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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: August 3, 2017] Andrew Bird

My experience with Andrew Bird has been frustrating.  I often hear a song or story about him and I think, “I love this guy!”  Whether it’s a feature on his amazing whistling or his adventurous violin playing, I love the songs that they play.

But when I try to listen to more of his songs, I find them…okay.  Never bad, just okay.  Perhaps if I really devoted time to the songs I would learn to appreciate them more, but as it is I find them pleasant.

And this concert was much the same.  I really enjoyed a number of the songs he played (I don’t know the names of most of them), but by the end of the set, I was sort of drifting off a bit.

Before the show we met some friends who were also there.  One of them told me that he often plays solo, looping his violin and such.  He did loop the violin a number of times, but he played every song with his four piece.  And while I can’t compare something I haven’t seen, I feel like the band worked very well and made the show a bit more upbeat. (more…)

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[ATTENDED: August 3, 2017] Porches

I’ve complained several times already about the trip to the Mann and while this one moved a little more smoothly, we were still pretty late.  We caught all of two songs from Porches.

I had heard of Porches when I saw that they were the opening slot for Belle & Sebastian and Andrew Bird, but I didn’t know much about them (I think I had them confused with about four other bands with similar names).

They are described as a synthpop band on Wikipedia, but as you can see from the photo, there’s more than synths. Lead Porch Aaron Maine was an amusing and engaged front man.  I enjoyed that when he introduced the final song he said, “I suppose this will be our last song,” or something else noncommittal.

(more…)

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[ATTENDED: July 31, 2017] Fleet Foxes

I recently made a list of the bands that I’d like to see live.  Fleet Foxes was one of them.  So even though getting to the Mann is a hassle, it was a great venue to watch them.

Their debut album is just brilliant.  I recently listened to their second album and realized I didn’t know it that well. Their new album is, I will admit, a bit challenging to get into.  Bit the melodies and the harmonies…oh the harmonies!

I knew that they were playing pretty much the entire new album, but also a lot of the debut album, which is what I came for.  Robin Pecknold’s voice was tremendous (I guess six years off was good for the vocal chords).  And the harmonies of the rest of the band were outstanding.  With 22 songs in about 2 hours, they sounded great. (more…)

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[ATTENDED: July 31, 2017] Animal Collective

The Mann Center is a gorgeous venue, but it’s a real hassle for us to get to–for a 7PM show it takes about 2 hours.  Which is absurd.  I swore we wouldn’t go back again, and then they announced Sigur Rós back in June and then Fleet Foxes and Belle and Sebastian this week.

So much for not going.

Well, this early show indeed meant that after two hours in the car we still missed at least one song from Animal Collective.

I’ve known about Animal Collective for a long time–they’re pretty legendary.  I’ve never really gotten into them, although they do have a few songs that I like.

They are a headlining band in their own right with their own dedicated fanbase–who were out in force, dancing everywhere during their set.  And checking recent setlists, it sounds like their shows are typically much longer than this one (about 70 minutes). (more…)

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[ATTENDED: July 22, 2017] Thurston Moore Group

I’ve loved Sonic Youth since the late 1980s.  And yet in all of those years I never saw them live.  Never!  So to make up for that, I quickly snatched up tickets for Thurston Moore’s show at Underground Arts (such a great intimate venue).  Inexplicably, I don’t  think the show sold out.

For this show his band consisted of Thurston on guitar and vocals, Steve Shelley on drums (1/2 of Sonic Youth right there), My Bloody Valentine bassist Debbie Googe (!) and maniac guitarist James Sedwards.

I had the impression that they would play most if not all of their new (fantastic) album Rock n Roll Consciousness.  And that was fine with me.  They did play the whole album, but not in order.

I was talking to the fans around me and we marveled at the lo-tech way their gear was set up–the bass was propped on the bass drum case, guitar amps were stacked on chairs.  And, everyone (except Thurston) came out to prep their own gear.

There were a couple lunatic bozos nearby who just screamed and shouted through the set, but it’s hard to overpower Thurston and Co.  One of these bozos took off his short and threw it on stage–it actually landed on Deb’s bass which I could see pissed her off.  After the song she threw it back into the crowd–it sailed right over my head. (more…)

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[ATTENDED: July 22, 2017] The Writhing Squares

I was unfamiliar with The Writhing Squares before this show, although apparently they have been making music for at least four years. And Thurston Moore claimed that they had the best band name he;s heard this year.

