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Archive for the ‘Canadian Music’ Category

T.C. Boyle–“My Pain is Worse Than Your Pain” (Harper’s, January 2010)

Posted in Boredom, Canadian Music, Drinking, Harper's, Marriage Trouble, Rheostatics, Short Story, T.C. Boyle, Threats, tagged on January 6, 2010| Leave a Comment »

SOUNDTRACK: RHEOSTATICS-Static Journey Volume 1: The Beginning (2009).

This is the first disc from the massive 9 volume set available for FREE here.  It features several different early incarnations of the Rheos. There’s a couple of very new wavey/discoy (those bass lines are very disco!) tracks.  There’s a totally bizarre new wave (skinny tie, as they call it) version of The Who’s “My Generation.”   And there’s several tracks with the Trans Canada Soul Patrol a horn-infused version of the line up that was dissolved around the time that Martin Tielli became a full time member.

There’s a few tracks from Greatest Hits, which work well in context, but the highlight is the tracks from the CBC Brave New Waves Show (“Good on the Uptake” and “Crystal Soup” which are unavailable elsewhere (well, the whole show from this radio broadcast is available at the more than complete Rheostaticslive.com).  In fact, just a little research shows how much music is available for free from the Rheos.  It is a pretty amazing collection of stuff that seems to go beyond tape trading trees of live shows, as the available material is rare and largely unavailable in any other format.

These early incarnations of the Rheos are pretty vastly different from the later quirky, wonderful band.  And, with the absence of Martin on vocals, sometimes its even surprising to realize they are the same guys.  But it’s their history and it’s rather fun.  Plus, there’s a number of interviews, most of which allow you to hear the word “Etobicoke” spoken aloud several times.

[READ: January 4, 2010] “My Pain is Worse Than Your Pain”

I’ve enjoyed T.C. Boyle for years now (back when he was called the preferable (if pretentious) T. Coraghessan Boyle). Although I haven’t really read much from him recently (I have a copy of his short story collection that I haven’t read yet).

So this was a nice re-introduction to the man.  I was surprised by the setting of this story (snow covered desolate mountain cabins) as I think of him as more of a desert/southwestern writer.

This story is about a fairly despicable character.  On a drunken bender one night, the narrator sneaks over to his recently widowed neighbor, Lily, to “surprise” her.  It’s pitch dark and freezing cold, so he’s in a ski mask slinking around on her roof.  Oh, and just to make it worse, he’s currently married. (more…)

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Jim Massey & Robbi Rodriguez–Maintenance: Volume 2 Fantastic Sewage & Other Stories (2007)

Posted in Adventure, Canadian Music, Funny (ha ha), Graphic Novel, Mad Scientists, Military, Oni Press, Research, Rheostatics, Robbi Rodriguez, Sci-fi, Short Books, Technology, Toilets, YA Books, Yuck!, tagged on January 5, 2010| Leave a Comment »

SOUNDTRACK: RHEOSTATICS-Static Journey 1980-2007 (2008).

I just stumbled upon this awesome site for Rheostatics fans.  Although I’m unclear who exactly runs this awesome repository of Rheostatics wonderment (oh wait, according to the Rheostatics own page, his name is Darrin Cappe).

The Static Box is a FREE 9-volume downloadable collection of all manner of Rheostatics audio: early recordings, interviews, live recordings, studio recordings, demos, everything.  I downloaded the whole shebang and it fit onto 11 CDs.

The site also has a ton of videos (including a downloadable concert from Massey Hall.

I haven’t listened to the whole thing yet (I think it clocks in around 14 hours).  But what I’ve heard is great.  The sound quality is very good (even from the older cassette demos), and the comprehensiveness of the undertaking is amazing.  If you’re a longtime fan or even just a causal listener, the amount of stuff here will be more than enough to keep you busy.

As I go through the discs I’ll post some comments about them all.

