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Archive for the ‘Children’s Books’ Category

SOUNDTRACK: BARENAKED LADIES-Buck Naked (1989).

Although The Yellow Tape was the major catapult, their previous cassette (known as Buck Naked) was their first demo tape.  Wikipedia explains that it came in many versions with several covers.

The initial release had 5 songs.  The final release bumped it up to 15.

I wasn’t even aware of this cassette until I was browsing around for The Yellow Tape.  And, thanks YouTube for supplying all of the tracks.

The recording is just Steven Page and Ed Robertson and a couple of acoustic guitars. And it’s totally a home recording.  But for all of that, it’s delightful to see how fully released some of their songs were.  It includes these songs which appeared on later releases” “King of Bedside Manor,” “Great Provider” “Be My Yoko Ono” and “If I Had $1,000,000.”

The rest of the tape is a mix of a few silly things and a lot of not at all silly songs.

“Road Runner” is a cover. But not THAT cover.  Rather, it’s a cover of the Saturday morning Road Runner cartoon theme song: “Road Runner, the coyotes after you….” They also cover “Psycho Killer” which is pretty hard to mess up (their version is a good campfire version, although it devolves into nonsense).  “Rudi, a Message to You” one of the great, mellow ska songs also get something of  an acoustic cover here.  Although it’s more lackluster than the original (no horns).  Finally “Wishing Well” is a cover of the Terence Trent D’arby song and is full of amusing cheap casio sounds.

“Really Don’t Know” also has a delightful excerpt from the Geddy Lee/Bob and Doug MacKenzie song “Take Off”

The other songs are decent folkie songs.  Primarily they seem to be about relationships (but it’s not always easy to tell).  Although “Careless” is a fun pop-culture mocking song (that would probably still work well live).

Sadly, the last track, the 5 second “How’s the Level,” does not seem to have made it to YouTube.  It’s obviously a goof of some sort, but I would have liked to have heard it.

I can’t imagine how many times this cassette was played before it was sent to YouTube, some of the songs sound very faded which is certainly a problem of the tape, not the original recording, but even those song (where the lyrics are hard to decipher) still sound good (and their harmonies were solid back then too).

[READ: September 13, 2010] The Maze of Bones

For two years now, this series has been red hot.  All of the kids want to read these books (probably second only to the Percy Jackson series).  What fascinated me about this series is that it is written by several different authors (which is a nightmare for libraries who shelve their books bu authors). There are ten books in all.   The authors are: Rick Riordan [Book 1], Gordon Korman [Books 2 and 8], Peter Lerangis [Books 3 and 7], Jude Watson [Books 4 and 6], Patrick Carman [Books 5], Linda Sue Park [Book 9] and, and Margaret Peterson Haddix [Books 10].

I’ve not read any of Riordan’s other books, so I don’t know how this compares.  I felt the story opened a little slowly (there’s quite a lot of information to impart) but once it took off I couldn’t put the book down.

Amy and Dan are orphans living with their mean and controlling aunt.  They learn that their grandmother (whom Amy loved and Dan thought was weird but had cool stuff) has just died.  When they go to the funeral, their grandmother Grace has set up a fascinating contest for the surviving families.  They can either take their allotment ($1 million) or they can give it back in exchange for the first of 39 clues.  Solving the clues will give them the secrets they need to become, literally, the most powerful people in the world (although at the stage we don’t even really know what that means). (more…)

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The other night, I was reading the book Overboard to Clark (Which is a bit young for him but he enjoyed the anarchic nature of it). Tabitha had enjoyed it too.  I noticed that the illustrations were similar to another book that we have that I like quite a bit called Baby Cakes.  I though that the illustrator’s name sounded familiar, but I wasn’t entirely sure.

When I thought about it more, I though the illustrations also looked like another book that we read to the kids all the time called My Favorite Toys (Jane Kemp and Clare Walters).  And when I confirmed that he was the same person who illustrated that book, I decided that Sam Williams is easily one of m y favorite children’s book illustrators.

