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Archive for the ‘Cities’ Category

[DID NOT ATTEND: April 22 & 23, 2022] Godspeed You! Black Emperor

Back in 2000, I saw Godspeed You Black Emperor at Maxwell’s in Hoboken.  My friend Lar was in from Ireland and he went to the show with me, which was pretty awesome.

I waited 18 years to see them again, but the last time I saw them, the show was marred by the crowd.  Or perhaps I was just always in the wrong place.  I couldn’t see well from where I was so I moved–something I never do.  I tried a few spots and none felt right and a couple were near some genuinely unpleasant people to be standing near.  So I never enjoyed myself, even though the music was good.

So I thought I’d try a redo.  I was excited to see them in Jersey City, but then the Fontaines D.C. sow came up.  I figured I’d go see them the next night, but we wound up having a big birthday party that day and it seemed rather crass to go out later that night.  So, I missed them. And that’s ok.

Myriam Gendron is a Quebec musician I hadn’t heard of, but this review makes me want to check out her records.  This is for her latest album:

Delving deep into traditional music from Quebec, France, and the United States, she rewired segments of songs to emphasize evocative lyrics and tossed out others that she found abhorrent. Singing in French and English … these historic songs become universal, while her tender voice maintains the soft power to raise the hairs on the back of your neck.

Woah.

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[ATTENDED: April 22, 2022] Just Mustard

Just Mustard are a five piece band from Dundalk, Ireland.  They make a fantastic noisy mess of shoegaze combined with a wall of noise and singer Katie’s droney but at times piercing vocals.

The blew away Underground Arts when they opened for Fontaines D.C.

They have a new album coming out soon and they played a bunch of songs from it.  Lead singer Katie Ball was wearing a cheerleader-type outfit with her name in letters across he front.  This was about the only whimsical thing in their entire set.

The band exuded seriousness and they were exceptional musicians.  Drummer Shane Maguire played some amazing and unexpected fills and when he hit the snare hard (which wasn’t always) it cracked to attention.  I was in front of guitarist David Noonan who played a lot of rhythmic sounds (not so much rhythm guitar as rhythmic sounds–his playing was very percussive.

(more…)

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[DID NOT ATTEND: April 21, 2022] The Lemonheads / Leah Hennessey [postponed to December 16, 2022]

I saw Evan Dando play a bunch of Lemonheads songs solo at a tiny venue in Jersey City.  He seemed kind of wasted, but he sounded great and I had a wonderful time.

I was genuinely interested in checking out this show since I missed him in Philly a few months earlier, but the show was postponed.  Whether because of COVID or he mercurial whims of Dando, I’m not sure.  Maybe I’ll see him this winter.

Especially since they’re playing It’s a Shame About Ray–I know this poster is for the UK, but so far the NJ show is a one off.

Leah Hennessey is a musician/actress/playwright/lead singer.  She fronts the band Hennessey a retro synth band created by NY artists.  Not sure what she’d sound like as a solo artist.

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[ATTENDED: April 21, 2022] Stanley Jordan Masterclass

Several years ago, I watched a Tiny Desk Concert from Rudresh Mahanthappa and then I found out he is a teacher at Princeton.   So I joined his email list and I get all kinds of updates about jazz and jazz adjacent things going on on campus.

But I was super surprised to get this one

We are very excited to have the legendary jazz guitarist and Princeton alum Stanley Jordan in the house this coming Thursday.  Please join us for a masterclass and Q&A this coming Thursday in the Lee Rehearsal Room at 4:30 PM.

My friend Al introduced me to him back in the 1990s and while I’m not going to say I was a huge fan, I was intrigued enough to go to this event.  I also had no idea he went to Princeton.

Stanley Jordan was born in Chicago, Illinois, and grew up in the San Francisco Bay Area.  In 1981 he earned a BA in music from Princeton University, where he studied theory and composition with composer Milton Babbitt and computer music with composer Paul Lansky. While still at Princeton, Jordan performed with Benny Carter and Dizzy Gillespie.

I also didn’t know he more or less invented tapping

key to Jordan’s fast-track acclaim was his mastery of a special technique on the guitar’s fretboard. Instead of conventional strumming and picking, Jordan’s innovative “touch technique” is an advanced form of two-handed tapping.  A classically trained pianist before playing guitar, Jordan wanted greater freedom in voicing chords on his guitar, so he applied piano principles to do so. Jordan’s touch technique allows the guitarist to play melody and chords simultaneously with an unprecedented level of independence. It also allows Jordan to play simultaneously on two different guitars, or even on guitar and piano. He says that “I think of it as a single instrument, but one with a wide range of tonal colors-that’s why I do it.”

