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Archive for the ‘Bethlehem, PA’ Category

[ATTENDED: July 22, 2025] The Decemberists 

We saw The Decemberists last year and it was pretty exciting that they announced a small summer tour (8 shows!) and one was in Bethlehem.  My last experience here at Wind Creek was abysmal.  We arrived much earlier tonight and the getting into the venue process wasn’t that terrible.

The previous show was fairly elaborate with a large cast on stage.  They opened with just Colin singing and then the rest of the band slowly coming out to make each song louder.

This time was completely different.  Drummer John Moen came out first and started a rousing drum beat.  Then the rest of the band came out and they launched into July, July! a perfectly apt song for the summer, and one that we hadn’t seen before (which is shocking).  Indeed, while not a rarities show per se, this show featured a lot of songs that we hadn’t seen before or, had only seen once.

I wondered if they’d play much from the new album–technically this is still the same tour (Peaceable Kingdom–their merch totes still said 2024).  They played three songs, Burial Ground which is always fun to hear live.  The other two songs were deep cuts from the new album and two that they hadn’t played live before this mini tour.

Rox in the Box is one of my wife’s favorite songs and she’s always a little bummed when they don’t play it.  But this time they did.  Before the show we talked to the people seated next to us (gasp, really? Yes!) and in discussing what songs they’d like to hear, my wife said Rox in the Box (check) and Make You Better (check).  We also discussed the new jamming version of Severed.  This version had Colin telling an off-the-cuff (clearly) story about the brown shirts in charge of this country being subsumed by the rust of steelstacks (or something).

After a second deep cut from As It Ever Was (which I thought sounded familiar but couldn’t place it), they played a superbly deep cut from an early album: The Bus Mall (something they do play from time to time, but which I’d never heard live).  It was followed by another new track for us, Oceanside, a fun song from their earliest EP.

They brought out Ron from Melt to sing The Queen’s Rebuke and she sounded fantastic!  I don’t know where she came from–Melt didn’t open the show and they are playing in Bethlehem in two days, but how did this magic pairing happen?  I have no idea.  I see they didn’t play it the previous night, so maybe Melt was just hanging around.  Because Ron stayed out for the next song and their guitarist came out and played too.  And that next song was a cover of Paranoid by Black Sabbath.  Not something you expect to hear at a Decemberists show.  However, Ozzy died earlier that day so it seemed a nice tribute.  Colin took the drums and John Moen sang.  He did a fairly decent Ozzy impression (getting everyone to clap and going crazeee), but hilariously he didn’t know the words at all.  How is that possible? (more…)

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[ATTENDED: July 22, 2025] Merce Lemon 

I didn’t know Merce Lemon before this show.  Normally I look up an opening band, but I just didn’t for this show.

They came out as a five piece (although Merce Lemon is apparently the lead singer and it is her project).  She was joined by Reid Magette who played some utterly fantastic lead lines in the songs.  Pat Coyle on drums was fun to watch because the songs weren’t complicated, but he threw in lots of flourishes here and there to make them really come to life.  Alvin Row was playing lap steel for the whole show.  Sometimes his leads lurred with Reid’s but overall he provided some great ambient sounds.  And Benji on nass occasionally made some great feedbacking noises on these otherwise mellow songs.

Merce described her band in an interview with Post-Trash:.

My drummer Pat Coyle plays under his name. Benji, who plays bass, also plays under Clear Creek SP. Reid, my guitarist, plays under I4A, which stands for Ideas for Advertisements. Spencer, who played keys on the album, plays ambient music under the name Alvin Row. We recently played a show at my friend’s sauna, which has an outdoor space. He was playing ambient lap steel, and it made me cry.

They played six songs, each one at least 5 minutes long.  The songs started out quietly but they usually had really exciting moments and the crowd was easily won over by them.  The last song in particular had a great build up and conclusion.

Merce never mentioned the band’s name (or anything more than I’m Merce) and I don’t know what songs they played, except for a Bonnie “Prince” Billy cover of “I See a Darkness.”

I’m hopeful that someone will post the setlist as I really don’t know what they played.

But yeah, overall a very enjoyable opening act.

