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Archive for the ‘Philadelphia, PA’ Category

[POSTPONED: August 19, 2021] Ty Segall and the Freedom Band [rescheduled from October 2, 2020; moved to June 24, 2022]

Another postponement, but in the meantime, Ty has released at least one album, and there will probably be more by next June.

index

Ty Segall is one of the more prolific artists out today.  He’s in about a dozen bands, and he releases a solo album (or two or three) a year.  He plays a garagey rock that has lots of energy and fuzz.

I can’t say I like all of music mostly because I haven’t even heard most of it. But everything that I have heard I’ve enjoyed.  And every live videos I’ve seen of him makes me think that his live show is not to be missed.

I was hoping to see him playing with his band Fuzz also this year, but that was postponed as well.  It’s interesting that Fuzz was going to play at the tiny Underground Arts while Ty and his Freedom Band were going to play at the much larger Union Transfer.

I hope both shows go on as planned–it would be a fun couple of shows.

tysegall

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[POSTPONED: August 18, 2021] David Gray [rescheduled from to August 20, 2020; moved to August 18, 2022]

My August was filling up pretty quickly so I assumed I wouldn’t be going to this show anyhow, but now that it’s in 2022.  Maybe…?

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indexDavid Gray is pretty uncool–definitely “old person” music.  However, White Ladder is a pretty solid album.  When he announced this show, I asked S. is she might want to go.  We both had the same reaction.  Maybe… if it’s convenient.  Well, the Mann Center is anything but convenient, so there’s no way we were going.

I really shouldn’t even post it here, but since I’m including anything I even considered going to, here it is.

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[CANCELLED: August 17, 2021] The Decemberists: 20 Years Before the Mast [rescheduled from August 18, 2020]

indexOn March 17, The Decemberists officially cancelled this tour.  I had SUCH GOOD SEATS FOR THIS SHOW!!!!  If They are cancelling a show in August, it doesn’t bode well for the rest of the summer.

* Tour Update * We were really hoping against hope to be able to bring this 20th/21st anniversary show on the road this summer. And while there’s every reason to be optimistic about the state of the pandemic and the possibility of live shows in the future, we don’t think it’s going to happen in July and August of this year. There’s so much uncertainty about playing these shows safely, especially the indoor ones, that we thought the best decision is to cancel. Yeah, we’re bummed. Refunds are available now at point of purchase. We plan on touring next summer; whether that will be in the vein of a similar tour or something new altogether, it’s too soon to say. We promise to be out there again, seeing all your shining, singing faces — covered or uncovered. In the meantime, we’re putting together a different kind of anniversary celebration, and we’ll be in touch on that soon. Yours, The Decemberists

I’ve been a fan of The Decemberists for years and I am surprised by how few times I’ve seen them.  We were supposed to see them two years ago and then Colin Meloy’s voice went out just in time for our show, so that was cancelled.

I was surprised that this tour didn’t include a stop in Red Bank, but a show at the Met in Philly is almost as good.

I was really really hoping that this show wouldn’t be postponed–it seemed like a milestone date somehow.  Plus, I had AMAZING seats.  Fortunately, the show was postponed to exactly a year minus a day away (as many shows tend to be) and my amazing seats are still good.

Here’s their official word on the postponement from May 27:

Adored Mailing List Recipients,

As you might remember from previous emails, there was some discussion over whether or not 2020 was *in fact* the 20th Anniversary of The Decemberists. Did the band start out in 2000? Or was 2001 our proper debut? There are recollections of Decemberists shows happening in 2000 in some form, and yet our first website and logo proclaimed us “Est. 2001” — for reasons lost to time. Well, we’re happy to report that that controversy is settled once and for all, and it only took a global pandemic to do so.

And so: Twenty Years Before the Mast, The Decemberists’ 20th Anniversary Tour will be coming to your town in the summer of 2021, not this summer.

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[ATTENDED: August 7, 2021] Japanese Breakfast

A few nights before this show, Union Transfer sent out this message

Japanese Breakfast have requested that all attendees for the remainder of their tour be vaccinated OR have tested negative for Covid in the 48 hours prior to attending a show.

And nothing made me happier than reading that.  We arrived especially early thinking that the vaccination process would be slow, but the UT staff were efficient and friendly and I think everyone was pleased to feel safe and secure.

And anyone not vaccinated?  Well, fuck em, they can stay home.

