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Archive for the ‘Philadelphia, PA’ Category

[DID NOT ATTEND: June 3, 2025] Sleigh Bells / Sophie Hunter

I saw Sleigh Bells open for Pixies a few years ago.  I had remembered when they first came out and they were very noisy.  Several years later and they looked different but they were still noisy.  I had written

For this show the band consisted of two guitarists who flanked Alexis Krauss.  The drums and every other noise was handles by a woman offstage.  The two guitars were probably overkill as they both did the same thing pretty much all the time.  But the stage belonged to Krauss.  She jumped around, she sang (beautifully).  Despite her attitude, the show was a little monotonous.  The guys didn’t do much, and she can only keep the crowd rolling for so long.  It was a fun opening set, but probably would have been more fun in a small dark club.

So this was in a small dark club, but I didn’t want to see them as a headline act.

Sophie Hunter is a delightfully weird musician who kinda raps over unusual beats.  Feel the throb describes her perfectly

Those red curls and that Natasha Lyonne-esque voice deadpan-rapping while she walks the streets of NYC. Since 2021, the New Haven native has been steadily building buzz with singles like Cvnt and Fight!  Hunter grabs you by the eardrums and doesn’t let go. Her self-described “pop+rap” style is less a fusion and more a full-on collision of genres, with shrapnel flying in all directions. It’s messy, it’s loud, and it’s glorious. However, don’t let the cacophony fool you – there’s method to this madness. Hunter’s lyrics are a masterclass in wordplay, with more double entendres than a late-night comedy show. She weaves tales of the female experience with the dexterity of a verbal contortionist, leaving you reaching for the replay button to catch what you missed the first time around.

I’m going to keep an eye on her–she’s probably a blast live.

But Tito Santana recorded the whole show

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[ATTENDED: May 31, 2025] Vampire Weekend

Vampire Weekend’s first two albums are perfect.  They are two of my favorite albums and any time I listen to them, it makes me smile.  I had wanted to see them for a while, but I wasn’t sure if they would be as good as the records live.  And then suddenly they were selling out bigger venues than I wanted go.  I had tickets to see them in 2019 but couldn’t make it.  Somehow I missed when they played The Mann in 2024 (I was too buys that weekend anyhow) and finally I was able to snag tickets for one of the two nights at The Met.

I saw after that they played a different set for each night, so it’s a bummer I couldn’t go to both.  But having finally gotten so see them I can yell at my younger self because they were fantastic live.

After Geese left the stage, a giant Vampire Weekend banner dropped in front of the dark curtain.  A whole bunch of folks in dayglo yellow set up the stage area–bringing out a piano and drums as well as a mic stand.

Having never seen them I honestly wasn’t sure if this was the show–just a trio in front of the band’s name.  And I was fine with it because they sounded great.

It was just the original trio singer/guitarist Ezra Koenig, drummer Chris Tomson, and bassist Chris Baio.  They opened with  the quiet Hold Me Now and then segued into a far more rollicking Oxford Comma (And I was in heaven because they’d already played on of my favorites songs).  And then they played Blake’s Got a New Face, which my wife and I had just been singing.  It was great.

It was sometime during the next song Ice Cream Piano that I realized that there were more sounds coming from the stage than these three guys could possible make.  And soon after, the pulled back the VW curtain to reveal a huge band behind them.  The revelation was quite a delightful surprise and it wasn’t until they started the next song, Classical (which I never no the name of) that I realized how great the whole huge band sounded.  There were two drummers, keys, several guitars and lots of backing singers.  During the instrumental section of the song, one of the guys in the dayglo shirt did a very sexy dance in the spotlight.  It was pretty fun.

And how to describe the backdrop?  It looked like they were in an underground tunnel, like a concrete bunker with multiple ins and outs.  It looked really convincing.

Ezra typically played guitar but for a few songs, like Connect, he put down the guitar and walked the stage while singing. (more…)

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[ATTENDED: May 30, 2025] Momma

Just over a year ago, I saw Momma open for Girl in Red.  I had been wanting to see them for a while and an opening set is a fine way to see them.  But I was really excited when they announced this headline tour and that they were playing Union Transfer.

I was off to t he side a bit–near Allegra Weingarten but with a great view of Etta Friedman.  Last time it wasn’t entirely clear if the band was just the tow of them (as photos showed) or all four, but the two guys are still with them so I’m guessing they are part of the band now–Aron Kobayashi Ritch on bass and Preston Fulks on drums.

