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Archive for the ‘Christmas Album’ Category

sardineSOUNDTRACK: SUFJAN STEVENS and HIS UNWITTING COHORTS present I am Santa’s Helper even more songs for Christmas Vol. 7 (2007).

sufjan 7This is the first of Sufjan’s Christmas albums to really deviate from the style of the first six.  First off, there are 24 songs on the disc and second, it is 42 minutes long.  Most of the songs are between 1 and 2 minutes, although there are a couple of longer ones too.  There are a large number of songs that are traditional sounding and which have a beautiful chorale of voices supporting it.  But interspersed with these are some nonsensical tracks that sound mostly like goofy kids songs–out of tune, hastily created, sloppy and a lot of fun (I imagine he recorded these songs with the adults’ children while they were in between takes).  It’s surprising that the songs are interspersed like they are since the serious one are so pretty and the weird ones are so weird.

 It’s a ramshackle collection with some real highlights.

“Christ The Lord Is Born” pretty piano instrumental under a minute long.
“Christmas Woman” a big song with lots of orchestration (and clocking in at over 5 minuets).  With lots of backing vocals and a crazy sloppy guitar solo. I love it.
“Break Forth O Beauteous Heavenly Light” 1 minute of piano and chorus: traditional and pretty (this is a Bach song).
“Happy Family Christmas” piano and slightly wonky guitar and after the first verse a bunch distorted chaotic nonsense (with someone “singing” a guitar solo).  The first really weirdo song on a Christmas release of his.
“Jingle Bells” Continuing with the weird style, the “dashing through the snow” part is done with a very off guitar melody and kids laughing during the “laughing all the way” part. It’s silly and funny.
“Mysteries Of The Christmas Mist” 2 minutes of piano and other noises (this is one of many short Sufjan originals).
“Lift Up Your Heads Ye Mighty Gates” another pretty choral piece with many voices.
“We Wish You A Merry Christmas” crazy nonsense of sloppy silly singing and crazy out of tune guitars.
“Ah Holy Jesus” a slow pretty piano song with chorus
“Behold! The Birth Of Man, The Face Of Glory” a slow piano number, also pretty.
“Ding-a-ling-a-ring-a-ling” raucous and wild, with crazy guitars.  It’s 2 minutes of silly nonsense. It ends with someone saying “let’s do a real song”
“How Shall I Fitly Meet Thee?” pretty piano instrumental with voices.
“Mr. Frosty Man” sloppy guitars and nonsense.
“Make Haste To See The Baby” accordion and piano in a slow sombre song.
“Ah Holy Jesus” (reed organ version) this is the second version of this song.
“Hark! The Herald Angels Sing” straightforward and pretty with some over-orchestration later in the song
“Morning” pipe organ and flute in a nice instrumental.
“Idumea” the vocal chorale comes back on this sad song.  It is over 3 minutes long and is rather disturbing.
“Eternal Happiness Or Woe” a creepy kind of song with ringing bells and sounds of, well, woe.
“Ah Holy Jesus” [a cappella] the prettiest version on the disc.
“I Am Santa’s Helper” this is a funny song in which the only words are “I am Santa’s helper, you are Santa’s slave.”
“‘Maoz Tzur’ (Rock Of Ages)” a 42 second traditional Jewish hymn done on piano.
“Even The Earth Will Perish And The Universe Give Way” a low bass organ opens this final track on this long and often times weird Christmas disc.

But this is not the weirdest of Sufjan’s Christmas EPs.

[READ: December 5, 2014] Sardine in Outer Space

Sardine is a children’s book published by First Second.  It was originally published in France (and in French) and was translated by Sasha Watson.  There are six Sardine books out.  And I fear that this is one series that I’m really not very interested in finishing.

The inner flap says No Grownups Allowed, so I imagined that the story would be funny and a little naughty.