I saw Japanese Breakfast three years ago and found the show to be a lot of fun.  I also bought a fun poster that proudly adorns our breakfast area.  Since then, they have released a new album and S. has really gotten into them.

When it was announced that Japanese Breakfast would be playing the first post-pandemic show at Union Transfer, I knew we’d want to go.  I grabbed tickets immediately and it sold out almost as fast.  They added a second show and then a third show.  One of those shows was actually BEFORE our show, which meant we didn’t get to go to the venue’s inaugural show, which was a tiny (very tiny) but disappointing.

She ultimately wound up selling out five nights in a row–a Union Transfer record.  Go Michelle!

She also noted that the folks on our night were “spicier” than the Friday night crowd.  No doubt because we were the big fans who grabbed tickets right away.  Or she was just saying that. (more…)

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[ATTENDED: August 7, 2021] Mannequin Pussy

I had tickets to see Best Coast back in March of 2020.  I like them, but the primary reason I wanted to go was because Mannequin Pussy was opening.  I had seen them open for Japandroids in 2018 and really wanted to see them again.  Best Coast had cancelled their tour and while they are coming back early next year they had a new opening act.

So I was pretty psyched to find out that Mannequin Pussy were opening for Japanese Breakfast (whose tickets we had for a while already).

Mannequin Pussy are now officially a trio (they were a quartet when I saw them last), with the core of marisa “missy” dabice–guitars & vocal; colins “bear” regisford–bass & vocals and kaleen reading–drums.   Although they were a five piece on stage with a “new” guitarist and keyboardist (not sure who they were).

They came out, the red lights went on (I forgot about those terrible-for-photos lights at Union Transfer) and proceeded to play two brand new songs.  Somehow I had missed that they released the Perfect EP earlier this year.  They sounded great–Missy’s voice a terrific mixture of pretty and screamy.  “Control” set the stage followed by “To Lose You.” (more…)

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[ATTENDED: August 5, 2021] Modest Mouse        [pictures to come]

I wasn’t planning on Modest Mouse being my first show back after 500+ pandemic days.  In fact, I didn’t even think they were my first show back (Japanese Breakfast on Saturday was first, I thought). I bought tickets for this show but forgot to write it on the calendar.  Thankfully, a reminder email got me totally psyched to be back.

This was my fifth time seeing Modest Mouse.  I laughed when I saw that last time I wrote:

I don’t ever plan to see Modest Mouse, they just sort of appear and they worm their way into my calendar.  And frankly … I’ll definitely go again if I can.

Obviously that was true as well this time.

I wish that there was a vaccination and mask mandate in place at The Met, because regardless of how vaccinated everybody may have been, there were a lot of unmasked faces in the pit with my masked one.

After a year and a half it was almost comforting to se that all of the irritating people came out for the show as well.  But I was in a good space, so I acknowledged their irritations bit didn’t get irritated.  I was fairly close to the stage, but there were some last minute pushers who forced me a little back.  I also tried my best to leave some distance between me and the others (but that was nigh impossible).  There were the requisite tall boys right in front of the stage and (I had forgotten about this behavior) a short girl (woman? it was hard to tell) who barreled her way right in front of me, dragging her boyfriend (father?) with her.  She also later tried to start a mosh pit but no one was biting.  And of course, by the end of the night there was the very sloppy drunk woman who was falling all over herself (and her boyfriend) who had to leave early.

After a 30 minute wait between bands, Modest Mouse came out.   And the crowd went nuts.

I noted last time that

The main draw for me at a Modest Mouse show is the thought that I’ll hear songs I haven’t heard live before.  I didn’t know if that was possible on my now fourth show but amazingly, they played 8 songs that I hadn’t heard live before.  They have over 100 songs officially released, so I don’t imagine hearing all of them, but I have heard 55 songs at four shows, which again, is amazing

That was not an issue for me this time.  I just wanted to hear live music.  They did play seven songs I hadn’t hear live before.  But six of them were from the new album The Golden Casket.  One was from the Interstate 8 EP.

(more…)

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[ATTENDED: August 5, 2021] The Districts

I was supposed to see The Districts play at Union Transfer on March 12.  COVID-19 had just found its way into New Jersey and Pennsylvania and I was being very cautious so I decided to skip the show.  It was a safe decision, but one that I now regret as it would have been a pretty great final show of the year.  Shows pretty much completely stopped after that.

I was able to watch The Districts play at (virtual) Philly Music Fest which was fun (but not the real thing).