The surprise I had was in trying to find more information about him.  A Wikipedia search doesn’t bring him up at all. And he doesn’t appear to have his own website (really?).  The only information I could find about him was here.  This site, Jacketflap, which I’ve never heard of before, says that he has illustrated over 70 books dating back to 1999. Wow!

Many of these titles are board books (which means technically my kids are too old for them). But I see he also has a series of Ready to Read books about twins (written by Ellen Weiss).  He also seems to work a lot with the authors Karma Wilson (I like some of her stuff (like Baby Cakes but find other things a bit less than satisfying) and Sarah Weeks who writes very simple, but rather fun books. (more…)

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SOUNDTRACK: NEVEREST SONGS-“Calculator” (2010).

Opening with a simple, discordant piano, this song quickly morphs into a fast chaotic piano run, all the while the vocal stay slow and calm.  Once the bass kicks in, the song feels less like a solo track and more like a band effort.  And it’s amazing that this simple bass can add so much to this swelling track.

I heard about this band from a nice review at wallernotweller.  I think I’ll have to order this CD, if for nothing else than because it looks beautiful.

I’d like to hear more from this label, but all their songs seem to be linked to last.fm, which I find very awkward to use.  One band’s “radio page” didn’t play their own songs and now at home it says I don’t have a plug in or some nonsense.  Pity.  But you can hear this song (and watch their mesmerizing webpage here.

[READ: June 7, 2010] A Book About Design

This book was also part of Sarah’s birthday present.  Inexplicably, although James Kochalka has absolutely nothing to do with the book, he autographed the inside and made a little cartoon that says, “Hi Sarah.”  Cute.

So this book is a wonderfully illustrated primer about design.  It is so basic that I read it to Clark (aged almost 5) and he loved it, too.  There are some sections that I had to use different words, obviously, but he enjoyed the basics very much.

Not including pictures almost makes this review pointless, (but you can see many pages at Google Books) and yet I have to say something here, so I’ll talk about a few things.  Chapter 1 talks about the effects on Object B if you change the appearance of Object A.  Chapter 2 starts: “Take a look at the square in the right.  Imagine drawing two straight lines that intersect only once inside the square.”  When I turned the page to reveal the basic window design of four equal squares, Clark said, “How’d it know that?”  It was very cool. (more…)

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SOUNDTRACK: THE BEATLES-Revolver (1966).

My first exposure to this album came when I received this vinyl LP as a free gift with a purchase from a mail order record store.  I assume the store is long out of business (or maybe not).  But I had ordered something (funny i don’t remember what) and they sent Revolver as a free gift.

Pretty nice free gift!  Of course such was my Beatles ignorance that I didn’t even know it was  proper release at the time.  [This LP (and a few other classic rock albums) were subsequently stolen from me at a party–boo hiss!].

Turns out it is probably my favorite disc of theirs.  In the past I have said Sgt Pepper, but I think I like this one better.  To say there’s not a bad song is kind of obvious, but yeah, every song is fantastic.  The crazy rhythms of “Taxman,” the gorgeousness of “Eleanor Rigby.” What has recently become my favorite Beatles song: “And Your Bird Can Sing” (that guitar riff is wonderful).

And of course, there’s the big time huh? (circa 1966) of tabla, sitar and tambura on George Harrison’s, “Love You To.”

Even the utter nonsense of “Yellow Submarine” is a treat.  (But really, Huh?).

But let’s talk experimentation.  Backwards guitars!  Whatever the craziness is of “Tomorrow Never Knows” (seagulls?  drones?).  The band were just playing around with every effect they could think of.  (Of course, it helped that they had a ton of money for studio time).  But what really blows my mind about this disc is that even though it is their seventh record, it came out just three years…THREE YEARS after their first record.  That’s an amazing progression from clean cut rock n roll to this incredible mind bending release.  Amazing.

[READ: June 2010] Ladybug Girl (series)

I intended to include the books that I read to my kids on this blog, but somehow, my own books always take precedence. But we have enjoyed this new (to us) series so much that we had to buy the books ourselves.

I don’t know a thing about the author or illustrator, but I really enjoy these stories (and the pictures).  I mean, look at how charming (and how beautiful) this is with so few lines!

