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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: February 18, 2024] YDI

I couldn’t make the show last night, but there was no way I was missing tonight’s show.

I really didn’t know anything about YDI before this show.

I still don’t really know that much about them.  There’s very little information about the band at all.

It’s not even clear who the band members were (in one article I only saw first names).   But the summary is that in 1983 Y.D.I. (pronounced: Why-die) put out a 7” EP “A Place In The Sun” (a blistering nine-track blast of american-hardcore fury). Two years later, the band had changed to a more filthy, metallic, damaged punk. The “Black Dust” (a concoction of PCP, heroin and formaldehyde) 12”- LP in 1985 was YDIs’ final recording. (more…)

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[ATTENDED: February 16, 2024] Deap Vally

My wife and I saw Deap Vally open for Garbage and Blondie back in 2017.  Here’s how I summed them up seven years ago

So Deap Vally is a duo: Lindsey Troy (guitar, vocals) and Julie Edwards (drums and vocals).  And as with many duos these days, they are able to get a huge sound out of just a guitar and drums (even during the guitar solo which can often leave a big sound feeling a bit empty).

We enjoyed their brief but loud set.  And I kind of forgot about them.  They did a project with The Flaming Lips (Deap Lips) which I knew of but have never heard.

And then a few months ago, they announced that their project as Deap Vally was coming to an end and they were going to go on their final tour.  I had enjoyed their set and thought it would be fun to see them one more time.

They were playing their album Sistrionix in full.  It also turns out that they re-recorded the album recently because their record label had the rights to it and they wanted a new version (hence 2.0).

The premise of the band is pretty simple–simple bluesy heavy rock–a few chords and occasional riff and lots of fuzz and drum.  It works pretty well, although to be honest a headlining show is a little samey.

I wonder if they weren’t playing the album straight through if there would be a bit more variety in the set.

Which is not to say that the show was bad.  None of their songs are very long and so none overstay their welcome.  Lindsey clearly has a lot of fun up there, but I feel like she might enjoy a little more freedom to walk around or, as she does from time to time, jam over by the drum kit.  But most of the songs are pretty short and there’s not a lot of jamming time.

I enjoyed the set quite a lot especially with the addition of Smashley Williams on backing vocals.  She stood in the back and kind of danced and sang from time to time and she was a fun addition. (more…)

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[DID NOT ATTEND: February 17, 2024] Dead Milkmen / Flag of Democracy / YDI

I‘ve been a fan of The Dead Milkmen for over 30 years and have never seen them live.  I wasn’t sure if I wanted to see them in their reunion days, because I didn’t know if they’d play anything old.  But I have been trying to see them now since 2022–this was my third show that I was aware of, although I know they’ve done a number of Philly shows since 2017.

The last few times I had tickets something came up but this time I was determined to go.

And then something came up.

I was selling a car and when someone came to buy it, it wouldn’t start.  And then it seemed like it was out of gas.  And then somehow the keys got locked in the car.  It was hours long and really cold.  And when it was done I just wanted to take a nap, not go to a punk show.  So I stayed home.

But it was okay because I had a ticket for tomorrow night’s show as well (just in case).

I was intrigued to see F.O.D. who I literally only know about from the Dead Milkmen song Nutrition.

And I’d never heard of YDI.  But they have a pretty fascinating history.  Which will be included in the review of their show.

 

 

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[ATTENDED: February 16, 2024] Sloppy Jane

I was vaguely aware of Sloppy Jane before this show was announced. I didn’t realize that Phoebe Bridgers was in the band a long time ago.  I certainly didn’t know that they were a theatrical practically avant-garde sorta punk band with a front woman who was amazing.

Haley Dahl leads this band of fascinating musicians which includes a cello (Daniel Hass) two viola (one may be a violin) Ruby Wang and Isabella Bustanoby who also plays bass.

There’s also Lily Reszi Rothman on keys and flute.  Mostly hidden from my view was a drummer whose name is Kim (I couldn’t hear the last name) and a guitarist whose name is, I believe Ryan Howe.

The show began with an instrumental Overture–Haley conducted the strings and keys with some crazily wild moves, including jumping in the air.

The strings segued after some five minutes (and since I didn’t know what to expect, I thought maybe it was all like this) into “Party Anthem,” a quiet song that builds into a catchy song with lots of great backing vocals that turns into a really fun song with a lengthy “la la la” melody that everyone sang.

The song segued into the piano ballad which features the line “I pledge allegiance to Jesus and Your Living Room Floor.”  This mellow song segued into another mellow song, although this one was far from chill.  A classic murder ballad, “Judy’s Bedroom”

You cleaned the dirt from your shoes
Out of Judy Bruce’s bedroom
The gesture did not get you very far
Because when they found her dead
In the foldings of her dress there was
Fibers from the lining of your car

All with a very upbeat “la la la” section. (more…)

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[DID NOT ATTEND: February 15, 2024] Illiterate Light / Caiola

My wife and I saw Illiterate Light two times within a few months.  The first time was opening for someone and they really impressed us.  The next time was headlining Johnny Brenda’s.  The show was a ton of fun, although the lighting and smoke made it really hard to see what was going on.

