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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: October 25, 2023] An Evening with Les Claypool’s Flying Frog Brigade

I have seen Les Claypool play with a variety of other people.  I’ve been a huge fan of Primus (although not their fans) and have always been interested in whatever Les has to offer.  I have seen him with the Claypool Lennon Delirium twice.  I really don’t need to see him any more, but there was one draw to this show–the band was going to play Pink Floyd’s Animals album straight through.

That’s one of my favorite albums and I knew that they would do a great job with it.

With the hindsight of two shows after this,  I can say that either I have no tolerance for people anymore or that people just have no clue how to behave at a concert.  This is Les Claypool, I expected lunacy and zaniness.  Costumes were encouraged for crying out loud.  It was supposed to be fun.

But there was a woman with calf-length dreadlocks slam dancing with nobody.  She just whipped her hair around and made everyone miserable.  I mean have fun, but don’t shit on everyone else’s party.  And there were two different men with deep booming voices on either side of me who just wouldn’t stop talking “No, that’s a bass saxophone.”  “Have you ever seen Claypool before?  He’s really good.”  During the freaking songs!

Holy shit.

So the band was pretty interesting.  Sean Lennon on guitar (so it was like seeing the Claypool Lennon Delirium, Harry Waters (Roger Waters’ son) on keys, the legendary Skerik on saxophone, Paulo Baldi (from Cake) on percussion, primarily vibes and a revelation on these songs.  And Mike Dillon on drums.

So pretty much all Claypool adjacent songs sound similar-thumping weirdo bass, varying guitar weirdness and everything else thrown on top.

They actually played songs from the Frog Brigade album, but I hadn’t listened to that in a pretty long time.  So I didn’t know the first two songs, but they were Primus-adjacent and there for interesting.

Their cover of The Beat’s “Mirror in the Bathroom” was super fun.  An early highlight of the night.  “That was worth the price of admission,” one of the loud jagoffs said loudly possibly three times, certainly twice.

There was the lengthy, trippy “Blood and Rockets” from the Delirium records.  And then an old Claypool song that I knew: “Hendershot.”  This is a simple straightforward song, a surf rock song that’s not all that weird.

However, the one big difference between the Frog Brigade and Primus is that the Frog Brigade is a jam band.  And they are more like a jazz jam band in which everyone gets a solo (except the drums, mercifully).   That meant that if one of them got a solo, you knew there were going to be three more.  Ho hum.  The saving grace was that they were chatting during the solos and Les is hilarious so any chat is good for me.  They were talking about surf rock with Les teasing Shiner (Sean) asking if that was the best surf rock guitar solo he had ever played.  Then he asked Harry about his surfing experiences and it was all in good fun.  But the loud jagoffs around me started complaining about this talking business.”  Play fucking music.”  I was pretty peeved by the end of the first set.

I seriously considered packing it in and going home.  But I knew the next set started with Animals and I really wanted to see that.

And I’m glad I didn’t leave because Animals was outstanding.

The set opened with Sean on acoustic guitar (on a stand) and Les singing Pigs on the Wing.  They jumped right into Dogs, the most rocking of the songs.  Sean’s guitar was great and Harry’s keys were perfect.  Paulo Baldi added delicate vibes here and there which really fleshed out the high notes wonderfully.  And Les’ bass was louder in the mix, letting us hear those bass lines properly.  Skerik was not included, which was great because there’s no sax (or need for it) on these songs.

In Pigs (Three Different Ones), everything was right on (even the crowd mostly settled down for these songs–except for the guy who kept bumping into me and the apologizing profusely.  Relax dude.  When it came to Dogs, everyone sang.  Sean sang the first line and when the long vocal note was held in the record, Les took over from Sean–sounding seamless and perfect.  It was really impressive.  Harry added vocals as well, and really, it was all a great exercise.

The ended as they begin with Pigs on the Wing and it was a glorious 40 minutes of music.

