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Archive for the ‘Philadelphia, PA’ Category

Amy Annette (Underground Arts, Philadelphia, PA, March 2, 2025) [NISH KUMAR]

Posted in Amy Annette, Nish Kumar, Philadelphia, PA, Taskmaster, Underground Arts on March 2, 2025| Leave a Comment »

[DID NOT ATTEND: March 2, 2025] Amy Annette

I didn’t know if Nish Kumar would have an opening act.  Since the show was starting at 9PM (!) on a Sunday night, I hoped he didn’t.

But then I remembered that comedy opening acts aren’t the same as concert opening acts.  They don’t stay on for all that long and there isn’t a 30 minute gap between performers.

So when Amy Annette was announced, I was ready to be entertained.  I found out after her set, once Nish came on, that Amy is his girlfriend of 13 years.  This made me happy for two reasons.  The first was that her set was only about 20 minutes, and it seemed crazy to travel all the way from the UK just to do 20 minutes.  And also, her material is so very different from Nish’s I wondered how he might pick someone to warm up that was doing completely unpolitical material.

So, the fact that they are dating was great!  They get to travel together and we all got some exposure to a comedian that we (or I, at least) didn’t know but now want to see again.

Amy’s humor is so very different from Nish’s.

She began with a really funny bit about bread. Yes, bread!  She had some good audience interactions to find out others’ bread choices.  And one of the respondents was a man named Paulie who would come back later. (more…)

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The Bevis Frond / Oneida (Johnny Brenda’s, Philadelphia, PA, March 1, 2025) [DID NOT ATTEND]

Posted in Johnny Brenda's, Oneida, Philadelphia, PA, The Bevis Frond on March 1, 2025| Leave a Comment »

[DID NOT ATTEND: March 1, 2025] The Bevis Frond [moved from October 11, 2024]

I feel like I’ve always been aware of The Bevis Frond, but I don’t think I’d ever heard them.

When they announced their first US tour in 25 years I grabbed a ticket without even being sure if I really liked them,  So I listened to them a bunch and, yes, I do like them.

I felt lucky to be able to go to one of these shows as there were only 8 shows on the tour.

And then in late August it was announced

The Bevis Frond’s first US Tour in over two decades has now been re-scheduled for 2025. Fans can expect a selection from the Frond’s colossal catalogue as well as new music from their recent Fire releases, for what promises to be an historic live show.

When the new tour was announced, I was pretty excited to have one of my first shows scheduled for 2025.  And I was looking forward to this show for months.

And then, my family had plans during the day of March 1.  And the day was very good and we enjoyed ourselves quite a lot.  And we dithered about what time t o head home.  And the thing that bummed me out the most is that we dithered long enough that by the time we got home, we were just late enough that I wouldn’t have been able to make the show.  If we had stayed out later to have made it undoable entirely that would have been fine. But to make it so that I basically was just unable to go was a real bummer especially since I doubt he’ll be back for another tour.

Oneida is described as an experimental band from Brooklyn.  But the few songs I listened to weren’t that experimental.   They strike me more as a garage rock/psychedelic lumbering entity.  Joyful Noise, their record label says

Oneida has long straddled gray-area boundaries between the NYC punk/psych/rock world and the art/experimental world, playing at gritty rock clubs and elevated cultural institutions, including the Guggenheim, MoMA PS1, ICA London, MassMOCA and the Knoxville Museum of Art. The band has been known for extended live improvisational performances,

I’m guessing they would have been pretty fun.

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Father John Misty (Fillmore Philadelphia, Philadelphia, PA, February 28, 2025)

Posted in Destroyer, Father John Misty, Philadelphia, PA, The Fillmore Philadelphia on March 1, 2025| 1 Comment »

[ATTENDED: February 28, 2025] Father John Misty

Back in 2016, while touring his second album, Father John Misty played XPNFest.  I had been planning on going that day but for some reason couldn’t make it.  He wasn’t the only person I wanted to see, but I was interested in seeing him for sure.  And that’s the year that he had what I guess was a breakdown on stage.  As one person on reddit said

People came to see FJM and he gave them a 20 minute set without even playing a single song of his because what…it’s part of his “character”?