But really it’s just kind of uninspired.  Sardine is a young girl who works with (or lives with anyhow) the pirate Yellow Shoulder (who is apparently her uncle?) on his outer space pirate ship.  They spend nearly every story (each story is about ten pages) battling the evil (and suitably stupid) Supermuscleman and his evil henchman Doc Krok (a weird orange creature who looks like a walking sweet potato).  There’s also Little Louise, a boy who is Yellow’s..henchman? and may not be all that bright and a cat creature who doesn’t really do much. (more…)

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lcoke1SOUNDTRACK: SUFJAN STEVENS and FRIENDS present Gloria songs for Christmas Vol. 6 (2006).

sufjan 6I was planning to write about Sufjan Steven’s first collection of Christmas albums, but I had forgotten that I had already done so back in 2009 [Vol 1 here; Vol 2 here; Vol 3 here; Vol 4 here and Vol 5 here.]

The next five volumes (from 2006-2010) came out in 2012.  This collection bucks the rather traditional tradition he had established with the earlier volumes.  Indeed, as the discs progress, they get more and more unusual.

But this first disc is quite traditional sounding.  It has 8 songs and is about thirty minutes long.

“Silent Night” is very pretty with gentle acoustic guitars and lots of backing vocalists. The solo is kind of a singing saw I think—a little odd, but neat.
“Lumberjack Christmas/No One Can Save You from Christmases Past” is filled with fiddles and is quite sweet (with a very familiar melody (and ho ho hos).
“Coventry Carol” I love the introductory melody of this song, it’s so pretty.  The voices feature multiple harmonies;  it’s quite lovely.
“The Midnight Clear” despite the title and first line, this is not “It Came Upon the Midnight Clear,” but a song inspired by that one. This is a very pretty song with a complex melody and lots of filigree in the instrumentation.
“Carol of St. Benjamin the Bearded One” I love this instrumental opening (about 90 seconds) which plays with a twist on “Hark Hear the Bells” and then plays some different instrumental sections but always returning to that Hark section. It’s very cool.  When the vocals come in it mellows out quite a bit and is still very pretty.
“Go Nightly Cares” has a very Elizabethan feel to it.  It’s a lovely 15th century instrumental.
“Barcarola (You Must Be A Christmas Tree)” is 7 minutes long. It begins slow but gets bigger and bigger with a section from Do You Hear What I Hear (the “following yonder star” melody)
“Auld Lang Syne” is a very pretty version on acoustic instruments with lots of singers.  It’s a nice way to end the EP.

[READ: December 5, 2014] Locke & Key 1

I heard about this graphic novel series when Joe Hill was on Seth Meyers’ show.  I didn’t really know too much about his writing style but I knew he wasn’t someone I was anxious to read (even if his book Heart Shaped Box must have something to do with the Nirvana song, right?).

But Seth made this graphic novel series sound really compelling, so I decided to check them out.  There are six collections in the series and they are all available now.

The first collection is called Welcome to Lovecraft and it sets the story in motion pretty much from the get go.  As the book opens we see two creepy looking youths harassing a pretty woman.  We see that they have killed at least two people, and things don’t look good for the lady.

Then we cut to some kids.  An older boy, Tyler; a young teen girl Kinsey (with dreadlocks and piercings) and a little boy. Bode.  They are all complaining about how much they hate living where they are.

Jump cut to a funeral with a bright red urn and Tyler looking down at it. (more…)

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andreSOUNDTRACK: STOCKINGS BY THE FIRE (2007).

stockThis is a Starbucks compilation (Starbucks is pretty good for Christmas compilations).  But I find that the overall vibe of this disc is too mellow for my liking.  Most of the songs are quite pretty, but it feels like a Christmas Party for one by your lonesome rather than a party proper.  Of course, the picture on the cover suggests a romantic night in, so maybe that’s the vibe they’re going for (it’s still kind of sad though).

