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Archive for the ‘Willie Nelson’ Category

martinSOUNDTRACK: KIRBY-Tiny Desk (Home) Concert #32 (June 11, 2020).

kirbyWith recording equipment as easy to get as it is it seems like every person on earth might have a record out someday.  How else to explain how these Tiny Desk (Home) Concerts are just chock full of people I’ve never heard of before.

KIRBY has a really nice voice.  These renditions are wonderfully low-key.  It’s just Justus West playing a simple but effective guitar and KIRBY singing in a restrained style.  This is at least the fourth time I’ve seen Justus West in a Tony Desk Concert (Ty Dolla $, Leikeli47, Logan Richardson) and I think he’s pretty fantastic.  I’d like to see him features more.  I’m pleased that she doesn’t do any histrionics, she just sings prettily.

.KIRBY’s panache here, bolstered by a yellow bodysuit and blonde afro, is infectious and — just like the sunny backdrop of her manager’s LA home — her vocal runs radiate a soft power.

She plays three songs from her debut album Sis.

The first track is “Kool Aid” and with a dose of millennial spunk she sings “New hair, new braids / Nina Simone with a touch of ‘Yonce,” 

For the final song, the guy who has probably been on the most Tiny Desks in the shortest amount of time, Lucky Daye comes out to song with them.  It’s a little upsetting that they don’t seem to be fully social distancing, but they don’t touch, so that’s good.

“Velvet” is another song on the show Insecure which I’d not heard of until yesterday’s Tiny Desk (Home) Concert. Wins my heart for her improv first line:

“If I was a president I would tax it [No trump].”

Lucky Daye adds a high vocal R&B line that is almost the same range as her, although she does eclipse his high notes at the end.

[READ: June 19, 2020] “The Grand Old Opera”

This is one of those rare Shouts and Murmurs pieces that actually has a punchline–it sets itself up and pays itself off.  Most of them tend to be a joke that plays off of iterations of itself, so it was nice to have a conclusion.

The starting point of this piece is from a hilarious complaint from John Ashcroft (remember when he was the worst we had to worry about?).

Ashcroft complains that the opera gets funding from the NEA but people like Willie Nelson and Garth Brooks don’t. He then has the preposterous comment:

Those of us who drive our pickups to those concerts don’t get a subsidy; but the people who drive their Mercedes to the opera get a subsidy.

This piece centers around a discussion between the chief troubleshooter and the company director of the Metropolitan Opera House .

The troubleshooter is very concerned because there are people coming to the Met tonight on a Ford Taurus.  Worse yet, they are planning to arrive early to get a good parking sport. (more…)

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 SOUNDTRACK: RHEOSTATICS-The Horseshoe Tavern, Toronto (May 27, 2017).

Fourth of four shows at The Horseshoe Tavern dubbed Spring Nationals.  Some bust outs at this show – Take Me In Your Hand, Jesus Was Once A Teenager Too, Edmund Fitzgerald as well as Opera Star and Take The Money And Run – another awesome show.

Lineup is: Dave Bidini / Dave Clark / Hugh Marsh / Ford Pier / Martin Tielli / Tim Vesely

Jeff “J.C. ” Cohen the owner of The Horseshoe introduces the show.  He talks about the 70th Anniversary of The Horseshoe.

He mentions thee 1950s and 60s when artists like Willie Nelson would do a full week here. No cover from Mon-Wed to get to know the band and then a $3 cover and then a $4 cover.  They made this dump a legendary live venue.  Nothing beat 25 nights of Stompin’ Tom Connors.  That kind of thing doesn’t exist anymore except the Rheos.  He mentions how during their last Nationals they went to like 3:45 AM.

The opening acts were Southtown from Texas and Hydrothermal Vents (John Tielli’s Montreal-based band)

This nearly three-hour(!) shows starts off pretty mellow with Tim;s new song “Music Is The Message” which sounds more pretty than ever.  It’s followed by a whispered version of “Stolen Car” with gentle violin and backing vocals to start.  Although about 3 minutes in, an ever escalating feedback starts taking over the song and they have to stop mid-song (gasp!)  DB: “Live music!  These are not backing tapes, not yet.”  Martin picks up right where they left off perfectly.

Dave: “We’re mostly playing waltzes tonight.”