From there, they got back to the wild business of Claypool.  Precipitation was a rollicking fun song.

But I was thrilled to hear them play “Riddles Are Abound Tonight” a great song from Les’ first spin off band Sausage.  I never imagined that I’d get to hear this song live and it was absolutely great to sing “huh, hoy yo!”

I also really enjoyed Les’ first solo album the Holy Mackerel so it was fun to hear “Running of the Gauntlet.”

There was more soloing from each member and Skerik came back for the last few songs.

I didn’t recognize immediately when they started “Cosmic Highway.”  I knew it but wasn’t quite sure how well knew it.  But a soon as that cool riff started–and genuinely sounded like a sitar–I really enjoyed the lengthy jam.

And then Les left the stage for a minute or so.  And he came back with … the Whamola–essentially a metal stick with a bass string on it.  You hit it with a drum stick and change pitch with a handle at the top.  I’ve seen this in videos but it was amazing to see him play it live.  The song “Whamola” is weird and fun and invites participation from everyone.

I had originally thought I might leave early but I’m so glad I stayed to see Whamola!

I could have gone to the show in Montclair the night before instead of this one.  But upon seeing the setlist I’m glad I didn’t choose that one.  Yes, they got Thela Hun Gingeet as an opener, which would have kicked butt.  But I much preferred Mirror in the Bathroom, plus we got the Sausage song, a great Cosmic Highway and the exceptional Whamola.  So the crowd may have sucked but the music was pretty great.

 

  1. David Makalaster [with Southbound pachyderm tease]
  2. Lust Stings §
  3. Mirror in the Bathroom [The Beat cover]
  4. Blood and Rockets: Movement I, Saga of Jack Parsons – Movement II Too the Moon Æ
  5. Hendershot Ψ
    Pink Floyd: Animals
  6. Pigs on the Wing, Part 1  @
  7. Dogs @
  8. Pigs (Three Different Ones) @
  9. Sheep @
  10. Pigs on the Wing, Part 2 @
    SET TWO
  11. Precipitation Ψ
  12. Riddles Are Abound Tonight
  13. Running of the Gauntlet Ψ
  14. Rumble of the Diesel §
  15. Cosmic Highway
  16. Whamola


@ PINK FLOYD: Animals (1977)
℘ SAUSAGE: Riddles are Abound Tonight (1994)
Ψ Les Claypool and the Holy Mackerel: Highball with the Devil (1996)
⊗ THE LES CLAYPOOL FROG BRIGADE: Purple Onion (2002)
§ LES CLAYPOOL: Of Whales and Woe (2006)
Æ THE CLAYPOOL LENNON DELIRIUM: South of Reality (2018)

 

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[ATTENDED: October 21, 2023] Genesis Owusu / Godly the Ruler

My wife and I joke about how we don’t really like Genesis Owusu but he is so damned catchy that it’s inevitable  to become a fan.  When his show was announced I grabbed a ticket and then forgot about it because it was months away.

I realize that he’s Australian and may not come to the States that often, but when the Wax Jaw show was announced, I was sure that I could get to the Genesis show after the Wax Jaw set.

Wax Jaw was finishing at 9:30 and most Underground Arts shows start at 9.  So, I’d miss Godly the Ruler and be there in enough time to catch the Genesis set.

But for reasons I cannot imagine, Godly went on at 8:30! (more…)

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[ATTENDED: October 21, 2023] Wax Jaw 

Wax Jaw has only been around for a little over a year.  In that time, they have released a couple of singles and amassed a huge local following.

Wax Jaw was born out of the summer-time daydreams and blossoming friendship of Greg Blanc (bass) and Sean Vannata (guitar) in June 2022. They immediately shared a vision of writing lively, upbeat tunes that would make even the most reserved audience member come alive during their shows. Keeping this priority in mind, a five-person lineup was curated one member at a time until the band reached its final form in January 2023. Since then, Wax Jaw has wasted no time sinking their teeth into the bleeding hearts of Philly audiophiles through their animated stage presence, vintage visuals, and high-energy performances. They recently played back-to-back sold out shows at Silk City and PhilaMOCA – most notably sharing a stage with nationally acclaimed acts Wine Lips and Acid Dad. With a six-song EP set to release in September, Wax Jaw is the innovative, all-gas-no-breaks band to watch!

