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Archive for the ‘Dictators’ Category

SOUNDTRACKDEDICATED MEN OF ZION-GlobalFEST Tiny Desk (Home) Concert #133/138(January 11, 2021).

Dedicated Men Of ZionGlobalFEST is an annual event, held in New York City, in which bands from all over the world have an opportunity to showcase their music to an American audience.  I’ve never been, and it sounds a little exhausting, but it also sounds really fun.

The Tiny Desk is teaming up with globalFEST this year for a thrilling virtual music festival: Tiny Desk Meets globalFEST. The online fest includes four nights of concerts featuring 16 bands from all over the world. 

Given the pandemic’s challenges and the hardening of international borders, NPR Music and globalFEST is moving from the nightclub to your screen of choice and sharing this festival with the world. Each night, we’ll present four artists in intimate settings (often behind desks donning globes), and it’s all hosted by African superstar Angélique Kidjo, who performed at the inaugural edition of globalFEST in 2004.

The first band on the first night are the Dedicated Men of Zion from North Carolina.

Dedicated Men of Zion come to you from their backyard barbecue in North Carolina, bringing with them an electrified version of sacred Gospel soul music. This family band (all related through blood or marriage) has been isolating together during the pandemic, and the members are excited to provide an uplifting note during difficult times.

They sing three songs in front of an amazing looking barbeque in Dex’s backyard.  The first, “Father, Guide Me, Teach Me” is a rocking gospel song.  There’s a great old-fashioned organ sound from Aaron Adams.  The four men sing.  Anthony “Amp” Daniels sings lead, Dexter Weaver [his nephew-in-law], Antwan “Ace” Daniels [his son], and Marcus Sugg [his son-in-law] sing great backing vocals.  There’s a fun jam at the end.

“Can’t Turn Me Around” opens with Mark Richardson playing a simple blues riff on the guitar. Then Jerry Harrison joins in on bass.  Amp is full on power singing through it.  He sounds great.

For “It’s A Shame,” Ace takes over lead vocals.  He has a good voice, but not nearly as commanding as his father.  Drums throughout are provided by Amp’s little brother Jaheim Daniels.

They sound great, but honestly I kept thinking about that barbeque.

[READ: January 2, 2021]

Despite the boring title I was really intrigued by this story.  The cover is tshirtking and the blurb was really intense-sounding.

So, I was really fascinated that the fundamental basis of the story the #FeesMustFall Rally was real: #FeesMustFall was a student-led protest movement that began in mid-October 2015 in South Africa.  Much of the story is grounded in the reality and danger of this movement.

The story takes place over the course of a week and each chapter is told from one of six character’s person’s point of view.

Hector, a student protester is looking to get everyone riled up about the cost of education in Cape Town.

Noné, South Africa’s president is not ready to deal with this interruption because she has a big public event coming up–an extraordinary zoo.  Noné was once a student protestor herself but she has since become The System.  She can’t trust anyone because everyone is out to get her.  The only reliable face she knows is Alice.  Alice is young an beautiful and while Noné knows that Alice probably wants her job (and is undoubtedly prettier than she is), at this point Alice is a perfect assistant and only makes Noné look better.

Thuli is a student and friend of Hector.  She has been “glitching” where she can see seven days in the future.  She knows that Hector’s life is in danger.  She has to try to convince reporter Helen that what she’s saying is true. (more…)

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SOUNDTRACK: FREDDIE GIBBS AND MADLIB-Tiny Desk Concert #921 (December 6, 2019).

I was watching this video and I thought–that piano player looks like Marco Benevento.  And holy cow it is!

And he is amazing–playing his jazziest, prettiest melodies.  In fact, the whole band is fantastic.  They’re a band that I didn’t know Benevento was part of called El Michels Affair.  Okay, maybe he’s not.  It turns out that El Michels Affiar is a band founded by Leon Michels (who plays saxophone here).  And check this out

After performing with Raekwon at a concert, the group began working with other members of the Wu-Tang Clan and covered several of their songs … [which]…  yielded an album released in 2009 as Enter the 37th Chamber, a play on the album Enter the Wu-Tang (36 Chambers).  El Michels Affair followed this with a second album of arrangements of songs by Wu-Tang Clan and from its members’ solo releases, titled Return to the 37th Chamber.

And evidently producer Madlib really wanted to work with El Michels Affair

This Freddie Gibbs and Madlib Tiny Desk performance was a year in the making, largely because Madlib insisted on playing with El Michels Affair, a vintage funk and soul band based out of New York. But it was worth the wait. When pianist Marco Benevento opened with a delicate, almost jazzy run, it created the perfect opening — and juxtaposition — for hard-hitting emcee, Gibbs to jump in and ride the hell out of that beat.

Gibbs brags about Madlib the legend while Marco plays and Madlib makes all ind of weird sounds with the thunder stick.  Marco opens with a pretty rill, the funky bass from Nick Movshon kicks in and the horns (Leon Michels and Dave Guy in trumpet) play a wonderful melody. Its jazzy and improvish.

From the moment they launched into “Education,” a cut off the latest MadGibbs project Bandana, it was obvious Gibbs has spent countless hours honing his style. Meanwhile, Madlib, an enigmatic and reclusive producer known for his analog head-nodders, brought along a small thunder tube and vintage electric bongos circa 1960. Just getting a chance to see him ignited excitement in the NPR crowd.

I love the way drummer Homer Steinweiss shifts gears in what seems like mid song to a faster beat for “Gat Damn.”  Marco is on a soft synth sound while Madlib plays electronic bongos.  Of course, there’s some funky bass too.  Gibbs does some impressive quick jazzy rapping through the middle part.

“Soul Right” sounds great with some soft keys and horns. It’s slow and smooth and has a really catchy chorus.

Throughout the set, Gibbs’ uses the N-word about a million times and this song has a fantastic refrain of

‘Cause I been struggling my whole life, yeah
So I broke it down and it was all white, yeah

I had to wonder if it was awkward that everyone in the band is white.  Although Freddie says that there’s a white nigga up there-Leon.  The band is all his fam.  Leon… My boy!

But the conclusive jam in this killer set was “Freestyle S***,” a track that drips with the smoothness of satin and swagger of the seventies. It and the rest of the set elevated the room for both longtime purists and new fans alike.

“Freestyle Shit” opens with a great horn riff and Gibbs does some great fast rapping in the middle.  It is a fantastic musical jam.

But the way Gibbs emphatically showed his love for Madlib was just as beautiful to witness. There’s little doubt about their deep admiration and appreciation for each other. It was hands down, for me, the best Tiny Desk of the year.

This has turned into one of my favorite Tiny Desks.  Let’s hope this gets Marco Benevento his own show!

[READ: March 1, 2020] “Koftaesque”

This is an excerpt from Szabłowski’s book How to Feed a Dictator: Saddam Hussein, Idi Amin, Enver Hokha, Fidel Castro and Pol Pot Through the Eyes of their Cooks.

This sounds absolutely fascinating and this excerpt was certainly enough tom make me want to read more.

I’m also fascinated that this book was written in Polish (translated into English by Antonia Lloyd-Jones) and was most likely translated to him from whatever the chef’s language was.

The example in the except is from Saddam Hussein’s chef Abu Ali.  He says that Hussein invited a bunch of friends on his boat and Ali, his personal chef, was to cook for them.  They were not at war with anyone and everyone was in a good mood. (more…)

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