funky Web Sites, Funny (ha ha), Jon Stewart, Mercer Report, Nadja, Political Humor, Politicians, Religion, Rick Mercer, The Kids in the Hall on March 13, 2008| Leave a Comment »

rm.jpgSOUNDTRACK: NADJA-Truth Becomes Death (2005).

nadja.jpgSlow and low that is the tempo. Very few reviews of Nadja will quote the Beastie Boys, and that is probably wise. The only reason I do is because the quote is so apt. Nadja plays music that is very very very slow. And the notes are very very very low. Have you ever played a 45 RPM vinyl record (remember those) on 33 and laughed at how it sounded? Well, that’s what this record sounds like. On purpose. There are 3 songs. The first is 23 minutes, the second is 16 and the third is 11.

The sound is generally an ominous drone, punctuated occasionally by high hats. It’s weird to me that someone would have even thought to make music like this.

None of this is to say it’s bad, it is just such a unique sounding record that I’m at a loss when I think about it. Some relief from the oppressiveness comes at the end of the third song, where there are suddenly three minutes of fairly light almost acoustic sing-alongs (this is relative of course, as nothing is light with this band). But for the most part it’s a punishing listen.

I’m not sure when you would play this, but I think you wouldn’t want to be anywhere where this is the soundtrack.

I discovered this album because I was buying records from the mighty Alien 8 Records web site, and they were having a buy 2 get 1 free sale. So, I tried Nadja. It was a worthy experiment, although I’m not sure if I’ll be checking out their other records. You never know though!

[READ: January 2008] Rick Mercer Report The Book

Many years ago, when I belonged to the Plainfield (NJ) Curling Club, I discovered that I could get satellite TV beamed in from Canada. Since I was really into curling, and so many other things Canadian (Kids in the Hall, 1/2 of my favorite bands) I thought I’d see what I could discover with a satellite dish of my own. It was through this dish that I found out about Rick Mercer. (more…)

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Michael Erard–Um… Slips, Stumbles, and Verbal Blunders, and What They Mean (2007)

Posted in Dungen, Essays, Michael Erard on November 21, 2007| Leave a Comment »

um1.jpgSOUNDTRACK: DUNGEN-Tio Bitar (2007).

tio.jpgThis record, released in 2007, was uncovered in a vault dating back to 1970. Or so it sounds. In fact, this is a fascinating release from a Scandinavian band, or more precisely, guy, Gustav Ejstes. He has meticulously worked to make this record sound as if it was recorded in the early 1970s.

And not just with the recording techniques, but the sound and style of the songs is very psychedelic 70s. It is frankly astonishing and even more astonishing, is that it is really really good.

The album starts out with a screaming rock and roll instrumental jam that seems like it’s about 7 minutes long but is really only 3 and change (not to make it sound like it’s too long, it just compresses so much into it that it seems longer than it is).

All kinds of instrumentation appear on this record, from wailing guitar solos to flutes and mellotrons. There are folkie ballads, and beautiful melodies. It’s like compressing all of psychedelia and folk into a brilliant sampler. I can’t say enough about this album. It is truly fascinating.

Oh, and here’s the thing, when there are lyrics, they are sung in Swedish. I have no idea what any of the songs are about, and I don’t care. It makes me feel like those Japanese kids from the 80’s who loved American heavy metal and probably got 1/2 of the words.

The crazy thing is that you can’t even pretend to sing along because the Swedish words don’t really even sound like they might be English words (the way you can fake your way through some foreign bands song). But none of that matters when the music is this good. I fully intend to put a track or two on future compilation mixes for unsuspecting xenophobes out there!

[READ: November 2007] Um.

As I mentioned previously, I was really excited about this book. It sounded terrifically geeky, and for a geek like myself, terrifically fun. I am fascinated by language, and, having suffered through Public Speaking classes, and now actually teaching classes to library patrons, I feel like I have progressed very far in my speaking prowess. Therefore, discovering the keys to why we make “disfluencies” like um, and uh in our speech sounded like a wonderfully fun topic. (more…)

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Michael J. Nelson–Mike Nelson’s Movie Megacheese (2000)

Posted in Boston, MA, Essays, Film & TV, Michael J. Nelson, MST3K, Spoon, Wilco on November 10, 2007| Leave a Comment »

megacheese.jpgSOUNDTRACK: SPOON-Ga Ga Ga Ga Ga (2007).

gagaga.jpgThis record was heralded as the greatest thing ever when it was released. Every review I read tried to outdo the other reviews with praise for this record. I can be swayed by reviews, especially if everyone is in consensus of a CD. And, I had put Spoon on my short list of bands to check out, so why not check out the best record of the year?