So I’ve been kind of against him since (I held the grudge a lot longer than WXPN did since they play his music all the time–and I know it’s stupid to hold a grudge since I wasn’t even there, but whatever).  The grudge finally ended this year with his great new album.  We enjoyed the new songs so much that we decided to see him at the Fillmore

Sadly, we arrived quite late.  Actually it wasn’t even that late–quite long before Destroyer went on.  But it was packed and we were very far back. I had no idea he would be that popular (or that the show would sell out).  The one fun thing is that I ran into an old school friend Susie and it was great seeing her and catching up with her.

After Destroyer, the crowd adjusted and damnit I was behind a tall dude for a bunch of the set.

I really liked his first two albums.  I grew a little tired of him for a while, but still enjoyed the singles that came later. (more…)

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Trupa Trupa / The No Good Crowd (Silk City, Philadelphia, PA, February 28, 2025) [DID NOT ATTEND]

Posted in Philadelphia, PA, Silk City, The No Good Crowd, Trupa Trupa on February 28, 2025| Leave a Comment »

[DID NOT ATTEND: February 28, 2025] Trupa Trupa / The No Good Crowd

I Trupa Trupa is a band from Gdansk Poland.  Their music is moody and cool and I’ve heard they are great live.  They came to Philly in 2022 but by the time I heard about the show, I had tickets to TWO others shows that night (one had been rescheduled to this date).  Now, almost three years later, they have announced their second show in Philadelphia.  And it’s the same night that my wife and I have  tickets to see Father John Misty.

Here’s how the band describe themselves on bandcamp

Trupa Trupa is a post-punk band from Gdańsk, Poland, known for their unique blend of brooding leftfield rock and psychedelic influences. They combine dark, introspective melodies with rich, experimental sounds to create their own distinctive space in the world of alternative guitar music.

They definitely have a dark 80s vibe, which I think would get more people into them.

No offense to Father John, but I would 100% rather see Trupa Trupa.  But we already have the tickets and I’m sure Father John will be enjoyable.

But, damn.  What bad timing.  I do hope they come back again in a couple of years.

I don’t know The No Good Crowd, but their bandcamp pages says

Formed in 2023, guitarists Jamie Olson and Jim McGuinn have history going back to Philly’s beloved indie rockers Cordalene(2000-2005), with Jamie forming the rootsier Midnight Singers not long after, where he was joined by drummer Neil Simpkins. Later Jamie formed the even more rootsy Atlantic Coast Ramblers with bassist Brendan Skwire, and putting us all together, we become The No Good Crowd.

I just listened to them and, wow I do not care for them.  So I guess that’s something.

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Destroyer (Fillmore Philadelphia, Philadelphia, PA, February 28, 2025) [FATHER JOHN MISTY]

Posted in Destroyer, Father John Misty, Philadelphia, PA, The Fillmore Philadelphia on February 28, 2025| Leave a Comment »

[ATTENDED: February 28, 2025] Destroyer

I bought tickets for this show long before I knew who the opener was.  I was pleased that Destroyer was opening.  Destroyer was the last show I saw before the pandemic shut everything down.

Dan Bejar, who is Destroyer, is an unusual guy.  He’s got the vibe of a lunge singer, but he sings rather unusual lyrics (and has a rather unique voice).  None of which leads to a band named Destroyer of course.

Last time I saw them there were six members on stage.  This time there were only two in addition to Dan.  There was a drummer (who also played keys while drumming!) and a guitarist.  And of course, Dan was up front singing in his unusual manner–Dan’s microphone stand is set up so that the microphone was at his waist.  Basically he held onto the stand almost like a cane when he sang, and sang more or less to the floor.  And when there were instrumental sections, he would squat down so all eyes were on the other two.

He’s an unusual guy for sure.  I don’t know if he won anyone over–the Fillmore is a much bigger venue than he usually plays in Philly.  He’s also unabashedly himself, so he doesn’t really seem to care if everyone likes him, because a lot of people do.

The arrangements were stripped down to be sure, but I really enjoyed them this way.

He’s playing a headline tour in October, and I may just have to go.