This session was really fantastic.  Jordan talked about his childhood and about his luck in attending Princeton and getting to go to New York City.  I was fascinated to hear just how intellectual he was about the music–it’s not just about feel and vibe, he analyzes it as well.

I didn’t get to stay for the jazz program, which Mahanthappa says was great, but I did get to see Jordan giving feeding back to some of the individual players.

 

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[DID NOT ATTEND: April 20, 2022] Lorde / Remi Wolf

I have enjoyed most of Lorde’s output even if she is quite poppy.  In fact, I love the song “Solar Power.”  I find her rather intriguing and was curious about seeing her live.

This sow sold out (or nearly sold out) very quickly, so I didn’t bother even trying to get tickets.  It sounds like there was some kind of controversy at recent shows about her shushing people while she was singing.  Which is kind of cheesy, although, having been to shows where someone with an amazing voice is drowned out by a fan who cannot sing, I understand the sentiment.

Remi Wolf is a singer songwriter whom I do not know.  The fact that she appeared on American Idol in 2014 makes me not like her.  That’s unfair, but whatever.

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[DID NOT ATTEND: April 20 & 21, 2022] Phish [rescheduled from December 29, 30, 31 2021 and January 1, 2022]

I wasn’t exactly happy that Phish cancelled their New Year’s run at MSG.  Well, actually I was because I didn’t feel safe going out.

The rescheduled dates (around 4/20, ha ha) were doable except that it’s a birthday week in our house.

MSG is a pain in the ass to get to, so I wasn’t looking forward to the travel.  Then Phish announced more summer shows–in Philly and Atlantic City.  Suddenly I had tickets to seven Phish shows in four months.  That was too much even by my standards, so I sold these two on Cash or Trade and someone else got to enjoy the shows.

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[ATTENDED: April 16, 2022] Motionless in White

As soon as I heard that Motionless in White was from Scranton (and they called Philly home), I understood why they were the headliners.  Apparently they always sell out in Philly as well.

After Ice Nine Kills, there was a major shift in the audience.  Whether they were leaving or just getting drinks, it allowed me to get very close to the stage.  So when Motionless in White came out I really got to experience them pretty well.

I was a little puzzled by lead singer Chris Motionless who may have had white face paint on.  He was also wearing what looked like an army flak jacket (with no shirt underneath–ouch.

I also think there was no bassist for the band (I see that it was announced in Buffalo that he was expecting a new baby, so that’s sweet).  I’m not sue how they compensated or maybe they didn’t bother.  (more…)

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[DID NOT ATTEND: April 19, 2022] Fruit Bats / Johanna Samuels

Fruit Bats released a song at the beginning of the year and S. really liked it.  Then they announced a concert right around her birthday, so I spontaneously grabbed us tickets.

We joked how we never listened to any other songs by them and wouldn’t know anything at the show.

As the show grew closer, things were kind of crazy and we ultimately decided not to go.  So we’ll never know if we like more than that one song.

I hadn’t heard of Johanna Samuels but I see she is described as “A student of classic songwriting with a certain nod to the current in-vogue Blood On The Tracks-era Dylan” which sounds pretty good.

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[ATTENDED: April 16, 2022] Ice Nine Kills

Ice Nine Kills put on a wonderfully theatrical show.  There’s costume changes, props and murder victims.  Their songs are often very catchy and they are frequently about horror movies (hence the murder victims).

After seeing them back in 2019, I knew I’d want to see them again.  I’ve tried to see them with my son a few times, but he winds up getting invited by a friend and they go together (last time they scored VIP which I don’t even bother trying to do).  So I was pretty excited to go to this show.

And I was consequently a little bummed that their set was only going to  be about 50 minutes.  (more…)

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[ATTENDED: April 16, 2022] Black Veil Brides

When I grabbed tickets for this tour, I wound up getting them via a Black Veil Brides Presale, because I never got the INK presale to work.

I had never heard of the Black Veil Brides, but that didn’t matter, because I could still get the tickets, right?  Even my son and his friend were a little surprised the three bands were together because they said that BVB and Motionless in White peaked like ten years ago.

I also had no idea that this was a triple headline bill.  I mean, yes I can see it was advertised as such, but since I hadn’t heard of the other two bands I assumed that the other bands were listed, but it was an INK show.

Then the day before, when I went to check what time INK went on, I saw that the three bands were rotating who went first and that we would not know who was playing first until we got there.  Woah, no wonder it was so packed so early. (more…)

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