I could have seen them open for Acid Dad a little while ago, but decided to stay home that night. (more…)

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[DID NOT ATTEND: October 22, 2023] Be Your Own Pet / Birthday Girl

I remember when Be Your Own Pet came out in 2006–they were endorsed and supported by members of Sonic Youth.

They played bratty teenage punk and were a ton of fun.  And then they broke up.

They have recently reunited (wikipedia says)

Following a fourteen year hiatus, they reunited in 2021 after being specifically requested by  Jack White to open up on a few dates of his Supply Chain Issues Tour.

Their own blurb says

On the heels of playing to packed rooms and enthusiastic audiences at SXSW, Nashville’s Be Your Own Pet have dropped a new single, “Hand Grenade,” via Third Man Records. The song marks their first new music since the release of their seminal Get Awkward album (XL Recordings) in 2008 and was written and recorded by the three founding members Jemina Pearl Abegg (vocals), Jonas Stein (Guitar), Nathan Vasquez (bass), and longtime drummer John Eatherly. Picking up right where they left off and clocking in at just over 3 minutes, “Hand Grenade” is an exuberant return and leaves no question they are the same band that Pitchfork called “vibrantly charismatic” and Rolling Stone labeled “charmingly raw.”

I had not heard of Birthday Girl which is surprising only because of the band’s lineage.  A Pessimist is Never Disappointed notes:

I think some folks are, rightly, going to check out Birthday Girl because Mabel Canty’s father is Brendan Canty (Rites of Spring, Fugazi, The Messthetics, etc.), or because Isabella MacKaye’s dad is Alec MacKaye (The Faith, Ignition, The Warmers, Hammered Hulls, etc.). But people are going to stay with this band because the music those two make with drummer Tess Kontarinis is sharply realized and emotive. What’s here on the band’s self-titled debut isn’t so much the sound of a new generation of harDCore, as it is that of the heyday of college rock. Less Beefeater and more Bettie Serveert is what I’m saying.

Sounds great.

Unfortunately, I am trying not to go to as many shows in quick succession.  And since I was out last night, I decided to give this one a miss.  I’d like to check out Birthday Girl some time though.

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[ATTENDED: October 21, 2023] Grace Vonderkuhn 

Grace Vonderkuhn has been on my list of bands to see for a while now, although I don’t exactly remember how I first heard about this band from Deleware.

Grace Vonderkuhn is a 3-piece rock band from Wilmington, Delaware. Uniting in 2016, the outfit consists of Grace Koon, songwriter, singer, and guitarist, Brian Bartling—bassist, and Dave McGrory, who plays the drums and sings. They combine shoegaze, post-punk, and psych influences with sharp pop sensibilities. The band toured throughout the US, showcased at SXSW, recorded an Audiotree live session, and were featured on NPR following the release of their first full-length album, Reveries (2018 Egghunt Records). Grace Vonderkuhn went on to release their sophomore album, Pleasure Pain, on Philly-based record label Sheer Luck Records in 2021. They have shared the stage with countless bands including Camp Cope, Shame, Ought, Titus Andronicus, Lower Dens, No Age, and The Districts. The band is currently working on their third full-length album and playing shows.

I had heard good things about them, but I guess I didn’t actually listen to them that much before the show because they blew me away.