[READ: December 22, 2009] Maintenance Volume 2

Volume 2 of the series is not very different from Volume 1, and that’s a good thing.  TerroMax, Inc is still the world biggest evil think tank!  The jokes are still pop culturey (and often quite gross).  The art is very fun and conveys the action perfectly.  And, there’s still a lot of mad scientists on the loose!

(more…)

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Jamie S. Rich & Marc Ellerby–Love the Way You Love Side A

Posted in Books about music, Canadian Music, CBC Radio 2, Funny (ha ha), Graphic Novel, Jamie S. Rich, Marc Ellerby, Oni Press, Rheostatics, Romance, Short Story, YA Books on December 31, 2009| 1 Comment »

SOUNDTRACK: RHEOSTATICS-The Nightline Sessions (1998).

This is a fascinating document for any Rheostatics fan.  I wound up buying it at the same time as Double Live, even though I couldn’t tell exactly what it was because it was really cheap.

And what it is is a night of the Rheostatics playing on the final night of the CBC Radio show Nightlines.  The notes state that the host of the show had been a huge fan for years and had tried to get the band on a few times.  He ultimately decided that they would be the prefect guest for the final show of the series.

It opens fairly seriously with some very simply orchestrated (guitars, bass, drums) versions of Rheos songs: “The Junction Foil Ball” would be recorded officially on Night of the Shooting Stars.  And “Stolen Car” only otherwise available on Double Live, absolutely kicks in this version.

The bulk of the disc is the Rheos fooling around in the studio. There’s some improv, there’s some tape manipulation, there’s a lengthy rap (“Trans Jam”), there’s Bidini being silly on the mike (“This is Nightlines”) and even a quaint little ditty, “Henry’s Musical Beard.”

I’m not sure if an album has ever been released that was so specifically just for fans of a band.  And not even casual fans, but die-hards who would enjoy hearing the band goofing off.  The “proper” tracks are definitely enjoyable, but there’s a lot of nonsense here (okay, yes, some of it is quite funny).

[READ: December 24, 2009] Love the Way You Love: Side A

I’ve always liked Jamie Rich’s stories.  He’s written some full-on fiction in addition to his comics.  And they’re both solid, romantic works.  Ellerby’s drawing style is rather cartoony (big eyes and often outlandish hair, but it works in context).  This is especially so since this story is about teens/post-teens and rock bands.

This book collects the first three (of six) volumes of this series.

The plot is fairly straightforward: Tristan is lead singer of the band Like a Dog.  The band is on the verge of breaking big and the labels guys are on the prowl. One particular label guy is drooling to get his hands on Like a Dog.

At about the same time, Tristan saw the woman of his dreams at the airport. She then showed up at that evening’s Like a Dog gig.  Tristan is blissed until he learns that Isobel, for that is her name, is engaged to the same awful label guy.  Boo.  (more…)

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Matthew Loux–Salt Water Taffy: The Seaside Adventures of Jack and Benny: The Legend of Old Salty (2008)

Posted in Adventure, Boredom, Canadian Music, Children's Books, Dave Bidini music, Funny (ha ha), Graphic Novel, Matthew Loux, Mystery, Ongoing, Rheostatics, Short Books, Summer on December 26, 2009| Leave a Comment »

SOUNDTRACK: RHEOSTATICS-Melville (1991).

This fantastic Rheostatics album was one of the last ones I bought for some reason.  It came after their debut, Greatest Hits, and is quite a departure for that more simplistic disc.

It opens with the two minute “Record Body Count,” which sets the tone for the disc.  It’s quirky, with different pacings and loud/soft parts, and is quite affecting.  In fact, the entire rest of the disc is quirky and off beat, as befits a disc with a big whale on the cover.

Three great tracks on this disc are “Saskatchewan,” “Horses” and “Aliens (Christmas 1988).”  And the CD comes with a bonus track of their cover of “The Wreck of the Edmund Fitzgerald” which is rocking and swaying as a good nautical track should.

