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Archive for the ‘Philadelphia, PA’ Category

[DID NOT ATTEND: May 7, 2022] Lucius / Celisse

I didn’t see this show the night before in Jersey (even though I was offered free tickets) because I had a (better) show with my son to go to.

So they were playing the following night in Philly (originally Rina Sawayama was supposed to play the TLA, but she got bumped to the Fillmore–good for her).

But honestly, sometimes I can go to two shows in a row, but the Pup show was pretty exhausting, so it seemed smart to just hunker down at home.

I’m not even 100% sure I want to see them live–I really like some of their songs a lot, but a lot are just kind of okay for me.  Although their harmonies are absolutely dynamite.

Celisse Henderson is a wild rocking woman who plays a killer guitar–I think she’s more of a blues player than anything else, but with a modern, female spin on the blues..  I don’t think I knew who she was at the time, but I have since learned that she is a killer and I would have loved to see her.

 

 

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[ATTENDED: May 6, 2022] Sheer Mag

I saw Sheer Mag back in 2017 and enjoyed their set quite a lot.  I had said that

They play a terrific swagger-filled hard rock (comparisons to many riff rock bands of the 70s abound).  And they are fronted by bad-ass singer Tina Halladay whose gritty voice sounds quite a bit like some of high-pitched male singers of the era.

They haven’t really made any new music since 2019, which is kind of a surprise as they were pretty prolific up until then.

This show had them playing a few songs from each of their albums and some of their earlier 7 inch records too.

This being a home town crowd, I thought the band would bring something extra.  It seemed like they were a little cranky or something. (more…)

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[ATTENDED: April 1, 2022] Pinkshift

Pinkshift is from Baltimore and they play a great mix of grunge and punk all coordinated by lead singer Ashrita Kumar.

I saw them open for Mannequin Pussy last year and they were amazing.  I was psyched that they were opening for Pup and made sure my son and I arrived early.

The band has only gotten better since we last saw them.  Kumar remains an amazing front woman, channeling her anger and aggression into an amazing set of songs and really getting he crowd pumped.

Guitarist Paul Vallejo and touring bassist Mikey Stabekis  were locked in step as they rocked.  Sounds like original bassist Erich Weinroth has been let go]. And drummer Myron Houngbedji was completely intense.

Here’s a funny detail I didn’t know.  (more…)

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[DID NOT ATTEND: May 6, 2020] Destroyer / Rosali

It was just over two years ago that Destroyer was the last show I saw before the pandemic shut everything down.  So, Destroyer will always have a warm place in my heart because of that.  When this show was announced, I immediately bought tickets for it.

Then, over the next few weeks, SIX other shows were posted for that very same night.  Gogol Bordello, Sunflower Bean, Olivia Rodrigo (which sold out long before I could get a ticket), Lucius and Pup (which my son and I went to).

Pup was a big hit in my house and so we decided to go to that one.

I’m sure Dan and his team will be back for another tour in the not too distant future.

I saw Rosali open for Graham Coxon.

Here’s what I had to say about her in 2018

She is a Philadelphia-based singer songwriter with two albums out (her last album got some pretty glowing reviews).

She has a lovely voice which reminded me of Aimee Mann.  …  But the problem was that there were no hooks in her songs.

She also had very little stage presence.  She stated as much, confessing that stage banter wasn’t her thing.  No kidding.  One time she asked if anyone watched the news today, after some mild boos, she didn’t follow it up.  Every other time that she tuned, she was basically quiet.  In fact, she never said her name, the most basic thing you do when tuning your guitar.

The other problem was her guitar.  She was playing an electric guitar and was primarily playing slowly, picked notes.  But the settings of this guitar–so clean and sharp–were not helping with her voice at all, which was pretty and rather quiet.

She needed either some echo or vibrato or even an acoustic guitar to let the music resonate more.  She made a number of chord flubs which is no big deal but which really stood out since she was by herself and her guitar was so unforgiving.

I hope that her stage show has gotten better in the last four years, because I did really like her voice.

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[DID NOT ATTEND: May 6 & 7, 2022] Olivia Rodrigo / Holly Humberstone

Olivia Rodrigo kind of busted out of nowhere (okay, actually Disney) with her super catchy and mildly punkish album Sour.  My daughter loved it and it is fun as heck.

The more I listened to the songs, the more I thought it would be fun as anything to see her live.

Well, evidently everyone else in the world thought the same thing because this tour (both nights) sold out in about 2 minutes.

Well, I’ll never get to know how this tour went.

Holly Humberstone opened for Girl in Red the first time we saw them.

She was really good.  I wrote:

Well, I was impressed by her.  She played guitar, keyboard, piano and created live beats on the drum machine while singing.  And her voice was really lovely too.

Her songs are on the pop side but with some good loud guitars from time to time.  “Please Don’t Leave Just Yet” was the synthy song (that featured sped up samples of her voice trilling in the background.  I enjoyed the way she jumped from the synth rack to the piano mid-song.

