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Archive for the ‘Cities’ Category

feb SOUNDTRACK: LITTLE SIMZ-Tiny Desk Concert #600 (February 21, 2017).

simzI had never heard of Little Simz until I saw this Tiny Desk Concert.  Then a few nights later I was in Union Transfer and saw that she would be playing there in a few weeks.  Serendipity.  Although I still wasn’t going to go see her.

Simbi Ajikawo, who records and performs as Little Simz, first gained widespread recognition with the release of her debut album, A Curious Tale of Trials + Persons back in 2015. The British lyricist has been compared to the likes of Lauryn Hill for her self-reflective wordplay that shies away from the often braggadocios nature of mainstream rap music.

While on her first album Simz opted to tell stories that spoke of her childhood experiences (and the insight gained from them), on her most recent release, Stillness in Wonderland, she expands this notion of self-exploration by creating a world that pays ode to the childhood classic Alice in Wonderland. Much like Alice, Simz’s newfound success has taken her on a journey that’s leading her to discover a whole new world.

Accompanied by three members from the Brooklyn-based R&B group known as Phony Ppl [Matt Byas (drums); Omar Grant (bass) and Aja Grant (keys)], Simz performed a set of three songs off of Stillness in Wonderland.

Simz has a very thick British accent while rapping.  On the first song, “Poison Ivy,” she plays guitars and has good flow.  But I felt that the sung chorus were kind of flat.

She says that “No More Wonderland” is about being involved in the business and how being on the road is not what she thought it would be like.  Usually t his is a bad sign for a song, but she does some interesting things lyrically, all staying near the Alice in Wonderland theme.  She tells us the hooks pretty easy so join in.  And it is easy but it’s once again, rather understated.  But I do really like the bass sound.

I didn’t realize that the band wasn’t her band (they do a great job of playing her songs).  Before the final song, “Picture Perfect,” she tells them all that she really likes their hoodies (which have her album cover on them).  They laugh and say they’re very nice, and surprisingly affordable.  She tells a little more about the concept of the album.  This song is when she’s having the most fun and “it’s lit.”  I love the moment where everything stops and they go “grrrrrrrroooo.”

The three songs are a bit slow for me, but by thee nd she did win me over.  I do wonder what her show is like when it’s not Tiny.

[READ: January 19, 2017] “Comeback City”

This is an excerpt from a novel by Mackey.  The excerpt is quite short, so I actually found the description of the novel to be somewhat more interesting.  This excerpt comes from Late Arcade, the fifth installment in From a Broken Bottle Traces of Perfume Still Emanate, a novel that follows the activities of a jazz group.

So this excerpt covers their arrival into Detroit.  It was their first time in the City and the it covers their thoughts about the city itself.   But the narrator “quickly found our expectations to see and say something about Detroit tan irritant, any summing-up or desire to sum up an affront.”

He says things cry out for comment or ridicule (like the immutability of the General Motors Building in contrast to the auto industry’s recent troubles.

But he says, and the band agrees,  that the area by the Detroit Institute of Arts is beautiful. (more…)

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[ATTENDED: March 10, 2017] Strand of Oaks

Back in December I saw Strand of Oaks at Boot and Saddle.  It was just Tim Showalter and Jason Anderson and they were great.  It was very intimate, it was the third night of a three night stint and everyone was loose and having fun.

At the show, they were selling tickets this March appearance at Union Transfer–which was going to be the whole band.  So I decided to get a ticket that night, for a good comparison.

While waiting for the band to come on, I wound up talking to a bunch of people who were huge fans.  I found out that his previous keyboardist was Eliza Hardy Jones who has since gone solo rather successfully–she was evidently at XPNFest last year, when we were there.  One lady told me that the last time she saw Strand of Oaks, Showalter stage dove right where she was standing (which is where I was standing).  The guy she was with said that last time he saw them, they opened with “Cinnamon Girl,” and they talked about how this was a hometown show and he would go all out–especially since the venue was far more filled than the previous time. (more…)

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[ATTENDED: March 10, 2017] Twin Limb

I had never heard of Twin Limb when they opened for Strand of Oaks.  So I was pretty surprised to walk in on them setting up and to notice a giant accordion on the left side of the stage.