The CD ends with “You Are Very Star” a track that ended their live shows.  On the disc, the track is a series of hockey announcements with quiet whistles as the song fades away,

Rheostatics are definitely an unusual band.  Martin Tielli’s voice goes into high registers at unexpected times, he also sing-speaks (and you can hear the Canadian accent) at times.  Tim Vesely and Dave Bidini also have vocal duties, and their more mellow style adds for a nice contrast.  But basically, what you get is unpredictable rock.  And really, there’s nothing better than that.  Especially when, once you get comfortable with the songs, you realize just how catchy they are.

Melville, it’s in Saskatchewan, and it rocks.

[READ: December 21, 2009] Salt Water Taffy: The Legend of Old Salty

This is a delightful all ages comic set on the coast of Maine.  As the story opens we see brothers Jack and Benny (I did wonder if there is some connection to Jack Benny, but I’d have to say no) driving to their summer house in Maine.  Benny is younger and having fun playing the license plate game while Jack is absorbed in his gameboy. (more…)

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Satoko Kiyuduki–Shoulder-a-Coffin Kuro 1 (2008)

Posted in 1-Speed Bike, Canadian Music, Death, Do Make Say Think, Elizabeth Anka Vajagic, Fly Pan Am, Godspeed You Black Emperor, Graphic Novel, HangedUp, Manga, Satoko Kiyuduki, Sofa, Supernatural, Vampires on December 20, 2009| Leave a Comment »

SOUNDTRACK: SONG OF THE SILENT LAND (2004).

This is a compilation from Constellation Records.  It features mostly unreleased tracks and turns out to be a great sampler for both the fan of the label and the novice.

Since the label never had any “hits” per se, they couldn’t really release a “greatest hits” collection.  But they went the extra mile by selecting rare tracks rather than just a songs from their albums,.

It also belies the idea (put forth by me as well as many others) that Constellation had “a sound.”  While they have branched further afield since this collection was released, even prior to this you can see a lot of diversity.  From the epic instrumentals of Godspeed You Black Emperor, to the noise structures of Exhaust, to the sort of spoken word of 1-Speed Bike to the viola/bass duet of HangedUp.  This compilation contains one track from pretty much every artist on their roster from the (then) new artist Elizabeth Anka Vajagic to early bands Sofa.

The Do Make Say Think track, “Winter Hymn Winter Hymn Winter Hymn” is described as a condensation of the album of that name into 5 minutes, and I believe it is).  Many of the other artists’ tracks are remixed.  But the remixes aren’t dance remixes or dub versions, they are just remixed, usually by Efrim or one of the other Hotel2Tango individuals.

If you’re a fan of the label, hunt down this disc.  If you’re not familiar with the artists, this is a great place to start.  The bands’ tracks, even the remixes are representative of the bands.  So, you get a good sense of Exhaust, 1-Speed Bike, Fly Pan Am and HangedUp.  Although the real selling point is the live track by Godspeed You Black Emperor.  It’s not one of their “real” songs per se (as it is just an outro) but it’s a nice indicator of their live show (which was one of the best live shows I’ve seen).

[READ: December 18, 2009] Shoulder-a-Coffin Kuro

I’m not sure how this book ended up in my house.  I was looking at a pile of graphic novels and there was this one.  I hadn’t really noticed it before and Sarah didn’t know anything about it, so…who knows.  Anyhow, I decided to just go ahead and read it.  It turned out to be my very first manga (awwww).  And it took me a few pages to understand the style at all.

Manga primer: First off it’s written right to left (so at first I wasn’t even sure where to start the book, as this one starts without a real “start”).  Then I realized that the 4-panel style means you read all four columns down on the right and then all four columns down on the left.  And, just to complete the culture shock, you read the speech balloons on the right of the panel before the ones on the left.  After about twenty or so pages it grew easier, and by the end it wasn’t an issue anymore.  But wow!

Oh, and for a little more confusion, there are occasional full color pages thrown in, but they aren’t chapter breaks or any special pages, they just seem to be in color.