Well, as it turned out I was really unimpressed with it when I put it on. The first song, “Don’t Make Me a Target” was really solid, but the rest sort of drifted away into a mist of meaninglessness. In fact, the repetitive riff of “The Ghost of You Lingers” made it impossible for me to think of anything but Bon Jovi’s “Runaway,” and I will forever curse them for that.

Usually, if I’m not that impressed with an album, I don’t listen to it that much. I try to give everything 3 or 4 listens to make sure, but if nothing clicks, then that’s it. For reasons that I won’t go into, Ga Ga Ga Ga Ga got multiple airings in my house, and then, sometime around the 12th listen, it really clicked, and I got it. What’s especially weird about this is that it’s not even a very complicated album (usually some of those prog rock records take lots of listens to really get it), in fact many of the songs are downright minimalist. So what was the hold up? I have no idea.

I’m not willing to say it’s the best record of the year, or even that it’s my favorite recent record. But now that I found the key to it, I really do enjoy it, and I’m listening to it with new ears. It reminds me of a more commercial Wilco (the harder, rockier Wilco of Yankee Hotel Foxtrot). So if you’ve been put off by the hype of this record and aren’t impressed, let it sink in, maybe you’ll find it enjoyable too.

[READ: November 8, 2007] Movie Megacheese.

The most exciting thing that happened to me when I went to Boston College was that my cable TV selection improved vastly. I was exposed to the Comedy Channel or Ha! or whatever it was called before it turned into Comedy Central. And the best thing I had ever seen was Mystery Science Theater 3000. It had everything–cheesy movies, snarky comments, puppets, a silhouette on the bottom of the screen! It was amazing. My only regret was that I had missed so many seasons of it. Well, of course, silly me, Comedy Central is king of the reruns and soon, I too was circulating the tapes with the rest of them. (more…)

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McSweeney’s #24 [ “Trouble” and “Come Back, Donald Barthelme”] (2007)

Posted in Batman, Brazil, Corporate skewering, Donald Barthelme, Essays, Flann O'Brien, Funny (strange), Guided By Voices, Jacques Derrida, Marriage Trouble, McSweeney's, Samuel Beckett, Short Story, The Kids in the Hall on October 3, 2007| 1 Comment »

mcs24.jpgSOUNDTRACK: GUIDED BY VOICES-Universal Truths and Cycles (2002).

gbv.jpg

I like Guided By Voices more in theory than in actuality. In theory, Robert Pollard is a songwriting maniac who has released hundreds of songs that are all snappy, catchy and brilliant. In practice, Robert Pollard is a songwriting maniac who has released hundreds of songs that he puts out whether they are finished or not. A vast quantity of GBV output is about a minute long. And for the most part the songs feel like fragments, rather than real songs. Nevertheless, I find that just about everything he writes is catchy and quite good, it’s just that so much of it is so forgettable.

Despite that, they have several songs that are fantastic. I could easily make a greatest hits record of GBV songs that I think are fabulous, and it would probably have 20 songs on it. The only problem is Pollard has released probably a thousand songs, so that’s not such great average.

I received this copy of Universal Truths and Cycles as a promotional copy many years ago. I had really enjoyed Do the Collapse, and so I grabbed this CD, and much like my assessment above, I find that there’s nothing I really dislike about the album although at 4:59, almost three times longer than a typical GBV song, “Storm Vibrations” tends to drag, but overall there’s not that much that’s memorable. Of course, “Everywhere with Helicopters” is fantastic and “Christian Animation Torch Characters” is also pretty wonderful. I could pick maybe 3 of the 19 songs here to go on my hits collection, but overall, the album is typical GBV, a little weird, but very catchy.

[READ: October 2, 2007] McSweeney’s #24.

I just flew through this latest issue of McSweeney’s. It was a real treat to read. The packaging was another one of their fun covers. It is designed in two parts, with a gatefold type of sleeve that reveals a full nighttime scene if you open it all the way. These guys have so much fun with their design, I’m surprised they’re not noted more for that.