RAY CHARLES & BETTY CARTER-“Baby, It’s Cold Outside.”  There’s are dozens of versions of this song.  I like this one fine, but it’s not one of my faves (although Ray has some good turns of phrase).  But I think Betty’s voice may be too squeaky for me.
SARAH McLACHLAN-“I Heard the Bells on Christmas Day” McLachlan has a beautiful voice, but I like her earlier more robust singing than her latter day TV Commercial songs.  So this winds up being very pretty but a little mopey.  It’s also way too long.
FRANK SINATRA-“I’ll Be Home for Christmas” is also a little slower than I remember.  But I have to assume that if Frank did it this way, this is the tempo it’s meant to be.
HEM-“Have Yourself a Merry Little Christmas” has quiet, whispered version. It’s pretty, if rather stripped down (just piano and chimes).
ELLA FITZGERALD-“Sleigh Ride” is a great version, full of high spirits and fun.  Ella is awesome.
RUFUS WAINWRIGHT-“What Are You Doing New Year’s Eve?” is also a slow version.  Perhaps this song is slower than I realize.  It’s a very Wainwright-sounding version with his wonderful warble.
HERBIE HANCOCK-“River” is pretty–Corinne Bailey Rae’s voice is lovely, although I don’t care for the jazzy accompaniment.

The next few songs are the highlight of the disc to me:
JACK JOHNSON-“Rudolph, the Red Nosed Reindeer” is a great version.  Johnson’ voice suits this very well an I love that he added an extra verse about being nice to Rudolph.
THE BIRD AND THE BEE-“Carol of the Bells” has a wonderful trippy quality.  I found out last year that The Bird and the Bee do my favorite version of the 12 Days of Christmas, which is sadly unavailable on record anywhere.  But this version of “Carol of the Bells” has the same qualities that I love in the 12 days.  Love this version.
A FINE FRENZY-“Let It Snow” there’s something wonderfully breathy about this version that I like a lot.  It works very well with The Bird and the Bee song.
NAT KING COLE-“The Christmas Song” is one of my favorite Christmas songs ever.
DEAN MARTIN-“I’ve Got My Love to Keep Me Warm” is another classic version of this track.

Those few tracks are the big highlight for me.
DIANA KRALL-“Winter Wonderland” I don’t care for the way she sings this although the musical accompaniment is cool. And I do like “frolic and play the Canadian way.”
MAHALIA JACKSON-“Do You Hear What I Hear?” I feel like I am supposed to really like this version, but I really do not like it at all. It is way too melodramatic
JOHN LEGEND-“It Don’t Have to Change” not my style of music at all, I’d skip this if it came up on shuffle.  It’s also not really a Christmas song even though it does mention Christmas.
AIMEE MANN-“White Christmas” Aimee tends to write beautiful downer songs.  And you can tell by the opening thuds of the rums that this is not going to be an uptempo thriller.  But Mann has a great voice and a great sense of arrangement and this song ends this quiet disc quite nicely.

[READ: December 4, 2014] Andre the Giant

I really enjoyed this biography of wrestler and actor Andre the Giant (released by our friends at First Second).  I’ve always been a fan of him, but I really didn’t know that much about him.  And, honestly I would never have wanted to read a whole biography about him.  So this was a perfect bite-sized chunk of information about the legend.

Brown opens the book with a discussion of the “fakeness” of wrestling.  It’s a great summary of the “controversy” and how it has been dealt with, especially now that Vince McMahon is running WWE.

And then we move on to Andre. (more…)

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ballopeenSOUNDTRACK: PIER 1 IMPORTS: Holiday Magic: classic holiday favorites (2001).

pier1 This collection is a mixed bag for me.  I love a bunch of the songs but dislike a number of others.  It starts out poor but picks up by the end.

EARTHA KITT-“Santa Baby” I hate this song in general, and dislike this version (but less than some others).  NANCY WILSON-“What Are You Doing New Year’s Eve?” a slower version than I like for this song, but it’s fine.  LOU RAWLS-“Have Yourself a Merry Little Christmas” I’m mixed about this version as I don’t really like his delivery so much.  BENNY GOODMAN-“Winter Weather” I like Benny although I don’t always love his vocalists. Peggy Lee is cool, but I’m less thrilled by Art Lund’s verse.  ELLA FITZGERALD-“Frosty the Snowman” The first verse is so unexpected (like a prelude that I’ve never heard anywhere else). I like Ella’s version quite a lot.  NAT “KING” COLE-“All I Want for Christmas (Is My Two Front Teeth)” Because Nat is awesome, I like his version of this song (which I dislike in general), but Nat can make anything sound good.