And then on the right side of the stage, facing the accordion was the drumset.  In between was a guy with a guitar.

Twin Limb is the creation of Maryliz Bender (drums, vocals) and Lacey Guthrie (accordion, vocals).  I’m not sure exactly what they sounded like initially.  But a year or so after they formed, they teamed up with Kevin Ratterman (sampled sounds, guitar) and their sound evidently changed pretty dramatically.

I don’t know what it was before, but it was fantastic when I saw them. (more…)

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[ATTENDED: March 4, 2017] The Flaming Lips

I saw The Flaming Lips back in 2015 and I was thrilled at how much bigger their show had become since 2000 when I saw them the first time.  When I saw they were touring again for their new album and were playing The Fillmore, I knew that I had to see them again, and this time I needed Sarah to experience the show with me.  She doesn’t know their music very well (she liked a couple of songs and actively disliked a number of them (mostly their noisy covers)–but I knew they wouldn’t play those).  I couldn’t stop talking about that previous show, so I think her expectations were pretty high.  And she told me they did not disappoint.

Having clipping. as the opening band was unusual because if there was ever a show I couldn’t imagine Sarah at it would be a loud, screechy vulgar hip hop band.  But it served as a palate cleanser for The Flaming Lips.

I noticed that they added even more stuff to the previous set, but it was weird that they have all of this great stuff on stage, but then they tend to obscure it as well.  Between the lights in front of the stage (how weird to see all those lights dangling in front of the performers) and the fog machines, sometimes you couldn’t even see the cool stuff going on.  But it was all part of the sensory overload of the show.

Before the show started, Wayne and some of the other guys came out and checked some things. Its was funny to see Wayne walk out on stage and wave to us.  He even shot some hand-held confetti cannons at us.  But then they went back stage and it took another fifteen or so minutes for them to start.

In front of the stage were all of the strands hanging down.  It was impossible to know what they were, until the music started and we saw that they were light strands.  And as the music swelled, Wayne conducted the lights and the music.  It was very cool. (more…)

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[ATTENDED: March 4, 2017] clipping.

I first heard clipping. on All Songs Considered about a month ago.  The song was noisy and brash and vulgar and featured incredible rapping from a voice that I recognized but couldn’t place.  Then they told us that the rapper was Daveed Diggs who was Thomas Jefferson and the Marquis de Lafayette in Hamilton.  He won a Tony for the role(s).  And now here he was fronting this band of experimental glitch-hop.  And there he was just a few dozen feet from us. 

I love the Fillmore, but it’s one of the few venues that we don’t ever seem to be able to get very close to the stage for.  I guess the artists are a little more popular (and tend to sell out) so there’s less wiggle room at some of the other shows.  So we were further back than I would have liked.  But we could still fully absorb the spectacle.

Clipping are not exactly the kind of band I’d pair with The Flaming Lips (who sing about rainbows and love and whatnot).  And indeed, the contrast was pretty stark.  But the Lips have a crazy stage set-up and it seemed to work perfectly with the kind of static and noise that Clipping creates.  And I’m sure they loved being able to hook into the Lips’ wall of video screens behind them. (more…)

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2017-02-25-23-47-33[ATTENDED: February 25, 2017] Japandroids

I was mostly excited to see Japandroids because in addition to liking their music, I wanted to see how two guys could be so powerful live.  I’d also heard that their live shows were a ton of fun.  And was it ever.

Interestingly, I had tickets for the Friday night show, which sold out.  But then something more important came up–a father daughter dance.  I was able to get my ticket to someone I work with and he enjoyed Friday night and I was still able to get a ticket for Saturday night.  So everybody won.  There was also some joking from Brian King the guitarist/singer that Friday night was a better crowd–until the Saturday night crowd decided to prove him wrong.  They were also filming on our night, so I wonder if anything will ever come of that.