Anyhow, the contents: the one side is a selection of six short stories, they all seem to feature guns, and they’re not afraid to use them. The other side is a symposium of reasonably famous authors writing tributes about Donald Barthelme, and two short stories by Barthelme himself. It also comes with an excerpt from Millard Kaufman’s Bowl of Cherries, which I have not yet read, but if it’s good I will get the book and review it later. (more…)

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Jancee Dunn–But Enough About Me: How a Small-Town Girl Went from Shag Carpet to the Red Carpet OR But Enough About Me: A Jersey Girl’s Unlikely Adventures Among the Absurdly Famous [prepub] (2006)

Posted in Essays, Jancee Dunn, Memoirs, Rolling Stone, Rush, Set in New Jersey!, Team America: World Police on September 10, 2007| Leave a Comment »

but-enough.jpgSOUNDTRACK: RUSH-Snakes and Arrows (2007).

snakes.jpg

I’ve been a Rush fan since Moving Pictures, back in 1980. Some of my 8th grade classmates had made a parody of the song “Tom Sawyer” called “Father Sawyer,” (hilarious Catholic school humor!) and I thought it was funny, and that’s how I learned about Rush. In high school, my best friend was a big Rush fan as well; and then in college, my best friend and eventual roommate was a huge Rush fan too. After college, there was no one for me to hang out and talk Rush with (aside from these old friends, of course, but I wasn’t seeing them every day anymore), so I still bought the albums, but I wasn’t quite the maniac I was back in the day.

Rush went on hiatus for a few years. They came back with the fabulous, rocking Vapor Trails, and followed that up with an excellent concert tour. They seemed revitalized. And their latest, Snakes and Arrows, continues in this strong, rocking format. (more…)

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Lemony Snicket–Horseradish: Bitter Truths You Can’t Avoid (2007)

Posted in Concept Albums, Essays, Funny (strange), Lemony Snicket, The Kids Are Alright on July 31, 2007| 4 Comments »

horseradish.jpg SOUNDTRACK: THE WHO-A Quick One (1966) & Sell Out (1967) & Tommy (1969) & The Kids Are Alright (1979) & Quadrophenia (1973).

When I was in grammar school I loved The Who. I’d say Rush and The Who were the two cornerstones that I built my music appreciation on. Then as I got into more alternative music, I turned my back on classic rock. And, really that was a good thing. Moving away from it allowed my to gain an appreciation for it again now that it is classic to me as well.

Not too long ago, Petra Hayden recorded an all acappella version of The Who Sell Out. It was a pretty outrageous album to make, and I haven’t heard all of it. But I heard some when I was in a store way back when, and it was pretty cool. But what it did was make me want to buy the original Who Sell Out again. And so I did. And then recently, my wife was asking about some Who songs and I realized we only had the big hits on vinyl. So, rather than getting one of their 4,000 greatest hits packages, I invested in the entire reissued back catalog. And I felt like I was 12 all over again. It was amazing to see that I knew these records backwards and forwards, and I hadn’t listened to some of them in nearly 25 years! (more…)

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Shalom Auslander– “Save Us” & David Sedaris– “This Old House” & Stuart Dybek– “If I Vanished” (2007) [was: Various–Three New Yorker Stories]

Posted in David Sedaris, Essays, Marriage Trouble, Nada Surf, New Yorker, Open Range, Shalom Auslander, Short Story, Stuart Dybek on July 25, 2007| Leave a Comment »

nyorker.jpgSOUNDTRACK: NADA SURF-Let Go (2002) & The Weight is a Gift (2005).

letgo.jpgLet Go. Something happened between Nada Surf’s 2nd and third album, I don’t know what, exactly, but they really made some great material with these two albums. Let Go introduces a new jangly guitar style that makes the band softer and catchier, but which really accentuates the singer’s voice and melodies. Usually, when a band “matures” like this, the results are never good. But in this case, the mellower sound and slower songs really bring out the quality of the work. The first five tracks really shine, with “Fruit Fly” and “Blonde on Blonde” really standing out. The lyrics of “Fruit Fly” seems so simple and yet in context, and with the great melody, they work wonders. (more…)

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