So, anyhow, on to the story. (more…)

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Douglas Coupland–Souvenir of Canada (2002), Souvenir of Canada 2 (2004) & Souvenir of Canada [the movie] (2006)

Posted in Books about music, Books about writers, Boredom, Canadian Content, Canadian Music, Collecting, Constellation Records, Consumerism, Corporate skewering, Douglas Coupland, Drinking, Drugs, Essays, Fishing, Foreign Books, Funny (ha ha), Funny (strange), History, Hockey, Hockey Night in Canada, Memoirs, Nanaimo Bar, Nature, Nostalgia, Oddities, Photo Essays, Poutine, Rush, Souvenir of Canada, The New Pornographers, Tindersticks, War on November 20, 2009| Leave a Comment »

socSOUNDTRACK: TINDERSTICKS-The Hungry Saw [CST055] (2008).

hungryIt was the releases of this Tindersticks disc (their first in 5 years) on the venerable Constellation Records (in North America) that inspired my trip through their back catalog. I was completely surprised to see them released on Constellation, as the band doesn’t exactly fit with the label’s stereotypical style (although, realistically with the last dozen or so releases, Constellation has really expanded the kind of music they release).

And this is a fantastic Tindersticks release!  There’s not a bad song on the disc. And, even though nothing is as immediately gripping as say “Can We Start Again,” the disc contains some of the band’s strongest songs.  “The Hungry Saw” is simply amazing, both lyrically and in its catchy (yet creepy) chorus.  But the highlight is probably “Boobar, Come Back to Me,” a song that begins slowly and builds gloriously, including a call and response segment that makes this song really swagger.

“Mother Dear” features a strangely comical musical episode.  In an otherwise very mellow piano based track, right in the middle of the song, come slashing, somewhat atonal guitar chords.  It’s as if a more rocking song is trying to overtake the mellow track.  (The coup is rebuffed, though).

The biggest thing to note about the disc is that longtime co-songwriter Dickon has left the band.  And so, some of the co-writing duties have been taken up by David Boulter.  While it is obviously sad that Dickon has left, Staples seems revitalized on this disc, and Boulter’s additions (especially his quirky instrumentals) bring a new point of view to the proceedings.  Also of note is something of a return to the orchestral style (albeit a much more understated version).  However, different songs emphasize different aspects: horns on one, strings on another, but always underscored by the ubiquitous Hammond organ.

It’s not a radical departure or anything like that.  It’s more of a continuation after a well earned vacation.  And it’s certainly their strongest release since their first four.

[READ & WATCHED: October 2009] Souvenir of Canada, Souvenir of Canada 2 & Souvenir of Canada (the movie)

I got the first Souvenir of Canada when it came out.  (I was on a big Coupland kick and may have even bought it in Montreal).  I didn’t get #2 when it came out, probably because I didn’t really invest a lot of effort into the first one.  But after recently reading City of Glass, I wanted to get a little more involved in Coupland’s visual art.  So, I picked up #2 and, while investigating this second book, I discovered that he had made a film of the books, too.

Coupland explains in the introduction that this book is his personal vision of what Canada is like. It is designed for Canadians as something of a nostalgia trip, but it is also something of an introduction to unseen Canada for non-Canadians.  And so, what you don’t get is pictures of mounties and Tim Hortons and other things that fit the stereotypical Canadian bill. Rather, you get things that are significant to Coupland (and maybe the average Canadian born on the West Coast in the 60s). (more…)

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Ian Frazier–“Fanshawe” (New Yorker, November 2, 2009)

Posted in Canadian Music, Funny (ha ha), Ian Frazier, Kathleen Edwards, Neko Case, New Yorker, Short Story, The Tragically Hip, The Trews, Woody Allen on November 1, 2009| Leave a Comment »

nySOUNDTRACK: KATHLEEN EDWARDS-Asking for Flowers (2008).

flowersI first heard of Kathleen Edwards because of her duet with John Doe on “The Golden State.”  I thought her voice was great and I wanted to hear more.  I picked this album because it was her newest.