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[ATTENDED: November 21, 2024] Babymetal

After the horrible attempt to get to this show I was in a bad mood.  It was not helped by the guy next to me who was REALLY getting into the between bands music they were piping in.  He was shouting along and taking up way more than his allotted space.  I spent most of the show trying to inch away from him, but it was quite crowded.

And WOW, did it smell bad.  A scent of body odor or bad breath.  I thought it was just me smelling it but my son, who had moved about eight feet from me when a spot opened said the same thing about the smell.

I was also bummed because I thought we’d be a lot closer with a great view.  But instead the tall guy way in front of me basically blocked my view of the center of the stage (where all the action is). At least there were video screens.

But it’s hard to be cross when Babymetal takes the stage.  First comes the masked Kami band (their masks are cool and the band is incredible).  Then the trio came out Su-metal, Moametal and Momometal.

I didn’t realize that it had been 5 years since I last saw them.  I feel like the previous show was bigger and/or more impressive.  But again, that could just be because of my poor view.

But I was pleased when I saw my son taking videos of songs because that meant he was into it.

They opened with the first song off their first album–basically an introduction to the band.  Which is totally unnecessary.  Not only di d this show sell out, but everyone there knew the words (in Japanese) and what to do and when to do it.  Total crowd synchronicity.  And Su-metal (as a person next to me said) has total crowd control.  She waves her hands and everyone does what she says.

They had a big screen behind them which flashed various images during the different songs.  I loved hearing Pa Pa Ya (Babymetals are mostly in Japanese, so I don’t know if the stupidly catchy choruses are nonsensical or Japanese, but damn if pa pa pa pa pa ya isn’t the catchiest thing to shout.

I will repeat some things I wrote last time

Throughout the songs the trio danced like crazy.  Their precision synchronization was amazing. (more…)

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[ATTENDED: November 21, 2024] Scene Queen

I had this great plan to arrive early to this show.  And then everything went South.

My son’s college had an event that I hoped he could attend, so we wound up leaving later than I intended.  And, somehow, when I bought the tickets, I didn’t realize that going to Bethlehem would be so far out of the way from his school (Philly is more or less on the way, but jeez, this drive was ridiculous.

We also didn’t have dinner, so we had a (yummy) stop in the Bethlehem Waffle House.  But when we got to the Wind Creek Event Center, it was a nightmare.  The traffic to get in was insane–they were directing everyone around the whole campus to the parking garage that you could enter on the way in.

I went looking for a handicapped spot and they were all full, so we had  to park about as far away from the entrance as you can get.  So we trudged through the cold rain to the doors only to find a massive security line and one of the most thorough checks I’ve been in a show in a long time.

When we got in the venue people were spread out all the way to the back of the room making it almost impossible to get in.

I was really annoyed by this time.  So it didn’t give me a great introduction to Scene Queen. (more…)

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[DID NOT ATTEND: July 26, 2024] Richard Thompson / Alexa Rose

I really want to see Richard Thompson one more time, but I really want to see hi with his band rather than solo.

For this tour, he announced it would be a band tour!  I was so excited.  But when he announced this relatively local show, it was solo.

What’s weird about his solo shows is that he had a million songs in his repertoire and he plays all request shows where I’m sure he’s playing all kinds of songs.  But when he plays solo he tends to play the same twenty or so songs.  It’s always amazing, I am just looking for something a little different from him.

I keep hoping he’ll bring the band to McCarter one more time.

Alexa Rose was born in the Alleghany Highlands of western Virginia, raised in the tiny railroad town of Clifton Forge. Though no one in her immediate family played or sang, she inherited a deep musical legacy.

She has a pretty, clean voice with vaguely country leanings.

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[DID NOT ATTEND: April 20, 2024] Ben Folds and a Piano

Two years ago, we saw Ben Folds for the fifth time.  This was at Parx Casino.  And As I wrote then,

things were kind of weird right from the start.  He was really late coming out.  I accept that a start time is fungible, but the lights went down and it took him a solid five minutes to come out.  During which time someone loudly made a I’ll bet he had to rush to the bathroom joke which really set the tone.

It’s hard to say is Ben was annoyed, but he seemed to be.  He didn’t like the camera set up (one was on the keyboard) and he just didn’t seem as fun as he has in the past.

Of course, he’s professional, so he sounded great and his playing was wonderful.

