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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: July 28, 2025] King Gizzard & The Lizard Wizard: Phantom Island Tour with The Chamber Orchestra of Philadelphia

Last summer I had tickets to see King Gizzard and the Lizard Wizard at the Dell Music Center.  The place is a chaotic mess and massive traffic, lack of parking and extreme heat meant that I circled the area and then said the heck with it and went home.  I was a little bummed, but not outrageously.  (The setlist is really good though).

When they announced this tour with The Chamber Orchestra of Philadelphia, at the Mann Center, I knew it would be a good venue and I knew it would be a good introduction to them for my son.

We arrived with time to spare, bought some merch and then got in our seats for DJ Crenshaw.  I don’t entirely see the point of someone like this.  He was a live DJ spinning song before the band went on.  Most of the songs were loud and distorted and honestly I couldn’t even tell you what he played.

But soon enough, the lights went down and the orchestra came out.

In many ways this was not the ideal first show for a KGLW newbie as they played their new album in its entirety, but the second set ran through a whole pile of their songs and my son was hooked.

The orchestra came out first (as they do) and Sarah Hicks received a sizable round of applause.  And soon enough the album kicked off.  The orchestra made the album sound huge! (more…)

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[DID NOT ATTEND: July 25 & 27, 2025] Lucy Dacus / Julien Baker & Torres / Jay Som / Hop Along // Magdalena Bay / Remi Wolf / Annie Di Russo

Like every one of these benefits shows, the first day was made for me.

I love Lucy Dacus, although I have seen her twice this year already.

I would love to have seen Julien Baker & Torres together.  They cancelled all of their shows this summer and were replaced by Hop Along which was fine, but not as good as the original.  Interestingly, perhaps, Hop Along was supposed to open for Japanese Breakfast last year but they were replaced at the last minute.

Jay Som is a favorite underground artist whom I love and who has been pretty quiet as of late.

Day 2 was less exciting for me.

Remi Wolf is someone I’ve h heard about but don’t really know.  She appeared on American Idol so I assume she’s not someone I would like, even if she is listed as an indie artist.  I saw that she opened for Lorde in 2022 (which I didn’t go to) and back then I wrote

Remi Wolf is a singer songwriter whom I do not know.  The fact that she appeared on American Idol in 2014 makes me not like her.  That’s unfair, but whatever.

At least I’m consistent.

Magdalena Bay is a duo (I thought it was someone’s name, oops).  The duo consists of Mica Tenenbaum and Matthew Lewin, who met in high school.  They play synthy pop and I really like their song “Image” although the rest is more pop than alternative.  Dancy and probably a treat to listen to on a sunny summer day.

Annie DiRusso was the only person on the bill for both days whom I had never heard of.  She’s an interesting young musician who veers to the noisy while writing poppy songs.  She also sings about college and wrote a song called Ovid.  So she appeals to that side of my musical appreciation.  The Harvard Crimson (!) review says

The album is an evolution of her usual guitar-heavy rock instrumentals, experimenting with incorporating different genres while still maintaining a cohesive sound across the record.

I hope she opens for someone I’m seeing one of these days.

So why didn’t I go to Day One?  Well, I didn’t really need to see Lucy again.  Plus, this was in FDR Park which I know nothing about and I have really bad luck with outdoor venues in Philly.  So while I fully support the cause, I just wasn’t willing to make the effort for this one.  And obvsiously Day Two wasn’t my scene.

 

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[ATTENDED: July 23, 2025] Pixies

I have seen Pixies four times in the last eight years.  I didn’t really know if I wanted to see them again–indeed when these two shows were announced I was iffy about the whole thing.  I did want to go to the first of two nights–where they were playing Bossanova and Trompe Le Monde (since they don’t play very much from either of those albums in their sets–I’ve only seen 2 songs from Bossanova and only 4 from Trompe).  But that turned out to be the night of The Decemberists concert, and I wasn’t going to pass up The Decemberists.

A couple of days before this, I asked my wife if she’d like to go to this show–mostly because Kurt Vile was opening.  She loves Kurt and, as she says, doesn’t know anything by Pixies (except, it turns out Here Comes Your Man).  She agreed and we wound up buying tickets at the box office day of (the first night sold out this one did not).

The Kurt show was great and I told my wife that Pixies are interesting because they do not talk between songs–indeed, they don’t talk at all.  And they will play like 30 songs in 90 minutes.

She felt bad that she didn’t know anything going into the show, but I told her afterwards that they played nearly ten (out of about 30) that I had never heard before.  But it was the 2o songs in between that I was really psyched about.