 

2025 2020
The Music Lovers ♥ Crimson Tide ¿
Tinseltown Swimming in Blood ⊄ Kinda Dark ¿
It’s Gonna Take an Airplane ♥ The Raven ¿
Painter in Your Pocket ♦ Cover From the Sun ⊄
Times Square ∇ Kaputt ⊗
Cue Synthesizer ¿ Times Square ∇
It Just Doesn’t Happen ¿ Bangkok ∇
Stay Lost ⊄ It Just Doesn’t Happen ¿
Chinatown ⊗ Cue Synthesizer ¿
Poor in Love ⊗ University Hill ¿
Tinseltown Swimming in Blood ⊄
Chinatown ⊗
European Oils ♦
foolssong ¿
Bay of Pigs (detail) ⊗
encore
Poor in Love ⊗
Looters’ Follies ♦

 

¿ = Have We Met (2020)
⊄ = Ken (2017)
∇ = Poison Season (2015)
⊗ = Kaputt (2011)
♦ = Destroyer’s Rubies (2006)
♥ = Your Blues (2004)

 

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Alcest (Union Transfer, Philadelphia, PA, February 20, 2025)

Posted in Alcest, Kaelan Mikla, Kælan Mikla, Mono, Philadelphia, PA, Union Transfer on February 22, 2025| Leave a Comment »

[ATTENDED: February 20, 2025] Alcest 

I hadn’t heard of Alcest before this tour.  I was mostly excited when I saw that Mono was playing Union Transfer.  But when I listened to Alcest, I rather liked them.  Especially their latest album Les Chants de l’aurore, which is the album they were touring.

So Alcest has been around for almost 20 years, although their first album came out in 2007.  After some lineup changes, the band was solely the work of Stéphane “Neige” Paut who played everything.  In 2009, drummer Winterhalter from Les Discrets joined Alcest, after eight years with Neige as its sole full-time member.  Neige still plays everything except drums on the records.

Since 2010, the live shows include Pierre “Zero” Corson on second guitar and backing vocals and Indria Saray on bass.

I was really pleased with my spot near the stage when, with moments to go before the band came out, two women pushed their way up next to me taking up more room than there was between us.  And when the band started she proceeded to either really get into it or was just messing with me as she kept putting her hands through her hair and then raising her arms high and wide for minutes at a time.  I’ve literally never had one person ruin a show as much as this sociopath did.

Fortunately she (presumably) got sick after four songs.  She was clearly very drunk, and then after a couple of songs she seemed to just stop and stare straight ahead of her and then after the fourth song she bolted for the back of the room (to which a guy behind me said, thank god).  Her friend (who was very short) then proceeded to take up enough space for both of them, headbanging in a way that ensured you didn’t want to stand behind her.  A song or two later, she received a text and then headed to the back of the room.  In my mind, the tall one got drunk and nauseous and them ruined the second half of the show for herself and her friend after she ruined the first part of the show for me and everyone around me. (more…)

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Mono (Union Transfer, Philadelphia, PA, February 20, 2025) [ALCEST]

Posted in Alcest, Kaelan Mikla, Kælan Mikla, Mono, Philadelphia, PA, Union Transfer on February 21, 2025| Leave a Comment »

[ATTENDED: February 20, 2025] Mono

I saw Mono back in 2019 and I was blown away by their show.  I haven’t been able to see them since, and I was mildly bummed that they were opening instead of headlining this show.  But any chance to see them is a good one.  And, it introduced me to Alcest!

The crowd was really really into Mono.  In fact a couple of people up front left after their set.

They played mostly new songs.  All of their songs are instrumental and sound vaguely similar, so I can’t tell them apart.  That’s not an insult, they play seven to ten minute epic tracks that build to varying degrees of intensity and I could listen to them all night.

I was in front of guitarist Hideki “Yoda” Suematsu who is described as a rhythm guitarist but who does a lot more than that.   Bassist Tamaki Kunishi was in the middle (except for the one song she played keys on).   And Takaakira “Taka” Goto was on the far side of the stage (and hard to see on the mostly dark atmosphere).

Their drummer Dahm Majuri Cipolla was tucked in behind a rack of amps, and it was hard to see him.  He also had a gong!  And I was a little bummed that I could only see a part of it, but it was cool to see him smack it on two different songs. (more…)

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Kælan Mikla (Union Transfer, Philadelphia, PA, February 20, 2025) [ALCEST]

Posted in Alcest, Kaelan Mikla, Kælan Mikla, Mono, Philadelphia, PA, Union Transfer on February 20, 2025| Leave a Comment »

[ATTENDED: February 20, 2025] Kælan Mikla

I had never heard of Kælan Mikla before this show was announced.  And, since I love music from afar  Was instantly intrigued by this is Icelandic band whose name means (according to Google) The Great Chill or (according to Wikipedia) Lady of the Cold.

They are a trio of Laufey Soffía on lead vocals, Margrét Rósa Dóru-Harrýsdóttir on bass and Sólveig Matthildur Kristjánsdóttir. on keys and more (although only keys for this show).