So the premise of the series is that Lulu is Ladybug Girl, a young girl who suffers simple trials of daily life (and the slings and arrows of an older brother).  She finds herself daunted by these things, but then she remembers that she is Ladybug Girl, and she is able to overcome these crises. (more…)

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SOUNDTRACK: BEATLES-Rubber Soul (1965).

After the breakthrough of Help!, the Beatles followed up with their first proper album that is full of all original songs and which really pushes the envelope.

The opening song, “Drive My Car” opens the disc with a unique sound and style.  And yet, lyrically, “Baby you can drive my car, and baby I love you,” is as lame as The Doors, “Hello, I love you won’t you tell me your name?” in terms of dealing with the opposite sex.

But with “Norwegian Wood” things really get interesting.  It introduces the sitar–the first inclination towards their flirtation with Eastern/Indian influences.  And I can’t help but think it must have been rather shocking in a rock song in 1965.  It also features “Nowhere Man,” a song featured in the Yellow Submarine movie.  The song is a standout, from the harmonies to the language play.

I suppose everyone knows a person named Michelle who hates the song “Michelle.”

They really mix up the styles on  this disc (while always sounding like The Beatles). “What Goes On” is a sort of country tinged rocker, while “Girl” feels sort of tin pan alley ish, (the big sighs during the chorus are a bit excessive, but work within the song).

The disc ends with the really distrubing, murderous boyfriend lyrics of “Run for Your Life.”  I’m not sure what inspired this song, but frankly it’s lyrics are really dreadful. It’s not the first “I’ll kill you if you date someone else” song and it’s certainly not the last, but it mars an otherwise really catchy song.

Amazingly, all of the songs still clock in under 3 minutes, except “You Won’t See Me”.  While Rubber Soul is probably their first fully realized disc, it’s not until the next album (just a few months down the line) that they blow the lid of the joint.

[READ: May 28, 2010] Something’s Not Quite Right

This book almost doesn’t count a there are virtually no words (one per page). But the book is so awesome that it has to be included just because.

Something’s Not Quite Right is 32 pages of oversized pictures in which, yes, something is not quite right.  Note the cover illustration for an idea.

So, each page features a brilliantly rendered piece of art.  There’s a caption for each picture which reflects (often humorously) on the picture.  The book is a children’s book (Clark enjoyed the nonsense very much).  But even adults will say, Whoa, cool, when they look at these pictures that are just…wrong. (more…)

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SOUNDTRACK: My Volkwagen Jetta hates The Beatles.

Lately, I have been playing some Beatles discs in my car.  And my Jetta clearly hates them.

First it was Please Please Me, when the entire CD player shut off mid-song.  It had lost all power.  I had to bang on it for about 5 minutes before it came back on.

The player played other discs fine after that.  Then, last night I played A Hard Day’s Night and half way through the disc it shut itself off again.  This time I was able to power it back on, but it wouldn’t play the disc anymore.  I ejected it and put in a new disc which worked fine.  When I put A Hard Day’s Night back in, same spot on the disc (“Can’t Buy Me Love”), and the player was totally off: no power at all.

A bit more pounding on the face and it came back on, and today played a Rheostatics disc with no trouble.  I guess I’ll not be listening to The Beatles in the car again.  Is it because the Beatles recorded versions of their songs in German but they weren’t included on the disc?

[READ: May 8, 2010] The Clock Without a Face

This review is about my first read of this book.  When I get to the end you’ll realize why there will have to be a second read and updated review.

This is an amusing tale.  And also a confounding (and evidently very real–see the bottom paragraph!–) mystery. (more…)

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SOUNDTRACK: ANTHRAX-The Greater of Two Evils (2004).

I loved Anthrax when they first burst onto the metal scene back in 1983.  They were fast and heavy and totally great.  As they matured, they got delightfully silly, releasing a couple of novelty hits (with Public Enemy!) and really showing off their juvenile side.  (Big baggy shorts and crazy haircuts).  Then some time around 1993 I stopped listening.

Whether it was because my metal cred was running out or whether I just didn’t like what they were doing, I’d given up on the mosh kings.  Around that time, they switched singers from Joey Belladonna to Jon Bush and the difference is striking.  Belladonna had a strong, high pitched, soaring voice that rose above the trash.  While Bush has a deeper, tougher voice, and he sort of forces his way on top of the beat.