BING CROSBY-“Winter Wonderland” Now we’re talking.  Bing makes everything alright.  JOHNNY MERCER AND THE PIED PIPERS-“Santa Claus is Comin’ to Town” This is a weird version that I’m not really familiar with.  They add some weird verses and call and response.  Like the opening “fat man’s coming fat mans coming” (which sounds like it was on a Bugs Bunny cartoon and is pretty naughty in my book).  I especially enjoy the way the lyrics gets even more threatening as the song goes on.  HOLLY COLE TRIO-“I’d Like to Hitch a Ride with Santa Claus” I’ve never really thought too much about this song but I like it.  DEAN MARTIN-“I’ve Got My Love to Keep Me Warm” a classic version, excellent.  LENA HORNE-“Jingle All the Way” She has fun with this and plays around with conventions, I think it’s cool.  PEGGY LEE-“Happy Holiday” Peggy is back.  I like it even if it is a little stiff.

So overall, this is a pretty solid collection of “classic” songs.  I would have picked a few different versions, but it’s solid.

[READ: December 7, 2014] Ball Peen Hammer

My experience with First Second books has been very positive.  The stories tend to focus on people who may not ft in, and who may not get a voice in every day society.  They’re usually pretty satisfying and/or positive.  Either that or they were children’s books that were largely funny.

So imagine my surprise upon reading Ball Peen Hammer and discovering a violent, nasty story about a dystopian future in which there is really no hope of redemption for anyone.  It is dark dark dark.

The story is pretty simple (although it is told in a convoluted way so you don’t really know what’s going on for much of the book). (more…)

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47_2_(1) SOUNDTRACK: MARY MARGARET O’HARA-Christmas E.P. (1991)

marymarMary Margaret O’Hara is a fascinating recluse.  She released a cool, weird  album in 1988 then did nothing for three years when she released this Christmas EP.  Since then she hasn’t really released anything (except for a soundtrack).

O’Hara’s voice is her most notable feature (she warbles and swoons and is almost otherworldly–sometimes crazily so).  She is the backing shrieker in Morrissey’s “November Spawned a Monster.”  So one expects a pretty weird Christmas album from her.

 But it’s actually fairly conventional and I have to admit a bit dull.  “Blue Christmas” is just too slow for me.  O Hara’s voice doesn’t have any oomph here.  The cheesy violin solo doesn’t help either.  “Silent Night” is, I feel, too pretty of a song for O’Hara’s voice which wobbles in weird ways for this track.  “What Are You Doing New Years Eve?” suffers from the same as everything else on this disc–it’s too slow and languid.  I know this song can be wistful, but I need this to be faster.  “Christmas Evermore” fares the best on this disc because it isn’t familiar (to me).  The music is a bit more uptempo (if still eccentric).  And you don’t have other version to compare it to.

So, overall this proves to be a somewhat disappointing EP.

[READ: December 5, 2014] McSweeney’s 47

I love McSweeney’s issues that come in boxes with lots of little booklets.  It somehow makes it more fun to read the stories when they are in little booklets with individual covers.  In this instance, all of the booklets look basically the same–ten different cool pencil (and red) drawings on the cover done by Carson Murdach and a red back cover.  The outer slipcase art is by Jason Polan.

There are ten booklets.  One has a few letters and the rest are short stories.  There’s even a surprise in here–the very exciting discovery of two lost Shirley Jackson stories.  But there’s also the slightly disappointing realization that two of the books contain excerpts from McSweeney’s books (which I already own).

LETTERS: (more…)

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lastgSOUNDTRACK: SHE & HIM-A Very She & Him Christmas (2011).

shehimI love the packaging of this disc (the envelope with the Christmas letter/liner notes is charming).

I really enjoyed Zooey Deschanel’s singing in Elf, I thought it was really pretty and surprisingly unaffected.  So it’s not too surprising that she stared making records herself.  And M Ward seems like a perfect accompaniment to her slow, rather old school style of singing.

I have a hard time getting into the She & Him records though.  They’re just, yes, too slow for me.  The tempo is perfect for her voice, which is naturally very pure and clean.  And she even has a good crooning style, I just need the songs to be a little peppier.  Or like on “Run Run Reindeer,” I find her version is kind of abrupt, perhaps she doesn’t really hold her notes for very long which I find disconcerting.

