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Archive for the ‘Philadelphia, PA’ Category

[DID NOT ATTEND: July 19, 2023] Barenaked Ladies / Five for Fighting / Del Amitri

We haven’t seen Barenaked Ladies since 2017 (2016 was the last time on one of these Last Summer on Earth tours).

They always put on a good show, although I feel like I’ve enjoyed the last few a little bit less than the previous ones.  Mostly because they play the same big hits all the time.  I mean, you can’t be BNL and not play those songs, but it would be fun if they didn’t.

I always consider going to their Last Summer on Earth tours, but I typically dislike the other bands that are playing with them–usually 90s bands that I assumed were broken up. Which doesn’t really speak all that well of BNL (unless it speaks well of them trying to boost old bands).  Their new setlist mixes in a few different songs, so maybe if next year’s co-headliners are good, I’ll grab tickets.

What was such a bummer for me this time is I actually want to see Semisonic (everybody knows that one song, but they have albums worth of great stuff).  But instead they were replaced on this leg of the tour by Five for Fighting.

I had heard of Five for Fighting and I know his song “Superman” although I’m getting it mixed up with another one I’m sure.  I had no idea that it was a one-person operation

Vladimir John Ondrasik III, also known as by his stage name Five for Fighting, is an American singer-songwriter and pianist. He is best known for his piano-based soft rock sentimental ballads.

I also didn’t know they were known for their soft rock ballads. Ew.

I had of course known of Del Amitri, their hit “Roll with Me” is still played from time to time.  Although I had no idea they were Scottish.  I would have told you they were broken up, but I see they reunited in 2013 and again in 2018.  They might have been interesting to see but not worth dragging out for this tour.

Next year guys, find bands that I actually want to see!

 

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[ATTENDED: July 15, 2023] First Aid Kit 

My wife and I saw First Aid Kit twice in seven months.  First at Union Transfer and then, when they came back through Philly, at the much larger Fillmore.

Both shows were great and we were happy to see them twice so soon apart.

Especially since it took five years for them to come back to town!

The seven month separation between shows led me to observe:

In a nutshell, it felt like a very different show even though it was more or less the same show.

But five years is a long time.  They put out a new album (and reissued it with extra songs the other day).  So this promised to be a very different show.

Although the set up was similar, the backing band was different this time.  Last time: Steve Moore on keys and trombone, Scott Simpson on drums and Melvin Duffy on pedal steel.  This time: Freja “Freja the Dragon” Drakenberg on keyboards, Gabriel Runemark on drums and Johannes Runemark (a.k.a. Kasino) on guitar and mandolin.

Klara and Johanna came out a few moments later looking fabulous–they have really embraced their look with Klara in a hot pink pantsuit and Johanna in a short flowy one piece that was mesmerizing in its pattern.

The new album is great and it is doing well and they opened with two songs from it.

I knew they’d be playing a lot of new stuff, but they did a great job interweaving it since after the  two new tracks, including the first single “Angel,” they played previous big hit “It’s a Shame.”  There was no pedal steel guitar on this tour, although Johannes could play those pedal steel lines on his guitar quite easily.

And there was some delightful banter with the crowd  (Hello Philleeeeeee!). (more…)

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[ATTENDED: July 15, 2023] The Weather Station 

I saw The Weather Station open for Mitski last year.  Well, I saw a couple of songs from their set because we were on the merch line for most of their set.

After that set, I wrote

I’ve heard a few of their songs on record and thought they were okay–jazzy and a little slow.  But live their songs really came to life with an energy and vibrancy that I didn’t hear on record.

They ended the set with “The Robber” the one song I knew pretty well and it was great live.  I’m glad they ended with that one.

Well, the weather was crazy and the traffic was nuts so we walked in a few minutes before The Weather Station went on.  And of course, I was on the merch line for half of their set once again. (more…)

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[DID NOT ATTEND: July 14, 2023] Noel Gallagher’s High Flying Birds / Garbage / Metric

I was more than a little out of sorts that Noel Gallagher’s band had top billing on this tour.  I just now realized that it was a co-headlining tour.  Which is better, but still.