I haven’t given the Bush-era Anthrax much time, but I recently learned that they (like Kiss) re-recorded songs from their first few discs with Bush now on vocals.  Okay, so unlike the Kiss version, these songs sound totally new.  A new singer brings a totally new sonic dimension to the disc. But they have also re-recorded the music, which in most cases sounds better: recorded on better equipment, less sludgy.  But it also sounds different: different drumbeats or (as is often the case, furious double bass drumming), and the solos mixed into separate speakers and all kinds of other studio tricks.

And yet overall, I’m not that excited by the set.  I just don’t like Bush over Belladonna for these songs.  Bush’s voice is tough.  And their new songs are almost brutally heavy.  Some of these older tracks work with Bush’s voice.  However, there are a few which relied more on soaring sounds (like “Indians”) or demanded a little more subtlety (like the outstanding “N.F.L” which Bush sounds a little hamstrung by.

Anthrax is definitely a different band, but they still play loud and furious.

[READ: March 26, 2010] Heck

I found this book because someone put it in the wrong place in the library. I was looking for Easy Reader for my son, and someone had put this book at the front of that section.  I went to move it, but it looked interesting enough that I decided to read it.  Serendipity!

The premise of the book is that Heck is where you go when you die if you’re under 18.  They’re not quite sure where you’re going to wind up, so you have to go through Heck, which is basically school, until they can sort out which layer of Hell you’re going to wind up in.  Needless to say Heck is full of bad kids (and bad demons).

Our two bad kids are Milton and Marlo Fauster.  Marlo is a troublemaker from way back.  She is a petty thief and is always up to no good.  Milton is a good kid.  He never did anything bad in his life, and he always gets abuse from Marlo.  As the book opens, Milton and Marlo are sprinting down the corridor of a mall where Marlo has just stolen something. She is planning on wreaking havoc with Grizzly Mall’s centerpiece: The State’s Second-Largest Bear-Themed Marshmallow Statue (that cracked me up).

The kids run to the center of the mall where they are cornered by security.  Marlo is trying to think of an escape plan when Milton notices his classmate Damian.  Damian torments Milton every chance he can get.  And now, he is standing at the top of the marshmallow bear with matches.  Milton also notices a fuse sticking out of the bear.

One explosion later, the kids find themselves no longer attached to their bodies, as they are rapidly sliding down to Heck.  Marlo deserves to be there, she’s a bad egg.  But what about Milton?  It turns out that Marlo had slipped an item into Milton’s backpack, and therefore he technically stole something as well.  A technicality but true nonetheless.

The rest of the book shows the kids in their gender segregated classes.  The boys learn physical education from Blackbeard the pirate and ethics from Richard Nixon (the Nixon bits were hilarious, and yet I can’t imagine many kids getting the jokes).  The girls, meanwhile, learn home ec from Lizzy Borden (do kids know who that is) and singing from an angel who is on a teacher exchange program. (more…)

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SOUNDTRACK: KISS-Sonic Boom (2009).

Kiss has been kicking around in one incarnation or another for the last few years: original line up with make up, another line up with no make up and now this new line up: original makeup with two new people in the Peter and Ace positions (I wonder what happened to Bruce Kulick?).

There’s something disingenuous about having a fake Ace and a fake Peter, because in the past they always changed makeup for new members. So, this gives the impression that the original members are here (even though you can see that they are different men under the makeup).

But, Gene says it’s about the band, not the people.  So, whatever.  The first song, “Modern Day Delilah” is as good as any song they’ve done in two decades.  It’s heavy and catchy and the band sounds great.  But I feel like each song produces diminishing returns.  “Russian Roulette” loses me because the lyrics are seemingly for two different songs: one in the verses, one in the chorus (not that one should ever look too deeply at Kiss lyrics).

“Never Enough” sounds like a pretty typical 90’s Kiss song (except the melody is totally Ozzy’s “Flying High Again.”  “Nobody’s Perfect” is one of those poppy Gene songs that’s kind of throwaway but works well as a light-metal song.

