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Archive for the ‘Philadelphia, PA’ Category

[DID NOT ATTEND: April 28, 2024] Ty Segall / Sharpie Smile

I bought a ticket to this show in August.  AUGUST!  I’d been waiting nine months to see Ty Segall (as I’d missed him five previous times for various reasons).  I didn’t really want to see him solo, and I assumed this was  full band show (which it was).

But then our friends invites us over for a Passover Dinner and we couldn’t say no.  I thought maybe I could squeeze in the show afterward, but damn, that’s a long dinner.

I’m about to give up on ever seeing Ty Segall.  Next time he announces a local show, I’m no buying a ticket ahead of time.

Sharpie Smile is a dup who were formerly called Kamikaze Palm Tree.  (more…)

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[CANCELLED: September 24, 2022] Porridge Radio (solo)

I heard about Porridge Radio from NPR back in 2020.  They are exactly the kind of weirdo post-punk British band that I love and would never hear anywhere on the radio.

Singer Dana Margolin is more of a talker than a singer.  Her accent is thick and her intensity is palpable.  The band mixes melody and noise in an unexpected way.  And of course there’s “the growing legend of their intense live shows.”

They played a show in 2022 and I couldn’t make it.  And I hoped they’d come back.

This show was announced on March 29.  (Less than a month ahead!)  I grabbed a ticket immediately even though I had purchased tickets to see Ty Segall back in August!  Ty’s show was a must see as I kept missing him.  But Porridge Radio was such a weird opportunity (even if I was torn at seeing her solo).

Well, it didn’t matter because my family was invited to a Passover dinner that night AND, this show was cancelled anyway.

I received an email the day before:

Hey y’all,

The show tomorrow is canceled due to health reasons.

On her instagram, Dana wrote

So sorry Philadelphia but I must cancel the show tonight I am still unwell and have not made it to America 🪦 the optics are good though I’ll be with you asap

She did play the New York show, but had to cancel both LA shows.  Yikes.

But at least I didn’t bail on FOUR shows this weekend.

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[ATTENDED: April 26, 2024] Belle & Sebastian

I was shocked to discover that it had been SEVEN YEARS since we’d last seen Belle & Sebastian.  I would have sworn that the show at the Mann was just a couple of years ago.

But I see that in 2019 we just “didn’t feel like going” to Union Transfer.  What?  That’s insane–I mean, not really, I’ve felt like that many times, but in retrospect to miss out on a B&S show was crazy.

Then in 2022, the show was scheduled on the same night as my daughter’s graduation.  And last year they cancelled the tour for health reasons.

My wife and I were pretty excited to go to this show and then it turned out their Girl Scout troop scheduled a trip leaving on Friday night.  So she had to miss the show.  And I hate to say this, but she would have loved the show–a setlist geared very much to her.

But it was also geared to me, because holy cow they played all kinds of great songs.

They even joked about how anyone who followed them back in the old days would be shocked at how different they are now, and it’s true.  Their early albums were quiet and introspective, but as they played more and more they got really fun and dancey.

Indeed, they started with two songs off of Girls in Peacetime Want to Dance, and it boded very well for the rest of the night. (more…)

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[ATTENDED: April 26, 2024] Belle & Sebastian / The Weather Station

This is my third time unintentionally seeing The Weather Station.  They opened for Mitski, First Aid Kit and Belle & Sebastian.  And this is my third time walking in during the middle of their set.

My wife and daughter were going away this weekend and they wound up leaving later than I thought they would.  So I did too.  I missed about half of the set.  But i did get to hear Robber which is the one song of theirs that I really like. (more…)

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[DID NOT ATTEND: April 25, 2024] Black Country, New Road / Camera Picture

I was vaguely intrigued when Black Country, New Road first came out (NPR music loved them).  I mean this blurb from 2021 was amazing sounding

the new band I’m most excited to see when they come back is a group of U.K. art-school kids called Black Country, New Road. Their 2019 single “Sunglasses” is a 10-minute swirl of post-punk, jazz, long blurted spoken-word passages and frenzied klezmer freak-outs. It’s a wild song, and it must be incredible to take in live.

And then, maybe I was getting ready to g to a U.S. show at Johnny Brenda’s, when

On 31 January 2022, lead vocalist and guitarist Isaac Wood announced his sudden departure from the band four days before the release of Ants From Up There via the band’s Instagram, citing struggles with his mental health. This resulted in the cancelling of the band’s planned first US tour.

(more…)

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[ATTENDED: April 23, 2024] Juana Molina / Madison Cunningham

I have wanted to see Juana Molina for a few years (I was supposed to see her in 2020 but her show was cancelled due to COVID).  I’d rather have seen her as a headliner, but this collaborative night sounded like a lot of fun.

And holy cow was it ever.

Madison Cunningham (who is 27) is labelled an Americana singer, but that’s a limiting description.  Primarily because, as she told us, she listened to Juana Molina before she listened to The Beatles (and Juana is cooler than all four of them).  I didn’t know her music that well, but I love her song “Hospital,” which I think is just fantastic.

Juana Molina’s music is not exactly outrageous, but it is often unexpected.  And that has clearly impacted Madison Cunningham’s songwriting, because her songs are anything but verse-chorus-verse folk songs.

The two singers came out on stage and played a 20 minute improv.  Juana played a basic intro on the guitar which she then looped.  She added drums and keyboard sounds.  All the while, Madison was playing guitar solos–nothing fancy and showoffy, just notes here and there, some pretty, some noisy.

They jammed and jammed and just when you thought it was winding down, Juana would shift gears and take it in a different direction.  It wound up pretty noisy and harsh.

Enough so that when Madison left the stage for Juana to play her solo songs, Juana felt the need to calm everyone down saying that normally their improvs are more mellow and they lead into the next song very well.