Grace Koon is a killer guitar player. She’s not showoffy at all, but she can play great solos, weird chords and a pretty diverse array of sounds. She also sings in a couple of different styles from gentle to deep and menacing.  Brian Barling on bass doesn’t just keep up with Grace, he often plays counterpoint to her melodies.  And Dave McGrory on drums is the secret weapon. He plays different patterns and rhythm and his backing vocals are great–he often sings high over Grace’s low, grittier vocals. (more…)

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[ATTENDED: October 21, 2023] The Cowpokes

So much was going on tis evening that I didn’t know what I’d get to see.

A long time ago I had purchased a ticket to see Genesis Owusu on this evening.  Then this Wax Jaw show was announced.  I’ve been really wanting to see wax Jaw live, so I decided maybe I’d go to that show instead.  Then I found out that the Wax Jaw show would be over by like 9:30 (because of a late night DJ show at Silk City). Then mu daughter decided to have a birthday party that night.  Fortunately she didn’t need me to be there.

So I left after picking up the food and figured that I’d probably miss The Cowpokes.

Cowpokes are a country rock band from Philadelphia. Comprised of Jia Binder, Cami Bachman, Dylan Michael, and Winnie Malcarney, they are among the enlightened few to understand that the Byrds are better than the Beatles.

I wasn’t sure I’d mind missing them as the whole country angle doesn’t appeal to me.  But a country PUNK band turned out to be a lot of fun.  I arrived in the beginning of their set but missed a song or two.

They were stomping and pogoing.  There was a kind of country twang in the vocals, but it was like a Philly country twang which I rather liked.

I don’t know who was who, but I enjoyed that the guitarist who I presume is male was wearing a house dress.  I loved that the guitar who presented female also played  flute solo and then later played lap steel!  And the bass player/singer had a great voice.   I also loved that the drummer had some really fast fills and rolls and even knocked one of his cymbals off its stand at some point (someone in the crowd jumped up on stage and replaced it).

I don’t know what they played (they have only one song out on bandcamp), but it was rocking and good fun.  I’m glad I caught them.

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[DID NOT ATTEND: October 20, 2023] Palehound / Empath

I saw Palehound twice within a few months back in 2018.

Palehound singer/guitarist Ellen Kempner is a fantastic guitarist and a really compelling frontwoman.  I’m not entirely sure what she’s been up to since then (two albums apparently).

As far as I can see they haven’t played Philly since then.  I was pretty excited to see them, but her date landed right on my daughter’s birthday.  So, yeah, that isn’t happening.

No questions asked.

Empath are a Philly band that play a kind of noise punk.  Rolling Stone says “They sound like four people who sat in a room flexing their own freaky styles until — before they realized their interests might be wholly incompatible — the chaos created its own logic.”  They sound pretty great.

I could have seen Empath 4 times, but each time something happened.  The most recent time, they were supposed to open for Fucked Up but cancelled (and I got to see Pony, so that was okay).

I do hope to see them one of these days.

 

(more…)

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[DID NOT ATTEND: October 18, 2023] Bahamas / Fortunate Ones

About five years ago I watched a video of Bahamas at Massey Hall and I liked it.

Bahamas is Afie Jurvanen a Canadian folk act. I haven’t followed them much but considered that I might want to see them. But when I listened to their newer songs, I didn’t like them.

It’s very much soft rock with, and I feel that this works for the name Bahamas, a kind of summery vacationy islandy feel.  It’s the kind of thing that I would enjoy hearing while I was walking around in a vacation chalet, but not someone I’d want to see live.

Fortunate Ones is a Canadian indie folk duo from St. John’s, Newfoundland, consisting of Andrew James O’Brien and Catherine Allan.

It’s nice that Bahamas invited another Canadian band along with him.  But I didn’t like either of their voices (which surprises me).

Needless to say I’m not going to this show.

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[ATTENDED: October 17, 2023] Don Broco

I know of Don Broco from a tour in which they did not play when they were supposed to.  They opened for Pierce the Veil and The Used at the Stone Pony Summer Stage.   But that night a huge storm was forecast, so they moved the whole show up (and cut the show short).