They mention the “bad” fan from last night. The Habs fan, he was very anti-fellatio.  Clark: “That’s the big guy from Shakespeare, right?”

Ford: “There are more things in heaven and earth than are dreamt of in your philosophy, Fellatio.”

“King Of The Past” sounds great.  I love Hugh’s violin at the climactic moment.  It’s followed by “Northern Wish” Dave notes: My wife wrote those land ho’s.”  He also mentions that Martin is “quite the cowboy.”  So Martin recites in a drawl, “Everybody’s talking about me, but I don’t hear a word they say.”

Someone shouts, “You guys gotta play ‘Saskatchewan.'”
DB: [quickly] “Nope.”
Audience guy: “Why not?”
DB: “Well maybe.  Seeing as you asked so …nicely and not at all brusquely.  We’ll see.  The set list is merely a sketch.”

DC: “This ain’t brain surgery.”
DB: “Or Brain Salad Surgery.”
Tim: “Or hot dog salad surgery” (an inside joke about the very first tour they went to the 7-11 in Thunder Bay in our under pants and it was seriously cold.  All we could afford was hot dogs so we loaded on as much salad as we could.  I don’t think they have police in Thunder Bay because we should have been arrested.

Then comes the first huge surprise, a bust-out of “The Ballad Of Wendel Clark Parts I & II.  It sounds great and during the ending section they do a few Stompin’ Tom songs: “Bridge Came Tumbling Down” and Algoma 69.”  Then they take it back to G sharp for a folkie verse of “P.R.O.D.” and then the Wendel ending.

Dave talks briefly about the Lake Ontario Waterkeeper our legacy as a generation.  It’s a beautiful body of water that nobody goes in.

There’s a very smooth sounding “Claire” with nice washes of synths.  It leads to a terrific version of “The Albatross” which gets better with each playing.  We learn that it was written after a Martin solo tour which is why it sounds so very Martin.

“Soul Glue” is a fun version with lot of violin.  Amusingly, Tim messes up the opening lyric, starting with the first syllable of the second verse.  Dave asks, “You need some help, Tim?”  But Tim is quickly back on track.  A ringing of feedback returns but is quickly squashed.  The pretty ending of the song leads an abrupt loud rocker, the introduction to “AC/DC On My Radio.”  It has some great drums at the end and Dave even asks, “Could you guys clap your hands?  I never ask people to clap their hands.”

“P.I.N.” sounds great and is followed by another bust out: “It’s Easy To Be With You” or “It’s easy to be with Hugh.”

Tim: This one’s called “smoke break slash washroom break.”  It’s a pretty acoustic version of “Bad Time to Be Poor” with Tim on guitar and High on violin.

Tim thanks the “multi-nighters” and then Martin introduces “my brother johnny” who helps out on “Jesus Was Once A Teenager Too.”  The songs tarts quietly with just piano and builds and builds.

They have some “high level talks” about what to play next.  They agree on “What’s Going On?” Then Martin suggests “Saskatchewan” “for those guys.”  Tim: “maybe that will shut them up.   Just to be clear it’s Part 1, right?”  Dave: “he’s left, he’s puking in the bathroom.”

There’s a very pretty ending that launches into Martin’s heavy riffing for “RDA (Rock Death America).”

Then the man who has been compiling all of these live shows, Darrin Cappe gets a dedication of “Christopher.”

A fun, rollicking “Dope Fiends and Boozehounds” segues into “Alomar” (sort of, Dave notes) and then back into “Dope Fiends.”

After an encore break, Dave plays “My First Rock Concert.”  Dave says “Maybe Tim Mech will join me.  maybe not.”  But then, “This song features Tim Vesely on the drums.  He’s got one fill but it’s a really good fill. [Tim plays].  That’s a new one! [Tm plays another]. That’s all I got.

As Dave sings about his first rock concert which his dad drove them to, Tim says, “Fred…. in a Delta 88.”

Dave asks: Ford what was your first concert?  Ford is using Tim’s mic, no sound.  Tim: “They didn’t turn my mic on tonight.”  Ford: “But you made so many awesome jokes.  You got to repeat them all.”  After some hemming and hawing he says: “D.O.A. or SNFU or Personality Crisis or Chocolate Bunnies From Hell… or Big Country.”  Dave: “You can only have one, Ford.”  Ford: “Nope.  Too convoluted to get into here, but I am the kind of person who has had many firsts in his life.  I’m a complicated man.”

