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Archive for the ‘Coronavirus’ Category

…And You Will Know Us By the Trail of Dead / Warish / Greenbeard (Voltage Lounge, Philadelphia, PA, May 1, 2020) [POSTPONED]

Posted in ...And You Will Know Us By the Trail of Dead, Coronavirus, Greenbeard, Philadelphia, PA, Postponed, Quarantine, Voltage Lounge, Warish on May 1, 2020| Leave a Comment »

[POSTPONED: May 1, 2020] …And You Will Know Us By the Trail of Dead / Warish / Greenbeard [moved to July 13]

indexI really enjoyed …And You Will Know Us By the Trail of Dead’s first few albums back in the late 90s and early 2000s.  Then I lost touch with them.  I feel like they changed style, but I’m not sure that’s true.

The one thing that was always true was that a Trail of Dead show was a can’t miss, combustible experience.

It’s about fifteen years and six albums later and when I saw they were playing nearby, I thought it would be fun to finally see them.  I read a review of a recent show in which the reviewer said that they weren’t as intense live as in the old days (without major label support, they could no longer afford to smash up guitars), but that they (meaning Conrad Keely and Jason Reece, the only two original guys) still impress with their intensity.

I’d never heard of Warish, but how’s this for a bio blurb:

Imagine if Incesticide era Nirvana were crossed with Static Age era Misfits. You’d have sinister low budget horror rock with a visceral, twisted weirdness and bludgeoning riffs. Some might call it nightmarish, we call it Warish.

I listened to a track on bandcamp and their music is great, but their singer is a little too much like Marilyn Manson.  I’ll bet they’d be fun live though.

Greenbeard sounds like a little more fun

Desert rock from the sun stricken soil of Austin, TX. Greenbeard brings prolific vibrations to the universe via drums, bass, and guitar.

The fact that they have an album called Lödarödböl makes me like them immediately.  They have a good stoner vibe too.

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Dan Deacon / Ed Schrader’s Music Beat (Underground Arts, Philadelphia, PA, April 30, 2020) [POSTPONED]

Posted in Coronavirus, Dan Deacon, Ed Schrader's Music Beat, Miley Cyrus and her Dead Petz, Philadelphia Museum of Art, Philadelphia, PA, Postponed, Quarantine, Underground Arts on April 30, 2020| Leave a Comment »

[POSTPONED: April 30, 2020] Dan Deacon / Ed Schrader’s Music Beat

index

I have wanted to see Dan Deacon live ever since I saw his mind-blowing Tiny Desk Concert.

Deacon is an electronic musician and a bit of a wild card.  His shows are full of audience participation and are a lot of fun.  There’s improv and looping and a whole lot of jumping around.

He hasn’t played Philly since 2015 (apparently, when he opened for Miley Cyrus and her Dead Petz). Well, he did a show at the Philadelphia Museum of Art (!) back in 2018, which was apparently wonderful, but which I wasn’t prepared to go to.

I was super excited to see that he was playing at Underground Arts and I grabbed tickets immediately. UA would have been an ideal venue to see him in, with the low ceiling and wide audience area.  I do hope this tour gets rescheduled soon.

When show were first starting to get cancelled in March, I held out hope that a show at the end of April might still go on.  But shows all around him started getting postponed.  He held out longer than most artists before postponing.

Technically Deacon’s music isn’t really my scene.  I do like him quite a lot, but I don’t particularly like other music like it.

So Ed Schrader’s Music Beat is a duo and Dan Deacon produced their latest album.  I listened to a couple of songs but didn’t really like it all that much.

I’ll bet they are fun live, especially if Deacon is guiding them.

Do come back soon, Dan!

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Diavolo (State Theatre, New Brunswick, NJ, April 28, 2020) [POSTPONED]

Posted in Acrobats, Coronavirus, Diavolo, New Brunswick, NJ, Postponed, Quarantine, State Theatre on April 28, 2020| Leave a Comment »

[POSTPONED: April 28, 2020] Diavolo [moved to April 29, 2021]

indexI love going to see Cirques–all kinds of fun acrobatics and stunts on display.  When my kids were younger, we went to a lot of them.  Then we stopped for a while and I felt it was time to do it again.