I like the first two songs, “The Christmas Waltz,” and “Christmas Day” because they are songs I didn’t know already, so I had no expectations.  “Christmas Wish” is really nice with Ward taking lead vocals.   As for Zooey’s leads, I like “Sleigh Ride” quite a lot.  And their version of “Silver Bells” on ukulele is just beautiful.

This collection of songs is quite nice, if not a little too mellow.  It sets a mood and follows through all the way, which is good.  I really do wish I liked it more.

[READ: December 5, 2014] The Last Girlfriend on Earth

I love Simon Rich, but sometimes I lose touch with just how many books he releases.  So when he was on Seth Meyers the other night I learned that he had a new book out, which was great.  But then I also learned that I missed his last two books!  Jeez.  One is a novel and this one is a collection of short stories.

I have said before that I love Rich’s really short pieces–he is so good with a set up and punchline.  Most of these stories are longer, and they are pretty much all very funny indeed.

The book is set up in three parts: Boy Meets Girl, Boy Gets Girl and Boy Loses Girl.  And indeed, the stories in each section do match up to that general setup (it’s quite clever) although they are not connected to each other.  Several of these stories appeared in the New Yorker and it was fun to read them again and to see them in this new context.

Incidentally, they are making a TV show based on this book, airing in the new year on FXX, called Man Seeking Woman–I hope it’s good. (more…)

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one moreSOUNDTRACK: OLD NAVY HOLIDAY HITS (2003).

oldIt seems that every year stores release their own Christmas mixes.  I feel like Old Navy was one of the first stores to do so (especially in their weird retro style).  What is surprising is just how much I enjoy this compilation.  It has a great mix of traditional and unusual.  There’s some cool remixes, there’s some unexpected “space-age” tracks and it’s just boppy and light and fun.  Until the end where they go for an unusual (although it somehow makes sense for Old navy) but unenjoyable song to end it with.

PEGGY LEE-“Winter Wonderland” A great, slightly space age version of this song.
ANDY WILLIAMS-“Sleigh Ride” I do love an Andy Williams Christmas song—earnest and clean and lots of fun.
HOLLY COLE-“Christmas Is” I don’t know this song that well.  It’s a fun, different Christmas song, done on a jaunty piano.
ELLA FITZGERALD-“Have Yourself a Merry Little Christmas” I love Ella, and I love the horn blasts as the song opens and closes.
PATTI PAGE-“Boogie Woogie Santa Claus” I don’t love this version, which is surprising as I love this era, but I think I don’t like her voice that much.
CAPITAL STUDIO ORCHESTRA-“Cha Cha All the Way” one of my favorite swinging weird holiday songs.
THE PENGUINS-“Jingle Jangle” has a fun “native” beat to it. It’ sa n odd song and I don’t love the singer’s voice, but the music is fun.
RAMSEY LEWIS-“The Twelve Days of Christmas” a piano instrumental that sounds nothing like the song…fun though and appropriately Christmassey somehow.
DIANA ROSS AND THE SUPREMES-“The Land of Make Believe” I didn’t even realize this was Diana Ross—the production is so low key. And the shuffle beat and strings seems very much unlike the Supremes to me. It fits in well with these songs.
DUKE ELLINGTON-“Jingle Bells (Robbie Hardkiss Remix)” I love this remix a lot, it’s one of my favorite Christmas songs.
JACK JONES-“Mistletoe and Holly” another retro-seeming, very clean-sounding song. It’s kind of mockable but fun at the same time—like the best Christmas stuff.
MARVIN GAYE AND TAMMI TERRELL-“Two Can Have a Party” I really don’t like this song in general and it doesn’t feel holiday enough for this disc.  But it’s a harmless end to an otherwise fun collection of Christmas songs.

[READ: December 1, 2014] One More Thing

I really enjoyed Novak’s short piece “The Man Who Invented the Calendar” in the New Yorker (which is included in here). So I was pretty excited to read this collection of his “stories.”