When he sings the “swan dive,” Tim says “No you didn’t.”  Dave: “He was there.  No I didn’t.  But it works with the song.”
Ford: “See, truth is less important than meaning.”
Dave B: “Truth is less important than loyalty.”

Dave Clark: “Beach Boys, 1973, Surf’s Up, with my best friend Karen Lindhart.”
Tim: “Triumph at Exhibition Stadium.”

They play “Take Me in Your Hand.”  Dave: Tim, two drumming songs in a row how do you feel?”  Tim: “Elated and vindicated.”  There’s a great organ sound throughout the song, which they haven;t played in a long time. Although the acoustic guitar cuts out during the outro.”

Dave Clark has the audience do something with their hands and ultimately touch their ears and says he does it with little kids all the time in class.  I’d like to know what that is.

Martin notes: “Timothy Warren Vesely on the kit… on the traps.”
Ford”  “I want to tell you all how thrilled I am to be here with my dear friends, playing like the best music there is.”

Dave mentions some upcoming shows through the summer and then one that’s not in Toronto that their lawyer Woody Springsteen told them not to talk about.

Martin: This next song was written by a good friend of ours…”
DC: “G. Gordon Liddy.”
Martin: “G.  Gordon Lightfoot.”
Ford: “He could have killed every person in this room with any object on this stage.”
Tim: “We ask that there be no lights for this song….”
Dave B: “Total dark in the beginning, Marsen.”

It’s amazing that they do an 11 minute version of “The Wreck Of The Edmund Fitzgerald.”  It sounds really great and just builds in intensity until there is absolute silence at the end of the song.  Really amazing.
Martin asks, “When’s the last time we did that, Dave?”
Dave: “I don’t know, a long time ago.  But sometimes it’s good to take a break from a song.”
Tim: “Or from a band.”

Dave B: “Who is not from Toronto?  It means a lot.  Jesus, I don’t think I’d drive to see us.  …because I’d be replaced and that would be terrible.  It would be sad.”

There hasn’t been a ton of banter during this show, but as it gets near the end, they are talking more.  They dither about what to play

Audience: “play a good song.”
Dave B: “that’s a terrible chant.”
Audience: “play a bad song.”
Audience: “play my favorite song.”

They play “What’s Going On Around Here?” with Tim on accordion.  It sounds great and then as they get near the end, Hugh starts playing a crazy violin solo–weird effects making bizarre almost human sounds with Martin doing bizarre backward mumble vocals.  It’s pretty neat.

Dave, sounding exhausted: We have one more maybe one and a half more.

Tim: “I think we played the show stopper like five or six songs ago.”

Dave C: “Martin’s gonna surprise you, kids.”  He plays Neil Young’s “Opera Star” and then a sloppy version Steve Miller’s “Take The Money and Run” that doesn;t quite sound right but still sounds good, especially Hugh’s wild solo.

Dave B: “Now that’s a show stopper.”
Tim: “That’s because we know no other songs.”
Dave B: “Should we do one more to bring it back.”
Tim, “No, we know no more.  That was bottom of the barrel.”

Requests from the audience, but Ford Pier, he’s in the band, we have to honor his request.  We’ll soon be having an opening on keyboard after Ford Leaves, and if you’re in the band you request songs and we have to play them.
Ford: “I didn’t know how that worked.  ‘Chemical World.'”
Clark: “I’d love to play that.”
Dave: “I’d love to pay ‘Satellite Dancing.'”
Martin starts singing “Radio 80 Fantasy.”
Dave starts playing “Body Thang” then says, “I just wanted to see Tim make that face.”
Ford:  “What a bunch of yoyos.   All those nice things I was saying before, I take it back.”

They settle on “Self Serve Gas Station” which opens quietly with lots of violin from Hugh.  “What went wrong with Johnny?  And Dougie too.”  They play the end in a crazy ska fashion.

This was a great four show Nationals and I wish I could have been to at least two of them.

They played throughout the summer, but the only shows left on the site as of today are four more from December 2017.

