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Archive for the ‘Cities’ Category

[ATTENDED: July 18, 2018] Speedy Ortiz

I really enjoyed Speedy Ortiz’ Foil Deer.  Sadie Dupuis has a great sense of melody (in a delightful alt-90s rock package) combined with excellent lyrics.  Check out this great blurb about Dupuis’ lyrics:

It’s very strange (“Or not strange at all! Hi!” says feminism) that most of the music we funnel into little girls’ ears——even music written by former little girls——is about how women are petty, pretty garbage whose only valuable function is to hold perfectly still in men’s boudoirs and wait for intercourse. “I wanted to make songs that were the opposite of ‘Genie in A Bottle’ or ‘The Boy Is Mine,’” Sadie Dupuis says of Slugger, her new solo album under the name Sad13. “Songs that put affirmative consent at the heart of the subject matter and emphasize friendship among women and try to deescalate the toxic jealousy and ownership that are often centered in romantic pop songs.” What!? Songs for women that actually champion women’s autonomy, reflect women’s desires, listen to women when they talk, and let women be funny and normal and cool, like women actually are?   – Lindy West

When Speedy Ortiz released their new album, they did a mini tour of…ice cram parlors.

As The Key noted:

It was a little suspicious, previously, that Speedy Ortiz’s only tour appearance in Philly would be at Little Baby’s Ice Cream in West Philly to scoop a new flavor, “Twerp Verse Dessert Burst Sundae,” and not to perform.

Then they announced a proper tour, which included a headlining spot at PhilaMOCA.  Amazingly, four days after our show, they were going to open for Dinosaur Jr and Foo Fighters at Fenway Park!  I don’t know how many people arrived early enough to see them, but I have to assume thy were seen by more than the 150 capacity crowd at PhilaMOCA.  And yet Sadie said she was more excited about our show than that one.  And it seemed like it.

Before the shows even began, Sadie was hanging out at the merch table.  We chatted, she sold me a copy of Twerp Verse and even signed it for me.  She was super nice.   (more…)

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[ATTENDED: July 18, 2018] Two Inch Astronaut

I had heard Two Inch Astronaut on NPR and loved them.  I put them on my list of bands to check out.  So I was really excited that they were opening for Speedy Ortiz.  I got there early and wound up right in front of the stage where I was able to watch Sam Rosenberg play amazing and complicated riffs right in front of me.

Matt Gatwood was also great on drums–he hit really hard but in sophisticated rhythms that really worked with the jagged and noisy guitar that Rosenberg played.  On my right was Andy Chervenak on bass.  He was all over the fretboard, playing low and high notes to complement and contradict everything else that was going on.  It was a terrific package of music.

Until about four songs in when Rosenberg explained that this was their final tour.  They were breaking up after the next show.  It was an amicable breakup, “Nothing dramatic — still get along and love playing, but we’ve been doing some form of this band for almost ten (!?) years and it’s time to shake things up a bit,”

But still. (more…)

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[ATTENDED: July 18, 2018] Old Maybe

I had never heard of Old Maybe before this show, although I understand that they have been playing together for a while. (Their earliest demos are from 2014).

The band consists of Jazz Adam (guitar and vocals), Ricardo Balmaseda (bass and vocals) and Nina Ryser (drums).

The only person I knew in the band was Nina Ryser whom I had seen on this very stage when she played with Palberta a year or so ago.

But this band belongs to Jazz Adam on vocals and guitar.  She invited anyone of color or non-cis to the front of the audience before the show began.

I didn’t know much about her, so I have learned that

in 2015 Adam began playing solo shows, performing most songs a capella, creating vocal layers with looping and effects pedals.  Adam attributes her lack of stage fright to her background in theater and stand up comedy. “I am able to be myself onstage,” she says. “And I am aggressive.” [Quote from The Spark).

Adam has been pushing that belief in Philadelphia via All Mutable, a booking collective she started with Nicki Duval and Robin Meeker-Cummings. The mission of the collective is to “diversify lineups sonically and racially,” she says. “Our focus is to book lineups that represent and attract those who are under-represented in this music scene, including (but not limited to) POC, queer identified, trans identified, and those who identify as non-binary. We also hope to sonically diversify lineups, and represent genres that are not often recognized in this culturally homogenized city.”

(more…)

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[ATTENDED: July 12, 2018] Muse: Drones World Tour

I really enjoyed the Muse concert that I went to.  I imagined that C. would have enjoyed it too.  He has been getting into some heavy melodic music and I thought Muse would fit into his tastes pretty well.

So when Muse announced the one-night only screening of this tour film, I decided to take him to Bethlehem to watch it.

I wasn’t sure what to expect.  Was it going to be concert footage and interviews?  Would there be interstitial pieces?  Would it be weird and stilted or would it just rock?  How long would it be?

Well, the last questions was answered first–it would be around 90 minutes.  Perfect.  The usher also told us that Muse would be giving us a special thank you for coming out.  But he also very kindly told us that it wasn’t that exciting–only about 90 seconds long.

The other questions were answered soon enough.  It was going to be all music.  They pieced together the best songs from several European shows and edited down the “dead air.”  There also was very little banter.  It was 90 minutes of intense Muse music. (more…)

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[ATTENDED: July 11, 2018] Radiohead

I remember hearing “Creep” when it first came out and really liking it.  And I remember thinking that Radiohead would be a fun grunge band to follow.  Well, that changed pretty quickly and soon enough Radiohead released “Paranoid Android,” and I couldn’t stop listening to the song and the album.