But back to the show.  When the crew set up their gear, I was surprised to see them putting the drum set literally right in front of me, sideways–facing the guitar.  I knew that he faced that way but didn’t think they put him right a the front of the stage. (more…)

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2017-02-25-21-21-28[ATTENDED: January 31, 2017] Craig Finn

The universe has insisted that I see Craig Finn perform.  Last year he opened for My Morning Jacket, but my friend Jay and I arrived late and missed his whole set.  Well, here was a second chance.

Back then I had assumed that Craig Finn was one of the Finns from Crowded House.  It wasn’t until that MMJ concert that I discovered he was the guy from The Hold Steady, a band I’d never listened to.  I didn’t know much about him beyond that except that his delivery was kind of spoken/sung and there were comparisons to Bruce Springsteen.

I had gotten up pretty close to the stage, and I was surrounded by diehard Finn fans, so I felt like a bit of an imposter.  But he didn’t seem to mind and he played a really enjoyable set.

Given how raucous the Japandroids were he seemed like a bit of an odd match, but he certainly has a punk vibe, even if his songs are not very loud. (more…)

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[ATTENDED: February 10, 2017] Marco Benevento

2017-02-10-23-18-04Back in August I saw Marco Benevento open for The Claypool-Lennon Delirium.  I didn’t know Marco, but his show was so much fun I promised myself I’d see him again.  So I was pretty psyched to see that he was playing at this venue.

Marco’s show back in August was just so much fun–I had arrived late, after being caught in traffic, and within minutes he had totally uplifted my mood.

So I was thrilled to find the Ardmore such a small venue where I could get up so close–check out the bottom of the page for the up close look at his modified piano.  And when he show began, I was right up at the front of the stage.

2017-02-10-22-12-11In addition to Marco, who is a fantastic entertainer, his band consists of drummer Andy Borger (whose drum set includes a cowbell and what looks like the alarm bell from a school) and my new favorite bassist Karina Rykman.  2017-02-10-23-37-07It was actually Rykman who first won me over back in August because she was just so happy.  I don’t think I’d ever seen anyone have so much joy playing on stage before.  And this show was exactly the same.  Of course it helps that she’s a great bassist with an amazing sound.  She doesn’t do a lot of fancy stuff, but her groove is spot on.

The three of them came out and started playing the suite from The Story of Fred Short.  It’s a series of seven interlocking songs with a great groove and a lot of room to jam.   I walked in the middle of this suite when I saw them this summer and I was really excited to hear it again.  I love the bass lines and, in this case, the whistle in “Walking with Tyrone.” (more…)

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[ATTENDED: February 10, 2017] Wolf!

2017-02-10-20-38-07Back in August I saw Marco Benevento open for The Claypool-Lennon Delirium.  I didn’t know Marco, but his show was so much fun I promised myself I’d see him again.  So I was pretty psyched to see that he was playing at this venue.  WOLF! opened up. Technically the band was billed as WOLF! featuring Scott Metzger.  This actually didn’t help me, because I didn’t know who he was either.  The only other clue was that he was also in a band called Joe Russo’s Almost Dead (with Marco Benevento) who do mostly Grateful Dead covers.

I genuinely didn’t know what to expect from WOLF!, although I certainly had an idea of what they’d sound like from those bona-fides.  But boy was I wrong.2017-02-10-20-57-45

Turns out that WOLF! plays pretty much all instrumentals.  The songs are kind of surf guitar rock-ish, but not exactly.  They are jam-band-ish, but not exactly (the songs are relatively short).  And they all center around Metzger’s wonderful, melodic soloing. (more…)

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[ATTENtaj1DED: February 7, 2017] Taj Express

I saw this advertised at MPAC a few months ago.  I was really intrigued by it and thought that it might be fun for all four of us to go.  Going in, I had literally no idea what to expect.  I imagined we see some fun dancing, some extravagant costumes and some exotic music.

I didn’t even know that there would be a story.  I just assumed it would be 2 hours of fun Indian entertainment.  So imagine our surprise to get there and discover that there was not only a story, but a very funny one at that.

And all four of us really enjoyed the show a lot–even Clark!  The music was outstanding–super up-tempo and fun. And the dancing was magnificent–the energy, the costumes, the special effects–what more could you want.

(more…)

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