The crowd around us was weird.  It was a much older crowd than a typical show that we go to and I’m guessing a Saturday night show at a casino is going to lend itself to a lot of drunken people.  Because the bad behavior was in evidence.

For whatever reason, this show didn’t feel as great as the previous ones.  I blame the casino.  And the drunks.

And this show, at another casino, in an auditorium with dicey sound at the best of times, just didn’t seem worth the bother.  I was surprised that neither of us wanted to go, but we both felt the same way.

And this doesn’t matter, really, but his setlist was pretty short too.

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[DID NOT ATTEND: March 1, 2024] Wax Jaw / Food Truck

I keep getting shut out of seeing Wax Jaw.  It’s insane how many concerts they sprinkle around for me to see which I somehow manage not to get to.

When I saw they were playing Bethlehem, I was super psyched to go!   Sure, I’ve never been to The Funhouse, but so what.

I wrote on the calendar that this show was Saturday night.  Only to realize on Friday that it was on Friday!  And we had already made plans.  Sigh.

This one was weird because there were no tickets available ahead of the show, it was only at the door.  I had no intention of getting here early or anything s oi guess it’s possible I could have been shut out (capacity 100) and that would have just pissed me off. (more…)

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[DID NOT ATTEND: September 20, 2023] Melvins / Boris / Mr. Phylzzz 

There’s not a lot that could keep me away from a Boris show.  Although the last time they came to the area, it was the same night that my daughter wanted to see Kurtis Conner.  So obviously she won out that night.

This year, I saw that Boris and Melvins were touring together.  I’m not a big fan of the Melvins.  I like them in theory but never really got into their music.  And yes, I know that Boris gets their name from a Melvins song, so this tour is just too perfect.

Anyhow, the one thing that could keep me away from this show was the fact that I had tickets to see Igorr this very night and I wasn;t going  to pass up that rare opportunity.  PLUS, this very show was going to be in Philadelphia the next night.

Mr. Phylzzz are described as a “two-piece loud-ass noise rock band from Chicago, IL.”  Sounds like a perfect fit for this show.  I’ll find out tomorrow.

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[DID NOT ATTEND: August 25 & 26, 2023] Lotus Land 

This is the third or fourth time I could have seen Lotus Land.  And this time they are playing two nights in a row!

Really, I have no interest in seeing tribute bands.  If I can’t get the real thing, then I won’t get it at all.

However, this Rush tribute band intrigues me because in the pictures they both use doubleneck instruments and their ads say they play mostly late 70 and early 80s Rush.  This is a period I’ve never seen live and I think it might be fun.  Plus they are very highly praised in their reviews.

Turns out Friday night we had plans and I’m really trying to not go out on Saturdays as much, so I’ll just have to hope they come back around when I’m not doing much else.

 

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[ATTENDED: August 3, 2023] AJR

I listen to a radio station in my garage (it’s the only station I can get in that I like).  They play alt rock and that includes a significant amount of AJR.  In my mind, AJR was a fun band who through weird sounds into their songs (like “Here We Go”) or used pitch-shifted vocals to make a killer hook.

When this show was announced at Musikfest I assumed it would be really fun–kind of wacky and a general good time.

I had no idea that it would be so popular (and the only headliner that was sold out).  My friends were taking their daughters to the show and I noticed that there were a LOT of kids at the show.  However, I wasn’t the only old person there (without kids).

What I learned right away was that they had a lot of songs that I didn’t know.  And when I looked them up I learned that they were more of a pop band before they branched out into a more unique style.

The show it self was fun, but not in any way that I imagined.  I was assuming there’d be a huge production–lots of videos or costumes or something goofy.  But it was exactly the opposite.  Extremely minimalist.  Adam was on bass on my right.  Jack was singing in the middle and Ryan was on my left with his keys and samples.  Behind them was a drummer Chris and a trumpeter Arnetta.  And that was it.

There were some videos, but they were mostly background.  The real action was Jack scampering around the stage and dancing and jumping and being generally wild and fun.

I didn’t know the opening song, but it was boppy and clappy and really set the stage for the rest of the show.

But what surprises me about the fan base is that it skews really (really) young, but their songs are far from youth appropriate.