The set was largely songs from their new album, which was to be expected.  Although I was really surprised that they played I Want You (Fever) (which I think is a huge hit) second!  The crowd went nuts for it of course.

In fact I feel like they stacked the front of the show with the songs I wanted to hear because they followed Fever with Medicine and Ohio All the Time. (more…)

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[ATTENDED: May 31, 2025] Geese

There had been some buzz around Geese when they were announced as openers for this show.  I knew their song Cowboy Nudes and found it odd but very catchy.

As this show came around, they started playing another song on the radio and I realized that Geese is pretty weird. So I was curious what their live show would be like.  We arrived pretty early, but the pit was already pretty crowded.  Turns out Geese already had a huge fanbase.  The front of the pit was full of big time Geese fans.

They opened their set with Islands of Man, and I thought that the most distinctive thing about the band (Cameron’s voice) was rather subdued. The song starts softly and fairly quietly with interesting guitar parts from Emily Green.

And the rest of the band was amazing too.  As the show went on, I couldn’t take my eyes off of drummer Max Bassin–he was doing some wild and complex parts.  And midway through the show I realized that bassist Dominic DiGesu was playing some amazing fills too.

For Jesse, Cameron continued to sing in a kind of subdued manner, until the bridge where he got a little shouty.  And it worked really well with the jamming music.  Tomorrows Crusades was super catchy with a great guitar line and Cameron singing in a kind of falsetto.  (more…)

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[ATTENDED: March 22, 2025] Wishy

I Was happy that Wishy opened for Momma.  I knew one or two songs by them and really liked them.

The band came out–a five piece, with the two singer/guitarists Kevin Krauter and Nina Pitchkites.  They harmonize perfectly with each other–both vocally and on guitar.  There’s something very appealing about the two singers going Ah ah ah in harmony on Planet Popstar.  There’s a few different parts in this song so I actually wasn’t sure if they were playing different songs or one long one (it’s only 4 minutes, but is pretty complicated)

Wishy released an EP this year and they played half of it.  That left five songs from last year’s Triple Seven, which is the album t hat I first heard them from.  The (very simple ) guitar riff in Persuasion is wonderful–and when the harmony guitar came in–fantastic.

Love on the Outside is mostly Kevin on guitar, but after a verse, the band kicks in and the harmonies are terrific.  The rest of the band is guitarist Dimitri Morris , bassist Mitch Collins, and drummer Conner Host.  It almost seems like overkill to have three guitarists in the band, but all three do different things to make the sound enormous. (more…)

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[DID NOT ATTEND: May 30, 2025] Vampire Weekend /Geese

Vampire Weekend was one of my favorite bands when they first came out. I loved everything about them.  And yet I never got to see them.

When these shows were announced at the Met I was super excited.  I had tickets with my son to see Ice Nine Kills on the 30th.  So I was psyched to get tickets for the 31st.

Had I known that both nights would be different with largely different setlists, I may have reconsidered INK (no, not really, but sorta).

But they were both great the following night, so it’s all okay.

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[DID NOT ATTEND: May 29, 2025] Jenny Tian

I have made a list of all of comedians from Taskmaster who I would like to see live.  It’s not everyone of course (some of them don’t do stand up and some I don’t think I would enjoy).  And then we started watching Taskmaster Australia and Taskmaster New Zealand, and I’ve added a dozen or so more to that list.

It was while we were watching Taskmaster New Zealand (an older season) that I saw Urzila Carlson was playing in Philly.  This was before I had gotten my jones for seeing these stand ups live, so I took note of it but didn’t think about getting tickets.

Now that I see how infrequently New Zealand comedians come to the States I’m really bummed that we didn’t go.  Urzila is a pretty raunchy comedian and is hilarious in her Instagram clips.  I hope she comes back soon.

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[ATTENDED: May 22, 2025] Lucius

I saw Lucius last year when they played the anniversary of their debut album.  I enjoyed the show and their performance so much that I knew I’d want to see them again.  And I knew my wife would really enjoy it as well.

But I had no idea she’s enjoy it as much as she did.  She said it was her favorite concert of the year [UPDATE: at year’s end she maintains that belief].