Diavolo is in fact a dance company, but they perform amazing acrobatics and physically demanding pieces (as you can see from the reviews like: “Diavolo’s performers are fearless, elegant and strong with a sense of timing by which a Swiss watch could be set, and the way the troupe interacts with the moving sets, makes for a truly spectacular and awe inspiring show.”).

I found out about this show after it was cancelled, but when I saw that it was rescheuled for April of 2021, I was really interested in going to see it with the family.

VOYAGE is Diavolo’s newest adventure, inspired by travels in space and the 50th Anniversary of the first Moon Landing. A young woman dreams of traveling distances only astronauts can, escaping from the ordinary world into a surreal landscape of infinite possibilities. Gravity-defying bodies join her on a large wheel structure that rolls along the stage and on the journey in a universe that is alive with kinetic energy, fantastical whimsy, and surprising transformation.

TRAJECTOIRE is a signature Diavolo work that takes the audience on a visceral and emotional journey through the ebb and flow of the human experience. Watch as performers jump on and off a “Trajectoire” which is a 3,000 pound boat made of wood, aluminum, and steel that continuously rocks back and forth. Watch the performers struggle to find their balance on a voyage of destiny and destination in a daring display that shows the transcendence of the human soul against all odds.

diavolo

 

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Kevin Barry–“No. 13 Baby” (Harper’s, November 2019)

Posted in Coronavirus, Drugs, Excerpt, Funny (ha ha), Harper's, Irish Writer, Kevin Barry, NPR/PRI/PBS, Quarantine, Rodrigo y Gabriela, Tiny Desk (Home) Concerts, Tiny Desk Concert, Violence on April 28, 2020| Leave a Comment »

SOUNDTRACK: RODRIGO Y GABRIELA-Tiny Desk (Home) Concert #15 (April 28, 2020).

The only thing better than seeing Rodrigo y Gabriela live (which is amazing) is getting to see them up close just to be even more amazed by what they can do.

The Mexican duo known as Rodrigo y Gabriela travel the globe playing to crowds who are captivated by their almost telepathic acoustic guitar interplay. But they make their home in Mexico in a sunny Pacific beach town called Zihuatanejo (remember The Shawshank Redemption?). For this performance we get a peek at their home studio, where they surround themselves with guitars and dress down in sneakers and casual clothes. They run through tunes from throughout their recorded history, including a song they played at the Tiny Desk back in 2009. Rodrigo y Gabriela’s picking and strumming feel more relaxed than usual but maintains their intense focus.

“Tamacun” and “Diablo Rojo” come from their album Rodrigo y Gabriela (2006).  Rodrigo plays the amazing and catchy leads and it’s terrific to watch him.  But I think that Gabriela with her unconventional and at times mind-blowing rhythm section that is even better to watch.  I never quite know what she’s doing with her right hand.  Is she specifically hitting different strings with different fingers, or is it just an elaborate strum?

The percussive sound they both get on “Diablo Rojo” is fantastic.  That they can keep the song interesting while just hitting their guitars is so cool.

“Hanuman” is from the album 11:11.  Each song on that album is a tribute to an artist who has inspired them.  This is a tribute to Carlos Santana (whom they met after this song was released).

“Mettavolution” is the title track from their newest album.  I love that they are album to write so many instrumentals with just two acoustic guitars and have them all sound so different.  Near the end of this one Rodrigo says that normally they ask people to sing along (woah oh ohs), but since there’s no crowd, maybe you’ll sing along at home.

It’s hard not to.

[READ: April 25, 2020] “No. 13 Baby”

This is an excerpt from Barry’s novel Night Boat to Tangier.

I have mixed reactions to Barry’s stories.  I usually like the details, but sometimes the the overall story is too intense (I don’t especially like stories about drug dealers) .

Set in the Plaza de la Constitución in Spain, Maurice Hearne is waiting for someone. The man arrives and says Maurice needs to pay half of the money first before he can meet Karima.  Then the man tells him that he should have his head examined: Just forget these people, go back to Ireland and have some kiddies.