Then, by making deliberately quirky and somewhat hard to fathom albums, Radiohead became the biggest band in the world.

Their live shows were supposed to be spectacular.  But I had never managed to go.  They played Madison Square Garden in 2016 and the tickets sold out so fast it was a trending topic.   Previously, they had played NY and Philly back in 2012, but I wasn’t as fully cognizant of concerts then like I am now.

So, when they announced a brief tour of the States, I tried, once again, to get tickets through the proper channels (with the understanding that they were trying to control bots and scalpers).

Tickets for Philly went on sale first and I couldn’t believe that I got one!  The seat was close but on the side of the stage.  But who cared?  It was Radiohead.

When MSG tickets went on sale I wanted to see if I could do better.  And I scored a floor seat, general admission!  I nearly passed out. (more…)

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[ATTENDED: July 11, 2018] Junun

I was so excited to get tickets to see Radiohead that I didn’t even consider that there would be an opening band.

I was so excited to get General Admission floor spaces that I didn’t really think about anything else.  I took off from work that day, drove to the City and did not heed the advice of crazy fans who were going to camping out all day.  Rather, I arrived sometime around 5PM.  The line wasn’t that bad, I was able to get a snack and a drink and I had my book with me, so I didn’t mind waiting the 90 minutes until the doors opened.

And when I got in and saw that there weren’t even that many people on the floor, I bought a poster and a water and then I stood in a cluster and waited (with my book).

Eventually the lights dimmed and Junun came on stage.

Even after seeing their performance I didn’t quite understand what was going on with this melding of minds.  So what I’ve learned is that Junun is actually the name of an album.  But the performers and composers go by the unwieldy moniker Shye Ben Tzur, Jonny Greenwood, and the Rajasthan Express.  So I get why they were called Junun.

I found the creation of the album to be rather interesting: (more…)

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[ATTENDED: June 10, 2018] David Wax Museum

Our whole family saw David Wax Museum play at XPNFest a few years ago.  They were great (and were very friendly afterwards).  We knew we wanted to see them again, so when we saw that they were playing this tiny venue at SteelStacks (and that admission was FREE), we couldn’t pass it up.  The fact that it also coincided with the Food Truck Border Brawl (in which food trucks from NJ and PA battle for most popular dish) did not hurt!

The weather sure did though.  It was rainy and a but chilly.  Not ideal food truck weather.  So, rather than making a day of it, we drove down for dinner.  We enjoyed our food truck food and then headed inside for the show.  I think it was supposed to be outside, but they wisely moved this show inside to be incredibly intimate.

It was also fun to have the kids with us for this show (even if Clark chose not to sit with us and we wound up keeping them up and out pretty late–but hey it was almost summer). (more…)

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[ATTENDED: June 18, 2018] King Gizzard and the Lizard Wizard

‘I’ve been a fan of Melbourne’s King Gizzard and the Lizard Wizard since I heard Nonagon Infinity which came out in 2016.  SET

Since that record, the band have released five full length albums (five in 2017!).

And that kind of dedication to making music has seen their fanbase grow and grow.

From the 140 capacity Kung Fu Necktie in 2014 to the 650 capacity Underground Arts in 2016 to the 1,200 capacity Trocadero in 2016 (I found out about this show literally two weeks after it had happened or I would have been there!)  And now finally to selling out Union Transfer (a higher profile show to be sure).

When the band came around in 2016, most of their set came from the then new Flying Microtonal Banana, but here they were one year and four albums later.  What would they play?

They played twenty songs dividing them between Murder of The Universe, Polgondwanaland (their fifth album of 2017, coming out on New Year’s Eve) and Banana, as well as a few from Gumboot Soup (yet another 2017 release) and Nonagon Infinity.  They went back to an earlier album for “Cellophane,” but this show was all about the newest stuff. (more…)

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[ATTENDED: June 18, 2018] Amyl and the Sniffers

I had never heard of Melbourne’s Amyl and the Sniffers before this show.

From their name, it’s pretty obvious what the band is all about.  They’re a four-piece, bass, guitar, drums and Amyl up front.  They play short, fast, loud rockers.  On their bandcamp site they have released ten songs totalling about twenty minutes.

And they were pretty fun.

This song shows their garage rock sensibility.

Amyl is an enjoyable frontwoman.  I think we were taken more with her thick Melbourne accent than any words she may have been saying. (more…)

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[ATTENDED: June 16, 2018] Kurt Vile & The Violators

I have seen Kurt Vile three times.  Once with Courtney Barnett on their Lotta Sea Lice tour.  Then when Jen Cloher played Philly and Courtney Barnett was on lead guitar, Kurt was in the audience.  I was surprised they didn’t pull him up to play.  Then when Courtney came back through Philly to tour her new album, Kurt came out for an encore.

But I wanted to see him play his own songs.  So I was happy when he announced a summer tour with The violators.

I arrived at White Eagle Hall fairly early (the last time Sarah and I went there, the line was really long), so I wound up rather close to the stage, which meant I was able to watch Kurt do his thing (and the sound was still good, too). (more…)

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