Juana’s first song is from her second album (recently reissued on vinyl), The song is a soft guitar ballad that progresses in different ways–with some quiet synths and then after a brief spoken interlude: “If you see someone else winning, leave them alone” the song built into a mild rocker.  It segued into the final song off of Molina’s Wed 21.  It’s a quiet song that loops on itself and turned into a trippy psychedelic song by the end with all of the fun synthy sounds Juana threw into it.

Her third song was from the only album I know (Halo).  “Estalacticas” is a cool song with a deep guitar riff and then a wild synth melody (thrown over the top).  She looped more and more sounds onto it until it filled the room.

Then Madison came out and Juana left.  I was blown away by Madison’s guitar playing.  She pulled out a small acoustic guitar and played “Broken Harvest,” a song with a massively detailed and complicated guitar melody, with interesting chords and main melody lines.  Her voice was also really pretty and impressive.

She was also really funny.  When she commented on how quiet the crowd was, someone replied, “we’re in awe.”  And Madison was super quick with “My mom say the nicest things.” (more…)

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[DID NOT ATTEND: April 20, 2024] Restorations / Signals Midwest / Town Liar

I saw Restorations back in 2016 when they opened for Band of Horses.  I loved them and thought they were a perfect opener for them.  Since then I’ve wanted to see them again.  But I’m never going to the First Unitarian Church, so I had to bail on this one.  I’m kind of surprised that they played such a small venue, but maybe they liked the intimacy of it.

Signals Midwest describe themselves as a “loud, smiley punk rock band from Cleveland, OH. Been at it since 2008. Will play in your kitchen or anywhere really.”

I find them to be a really enjoyable band on the softer side of punk but with big guitars and soft/quiet melodies.  A really fun band.

I had not heard of Town Liar, but that makes sense as they appear to be brand new.  Jason Shevchuk of Kid Dynamite and None More Black has formed a new band called Town Liar. The band also includes Heath Saraceno, Nick Remondelli, and Benny Horowitz. The band has released an EP called Lies: One Through Seven

I thought I had heard of these other bands, but maybe not.  People seem divided on his work, mostly based on his voice.  I listened to a track and found that I did not enjoy his voice.

 

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[DID NOT ATTEND: April 20, 2024] METZ / Gouge Away / Rid of Me

I saw METZ open for Modest Mouse four years ago and my ears might still be ringing.  I knew of Metz from their noise filled chaotic but amazing albums.

Their live show was less about the abrasiveness and more about their intense stage presence.  I knew I wanted to see them headline a show.

I was really looking forward to going to this show and then the night of, I was just too exhausted to head out.  A lame excuse, but there it is.

They seem to be regularly playing though so I’m hopeful that I’ll get to see them next year.

The two bands that opened for them sound like a Pixies cover band and a PJ Harvey cover band.  I hadn’t looked them up before hand to see if either band sounded like the band they referenced.

Gouge Away is from Florida and are a perfect fit for METZ.  They are loud and abrasive with a female vocalist who can do quiet and screaming with equal fury.  I really like them and I’m even more bummed that I didn’t go now.

Rid of Me is from Philly and are described as “heavy melodic noise punk” which seems impossible.  They are definitely heavy.  Kind of slow heavy with lots of screamed vocals (lead and backing).  Lots of guitar riffs and a special Philly edge.

This would have been a great show.  Stupid lameness.

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[ATTENDED: April 18, 2024] Sir Chloe 

My daughter was really excited to see Sir Chloe.  I wound up buying resale tickets to this show (which thankfully weren’t crazy overpriced).

We arrived a little early (last time we went to a show that she wanted to go to I was very surprised to see how early everyone else had gotten there).   I had assumed we’d get really close (I always seem to get pretty close at The Foundry, which just proves that her bands are more popular than mine).  The close up area was already full, so we got some merch and then we found a spot.  My daughter doesn’t like to be touched by other so we hung back.  The Foundry is small enough that we could see fine (but man pictures there are really tough to get).

We were in a weird (for me) spot–on the right side close to the wall, where the secret entrance to backstage is.  Which meant that kegs were going by from time to time.  Had I realized where we wound up I would have suggested the other side, near the entrance where people tend to not congregate, but whatever.

Before this show I really only knew  the one or two Sir Chloe songs that she had played me.  So, to get ready I listened to the new album a bunch and some of the more popular songs on Spotify.  I found I really liked her quite a lot–she’s a little slow for my tastes, but I enjoyed the tone and style of the music.  And the lyrics were pretty great too.

When she came out, she had an oddly disaffected appearance.  She seemed quite aloof and almost like she didn’t want to be there. And yet, I assume it was all part of the act, because she sang great and didn’t seem like she not giving her all.

It was quite a change from the warm and friendly stage presence of Girl in Red the night before. (more…)

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[ATTENDED: April 18, 2024] Sir Chloe / Daffo

Daffo is a Philadelphia-ish musician (they are from the area but have also lived in NJ and other places, but they said this was a homecoming show).

Daffo’s voice is interesting for someone from the east coast as they have a bit of a twang–although not on every song.  But there’s some good bite in the lyrics: “I’m a shame collector, I’m a hoarder.”

They played two unreleased songs and then a few from the new(ish) EP Pest.

The songs are mostly mellow, at least a lot of them have slow introductions or first verses and then the band kicked in.  But I liked the way that “Collector” started slow, got a little bigger and then got huge for the chorus before settling down again.

“Runner’s High” rocked a bit harder to start with and then got quieter.

I really enjoyed the new song “Go Fetch” which seemed simple but had a lot going on it.

The lyrics to “Seed” were quite good too. (more…)

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