He called home to Cynthia to assure her that everything was going to be okay.  Then he went to meet Karima. (more…)

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Sarah Shun-Lein Bynum–“Bedtime Story” (New Yorker, April 27, 2020)

Posted in CCR, Coronavirus, Credence Clearwater Revivial, John Fogerty, Liars, Marriage (Happy), Marriage Trouble, New Yorker, NPR/PRI/PBS, Parenting, Quarantine, Sarah Shun-lein Bynum, Sex, Short Story, Tiny Desk (Home) Concerts, Tiny Desk Concert on April 27, 2020| Leave a Comment »

SOUNDTRACK: FOGERTY’S FACTORY – JOHN FOGERTY + FAMILY-Tiny Desk (Home) Concert #14 (April 24, 2020).

I’ve never given much thought to John Fogerty.  I like some CCR songs; dislike others.  He’s a legend for sure, but I never thought about him.  I certainly never thought about whether he had children (much less grown children).

Watching this Tiny Desk where Fogerty and his three grown kids are playing along to some utterly classic songs is pretty weird.  Imagine if your dad wrote “Centerfield”?  It’s not my favorite song.  I don’t even especially like it, but I’ve heard it a million times.

And there you on video playing guitar and bass with your dad who wrote the song.  Is that surreal and wild or is it just what dad does?

When John Fogerty breaks out his baseball bat guitar and swings into that famous guitar lick from “Centerfield” to open his Tiny Desk (home) concert, I can almost taste the Cracker Jacks. Welcome to Fogerty’s Factory, the tricked-out basement where the Fogerty Family (John, his sons Tyler (mustache) and Shane (no mustache), and his daughter Kelsy) make music in these quarantined times.

Fogerty jokes about his own tiny desk.

His desk is the road case his band Creedence Clearwater Revival used when they played Woodstock, and John shows off a guitar he played at the festival as well.

After “Centerfield” he plays

three of his CCR classics from 50 years ago (still singing in the same key), surrounded by family and sending out words of encouragement to all of us.

I have a hard time believing he wrote “Down on the Corner” if only because it seems like a song that’s been around forever (which it has).

It’s amusing hoe much he acts like a grandpa (which he just might be), when talking to us and to his daughter (who has wise words to say about missing her graduation).

I don’t really know “Long As I Can See the Light.”  Maybe I do, it sounds vaguely familiar, but all CCR songs sound vaguely the same (his voice is unmistakable–and he still sounds pretty good).  he plays organ on this song, which is a slight change of sound.

“Proud Mary” is another song that I just can’t believe he wrote. Can you imagine being the guy who wrote that song?  Again, not a song I especially like, but everyone has sung it.  Everyone knows it.  It seems like it was a blues standard or something.  But this guy wrote it.

That’s pretty wild.

[READ: April 26, 2020] “Bedtime Story”

Ezra Washington’s wife walked in on him telling a story to their younger child.  It was about the time he was rollerblading and Julia Roberts crashed into him.

At first she doesn’t realize that he is talking about Julia Roberts, she thinks he is talking about her (“That laugh you’d know anywhere”).  But none of the details sound familiar.  It’s when the child says, “She’s the one that plays the mom…with the big teeth and the long brown hair?” that she realizes it’s the Julia Roberts story.

The dad confirms and the child reiterates, “Julia Roberts went right between your legs?”

“Yes, but don’t repeat that.”

She was the biggest movie star in the world.  Back then. (more…)

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Peter Kuper–“Little Donald’s Sneeze” (After Winsor McCay’s “Little Sammy Sneeze”) (New Yorker, April 27, 2019)

Posted in Comic Strips, Coronavirus, Dinosaurs, donald tRUMP, Idiots, Liars, Little Sammy Sneeze, Mary Anderson, New Yorker, NPR/PRI/PBS, Parades, Peter Kuper, Political Humor, Quarantine, The Pop Ups, Tiny Desk (Home) Concerts, Tiny Desk Concert, Winsor McCay, Wow in the World on April 26, 2020| Leave a Comment »

SOUNDTRACK: THE POP UPS-Tiny Desk (Home) Concert #13 (April 23, 2020).

When my kids were little I tried pretty hard to introduce them to interesting children’s music.  I often wonder if I ruined them by not just letting them enjoy Raffi.  Because they don’t like much of what I listen to these days.