So I was pretty excited to hear that they were announced as the opening act for Modest Mouse.  They would be the first live band I’d seen and the symmetry made me pleased.

They sounded great, but I was a little bummed that their set was only 6 songs in 30 minutes.  I didn’t keep track of the songs, assuming someone out there would have updated the setlist page, so I only know four of the six songs played.  And the shows around it have slightly different setlists, so I guess I’ll never know.

They opened with “If Before I Wake” and introduced their new drummer (who was really good).  I feel like the crowd was a little subdued for these Philly favorites. (more…)

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SOUNDTRACK: hiatus

[READ: July 2021] The Imperfects

I saw this book at work–I didn’t think I’d be seeing as many interesting books at work with my new position, but here was one that I wanted to read!

The title was interesting and the concept was eye catching right from the start.

The story seems fairly simple.  There is a grandmother–Helen Auerbach–and three grandchildren.  The grandchildren are estranged from their mother, who is peripherally in contact, and their father, who thy have not seen in decades.  They are also kind of estranged from each other because of some bad choices each of them has made.  Incidentally all of the children are Millers, not Auerbachs from their estranged father.

The book opens in Vienna 1918 with a historical moment that weighs heavily on the rest of the story.  I didn’t really like the writing style of that section–it was not what i was expecting and I hoped the rest of the story wouldn’t be written in that way (and it wasn’t, thankfully).  But I enjoyed the way that moment ultimately tied into the story. (more…)

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[POSTPONED: July 30, 2021] Built to Spill [rescheduled from July 31, 2020; moved to May 13, 2022]

indexI’m not entirely sure if this show was even scheduled.  It seemed to show up on their website and then was taken down.

Whatever the case, they are officially on the calendar for 2022, and I’m really looking forward to seeing this new line up.

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I’ve seen Built to Spill a bunch of times. The last time I promised myself I wouldn’t get too close to the stage, but I did.  The problem with being so close is the way Doug Martsch has his guitar set up.  His amp is right next to him and it is so loud.  From where I was you could barely hear anything else.  Of course I’m there to watch Doug play, so it’s not too bad.  But I promised myself I would stand back to fully appreciate his band.

On this newly announced tour, his whole band was going to be different.  In fact, I have seen at least three different lineups for the band over the years.  This tour was going to feature drummer Teresa Esguerra of Prism Bitch (who opened for Built To Spill last time) and bassist Melanie Radford of Marshall Poole.  I knew it would be a very different show.

Unfortunately, I had tickets to Kraftwerk on July 30 and tickets for The national on July 31 (not to mention we were supposed to leave for the Newport Folk Festival on the night of the 31st as well).  So I sure hope he keeps this line up when he;s ready to play again.  And I will stand back and take it all in.

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[POSTPONED: July 16, 2021] Waxahatchee / Fenne Lily [rescheduled from August 14, 2020 and April 6, 2021; now cancelled]

indexAlthough this show was still listed on the website as of mid may, when you clicked on tickets, it officially said cancelled.

Waxahatchee is playing all over the place, so I’m not sure if they’ll ever make it back to Asbury Lanes.  I’d have liked to see Fenne Lily open.

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It took a pretty long time for this show to get officially postponed.  AS of a week or so ago, the date hadn’t been changed.  But I see now that it has been pushed just a few months away.  July seems REALLY questionable for a new show.  Although i will be vaccinated by then so…

Waxahatchee was supposed to play Union Transfer back in April.  That show was rescheduled to October.  But in the interim, she scheduled this date at Asbury Lanes.

Union Transfer holds about 1,000 people.  Asbury Lanes holds about 100.  What a different experience that would be.  Even if you went to both shows.

The one real difference though is the opening act.  OHMME is in Union Transfer, Fenne Lily is here.  I loved OHMME when I saw them and want to see them again.

I saw Fenne Lily open for Lucy Dacus and I really enjoyed her.  In fact, I would enjoy seeing her again as well.  So, her as an opening band isn’t a bad thing by any means, It’s just not as good as OHMME.

I’ve seen Waxahatchee twice–once with a full band and once solo.  I like her, although I wasn’t sure I wanted to see her again.  She has a new album out and I’ve heard it’s much more mellow than her last couple, so that doesn’t really appeal to me.

I’m curious if this show will be rescheduled.  It would be fun to see her in a small space (with social distancing).

wxa

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