I was surprised (but not really) when Garbage opened for Blondie when we aw them a few years ago.  [I GET that one, Blondie is an icon after all].  But Noel Gallagher?  The dude from Oasis?  I didn’t realize that his band of birds had four albums out.  But I also see that half of the set is Oasis songs.

The co-headlining scam is a pretty good one for bands.  Play for an hour instead of 90 minutes and charge more because its two bands instead of one.  But whatever.

Had I known this was a co-headlining bill I might have looked into getting tickets (although really, the Mann center is such a pain, that I probably wouldn’t).  We also wound up coming home from vacation on this day so that pretty much nixed any evening plans anyhow.

I did like Oasis when they came out (although I was always more Blur than Oasis).  But I find that when he’s not taking liberally from The Beatles, Noel’s songs are kind of bland.

Now Garbage, I love.  They were one of my favorite bands of the 90s.  I’ve seen them four times and would happily see them more if they would just do another headline tour instead of always pairing with people i like less than them.

I saw Metric last year and they were wonderful.  I would of course be happy to see them again, although seeing them in a shortened set like this wouldn’t be ideal (they played nine songs–but nine is better than none).

If this had been at an easier to get to venue, I would probably have tried to go.  And, like a kindred spirit who has the same tastes as me said, I’d have gone for Metric and Garbage and maybe left after to Noel songs.

 

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[DID NOT ATTEND: July 12, 2023] The Head and the Heart / The Revivalists

I’m actually surprised that this show was at the Skyline stage instead of the main building at The Mann.  That kind of made me want to go a little bit more (but very little as The Mann is a pain in the ass to get to).

Turns out, though, that we were away on the night of the show, so, it did’t matter anyway.

My wife and I saw The Head and the Heart at the Met Philly in 2019.  Here’s what I wrote:

I had quite possibly the worst concert experience of my life at this show.  And I want to reiterate it had nothing to do with the band.  There may have been a song or two in the middle that I wasn’t too excited about, but overall, they sounded great, played some really fun songs and seemed to be really enjoying themselves.

I wouldn’t mind seeing them again to make up for this show, but I probably won’t.   I also feel like I never want to go to the Met Philly again.  I feel like it attracts the wrong crowd–rich people who are looking for a night out rather than fans of music.

Re-reading the review I spent 2/3 of it complaining about the people around me. They were loud talkers and drinkers, completely louder than the band at times.

I would like to see The Head and the Heart again, I think.  Although it turns out they released a new album last year and I didn’t even know it.  So, I guess I won’t miss them that much,

I just checked and this show is sold out, so I guess they won’t miss me either.  And it really sounds like an event I don’t want to be at.

The Revivalists are a band that get some airplay on WXPN.  I do like one of their songs but overall their vibe is a little too retroey for me.  They are probably a very good fit with The Head and the Heart, although I feel like they veer in a direction I don’t enjoy as much.

 

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[ATTENDED: July 7, 2023] Skating Polly

I saw Skating Polly six years ago when they opened for X.  Unfortunately, I arrived really late and caught only a couple songs from them.

I’d been intrigued by them for a while–two sisters, both teenagers (technically Kelli was NINE when they formed), started a band as a duo and played some kick ass punk.  Six years ago primary singer Kelli was only 19, older sister Peyton was 24 and their brother Kurtis (no age given) was playing drums with them.

So here it was several years later and Kelli can legally be in Kung Fu Necktie.

They put on a fierce show with Kelli doing impressive high kicks in her platform shoes.

The lighting in KFT was weirdly over-red, so Peyton and Kurtis had a red glow the whole night while the one spotlight was on Kelli.

We also found out that they had a strict curfew of… 9:30!  Apparently there was some kind of event at 10, so they had to be off stage in plenty of time. (more…)

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[ATTENDED: July 7, 2022] Bugsy

Bugsy are from Minneapolis.

They were much louder than Jacklen Ro (and louder than their recordings would suggest).  They may have been egged on by the fact that Jacklen Ro came right up to the front of the stage to dance wildly for their set.

I enjoyed the guitar and vocal interplay although I found the singer to be a little hard to hear clearly.  It may have been where I was standing, although I find that she’s a little quiet on record as well.