I’m not sure how long The Pop Ups have been making music, but this is sure a fun (and informative) children’s band.

The Pop Ups (Jason Rabinowitz (on the keytar) and Jacob Stein) sing the theme song to the wonderful NPR podcast Wow In The World and perform at Wow in the World live shows. In their Tiny Desk (home) concert, they save the earth from an asteroid, explain sound waves through a sing-a-long and a keytar, and encourage us all to invent and create.

Before the first song Jason introduces the greatest instrument in the world.  The guitarino?  No, the keytar.  Then he talks about the kind of sound waves a synthesizer can produce: a square wave, a sine wave and sawtooth wave.  “Synthesizer” is a song about making these sound waves–and you are encouraged to dance around and make those waves yourself.

Then Jacob wants to see if we can stump Jason with sounds the keytar can’t make: saxophone, whistle, marimba, organ?  Nope, it can do them all.

The next song, “Meteor” introduces a puppet, Doctor Bronc the Brontosaurus.  Dr. Bronc saw a meteor in the sky so he created a laser to shoot at the meteor.  If everyone turned off their lights for one day, it would save enough energy to power the laser.  The moral: “You can save the world when everybody tries!”

The final song “Inventors” introduces us to a woman I have never heard of.  Mary Anderson in Alabama saw that snow was piling up on the street cars.  She figured there was something that could clean off the snow and so she spent much of her time coming up with windshield wipers.  Which we still use today!

Young inventors will help solve the problems that our generation made for you.

It’s sure inspirational, and a useful piece of history.

[READ: April 26, 2020] “Little Donald’s Sneeze”

I love any cartoon that is going to mock trump.  It’s especially excellent if you can use his own words against him (which isn’t hard because he never stops saying stupid things.

I particularly enjoyed this cartoon because of its old-fashioned look.  Since I can’t find the original cartoon this is based on (or maybe it’s just based on the general style of Winsor McCay’s strip), I can’t tell if Kuper did all of the art himself or if he judiciously used the original panels.

I also don’t know what’s at the header originally, but this one pretty succinctly describes the man who is killing people with his deceit.

The header of this cartoon lays it out clearly: He just simply couldn’t stop lying / He never told the truth!

Why is it that cartoonist knows this but news reporters can’t seem to catch on and actually believe him when he says things? (more…)

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Okilly Dokilly / P-Funk North (Blackthorn Restaurant and Irish Pub, New Brunswick, NJ, April 25, 2020) [POSTPONED]

Posted in Blackthorn Restaurant and Irish Pub, Coronavirus, George Clinton, Mac Sabbath, New Brunswick, NJ, P-Funk North, Postponed, Quarantine on April 25, 2020| Leave a Comment »

[POSTPONED: April 25, 2020] Okilly Dokilly / P-Funk North

indexI saw Okilly Dokilly open for Mac Sabbath last summer.  The show was bizarre for sure.

Okilly Dokilly are a goof to be sure.  All five guys dress like Ned Flanders from The Simpsons and all of the lyrics are things that Ned has said. Except that the band plays pretty extreme metal (death growls and whatnot).  They call it Nedal music.

It’s very funny and quite surreal.  And the band puts on a pretty darn good show.

I wasn’t sure if I’d ever need to see them again, but when I saw that they were playing a at a pub in New Brunswick (not far from me at all), I thought it would be a fun place to see them again.

I hope they do come back there.

P-Funk North is “a musical cocktail with a reggae rock core. PFN, which means North Plainfield, is in reference to our hometown in NJ and being George Clinton’s neighbor to the north.”  I listened to one or two of their songs and thought they were okay–not really my thing.  But they have five records out so I guess they are in it for the long haul.

Maybe they’re awesome live.

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Nell Zink–Nicotine (2016)

Posted in Anarchy, Cigarettes, Coronavirus, Nell Zink, Nick Hakim, Nicotine, NPR/PRI/PBS, Nudism, Prison, Quarantine, Religion, Romance, Runaways, Set in New Jersey!, Sex, Sexual Assault, Squatters, Tiny Desk (Home) Concerts, Tiny Desk Concert, Travel, Violence, Virginity (Loss of), Wall Street, Yuck! on April 25, 2020| Leave a Comment »

SOUNDTRACK: NICK HAKIM-Tiny Desk (Home) Concert #12 (April 22, 2020).