There’s over 60 stories in this book. Many of them are really short (some are just a few lines).  And typically the shorter the pieces the funnier they tend to be (the super short ones are pretty much a perfect set up for a punchline).  But interestingly, there are several really long pieces (some over 10 pages) and these are more thoughtful and, while kinda funny, not meant to be laugh out loud funny.  It’s an interesting mix.  It’s especially interesting because at the end of the book, he has a piece called “Discussion Questions” in which he asks:

Did you flip through the book and read the shortest stories first?   The author does that, too.

If you do that, you will laugh a lot at the beginning and then have precious few laughs at the end, so don’t do that! (more…)

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macbethSOUNDTRACK: SWINGIN’ CHRISTMAS PARTY! (2002).

swingI love big band music.  It’s what I grew up listening to.  So this seemed like an ideal collection for the holidays.  I mean all of the big names in big band are here.  It’s a little less raucous than I would have imagined, but for a low key kind of swinging party, it works very well

GLENN MILLER-“Jingle Bells” starts off the collection right, with big horns and fast beats.  I don’t love the main singer (I do like the way he twists some of the lyrics), but I do enjoy the really really un-hip backing vocalists.
RALPH FLANAGAN-“Winter Wonderland” is the kind of swing I like–big horns, more horns, all louder than the last.  I also tend to like my big band as instrumental, so this one is aces for me.
TOMMY DORSEY-“Santa Claus is Coming to Town” opens with a verse that I’d never heard before.  It sounds like it is coming from a tiny transistor radio, but is fun nonetheless.
FREDDY MARTIN-“Sleigh Ride” sounds like a very traditional version of this with pizzicato violins and smooth orchestration.  When the vocals come in, it sounds like it may have been used in every Christmas TV special during the 1940s and 1950s (the “horse” whinny at the end especially).  Perhaps a little too smooth for my liking.
VAUGHN MONROE-“Let It Snow! Let It Snow! Let It Snow!” features Monroe’s deep bass voice.  They tinker with the standard melody somewhat–singing on an occasional minor note, which is interesting.  But it’s still a nice romantic version of the song.
CLAUDE THORNHILL-“Snowfall” is a slow piano instrumental. It definitely does not swing.
SAMMY KAYE-“White Christmas” is, as I’ve said, really a sad song underneath, but this one actually sounds like it could have the backing vocalists wailing in tears as Kaye sings along.  Again, there will be no swinging here.  Never have the words “merry and bright” sounded so sad.
LARRY CLINTON-“Parade of the Wooden Soldiers” is a big swingin’ horn fueled romp (it has nothing to do with the The Nutcracker).  It always makes me laugh when the first minute or so of a big band song are rollicking and wild, and then when the vocalist comes in, the horns drops out and the song becomes really quiet (that happens here).
FATS WALLER-“Winter Weather” is not really a swinging song, but Waller’s voice sounds great and raspy in this piano and guitar based song.
BENNY GOODMAN-“Santa Claus Came in the Spring” is a song I’m unfamiliar with.  It’s got a good swinging feel, although lyrically it’s a bit suspect (if not sweet).
FATS WALLER-“Swingin’ Them Jingle Bells” is a swing version of Jingle Bells, with a lot of rollicking piano.  It’s good fun until the really weird vocals come in.  I guess it was something of a novelty (Waller seems to be having a lot of fun at any rate).
SPIKE JONES-“All I Want for Christmas is My Two Front Teeth” is one of the oldie songs that I really don’t like.  I love Spike Jones, and I appreciate that it was a novelty hit (my father used to say this line every year).  But at 3 minutes of that weird squeaky voice, it feels way too long–and the fact that the middle just goes on and on is so weird.
GUY LOMBARDO-“Auld Lang Syne” is a pretty orchestral version of the song–probably the one you’ve heard every year.  A nice end to the party.

[READ: December 3, 2014] The Stratford Zoo Midnight Revue Presents Macbeth

I grabbed this at the library, not entirely sure what it was.  Could it really be a version of Macbeth?  Set in a zoo?  Well, yes it is.  It’s a version of Macbeth for kids as performed by animals in the zoo.

The plot is the same, but it is utterly simplified and made not only kid-friendly, but also funny.  Yes, Macbeth as comedy!