The stage was set up with two large cacti flanking the keyboard set up of Jess Wolfe and Holly Laessig.  I love that they dress alike (down to the wigs they are wearing).  They wore red, beautifully decorated ponchos, and it’s amazing that they face each other and more or less mimic each others movements–they’re not a tightly choreographed ship, which is good.  They are more like a loose duo who can allow the moment to overtake perfect choreography.  And they’re all the better for it,

But mostly, Lucius are instantly recognizable because of the gorgeous vocals of Wolfe and Laessig,  And it gives you goosebumps to see them perform live.

There’s a several Lucius songs that I absolutely love.  There’s also some that I’m iffy about (but the hits greatly outweigh the misses for me).  And I really like the vibe of the new album a lot.  I’m sure that has a lot to do with Adam Granduciel of The War on Drugs who produced the album (his fingerprints are all over it).  The opening song Final Days doesn’t sound like The War on Drugs, but it does sound like Lucius covering a War on Drugs song.

They followed up with Gold Rush, which I was surprised to hear so early as its the big hit from the album.  They wound up playing five new songs in a row.  Trespassers Will Be Shot uploaded several songs from our show (see below).  Things had mellowed, but when Stranger Danger came on and the guitars went crazy and Jess and Holly came to the front of the stage–it was electrifying.

The band had a simple set up.  Jess and Holly in the center.  On our right side was drummer Dan Molad and on our left was multi-instrumentalist (but mostly, an amazing guitarist–the sounds he generates are amazing) Peter Lalish.

They played the quieter 24 and then moved to Wildewoman for the amazing Tempest.  Since they had just toured the album last year I didn’t think they’d play too much from it, so it was cool to hear this one.

Then for the really fun Joy Ride, they put on matching hats and sat stage right in a couple of folding chairs.  We got a kick out of them snapping their heads left and right to the beat.

They jumped back to Wildewoman again for the awesome (and even more awesome live Nothing Ordinary) and the fantastic Genevieve, which was delightfully percussion heavy (Jess and Holly playing cowbells) and full of cool lighting. (more…)

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[ATTENDED: May 22, 2025] Victoria Canal

I had not heard of Victoria Canal before this show.

She has a fascinating backstory.  She was born in Germany but is of Spanish American heritage and was raised mostly in Spain.  And yet when she spoke she had no trace of an accent.

Canal was born without her right forearm.  What’s fascinating is that although she does not try to hide it at all, we didn’t notice for the first couple of songs.

Victoria played acoustic guitar and keyboards.  She also had really nice boots on.  Between songs she told delightful stories that really fleshed out songs like the new (and wonderful) Pseudo Zen Buddhist: A Screenplay.  Which she introduced by saying the song was about her ex boyfriend’s next girlfriend murdering him (she works in movies, hence the screenplay part).  It was great.

There was also a really funny intro to Yes Man, a song she write when on a songwriting retreat with Chris Martin of Coldplay.

Canal’s voice is soft and gentle with a really nice timbre.  And she can mix in some falsettos on a song like Totally Fucking Fine. (more…)

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[DID NOT ATTEND: May 22, 2025] Barenaked Ladies / Sugar Ray / Fastball

We haven’t seen Barenaked Ladies since 2017 (2016 was the last time on one of these Last Summer on Earth tours).

They always put on a good show, although I feel like I’ve enjoyed the last few a little bit less than the previous ones.  Mostly because they play the same big hits all the time.  I mean, you can’t be BNL and not play those songs, but it would be fun if they didn’t.

I always consider going to their Last Summer on Earth tours, but I typically dislike the other bands that are playing with them–usually 90s bands that I assumed were broken up. Which doesn’t really speak all that well of BNL (unless it speaks well of them trying to boost old bands).  Their new setlist mixes in a few different songs, so maybe if next year’s co-headliners are good, I’ll grab tickets.

This year was finally an exciting option because one of the opening bands was Guster!  What a fun way to see them–as an opening band.  But then it turned out that they were opening everywhere but the north east!  WTF?  And who was their replacement?  Sugar Ray?  Really?  They had one song and they are still around? Really?  Ugh.

Fastball is someone I do like and they would have been interesting to see.  But not for Sugar Ray.

It’s like BNL’s mission is to keep one hit wonder bands active.  Which is noble I suppose.

Next year guys, find bands that I actually want to see!

 

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