We walked in after Don Broco finished.  The only evidence we had of them was when singer Rob Damiani came out later to sing with The Used.  He was a character and he had a great voice.

So when this headlining tour was announced, I grabbed a ticket to check out what I missed. I grabbed a ticket early because that’s what I do, but I had no idea that the show would sell out.  Rob told is that Philly was (probably) the first show of the tour to sell out.

The opening band The Home Team told us that Don Broco would blow us away.  And they did.  They came out and from the start they were running on all cylinders, with Ron wearing a tight white T-shirt that had homemade writing I ♥ Don Broco.

“Gumshield” is super heavy but it opens with this weird little kinda cheesy synth riff (which is really catchy).  As is the chant at the end of the song “Yes, I’m angry and I’m disappointed.”

The crowd was with them 100% right from the start–singing along to every word, even the very very British “Manchester Super Reds No.1 Fan” (which has several super catchy parts).

I was also pretty pleased to read about the meanings behind some of their songs, which only made me like them more.  “Manchester” is (according to reddit)

The song’s actually about toxic fandom and bullying on social media, which is pretty much the opposite of “oi oi lads lads lads” in my opinion.

Rob said “I wanted to write something about an aspect of social media culture I’d really noticed in the last year. Of people tearing other people down, with much of that destructive negativity coming from the supposed fans of bands and teams. In football, you get these ultra fans who go way beyond the point of criticism into cruel, unadulterated bullying.”

I enjoy the way Rob sings with such intensity but when he sings the opening of “Uber,” he throws in an much thicker accent than he has when he speaks.  And the song is explicitly anti-racist

The song is a fairly explicit recounting of experiences the band had while in America, particularly drawing inspiration from racist Uber drivers they rode with.  “Within the space of a week three separate Uber drivers were openly racist in front of us, I guess assuming as white guys we’d share their views.”  The lyrics reflect those experiences, with lead vocalist Rob Damiani fiercely singing: “I’ve been dealing with the driver who’s sorry for my lot/’Cause my country got us mixing our blood/And it’s boiling his blood/And it’s spoiling my blood.”  “‘Uber’ is about being angry about that,” the band said, “being angry that racists seem to be growing in confidence to speak their hate in public and it’s a reminder to me to call out that discrimination whenever I see it.”

The woman in front of me recorded all of “Come Out to LA” (her camera was right in front of and her footage was so jumpy and erratic that if she watches it again she might throw up).  The drummer Matt Donnelly sings the high vocals in this song (as well as all the harmonies and extra vocals).  His voice is a nice contrast.

And guitarist Simon Delaney was not at the show.  He evidently had to stay back in England for some reason.  For this tour, he was replaced by Marc Okubo from Veil of Maya.  I don’t know if he replicated the band’s sound well, but I thought the guitar sounded amazing.

Rob has been very pleased with the moshing going on and after “Automatic” he insisted on a wall of death shoving mosh pit.  It went very well and when the song was over her called up on stage the kid he had seen in the crowd (a ten year old whom he called fearless).  The kid invited up his brother and Mother? Sister?  to be introduced and they were allowed to stay on the side of the stage or get back in the pit.  Tough choice.  I’m not sure what they chose.

A lot of the Don Broco songs feature screamed/chanted parts.  Like “Pretty” which has some quiet moments features a chanted “eight days a week, sucker eight days a week,” which the crowd loves.  “One True Prince” has a quiet opening that reminds me of Deftones with the whispered way that Matt sings over the quiet guitars.

I also really enjoyed the sound that bassist Tom Doyle managed–a good variety of slapping, funk and really deep and heavy rumbling.  Like the way “Endorphins” starts kind of poppy but then has a huge metal chorus.

Rob talked about how great the Philly crowd was.  He talked about when they played with Pierce the Veil and The Used and how great the crowd was there (that’s the our that my son and I went to, but Don Broco was cancelled because of the rain).