So the lion is Macbeth, a heroic figure if ever there was.  And the owl is the king.  Everything is great until th elion is hungry for…power!  Various other animals play different parts (some of them very humorously–like the blind mole as the guard).  And many other animals are in the audience (of course) and they get to comment on the performance too.   I particularly enjoyed the two tiny creatures (no idea what they are), one of whom loves the violence and the other one hates it. (more…)

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tibSOUNDTRACK: INDIGO GIRLS-Holly Happy Days (2010).

hollyhappyI know I bought this for Sarah for Christmas a few years ago (I like that it looks like a present).  Sarah and I have both been fans of the Indigo Girls (and we’ve both seen them, but at different events).  This seemed like an obvious fun record for the holidays.  But we both felt a little let down by it.

I’m not exactly sure what’s not quite right, but after listening  again, I think the record is just too much of a downer for Christmas.  I mean even the Indigo Girls’ more serious songs counterbalance with lively singing, but much of this album feels very dirge-like to me.

The main unexpected thing for me is that the record is largely bluegrass-inflected–not something I expect from the Indigo Girls–or Christmas music.

But that’s just how it opens–banjos and fiddle and whooping on “I Feel the Christmas Spirit” a song I didn’t know before.  It’s fun, just unexpected.  “It Really is (a Wonderful Life)” reminds of Barenaked Ladies for some reason (not their voices obviously). It’s folky and is another a song I didn’t know.  I like it–it’s fun having new Christmas songs.
“O Holy Night” has a very weird quality to it.  I usually love this song, but I don’t really care for the way they did this one–it feels flat or something.  Or maybe it’s the violins and folk trappings?  Actually, the middle part (with their great harmonies) sounds really good–I guess it’s just the opening I don’t like.

“Your Holiday Song” sounds more like  a”real” Indigo Girls song–great harmonies, cool chord progressions.  (This one was written by Emily Saliers, so that makes sense).  It’s the first song I really like on the disc.

It’s the middle of the disc that really loses any steam it had.  “I’ll be Home for Christmas” is certainly a sad kind of song, but their version is practically suicidal.  Oh it’s such a downer with that slow violin solo.  Who would want to listen to this version of this song?
“Mistletoe” is an Amy Ray original.  Coming right after the downer of “I’ll be Home” this one is also slow and a downer.  I find that Ray’s voice also sounds really different on this song–I would never have guessed this was her.
“Peace Child” is the third downer in a row, and you just want to give up on your festive mood after this one.

But it picks up with a rollicking bluegrass “The Wonder Song” (written by Amy Ray).  It’s the most fun song on the disc and while it doesn’t scream Christmas, it is a holiday song.

Obviously no one is making “In the Bleak Midwinter” into an upbeat poppy song.  Their version is quite pretty, and their harmonies are wonderful.

Perhaps the strangest song is their cover of Woody Guthrie’s “Happy Joyous Hanukkah.”  It feels very Guthrie, which means it should be done in a folk style (which it is).  The surprise is the full bluegrass rendition of a Hanukkah song (how many Hanukkah songs have whooping in them?  It’s fun, though.

“Angels We Have Heard on High” sounds great with their harmonies.  Although the mandolin solo kind of brings the song down to earth in a weird way.

The disc ends as it middled, with a slow, mournful song,”There’s Still My Joy.”  While I know that not everyone is happy at Christmastime, this record goes a bit too far into the darkness for my liking.

[READ: December 2, 2014] Tib and Tum Tum

Here is another translated comic.  It is done with great flair by Carol Klio Burrel who also did Nola’s World.  This story is aimed more at kids though (but is not existential at all–see yesterday’;s post about translated stories).  The biggest surprise for me with this is that it is actually a series of one page strips rather than a long graphic novel (I think).  Well, there is a long story arc, but every page seems to have a “punchline” as if the story was sequential rather than continuous.

It’s a very simple premise. The book is set in caveman days.  Tib is a small boy with a giant birthmark on his face.  The other kids make fun of him for this.  His mother is overprotective (the joke about him always being safe is very funny) and his father is an oblivious storyteller (whoppers of tales, I must say).  In that first strip, Tib runs into Tum Tum, a baby dinosaur.  He is adorable (and a little scary too, of course).  And Tib decides that this red guy is pretty cool.  Tum Tum spends most of his time chasing (an eating) butterflies.