[READ: April 20, 2018] Baseballisimo

Baseballissimo is about baseball.  In Italy!  That’s a pretty good title.

I have read all of Dave Bidini’s books so far but I put this one off because it’s about baseball in Italy, which I didn’t think I’d care about.  And I don’t really.  But I did enjoy this book.  I especially enjoyed reading this at a removal of some 15 years from when it was written.  There was no reason to have any vested interested in the current status of anybody in the book (except Dave).  I just assume that fifteen years later nobody in the book is still playing baseball and we’ll just leave it at that.

So in the spring of 2002 Dave took his wife Janet and his two little kids on a six month trip to Nettuno, Italy, a seaside town of thirty thousand about an hour south of Rome.  His plan was to follow around the local third-tier baseball team the Peones for their season.

Many on the team wondered why he would write about them.  They seemed puzzled by the very idea.  One of the players asked

“Photo?”
“Si”
“Photo nudo?”
“Maybe”
“Angalaaaaaaato” he said using a Nettunese expression for lovemaking

But mostly they wanted to know why he didn’t want to wrote about real baseball.  We play for fun, no?
Dave said, “I’m mot interested in real baseball.” (more…)

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[ATTENDED: July 21, 2017] Phish [I’ll be attaching some video clips later]

I had imagined going to all 13 shows at MSG.  I knew it would never happen (maybe if I was single and lived closer to NYC).  I saw a number of people who did go to all 13 shows.  Some looked pretty good.  Others looked pretty beat.   Last night I sat next to a guy who went to 10 and a woman who went to 8–she looked much better than he did.

Each night on this run has been pretty spectacular.  The sets have been great, the band has sounded fantastic and their energy never flagged.  There were several shows in the run that in retrospect I would have loved to have been at.  But I assumed first and last night would be a fun way to go.

As soon as I saw that they weren’t repeating any songs, I decided to keep track of what had been played to see what was left.  I don’t normally like to “know” what a band is going to play so I wasn’t trying to guess the setlist, but I wanted to make sure that I was going to get some songs that I wanted to hear.  I joked that if they kept playing my “top rated” songs, the show would be a 45 minute “Minkin” with dips into “No2” and “Riker’s Mailbox” [Phish jokes… nevermind]. (more…)

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[ATTENDED: August 14, 2016] The Avett Brothers

2016-08-14 21.01.57Sarah and I were supposed to go see The Avett Brothers but our child care debacle meant that only I could go.  Other people did bring their kids to the show (there were quite a few kids, actually).  Once I showed up, I suggested that she come with the kids but they were settled in for the night by then.  This would have been a much more fun show with Sarah–The Avett Brothers are a fun band meant to be shared with your neighbors.

But at the same time, among a sea of really short people, the two guys right in front of me were gigantic.  And worse yet, they talked to each other throughout the show by leaning in to each other.  I tried to watch the first two songs between their giant heads but they kept leaning in and blocking my entire view.  So I moved to the side of them and the guy next to me asked me to move back to give him more room.  Well, since I had paid for two tickets I was using the space.  So if Sarah had been there, we would have been really tightly packed and one of us would have seen nothing.

When I joked that since Sarah couldn’t come I hoped the show would be terrible so she wouldn’t miss anything, she retorted with a line from the great Amy Schumer Abusive Relationship sketch: “I hope the next time you got to a concert that the band doesn’t play the song you want to hear and instead they just play songs from their NEW ALBUM.”  And that came true when they did not play the couple of songs I really wanted to hear and did in fact play six songs from their new album.  I like a bunch of Avett Brothers songs quite a lot, although I don’t know a lot of their catalog.  I don’t have their first releases and I haven’t gotten their newest album (although I have listened to the new album a few times and did like it).

So if I’m not a huge fan, why go?  Well,I had heard that their live shows were epic–fun and wild with sing alongs and foot stomping and covers and all that good stuff.  So my expectations were high for a good time.  The crowd seemed largely into it–although as I said the people on either side of me were real drags.  It was even weirder when during a couple of slow songs, there was a lot of chatter around me.  I think everyone was distracted by the flashes of lightning that filled the sky in the distance.  Knowing that previous shows were cancelled, those flashes were worrisome.  The lightning stay far away and were actually very cool to see and despite the threats, it never rained on us and nothing was cancelled. (more…)

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