The most egregious errors on this disc are the two anthems.  If ever there was a band who thrives on anthems, it’s Kiss.  But their best anthems are about partying and rocking.  These anthems are about standing united together (and we’ll ask the former members of Kiss about that).  “Stand” is about being there when you’re down. “All for the Glory” is a similar theme (we’re all for one), but it fares better musically.  It is weird though that fake Peter sings it in  voice that sounds a little bit like real Peter.  It’s also weird that “When the Lightning Strikes” features fake Ace that sounds a wee bit like real Ace.

On some better notes, I rather like the silly pun of “Danger You, Danger Me, Dangerous.”  And, “I’m an Animal” sounds a like Creatures of the Night era Kiss, which is a good thing.  The final song is an anthem that they got right.  It’s about partying and features a silly “Say Yeah!” chorus.  And that’s what Kiss does best.

The bonus disc is this new lineup re-recording classic Kiss songs. It’s a weird thing and  number of  bands seem to be doing it lately. I’m not entirely sure why.  Most of the songs sound exactly the same, but where they deviate from the original I don’t think they work as well (yes, I’m  traditionalist).  Although I like the less disco-ey version of “I Was Made for Lovin’ You.”  But if you’re not going to radically change anything, then why bother?

And to hear the by now 60-something year-old Gene Simmons singing about a 16-year-old is just majorly creepy (before it was statutory, now it’s statutory and gross) if he keeps going, he’ll be living the lyrics of “Goin’ Blind,” “I’m 93, you’re 16.”

So, this is a good effort from the band.  It has received pretty rave reviews, which I don’t think it quite deserves.  But it’s better than a lot of their middle period discs.

[READ: March 20, 2010] School of Fear

I ordered this book for our library’s Spanish collection.  When it arrived it looked intriguing, so I found an English copy and set out to read it.  I enjoy this sort of children’s book: adventure, schooling, fears, books that don’t insult kids’ intelligence.

And this book doesn’t.  I’m not even sure exactly what the age range is supposed to be because some of the jokes are quite sophisticated.  However, as I will get to shortly, the older the reader is, the less likely that she will fall for the “surprise” of the book.

But let’s start at the beginning.  The premise of the book is that if you have a terrifying, crippling fear, The School of Fear will cure you of it.  But the school is incredibly secretive, so secretive, in fact, that no one knows about it (except for the precious few who can help you get help there). (more…)

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SOUNDTRACK: BARENAKED LADIES-Snacktime (2008).

The Barenaked Ladies have always been like naughty kids.  So, it seems almost too obvious for them to make a kids’ album.  But almost as if they want to continue being naughty, this kids album is quite smart, not just a collection of cute kids songs.

There’s a wild mix of very specifically kiddie-aimed tracks and other amusing pop cultural commentary (or jokes from kiddies past).  For instance, the opening track “789” plays on the wonderful joke of why was 6 afraid of 7.

There’s also a lot of the more delicate sounding BNL songs that came to dominate their later albums: “Pollywog in a Bog” is a cute upbeat little ditty, “Here Come the Geese” is a pretty typical Kevin Hearn track (even his adult songs sound like children’s songs).

But I think the highlight comes from when Ed Robertson and Steven Page join forces.  Robertson is the king of the goofy guys and Steven Page’s songs are always wonderful, but typically less silly.  So “I Don’t Like” is a serious look at things we don’t like (salmon, heights), while the fantastic “Crazy ABCs” is a funny and clever look at words that start with silent letters: “D is for djinn E is for Euphrates F is for Fohn etc.”

I also enjoy Roberston’s solo songs like “There’s a Word for That.”  Robertson is clearly a fan of wordplay, and this song highlights that: “There’s a word for that…little dented skin between my upper lip and nose.”

My favorite song of the disc is “The Canadian Snacktime Trilogy.”  All kinds of famous (and non famous) people tell us what their favorite snacks are.  The contributors are listed here, and they include: Geddy Lee, barbecue potato chips; Lyle Lovett, watermelon; Martin Tielli, olives; Gordon Downie, peanut butter & crackers; “Weird Al” Yankovic, honey roasted peanuts and Gordon Lightfoot, pasta.  What fun!