Would have been a fun show.

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[DID NOT ATTEND: May 6, 2022] Joanna Sternberg / Lucius: Free at Noon 

I scored a ticket to this Free at Noon show because I have been very curious to see Lucius live.  I absolutely love about half of their songs.  And I rather don’t like many of their other songs.  So it’s been a toss up whether I really want to see them.  This Free at Noon seemed like the perfect way.

Then I found out that they were sharing the bill with Joanna Sternberg.

I don’t know anything about her, so it’s no offense to her, but I didn’t want to see such a short Lucius set (most Free at Noons are barely 40 minutes, so it seemed crazy to drive all that way for… 20?

So I stayed at work.

This session took place during Non-COMM, which probably meant that it was really really crowded.  Turns out they only played six songs, although they are probably the six I mist wanted to hear.  So maybe I should have gone.

Although I was seeing Pup that night, so I guess, maybe not. (more…)

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[POSTPONED: May 5, 2022] Psychedelic Porn Crumpets / Acid Dad [postponed to October 21, 2022]

I’m not exactly sure how I discovered Psychedelic Porn Crumpets.  They are an Australian band and they are weird and pretty wonderful.

I have been really getting into them and Acid Dad (thanks to the Levitation live shows.

Sadly, but only mildly sadly, I received an email on March 30:

Due to circumstances both unforeseen and beyond our control, the Psychedelic Porn Crumpets show at Underground Arts originally scheduled for May 5, 2022, has been Rescheduled to Friday, October 21st, 2022.

No big deal, they’ll be just a great in the fall as they would be in the spring.

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[ATTENDED: May 4, 2022] Spoon [rescheduled from April 15, 2022]

This was possibly the shortest time between a postponed show and a rescheduled show.  Nineteen days!  It’s pretty remarkable that the venues were able to accommodate Spoon with such short notice.

So I’ve never been a huge fan of Spoon, but I like a lot if not most of their songs.  In fact, I like them more and more with each record and with each live show.  It’s like the live experience really shows what they’re doing to its best example.

So this was my third time seeing them.  And it was great.

They opened with “Held” a Smog song that they have covered a lot in the past (and which is on their new album).  As soon as Britt Daniel started singing, someone behind me loudly screamed along “first time in my life!” (more…)

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[DID NOT ATTEND: May 4, 2022] Nilüfer Yanya / Tasha / Ada Lea

I saw Nilüfer Yanya back in 2019.  She opened for Sharon Van Etten.  For some reason I keep thinking that she was the headliner for that show.  Which I guess is why I thought it was strange that she was downsizing to Underground Arts.  But she’s now headlining with this tour.

This had been a very busy concert time for me, so I didn’t buy a ticket for this show right away.

Then my Spoon show which had been postponed in April was rescheduled for this same date.  So I was glad I hadn’t bought the ticket yet.

I have rather enjoyed her new album though and would like to see her again.  I’m sure she’s become even more dynamic of a performer.

Tasha (I have to say that there are far too many one-named people with just a first name.  Why do you think that’s okay?  How are people supposed to find you?) is a singer from Chicago.  She has a lovely voice and sings a blend of folk and torch song.  She’d be a great addition to Yanya’s show

Ada Lea (not a one-name singer, as her name is Alexandra Levy) is a Canadian singer who plays slightly up-tempo folk.  She sings a bit like Andy Shauf–what’s up with this style being so prominent?

I’m rather taken with her bio’s blurb about her record:

classic, soft-rock beauty to intimate finger-picked folk passages and night-drive art-pop. And the textures are frequently surprising due to the collage of lo-fi and hi-fi sounds that tastefully decorate the album without ever clouding the heart-center of the song.

I’ve really enjoyed what I heard from her so far–it’s quiet moody and interesting.  I bet she’s great live.

For ease of searching I include: Nilufer Yanya

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[ATTENDED: May 4, 2022] Margaret Glaspy [rescheduled from April 15, 2022]

This was possibly the shortest time between a postponed show and a rescheduled show.  Nineteen days!  It’s pretty remarkable that the venues were able to accommodate Spoon with such short notice.  It also worked out really well for me because that week in April was really chaotic.

But here we were in May.  

I had been wanting to see Margaret Glaspy for a pretty long time.  She last played Philadelphia in 2016, about two months before I heard her album.  (Well, actually, she played Philly when opening for Ruston Kelly, but there was no freaking way I was going  to see that country music hack).  She was supposed to headline a tour back in 2020, but that show was postponed, so it’s not all her fault that it took six years for me to see her.

I really enjoyed her album Emotions and Math.  I loved the guitar and kind of weirdly lurching and aggressive sound and vocal style (Margaret clearly was taking no shit).  Her newer album departed from that style a bit–there’s a bit more synth, but it’s still solid.  (more…)

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