Three O’Clock Things

I feel like everyone I know right nowIs hooking up and getting wasted (without me)And maybe sex is overrated but we’re too shy to ever say it (say it)So we pretend we’re all amazingIt’s three AM I should be sleeping (sleeping)

and

“Sober”

… Won’t you help me sober upAll the big kids they are drunkAnd I want to feel something again

But “Three O’Clock Things” has this great ending:

Isn’t this obvious? Am I insane?Let’s blame our parents ’cause they taught us their waysStay out of politics, stay on the fenceStay out of all of it to keep half your fansIsn’t this obvious? Am I insane?There might be two sides to everything that you sayIt’s all a bit cloudy but there’s one thing I knowThat if you’re fucking racist then don’t come to my show

And “Sober” has the super catchy “hey now hey now” part and everyone sang along.  To everything.

Jack did a fun live remix of “I’ve Got No Strings” (from Pinnochio) on his sampler.

Looking at the setlist, I’m surprised that the songs I know best are not from the past album but the previous one.

“Way Less Sad” is again, pretty dark but fun.  There was a great trumpet solo and Arnetta came from the back to dance out front. 

I also didn’t quite realize how much trumpet was in their songs (I gather that Ryan makes most of the music on his sampler).  But “The Dumb Song” is full of even more trumpets.

They played a sampled message from their dad (which is even more touching since he died just a month earlier, which they didn’t address at all).

Ordinaryish People is kind of a fun number with some clever lyrics

Your hippie friends call you a sellout‘Cause you buckle down and get a jobYou still get high, but you’re no hippie, no hippieBut all your work friends think you are

After this song, Jack interacted with the audience.  He said that during the above song he sings “you’re not stupid, you’re just special” and usually points to a section of the crowd.  This time the person he pointed to had like a Ratatouille moment and Jack could see him flashback to being 9 years old and bringing home a report card with all D’s on it and his mom saying “you’re not stupid, you’re just special.”  Ryan said the woman in frnt of him was staring at him for the whole show–like uncomfortably staring at him.  So when it came  to his part of the song where he sings something like “this is for you” he waved right to her and… she was on her phone!

Then Jack asked for a hat to come up from the audience and Ryan wore the cat in the hat style hat for the next couple of songs.

They followed that with a cover of “the greatest song ever written” (All Star by Smash Mouth) and then the first song that I knew really well: “100 Bad Days.”

When the song was done, all five gathered around one mic in the center for an acoustic version of “World’s Smallest Violin.”  After a couple more sings I didn’t know, they played “Burn the House Down,” a massive song that I was delighted to hear live.  It was followed by “The Good Part,” a fun song that is fun to sing along to.

They introduced “Bang” with a visual description of how they make their songs.  It was fun and funny and somewhat informative.  When the song was finally ready to go (that insanely hooky trumpet) the whole crowd was ready to “Bang!” along with them.

They took an encore break and came back to play “Weak.”  This is an older song that has had some recent success and the crowd loved it.  They ended the song by leaving and then coming back with marching band instruments and parading the stage.

The show was really quite short–about 75 minutes.  And considering there were lots of things between songs (crowd interactions and whatnot), they probably only played an hour’s worth of music.  But that’s all fine for me as they played all the songs I wanted to hear and it let me get home at a decent hour.

The only real gripe I have about the show is that the people in front of me moved over one seat each to take advantage of some empty space and it meant that the one tall guy at the show was right in front of me.  And he was a dancing fool, so he was constantly blocking my view. Even from row E, I couldn’t see that great.  Thanks a lot, jerk.

SETLIST

OK Overture [taped intro]

  1. Bummerland Ø
  2. 3 O’Clock Things Ø
  3. I’ve Got No Strings Remix (Dickie Jones cover)
  4. Sober Up
  5. Way Less Sad Ø
  6. The Dumb Song [single]
    Message from Dad [tape]
  7. Ordinaryish People  Ø (followed by audience interaction (see Note) & Ryan getting a Cat in the Hat hat)
  8. All Star (Smash Mouth cover)
  9. 100 Bad Days Δ
  10. World’s Smallest Violin {acoustic) Ø
  11. I Won’t [single]
  12. Karma Δ
  13. Burn the House Down
  14. The Good Part
    How We Made Bang
  15. Bang! Ø
    Encore
  16. Weak

Ø OK Orchestra (2021)
Δ Neotheater (2019)

€ The Click (2017)

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