That was four years ago and I guess I just didn’t care enough to see them again.  I don’t even know how much new stuff they’ve put out since then.

Okay, not much. One album and an EP.  They sounded pretty good, but some shows just don’t happen.

Caiola is the music of Jordan Caiola a songwriter/musician/producer based out of Philadelphia. He founded the indie rock band Mo Lowda & The Humble in 2010 and released his first solo record in October of 2020.  I am aware of Mo Lowda, but have never really been interested enough to listen to them.

He has a nice voice and sings pleasant folk songs.  He’s pretty much exactly who I’d think would open for Illiterate Light.

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[DID NOT ATTEND: February 14, 2024] Militarie Gun / Pool Kids / Spiritual Cramp / Spaced

I found out a bout this show a few days ago because Pool Kids was playing it. I wasn’t going to go to the Church, so it didn’t really matter who was playing.

I’ve heard of Militarie Gun, who are apparently a post-hardcore supergroup (made up of bands I’ve never heard of) that draws major inspiration from the melodic post-hardcore of the ’90s as well as more alternative-leaning acts.  They formed in 2020, so haven’t been around as long as I assumed for how much I’ve heard their name bandied about.

Their new EP has duets from Bully and Mannequin Pussy.

I feel like I should like them, but I’m not sure yet.

The whole reason I would have gone to this show was for Pool Kids.  I’ve seen them twice and they are amazing live.  They’re one of my favorite bands right now and I’d definitely want to see them again (although preferably as a headliner).

I hadn’t heard of Spiritual Cramp and given the other bands on this tour, I wasn’t really sure what to expect.  They’re kind of all over the place genre-wise, which is kind of fun.  They seem to veer punk but are more new wave.  And this little bit from a Pitchfork review seems really apt:

Spiritual Cramp are among a wave of bands, including Militarie Gun and Turnstile, who emerged from hardcore backgrounds and broadened their palettes to include softer, artsier flourishes. [Like] when the Clash realized the natural alliances between punk and reggae, filtered through a hard-sashwaying garage rock lens. Spiritual Cramp integrate dub, spiky guitars, and oi-like crowd-starters, all with a kitschy wink rather than flatly imitating their predecessors. The music is ecstatic rather than enraged, semi-ridiculous rather than self-serious.

I’ve listened to a bunch of their songs and the latest one sounded like The Hives, so they can please (or upset) everyone.  I’ll bet they are really fun live.

Spaced is (despite the visuals of their albums) a hardcore band with a pretty traditional hardcore vibe.  They are from Buffalo.  The big difference for me is that the singer is female and her growling angry voice adds a new tone to the somewhat overdone format of growling angry men.  I liked what I heard

Lexi Reyngoudt – vocals
Joe Morganti – guitar
Donny Arthur – guitar
John Vaughan – bass
Dan McCormick – drums

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[ATTENDED: February 10, 2024] Scott Thompson as Buddy Cole in King

The last time Scott Thompson came to Philly I missed the whole event, so I was really excited to see that he was back in town.  I don’t really know how to keep up with comedians.  Is there a songkick for comedy?

Well, somehow I saw this announcement and I immediately grabbed a ticket.

The crazy thing about this show for me is that I was already going to a show in the day–a matinee with Nels Cline.  I was really excited to go to a matinee show and be home at night.  Whoops.  But two shows in a day isn’t too exhausting if they are both seated and they are each around 90 minutes.

I’ve always loved Scott Thompson and his Buddy Cole character is hilariously inappropriate.

I’d never been to City Winery before.  It’s a weird setup if you’re solo. I wound up sitting in the fourth of four seats that were already claimed by a family of three.  I arrived plenty early and ate a delicious meal before they showed up.  But wow, the table was the size of two tray tables.  It was really cozy.  And this family was not chatty.  With me or with themselves.  Awkward.  The other problem is that I had my back to the stage, so I had to turn in a weird way to see.  But whatever.

Scott was hilarious.

I had forgotten how much Buddy is, as Scott put it “an offensive stereotype.”

He started off by referencing the “Amazon Debacle.”  I don’t really know what happened, but several times he talked about cancelling Amazon.

Ah, well, here’s some context from Brooklyn magazine.

Buddy was supposed to have a bigger role in The Kids in the Hall revival, but Amazon didn’t like his take on the LGBTQI+ community. So Thompson used the snub as fodder and turned his frustration (and unused material) into a new show for Buddy. He’s bringing his show “King” to New York this weekend.

But the Buddy stories are fantastic.  He was there at Stonewall and hung out with Marsha P. Johnson.  The story is funny and at one point he says, I have to look this up because this part is new.