I was unsure who their new bass player was–it’s Emma Richardson of Band of Skulls.  The biggest difference between her and Paz (who I really liked) is that Emma has blonde hair.  Otherwise, she is an excellent addition to the band.

She sang the first song (and what I assumed was the final song).  The first song was a David Lynch cover “In Heaven (Lady in the Radiator Song)” that apparently Pixies released a long long time ago on a B-sides record.  She also sang Into the White.  Interestingly (or not) they did not play Gigantic (the most famous Kim Deal sung song).

Heaven is a slow, meandering song, something unlike most Pixies songs, so it felt like it was building to something.  Which turned out to be a song from their 2019 album that I didn’t know.  So, yes, I’m an old school Pixies fan and haven’t listened to much of anything they ‘ve released since they reunited. (more…)

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[ATTENDED: July 23, 2025] Kurt Vile & The Violators

I had seen Kurt Vile in 2018, but since then, my wife has become a huge fan.  We saw him and the Violators at Union Transfer in 2022.

I know we enjoyed the UT show, but somehow, this opening set was a lot better.  We both felt that way.  Not that we had bad feelings about the UT show, but this just felt bigger, like he was just having a ton of fun.

But it is weird to have him opening since he is a pretty big deal (especially in Philly).  I don’t know if he could sell out the Fillmore on his own, but maybe…  Anyway, he strolled out said he was Kurt from Philly and these were his boys around him.

He started with a song from his new(ish) EP, the only song that we hadn’t heard him play before.

Like last time, he switched guitars pretty much every song and the Violators switched instruments from time to time. (more…)

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[DID NOT ATTEND: July 22, 2025] Pixies / Kurt Vile 

When Pixies announced this two night stand at The Fillmore I was really intrigued.  I have seen Pixies four times in the last eight years and wasn’t sure I’d need to go again.  Although I was actually interested in tonight’s show because I feel like they don’t play as much from Trompe Le Monde.

But then this show was on the same night as a Decemberists concert that my wife and I were not willing to pass up.  Glad we got to go to night two.

My wife has become a huge fan of Kurt Vile over recent years.  We have seen him, but I thought she’d really like to see him again.  SO I’m glad we got to go to the second night of these shows.  And it’s fun to see him as an opening act in Philly.

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[ATTENDED: July 19, 2025] “Weird Al” Yankovic

This was my tenth time seeing Weird Al.  That’s pretty exciting.

I didn’t know if he’d be doing another tour (he hasn’t put out any new music (aside from soundtrack songs) in over ten years!  But this was a bigger and weirder tour.  In practice, this meant that there were more people on stage than ever before–four other people on stage aside from his long-lasting regular band.

Probyn Gregory – backing vocals, trumpet, trombone, tuba, guitars, percussion ; Scheila Gonzalez – backing vocals, saxophone, clarinet, percussion Payton Velligan – backing vocals, guitars, percussion Monique Donnelly – backing vocals, keyboards, percussion.

I asked my whole fam if they wanted to go and all three of them said yes, rather excitedly I might add.  But that was a long time before the show.  And so my daughter wound up working and my son wound up going to a concert in Wisconsin!  I was able to sell my two tickets for basically face value and my wife and I enjoyed the show by ourselves.

I assumed that this show would be a kind of greatest hits show, but it turned out to be chock full of songs I hadn’t seen live before and, some that I had never even heard before!

They opened with Tacky, but there was some kind of technical difficulty, so I’m not sure how much of the song they were going to play.  I would have enjoyed hearing it, but it’s not a big deal.

Then he surprised the heck out of me by opening with Mission Statement, the CSNY inspired song that mocks corporate speak.  It sounded great with the backing singers doing harmonies.  Then came Polkamania!  I knew this medley, but not very well.  I had forgotten that he put it out in 2024 as a single covering the ten years since his last album.  It was really fun seeing Billie Eilish in a Weird Al concert.

After the drum solo, they played Everything You Know is Wrong, a song I simple cannot believe I’d never seen him play live before (I see he never played it before this tour!).  It was amazing. (more…)

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[DID NOT ATTEND: July 19, 2025] The Warning / Speed of Light

In a really weird coincidence, I had literally just read about The Warning and how much they rocked.  I listened to a couple of songs and liked them quite a lot.  And then I saw that they were playing at Union Transfer.  I was really interested in going, but it was one of four shows that I wanted to see today.  And I already had tickets for Weird Al so The Warning lost out.