When Tib tells the elders about the dinosaur they tell him of course that dinosaurs are extinct.  (I love that the story is set in caveman times but that they talk in a more or less contemporary way (no grunting) and are knowledgeable (there’s a sewing joke which is very funny).  When he tries to show Tum Tum to them, the dinosaur hides so no one can see him.  Eventually his mom thinks he has an imaginary friend. (more…)

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aamaSOUNDTRACK: KRISTIN CHENOWETH-A Lovely Way to Spend Christmas (2008).

chenoLast year I thought about doing a Christmas CD every day in December as my soundtrack.  But I forgot until a week or so in.  But this year I remembered.  Yuletide joy!

Since Sarah and I have a lot of Christmas CDs from over the years, I decided to just pick some at random this year.  And we start with this one which I got for Sarah I thought last year, but if it’s from 2008, perhaps I got it earlier?

I knew Chenoweth from her great role on Pushing Daisies.   I didn’t know she was a singer then.  She has since done some amazing runs in various roles and her voice is great.  This disc features a mix of traditional songs, a few more religious songs and a number of unexpected “mashups.”  It works pretty well, although it tends to cross the line into cheese a bit too much for me.

“I’ll Be Home for Christmas” has her in great voice.  Although I hate the cheesey sax solo.
“Christmas Island” is a new favorite song for me.  Her version is fun (although the original Hawaiian version is much more fun).
“The Christmas Waltz” is a song I don’t know.  It is probably best song on the disc.
“Do You See What I See” also suits her voice very well.  It’s the first song to mash in another song (“Angels We Have Heard on High“) which is quite pretty
“Sleigh Ride/Marshmallow World” I like her part, I’m not sure about the blend.  I don’t know who John Pizzarelli is, but he sings it too clean.  The original of “Marshmallow World” is sung in an almost drunken fashion which makes the weird lyrics better.   Nevertheless, the two of them have a good vocal chemistry.  And there’s some goofy fun at the end.
“Sing” (you know, sing, sing a song).  It’s a really weird inclusion here.  But she sounds great.
“Silver Bells” also sounds great.
“Come On Ring Those Bells” is another song I don’t know.  This version is way too pop country for my liking.
“What Child is This” is also perfect for her voice.
“Home on Christmas Day” is another song I don’t know (who knew there were so many unfamiliar Christmas songs?), and it works well “Born on Christmas Day” is a rather dull more religious song, which seems somehow out of place.
“Sleep Well Little Children/What a Wonderful World” is another mash up. It works pretty well and I kind of get why she chose it to end the album, but it’s another weird non-Christmas related song.

So overall this is a decent Christmas album. There’s some lovely traditional songs, some odd choices, and a few clunkers.  But her voice is really fantastic throughout.

[READ: November 29, 2014] Aama

I’m surprised and delighted with how many unusual, translated graphic novels are being published in the States these days.  There’s always something about the art that screams “not American.”  So when I get books like this (especially if the author’s last name is Peeters), I immediately look for the translator to confirm my suspicions.  This book was translated by Edward Gauvin.

While translated childrens book often seem slightly weird to my family (fun, but always slightly askew), the graphic novels don’t usually seem as weird to me.  (Maybe the childrens authors just expect more existential thought from their kids).

Having said all of that, I found that I really couldn’t get into this story.  There were some great elements to it, in both storytelling and character creation, but, and maybe more will be explained in future books, but the main plot was a little too vague to me.

But I loved the way it was constructed.  We open on a man face down.  As he comes to, he realizes that he has no idea who he is.  While he tries to get himself together, a weird looking ape comes up and calls him Verloc.  The ape has no hair on his legs (so they look human).  The ape is named Churchill and he is a custom built robot.  As Verloc tries to come to grips with what’s happening, Churchill gives him his “memoirs” to read.  The book is “real paper” which Verloc appreciates.  And they started just a week ago.

Pretty cool opening. (more…)

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