He was hanging out with Margaret Atwood and Dustin Hoffman at the first Burning Man.  He was on a ship sailing towards the Middle East.

And who is he going to offend?  Everyone!

He even made a Polish joke!  (If homophobia and racism are coming back, then so should Polish jokes).  Hilarious.

He began the night by talking about circumcision, of course. And how the popularization of circumcision in America was the fault of those who were too lazy to teach their kids how to clean themselves.  He cites Kellogg as being pro-circumcision (maybe true) but it works for the perfect punchline set up about Corn Flakes–why do you think there’s a cock on the box?

He talks about going to a bris and being visible upset by what is happening.  Someone at the ritual says the baby won’t remember any of it.  Buddy noted that pedophiles say the same thing.

He talked about transgender children (so much more chic than a sissy).  He has a funny bit about pronouns, a friend called Gratitude goes by ze/zir.  He said, if you say “ze” and I’m Canadian, I should say “zed.”  They were not amused.  Their friend has a friend called Circle of Fear who also identifies as irritating.

He talks about the #metoo movement and how its a good thing we don’t still call # a pound sign or else we’d say poundmetoo.

The end of the show revealed the origin of the title of the show King.

He ended the night with an encore performance of his first ever monologue as Buddy from The Kids in the Hall.

It was pretty crazy being in the same room as Buddy Cole.  He interacted a lot with the people in the front seats (including drinking their champagne), but I was happy being a little far back.  It was a really fun night.  And it ended early enough that I was home at a reasonable hour too!

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[ATTENDED: February 10, 2024] Nels Cline’s Consentrik Quartet

I was excited about this show for a couple of reasons.  I love Nels Cline’s work in Wilco, but I never get to ficus on him because there’s so much else to see in Wilco.  Plus, this was a 3PM matinee show!  I could go to a show and see a great band and be home for dinner!

Well, then Scott Thompson announced a show that evening, so I guess I would be very busy on this Saturday.

I was also excited because I had never been to Solar Myth before, but I’d heard it was a great venue.  Well, little did I realize that Solar Myth is Boot and Saddle!  The venue has been remodeled into more of a coffee shop 9although they do serve wine as well).  They sell jazz records, the bathrooms are less weird and there’s even more room by the door to the venue.

Best of all though is that they didn’t change anything in the performance room.  Our show was seated and I feel like most shows there are seated.  But honestly that just gives you much better sight lines.

So the Consentrik Quartet was introduced by someone from Ars Nova, the non-profit arts company that puts on a lit of experimental shows in New York and Philly.  They bought Boot & Saddle and basically turned it into an experimental jazz club.  Which sounds dire, but this show was packed (all three shows at Solar Myth had sold out).  he told us that contributions to Solar Myth helped Nels Cline get a grant to make music during the pandemic.  So tickets to this show were basically there to keep music like this going.  Pretty cool.

The Consentrik Quartet consists of Nels Cline (Guitar), Ingrid Laubock (saxophone), Chris Lightcap (bass) and Tom Rainey (drums).  The music was 100% experimental jazz, with some parts that were catchy and swinging and other parts that were noisy and skronking with wild sax soloing and crazy chords from Nels.

Each musician was excellent.  Chris Lightcap had the least work to do aside from holding everything together as it spiraled in all directions.  His bass was grounding and perfect, sometimes bowed with occasional runs of his own, but mostly just perfectly placed upright bass notes. (more…)

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[DID NOT ATTEND: February 9, 2024] Mannequin Pussy

I have a ticket to see Mannequin Pussy in May and was in no way expecting then to do a Free at Noon in February.  But I was pretty excited to see them in such a small intimate setting.

Then life got in the way.  We were up late the night before seeing Band of Horses and then I had a very late morning getting to work, which made leaving work for a few hours to see a concert harder than it might actually seem.

I did get to listen live on the radio and the band sounded amazing.  I’m really looking forward to seeing them in May.  And I’m looking forward to when they release the live stream of the show.

There’s a great write-up about the set here.

SETLIST

  • I Don’t Know You
  • Nothing Like
  • Sometimes
  • Loud Bark
  • I Got Heaven
  • Romantic
  • Of Her
  • Aching

 

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[DID NOT ATTEND: February 8, 2024] DJ Shadow / Holly

I really liked DJ Shadow’s debut album.  I also bought his remix album.  And then promptly assumed he stopped doing music (or something).  So, essentially I hadn’t thought about him in some 25 years.

He hasn’t released all that much over the years, but his previous album was well received.

I wasn’t sure if I necessarily wanted to see him live.  I mean a DJ… how interesting can that be.  But I was curious to see him do his thing and I’d heard that his live shows were good.

So I bought a ticket.

And then Band of Horses announced a show for the same night.  My wife and I love Band of Horses and there was no way I was passing them up to see a DJ that I wasn’t all that sure about.

So, no DJ Shadow for me.  Maybe I’d see him next time he comes around.  We’ll see. (more…)

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