So The Warning is from Monterrey, Mexico (they sing in English).  The band members are sisters: Daniela (guitar, vocals, piano), Paulina (drums, vocals, piano), and Alejandra (bass guitar, backing vocals, piano) Villarreal Vélez.  They rock really hard , Daniela’s voice is great and they seem like they’d be fantastic live.

Speed of Light are also siblings Riley (bass and vocals) Tyler (drums) and Cameron (lead guitar) Christensen.  They are from California and started the band when they were children.  They are less metal than The Warning, with a grungy sound, they have clean (excellent) vocals and some growling as well.  They are pretty intense.

I think this would have been a great show to go to and I hope they both tour again around here.

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[ATTENDED: July 19, 2025] Puddles Pity Party

I heard about Puddles Pity Party a few years ago. A giant (6′ 8″) man dressed like a clown with whiteface and everything.  Who has an incredible voice.  He’s funny, but also not funny at the same time.

I’ve wanted to see his act but I didn’t think I wanted to see him as a headliner (where does he even headline show?).  So the fact that he was opening for “Weird Al” was perfect.  An opportunity to check him out.  Sadly, two things prevented this from being a great experience.  The first is we ran into a ton of traffic and wound up missing at least half of his show.  The second is that we were pretty far back, so it was hard to get absorbed in the show that interacted with the front rows.

But yes, walking in during him singing Estoy sentado aquí–beautifully, of course–was surreal because who knew if it was suppose to be funny.  By the time we were settled he had started Come On Up to the House.  This is a Tom Waits song that is, unsurprisingly, rather sad.  So it’s kind of funny to see a clown singing it, but it’s not really funny–there’s no punch line.

Up next was In the End, not a cover and also not funny.   But again, wow what a voice. (more…)

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[DID NOT ATTEND: July 19, 2025] Pelican / Porcelain / My Wife’s An Angel

Pelican is an American post-metal band from Chicago known for their heavy, atmospheric and almost entirely instrumental style.

I’ve been vaguely aware of Pelican for a while, and when this show was announced, I listened to a bunch more and was really excited to see them.  But it was the same night as Weird Al, which was a family event.  So, no Pelican for me.  I hope they come back next year.

Porcelain played with Wax Jaw in March of last year.   But I didn’t go to that show.

They are from Austin.  Post-Trash says

The quartet of Ryan Fitzgibbon (US Weekly), Eli Deitz (Dregs, Votive), Steve Pike (Exhalants, CSSS), and Jordan Emmert (Super Thief, Pleasure Venom) bring a great deal of experience together from different pockets of the city’s noise rock and punk scene, the pieces coming together to create something better than the sum of it’s parts.

I’ve never heard of any of those bands.  I like the sound of their music but I don’t really like the singer.  I bet they crush it live though, their drummer sounds like a maniac.

My Wife’s An Angel is from Philly.  A review on Ghettoblaster of their most recent album was simply

Philadelphia noise rock enigma My Wife’s An Angel releases its Yeah, I Bet, an album that is equal parts thrilling and terrifying

They make a lot of noise with a screaming psycho as the vocalist.  No doubt terrifying live.

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[DID NOT ATTEND: July 15 & 16, 2025] Phish

Ever since seeing Phish on New Year’s Eve (and getting the full Gamehendge) I didn’t really think I needed to see Phish again.  I mean, sure there’s more songs I wanted to see live, but 17 times seemed like enough.  And then they announced these two shows at the Mann.  My plan was, if I get GA Pit tickets (the one thing I have not had for Phish) I would go.  And I won the lottery and got two Pit tickets!

And then Hozier cancelled his show in Camden and pushed it to July 15!  There was no debate about which I was going to.  I’ve never seen Hozier in a big setting like that PLUS, my whole family was going to the Hozier show.  So I’d sacrifice my Pit tickets (even though everyone says that this tour is one of the best in years).

I also sold my lawn tickets for the second night.  I don’t enjoy lawn tickets and it turned out we were exhausted after Hozier (home by 1:30AM that night), so I wasn’t too sad to get rid of the tickets.

Then I foolishly looked at the setlists.   I have a list of about 25 songs (which I really like) that I have yet to see them play live.  So I looked at the setlist and I am sadly bolding the FOUR songs they played over the two nights.  And I gotta say, Maze is one of my top want to see songs and Pebbles and Marbles was like a fingers crossed request.  So, yes I’m a little bummed.  But Hozier was awesome, and I’m sure I can see Phish again. (more…)

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