The Writhing Squares are a duo: Kevin Nickles: Saxophone, flute, voice, synthesizer, percussion and Daniel Provenzano: Bass, voice, synthesizer, percussion, drum machine.  I can’t get over how many duos there have been lately and just how good two people can sound (even if they’re not just playing acoustic guitars and harmonizing).
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[ATTENDED: June 24, 2017] Palm

I saw Palm open for Dilly Dally last year and I enjoyed their set a lot.  I instantly found their bandcamp site and downloaded Trading Basics (Ostrich Vacation is a bit more out there).  This show at PhilaMOCA was ostensibly an album release party for their new EP, Shadow Expert.  But when I asked the bassist if that meant the were going to throw confetti he just laughed.  Later Eve Alpert said she was really blown away that so many people came (it was sold out).  So it was cool to be at that show.

I was really excited to see them in such a small place and I planted myself right up front to watch what they were doing (those chords!).  After about four songs someone came thundering in from who knows where and started slam dancing (she was the only one), and I wound up pretty far back after that, which sucked.  It was also really really stupid hot in there, but Palm transcended the scene and played an awesome set.

They played most (but I don’t think all) of the new EP.  It even sounded like they may have thrown in some brand new songs too, but I’m not sure.  They started with “Walkie Talkie” and the opening strange chords and notes of the EP–it’s so interesting to watch them play this stuff.  And the fact that they are perfectly in sync and never miss a beat is just outstanding. (more…)

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[ATTENDED: June 24, 2017] Palberta

For Palberta, I came down from the balcony because the room had cleared out some–it was really hot so people headed outside for a mew minutes.  I grabbed a spot pretty close and then just before the band went on a tall fellow with artificial flowers (that seemed like he was going to give to the band but never did) stood on front of me.

I’d only heard of Palberta after seeing that they were going to open for Palm.  They have gotten some write ups in some pretty major publications (in Feb they were mention in Rolling Stone as 1 of 10 new bands to get to know).  In that article, Rolling Stone says

sing disjointed playground punk that embraces both dissonance and innocence, trading instruments as quickly as they change ideas: A good 80 percent of the songs poke and scurry off before two minutes are up. “At this point writing short songs feels more intuitive for us than intentional – it’s the natural way,” says Nina Ryser. “It kind of reflects the song writing process itself: frenzied, fast, kind of jumbled.”

And that’s a pretty apt description of the band (I’m fairly surprised that they were mentioned there at all).

And the band says: (more…)

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[ATTENDED: June 24, 2017] Suffer Dragon

Two trips to PhilaMOCA in three days.  This time to see a local band that I really like, Palm.

I arrived in the middle of Suffer Dragon set and immediately went upstairs where no one was (it as incredibly hot once again).  I enjoyed that angle quite a bit.  It was very close to the stage and you could really see what both guys were doing.

For Suffer Dragon is a duo–guitar (Adam Babar) and one drum (Daniel Betts).  I didn’t know any of their songs until I looked them up online–there was basically one live video that I watched.  I gather they might be pretty locally famous.  Indeed, back in May, Palm opened for Suffer Dragon.

What made this duo different from many other duos is that Betts also played keyboards (drumstick in right hand, left on the keys) and the Babar’s guitar was hooked up to some crazy effects pedals that made many things he played sound very un-guitar-like.  He was the singer as well. (more…)

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[ATTENDED: June 22, 2017] Chastity Belt

 I first heard of Chastity Belt from All Songs Considered.  They’d played their really great song, “Black Sail.”  And they also brought attention to their amusing/appalling band photo (see below).  The album No Regerts [sic] had some fun/funny punky feminist songs.  Since then the band has released two albums (and their new one is really really good) and changed their band promo photo style (see below also).  They’re still writing feminist songs but they’re slightly less abrasive (and not called things like “Giant Vagina” or “Nip Slip”).

In fact, despite their name and that particular photo below, their music is really chill.  Julia Shapiro plays nicely jangly almost shoegazy guitar while Lydia Lund plays some simple but really catchy guitar lines that emphasize or counterpoint the melody.  Annie Truscott keeps everything grounded with her bass and Gretchen Grimm plays some really interesting drum parts.  It was particularly notable live since the drums were louder, that Gretchen wasn’t just playing snare/bass, but was playing complex patterns on her toms.  It really made for a cool sound.

I also got a kick out of Shapiro handing out the setlist to everyone on what looked like little tiny pieces of paper (wonder if they were handwritten). (more…)

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