They came out on stage in dark and spooky lighting (later when I saw them at the merch table, I saw that they had interesting cracked and cobwebby makeup under their eyes.  And Soffia was dressed in an all black gown (seemingly made of toile) with super long fingernails.  It was like a goth flashback and I loved it.

So I guess this music is darkwave, a genre I don’t really know.  I feel like the few darkwave songs I’ve heard I didn’t like.  But maybe seeing it live is a different story, because the whole gothy presentation was fantastic.  I couldn’t really hear Soffia’s vocals (in part because they were in Icelandic, but mostly because of where I was standing), but she sang in variants of quiet, almost whispery singing and screams.  But it combined perfectly to generate a really retro spooky feel with cool modern feminist trappings.  (more…)

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Lauren Mayberry (Union Transfer, Philadelphia, PA, February 17, 2025)

Posted in Chvrches, Cult of Venus, Lauren Mayberry, Philadelphia, PA, Union Transfer on February 18, 2025| Leave a Comment »

[ATTENDED: February 17, 2025] Lauren Mayberry

I was a fan of Chvrches when their first album came out.  Then I kind of lost track of them.  But in that time my wife became a fan.  We missed their last tour in Philly (back in 2021 (!)).  When Lauren Mayberry released a solo album, we both loved the single “Something in the Air” and  thought it would be neat to see her live.

The show didn’t sell very well, which was surprising I thought, since Chvrches has sold out Franklin Music Hall, a much bigger venue.  But it meant that we had a really intimate show, which was awesome.

Overall I liked most of the album Vicious Creature, although there were a few songs that I wasn’t that excited by.  But wow, these songs were fantastic live!  

She had two band members on stage and, I think, a guy on the side with a bank of Apple laptops (I joked that it looked like an Apple store–there were about five!).  The two members on stage were Marian Li-Pino on drums and Heather Nation doing guitar or bass depending on the song.  Later in the set, Heather played piano and Marian played guitar for a song, too.

Heather Nation was ferocious on guitar–generating great sounds.  And Marian Li-Pino was a beast on the drums.  They had a cool cymbal that was bent and made a great metallic, non-cymbal sound.  And Lauren Mayberry was an excellent front woman–she knows how to perform a show.   And what a voice!  I mean, it was amazing.

She played the entire album.  The bangers were amazing–bigger and louder than I expected.  The quieter songs were pretty, a little too mellow for my enjoyment, but hey, you need to vary the mood.  (more…)

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Cult of Venus (Union Transfer, Philadelphia, PA, February 17, 2025) [LAUREN MAYBERRY]

Posted in Chvrches, Cult of Venus, Lauren Mayberry, Philadelphia, PA, Union Transfer on February 17, 2025| Leave a Comment »

[ATTENDED: February 17, 2025] Cult of Venus

It was a cold windy night when we headed out to this show.  Luckily, we managed to get really close parking (Monday night shows are good for that).  Which meant we were plenty early to see the opening act, Cult of Venus.

Cult of Venus has had a lot of mystery surrounding her.  I’m sure her identity is known (I didn’t look too hard to find it), but the two main articles I saw gave this info:

Forgoing any photos to remain completely anonymous and undefined, Cult of Venus have given themself the perfect platform from which to build and long and exciting career. ][They make] music that illustrates and illuminates the dystopian world today, challenging the patriarchy and resonating with the “divine feminine.” Her on-the-ground activist work includes support for incarcerated women and environmental protest movements. Her mysterious presentation is often shrouded in darkness, with her identity and face in the shadows. Her secretive appearance aligns her poetic soundscape in a way that not only drives more curiosity to her audience but is calming in a world so focused on desperate self-promotion.  With shows in all-female prisons and detention centres in the books already, as well as a show as part of New York City’s Women’s March, Cult of Venus have a big year planned while being rooted in reform.

They opened the show with a prerecorded message about strength in the face of oppression.  And then she came out, picked up her guitar and stood in front of the keyboard.  

The only problem to me was the fairly lengthy (I mean, it was probably less than a minute, but it was SO QUIET) pause before the first song started.  I feel like she could have timed that a little more smoothly.  But whatever.

She generated some beats and some synths and proved to have a fantastic voice.  When she played guitar, she clearly had it patched into an effects box because it didn’t sound like a guitar–it was very cool. (more…)

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