I was quite fond of their bassist though.  She played some really cool fills and runs and her bass had a great almost New Order sound to it. And the final song, “hard to breathe” had a great opening bass line (and guitar harmonics).

I was kind of distracted during their set though because of Jacklen Ro dancing right in front of me and because half way through the set I noticed that Kelli from Skating Polly was in the audience watching, too.  (more…)

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[DID NOT ATTEND: July 8, 2023] The Smile / Robert Stillman

Much like with the Trey Anastasio Band and Phish (the only way to get close to Trey is to see him solo), The Smile seemed like the only way to see Thom Yorke and Jonny Greenwood from Radiohead up close. Their drummer is Tom Skinner from Sons of Kemet.

So when they announced a show in Philly I was all set  to grab a ticket.

Then I listened to the record and… I didn’t think much of it.  Granted , I didn’t give a lot of time to the record, but what I heard was just too jazzy for my liking.  So I was just as happy to not go see them.

I see that it has sold out, so good for them.

Robert Stillman is a composer and multi-instrumentalist from the northeast United States, currently based in Margate, UK. His music juxtaposes the archaic with the futuristic, incorporating influences of Jazz, Minimalism, American Folk music, and experimental electronic music to create a sound described by the Guardian Observer as “lending an avant-garde shimmer to pre-modern American sounds.”

One review of his set says he was

Perched behind a Yamaha DX7 and some DJ gear, Stillman blended down tempo jazz sax with minimalist electronic beats to warm-up the growing crowd

This sounds like a show I would have enjoyed intellectually, but not in practice.

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[ATTENDED: July 7, 2022] Jacklen Ro

I had not heard of Jacklen Ro before this show.  I wound up being a couple minutes late to thieir set and missed a song or two.

But I really enjoyed them.  A lot.

The band is a four-piece: Jackie Giroux (vocals/guitar), Caelen Perkins (guitar/vocals), Lauren Hickey (bass) and Caden Bartlett (drums).  They’re from L.A. and they write folky indie rock.  They’re punk enough to be on a bill with Skating Polly although their vibe is far more indie than punk.

Especially since Jackie Giroux plays acoustic guitar and Giroux and Caelen Perkins sing with delightful harmonies.  But what I especially liked about them is that their harmonies are lovely but they are not polished.  The songs are fun and emotional.  Not raw, because that implies a harshness.  Just stick with unpolished–a warm and inviting sound.

They were also warm and inviting with Giroux being full of smiles and compliments (and wearing no shoes).

“Self Control” is the new single.  It is spare but fun with a big friendly chorus.  The song is fun on record but live, the low end really gives the song more energy. (more…)

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[DID NOT ATTEND: July 7, 2023] The Dirty Nil / Daniel Romano’s Outfit /Froggy

Two years ago The Dirty Nil opened for The Menzingers in a show I couldn’t make.  But I’ve been intrigued by them ever since.

I wanted to go to this show, but it turned out that Skating Polly, a band I’ve wanted to see ever since I caught the last song of their set when they opened for X was playing the same night.

Stupid double booked nights.  This whole night sounds pretty great and it turned out to be a tough choice.

All of the blurbs for the bands come from their write ups on the Underground Arts page

For the strapping lads comprising Toronto rock trio The Dirty Nil, Big Bear was so much more than a convenience store parking lot they gazed upon from their second-floor bathroom window – the trash-strewn asphalt stage where seemingly every element of the human experience played out like a never-ending theatrical production.

The house was all at once a shared residence, creative commons, and god-forsaken pirate ship, its revolving cast of crewmates armed with instruments, alcohol, and overdriven amplifiers. Indeed, they lived, laughed, and loved there even though no kitschy wall sign from a suburban mom’s Etsy shop told them to.

“Bye Bye Big Bear” is a loving musical tribute to that unforgettable time and place, and The Dirty Nil’s first new offering since their impactful 2021 album Fuck Art. On its back, the boys returned to the road to electrify increasingly packed venues and festival stages with their fiery brand of punk-tinged rock n roll.

(more…)

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