Then he introduced the song with his favorite riff–“Bruce Willis.”  The song is crazy catchy with the Willis-quoted chorus “Yippie Ki Yay Mother Fucker.”  Someone in the crowd had a black bedazzled cowboy hat which Ron wore for the whole song.

“Everybody” has the insanely catchy rising vocal line “No one’s ever seen me like this!”

They ended the set with “Birthday Party,” their new single.  It’s stupidly catchy and featured everybody else–The Color 8, Ryan Oakes and at least the singer from The Home Team) on stage to sing and jump around the stage.  It was delightful chaos and a fun way to end the set.

I knew there’s be an encore (everyone else got one and they loved Philly).  It took a while, but eventually they came out with the heavy new-ish single “Fingernails” which reminds me of the “eight days a week” part of the show with the chanted “one by one by one by one.”

The final song was an older one, “T-Shirt Song,” in which everyone in the crowd waved their (recently purchased one assumes) T-shirts around.  (In one case the T shirt was a spangled bra which made its way to the stage).

I couldn’t see all that well for the show (I was very far back) and videos and pictures were not easy to get.  There were also a few tall guys in front of me.  But it sounded great and I had a lot of fun.

But when that show was over, I bolted out there happy to get out of Philly before the game (which Philly killed in) was over and the fans hit the streets.

I’m really glad I went.

Incidentally, if you like music videos, Don Broco makes AMAZING ones.

SETLIST is not quite accurate but is close.

  1. Gumshield Æ
  2. Manchester Super Reds No.1 Fan Æ
  3. Uber Æ
  4. Come Out to LA
  5. Automatic €
  6. Pretty
  7. One True Prince Æ
  8. ACTION ®
  9. Endorphins Æ
  10. Bruce Willis Æ
  11. Everybody
  12. Birthday Party (with The Home Team, Ryan Oakes & The Color 8 to Perform the USA Remix)
    encore
  13. Fingernails ψ
  14. T-Shirt Song

‰ single (2023)
ψ single (2022)

Æ Amazing Things (2021)
® single (2019)
⊕ Technology (2018)
€ Automatic (2015)

Incidentally, when they played Asbury Park, their setlist was only seven songs. My show was a much better way to see them.

  1. Pretty
  2. Everybody
  3. Come Out to LA
  4. Gumshield Æ
  5. One True Prince Æ
  6. Bruce Willis Æ
  7. T-Shirt Song

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[ATTENDED: October 17, 2023] The Home Team / Ryan Oakes / The Color 8

I wasn’t entirely sure if I was going to this show.  I was sort of off going, but since I’d missed the Saturday shows, I figured I wouldn’t blow off this one.  Even if I wasn’t that excited about the opening bands.

I left later than I normally do, since the listing said that the show started at 7:30.  I figured if I got there around 8, I’d miss Ryan Oakes.  If I got there around 8:30, I’d miss some of The Home Team, and that would be grand.

Traffic was really light and, shockingly, South Street parking was widely available.  AND, because the Phillies are in the playoffs (I assume that’s why), parking was free.  I parked 500 feet from TLA.  Nice.

The show was sold out (which surprised me, but good for them) and I walked in to hear… Ryan Oakes.  He was finishing up two songs or so.  And the places was PACKED.

So it turned out there was ANOTHER opening band called The Color 8.  Okay, so if you read that poster carefully, it appears that The Color 8 are playing all the shows, and only Ryan Oakes and Skyler Accord are rotating shows.

I’ve never heard of them, although I see that they (along with everyone else on this bill) did a remix of a Don Broco song “Birthday Party.”

Suffice it to say that I missed them entirely.  The Home Team raved about them saying that The Color 8 plays the same instruments that they do, but they do incredible things with them.  I’ve listened to a few songs and I’m on the fence.  I hate the saxophone, although I do applaud them for including it on some of these metal rap songs just for a change of pace.

There is no genre that they are afraid to use, although I’d say they comfortably sit in a metal/rap vein. (more…)

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