My first impression was mild.  I thought initially, great, I’ve gotten yet another Canadian country singer.  And yet, as with Neko Case, there’s something about Canadian country-tinged music that I really like (I’m not a fan of U.S. country, by and large).  And so, while there are trapping of country music on this disc (slide guitar is scattered throughout), after the third or fourth listen, something clicked and I fell hard for this disc.

While listening, especially on the more rocking songs, I kept thinking of The Tragically Hip.  And while I would not in any way say she sounds like the Hip, there is something about her sensibility, lyrically and tonally, that I think is very Hip-like.  She sings with great passion about moderately esoteric things and about Canadiana (referencing Gretsky in one song, titling another song “Oh Canada”).  And as The Hip have recently released a more folky album, the two could probably share a coffeehouse stage quite easily.

Edwards’ voice is beautiful.  But it wasn’t until I really started hearing her lyrics that it made the songs that much more intense.

“The Cheapest Key” is a rollicking song (that reminds me of The Hip in many ways).  Especially the lyrics: “A is for all the times I bit my tongue / B is for bullshit and you fed me some.”  And while I think the whole disc is great, it’s the trifecta of “I Make the Dough, You Get the Glory,” “Oil Man’s War” and “Sure as Shit” that makes this album amazing.  Lyrically, musically, passionately, they’re simply awesome.  Individually, each song is great, but together, the rocking humor of “Dough” followed by the moving sadness of “Oil Man’s War” and the mildly vulgar wit of “Sure as Shit” show such depth in just three songs.

She also pulls out a really powerful song in “Oh Canada.”  I recently wagged my finger at The Trews for being too preachy on their song “Gun Control,” Edwards tackles a similar subject by going in a different direction and by making poetry, not preachery: ” It’s not the year of the gun / We don’t say it out loud / There are no headlines / When a black girl dies / It’s not the lack of a sense / It’s called ambivalence.”

The final song, “Goodnight California” has a chord progression that sounds somewhat familiar, and yet the vocal line she lays on top of it is different, just off enough to be really enchanting.  And even though it is a slow moody piece, it has a fairly scorching harmonica (!) solo.

I’m delighted to see that she has other discs out because I can’t wait to hear more from her.

[READ: October 29, 2009] “Fanshawe”

This Shouts & Murmurs piece was really funny.  It was easily the funniest one I have read in a long time.  It reminded me a lot of early funny Woody Allen pieces (especially when he mentions what the mother died from).

The story is about Fanshawe.  He has just the one name (and comes from a long line of people named simply, Fanshawe.  (more…)

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Douglas Coupland–City of Glass (2000 & Revised Edition 2009)

Posted in Canadian Content, Canadian Music, Consumerism, Corporate skewering, Danko Jones, Dip-in Books, Douglas Coupland, Drugs, Essays, Everything's Gone Green, JPod, Kid Rock, Oddities, Photo Essays, Short Books, Souvenir of Canada, Technology, Thin Lizzy on October 19, 2009| Leave a Comment »

glassSOUNDTRACK: DANKO JONES-Never Too Loud (2008).

dankoDanko Jones is a hard and fast rock band, with a one track mind and a straightforward sound.  They deal in excessive cliches (album titles include: Sleep is the Enemy, We Sweat Blood, Never Too Loud, etc) and play mostly short songs.  And despite all that apparent negativity, I enjoy them beyond reason.

Their first full length was a compilation of their early EPs, and it was full of outrageously short songs about big dumb sex (a bunch of the tracks were under two minutes).  Danko’s voice sounds a but like Phil Lynott from Thin Lizzy, to give a frame of reference.

Never Too Loud, despite the name, actually changes their style a little bit.  He throws in a ballad (!), and he’s got one song “Take Me Home” which reminds me an awful lot of Kid Rock.   And songs like “King of Magazines” and “Forest for the Trees” similarly slow the pace down (Forest for the Trees is even 6 minutes long!).  But despite all that, Danko still rocks hard.