It’s an overall enjoyable album for kids, full of mostly hyper songs and sounds quite a lot like a typical BNL effort.

[READ:February 27, 2010] Salt Water Taffy: The Truth About Dr. True

I have yet to mention the website for this series.  So, now I’m mentioning it, and I’m also mentioning Matt Loux’s page too.  It’s a great resource for all of the books and has many sample images and pages.

I adore this children’s graphic novel series.  Each story adds amazing depth to this seemingly quaint seaside town.  Eleven year-old Jack and 8-year-old Benny are on vacation at a boring seaside town.  But mysterious things are always coming up when the kids go snooping.

In this case Benny uncovers an ancient (empty) bottle of Dr. True’s magic elixir.  (I love that Jack sneers at Benny for digging in a garbage pile, when he would have really loved to be digging in it, too).  Dr True is the ancestor of True’s Taffy shop.

While this history of the island is unfolding, we also hear the history of another famous island resident: Captain Holister.  The captain is Chowder Bay’s real hero, with a statue of him erected in the town square and everything.  The boys’ favorite new friend, fisherman Angus is directly related to him.  (more…)

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SOUNDTRACKDOWN AT THE SEA HOTEL (2007).

This has rapidly become one of my favorite CDs for our kids.  It’s a collection of lullabies written by some great artists with performances by: Guy Davis, Lucy Kaplansky, John Gorka, Eliza Gilkyson, The Wailin’ Jennys and Lynn Miles.  They play either solo or in groups to create a wonderful collection of tracks which maintains an overall cohesive sound.

It’s nice to have a collection that, although it contains many different singers, retains a similar style, a style that feels like a group of folk singers playing together just to get you to relax.

The songwriters include: Greg Brown, Tom Waits, Bruce Cockburn, Gord Downie, Neil Young, Carole King, Steve Earle and more.  It’s a magical collection of songs. Perfect for any bedtime routine.  The only problem with it is that my daughter usually falls asleep before we get to the end, so I don’t know the last five or six tracks all that well (but I know the first batch from start to finish).

I also recently learned that you can get a very cool edition of this CD in a book format. It is an illustrated edition of the title song and it comes complete with the full CD attached in the back. The book is quite beautiful (and I wish I had gotten that version instead of just the CD).

[READ: January 26, 2010] Salt Water Taffy 2

This fantastic kids graphic novel series just gets better and better.  I enjoyed this story so much that I decided to read it to my 4 year old son.  I removed a few paragraphs and edited for length but he really enjoyed the story…leading him down a garden path to comic book enjoyment.

This book continues the story of 8 year old Jack and 11 year old Benny on their family summer vacation in the seemingly dull seaside town of Chowder Bay.   The first volume laid out enough backstory for you to know that the town is boring as all get out for the kids, with no TV even!  But the locals have plenty of adventure for the kids to get up to.

As this book opens, the family is on a nature hike.  The boys are collecting feathers to compete with Fisherman Angus’ fantastic collection of a feather from every (species of) bird on the island.  But they are easily distracted from this quest when their dad reveals that Angus isn’t the only one on the island with good stories.  For indeed, he himself once climbed to the top of Mt Barnabus (the tallest mountain around) where he fought Barnabus, the giant eagle, for the hat that he is wearing at this very moment.

The boys are awed by this and now hold thie rdad in slightly higher esteem.

Later, when the kids are playing (and one of them is wearing that very same hat), Barnabus the giant eagle swoops down and take the hat right of his head.  He proceeds to fly up to his cave on th etop of the mountain.

The rest of the book covers the boys’ decision to climb that mountain by themselves and rescue that hat.  They encounter many many dangers on the way (I edited down the wolf section a wee bit)but what they find at the top of th emounatin is by turns frightening and hilarious.  (I especially enjoyed the cameo of the little lobsters from Book1).

The resolution to the story is great, the drawings are great, and the entire sprit of the book if one of advneture and fun.  It’s a real treat to read, and I’m delighted that there;s a 3rd book already available.

The first story laid out all of the details of where and who they are.  However,

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