I had a mixed reaction to Nick Hakim”s Tony Desk, although the blurb writer says he loved it.

Whenever I’m asked to name my favorite Tiny Desk concerts, Nick Hakim’s 2018 performance sits near the very top. He and his four bandmates reset the bar for intimacy at the Desk with their hushed groove.

Hakim plays three songs from his upcoming album WILL THIS MAKE ME GOOD

from the corner of his dark bedroom with a keyboard, guitar and stacks of audio components.

His vocals on all three tracks are quiet and echoing, as if he is whispering down a long hall.  In fact all of the music sounds muted and soft, with a feeling of hazy smoke floating around,.

“QADIR,” is a haunting dedication to a fallen friend.  He plays guitar–mostly slow muted echoing guitar chords.  When the song ends, he activates a mini applause effect box which is pretty funny.

He takes a few loud slurps from his drink and gives a big “ahhh,” before starting the next song. For “GODS DIRTY WORK” he switches to the keys.  His singing style is exactly the same, although the song may be a little slower.

He adds a little more fake applause and then a somewhat creepy echoing laughter as he switches the drum beat for “CRUMPY.”

Honestly, all three songs sound a lot alike and seems really slow and hazy. It’s weird how upbeat and smiling he is, in contrast to the music.  I wonder how he makes everything seem so quiet.

[READ: April 15, 2020] Nicotine

I really enjoyed Nell Zink’s two other novels, but somehow I missed this one entirely when it came out.  I couldn’t imagine what it was about with that title and boy I never expected it to go where it did.

I actually had a slightly hard time getting into the book. That may have been because it was Quarantine and it was hard to ficus or it was because the opening of the book was so puzzling.  And yet by the end I was totally hooked.  But the beginning:

A thirteen year old girl stands in a landscape made almost entirely of garbage, screaming at a common domestic sow.

Then a white man comes and takes the girl away.  Her name is Amalia. (more…)

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Joywave: The Possession Tour (Union Transfer, Philadelphia, PA, April 24, 2020) [POSTPONED]

Posted in Coronavirus, Philadelphia, PA, Postponed, Quarantine, Union Transfer on April 24, 2020| Leave a Comment »

[POSTPONED: August 27, 2020] Joywave

indexI don’t know all that much about Joywave, but Union Transfer hyped this show a lot, which made me very curious about them.

For some reason I thought they were European, but they are from Rochester, New York.

They’ve been around since 2010 and apparently have had some buzz around them.  Their music is kind of alt-rock with a lot of synth.  I’m not sure I would have gone (so many other shows that night) but this postponement gives me more time to check them out.

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Tigers Jaw / Gladie / Kayleigh Goldsworthy (Crossroads, Garwood, NJ, April 24, 2020) [POSTPONED]

Posted in Cayetana, Coronavirus, Crossroads, Garwood, NJ, Gladie, Kayleigh Goldsworthy, Philadelphia, PA, Postponed, Quarantine, Tigers Jaw on April 24, 2020| Leave a Comment »

[POSTPONED: April 24, 2020] Tigers Jaw / Gladie / Kayleigh Goldsworthy [moved to July 18]

indexTigers Jaw is a band I know from a Tiny Desk Concert.  They played poppy gentle rock.  I had seen a poster for one of their shows up in a local sub shop recently.  At the time, the band was Ben Walsh and Brianna Collins and they traded off lead vocals and harmonies wonderfully.  Their new pictures show four members, so perhaps they have fleshed out their sound.

Gladie is a band that has formed out of the ashes of Cayetana, a Philadelphia band that I’ve heard of for years but don’t know anything about.  Shame they broke up I guess, but Gladie has resulted. Gladie plays gentle alt pop sung by Augusta Koch.

Kayleigh Goldsworthy is also from Philadelphia. She has a great 90s alt rock sound.  Her album has a full band, but I imagine she’d be playing solo.

I have never been to Garwood, but it’s not too far.  It seems like a good club to check out.  It turns out that late April was a very busy concert time for me so I wasn’t going to go to this show. But maybe the postponed date will work out.

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