And yes, I admit that lyrically the disc isn’t ground breaking (“Still in High School” tends to sum up a lot of the themes here), but I don’t care.  Sometimes it’s fun to just rock out.  And Danko rocks with the best of them.

[READ: October 14, 2009] City of Glass

Douglas Coupland is from Vancouver.  And this book (and the revised edition) is like a love letter to the city (although he describes it as a personalized guide book).

When he first published this in 2000, Coupland had been experimenting with things other than novels, but this was the first book he released that was primarily photography (not his own, mind you).  He mixes photos of Vancouver landmarks as well as stock photos to illustrate the varied and multicultural life of Vancouver.

He also includes alphabetically titled texts in which he writes about a paragraph or two or three about the topic.  Most of these are personal insights into the city.  It’s not a work of fiction or even a collection of essays.  It’s more like love notes about this city. (more…)

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Lee Henderson–“Long Live Annie B.” (The Walrus, October, 2009)

Posted in Boredom, Canadian Content, Canadian Music, Consumerism, Drinking, Lee Henderson, Marriage Trouble, Sex, Short Story, The Beatles, The Trews, The Walrus, Virginity (Loss of) on October 16, 2009| Leave a Comment »

walrusoctSOUNDTRACK: THE TREWS-House of Ill Fame (2003).

trewsAfter listening to the new Trews disc, I popped in their first disc.  Mostly because I thought their first one sounded rawer.  And it does.

House of Ill Fame has the same rock feel as the new one does, but it also feels a lot more garagey.  It rocks harder, with more edge.  The songs are more memorable to me, mostly because they are a little more distinctive.  There’s some songs where the basslines really stand out (when the guitars either drop out or play some lighter riffs).

But overall the disc just feels less polished.  And it’s all the better for it.

Especially because my disc comes with a live EP.  And the band really rocks live.  They play louder, grittier, and with more energy.  These songs really come alive  on the disc.  “Tired of Waiting” one of my favorite songs on the disc, segues very nicely into the Na Na part of “Hey Jude” which is a highlight on the live disc as well.

While No Time for Later is certainly enjoyable, I simply prefer the rawer sound of House of Ill Fame. I’ve not heard the middle disc, Den of Thieves, so I’m not sure if it falls somewhere in between the two or not.  I’m sure the songs are solid though.

[READ: October 12, 2009] “Long Live Annie B.”

This is a dark story set in the winterlands of Saskatchewan.

Annie B. grows up in a destitute part of town with a destitute mom.  With few choices, Annie B., at fifteen, decides to get involved with an older guy.  Just for sex; a non-meaningful relationship.  But despite the casualness Annie B. seems to get a lot out of it, at least in terms of cinematic education.  She and her man watch all kinds of films (primarily horror films, but also foreign ones).

But with one action for him, she decides that she has had enough and breaks up with him. (more…)

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David Foster Wallace–“Crash of ’69” (Between C & D, Winter, 1989)

Posted in Canadian Music, David Foster Wallace, Infinite Summer, Kathy Acker, Short Story, The Trews on October 15, 2009| Leave a Comment »

cdSOUNDTRACK: THE TREWS-No Time for Later (2008).

trewsI was surprised by this disc.  The cover is mildly shocking, but more just tasteless (and one that I won’t leave lying around), but it’s mostly shocking because it is so inappropriate for the music contained within.  The music is such basic rock and roll–the kind that I didn’t think anyone made anymore.  It’s almost retro in its boogie woogie Black Crows style of rock.

I had gotten their first disc, House of Ill Fame when it came out.  That disc is also a simple, rocking disc, but it has rough elements that keep the listener interested.  But No Time is so much more polished it practically shines with smoothness.  It’s funny how a little bit of smoothing can make such a difference.

The 21st century music listener is possibly somewhat aghast at this disc because it is so un-raw, un-edgy, so basic.  And yet for all of its weird retro rock stylings, releasing a record like this in 2009 is rather original.  And I  realize that if I had heard this twenty years ago I would have thought it was a great rock record.  So I put that listening cap on and found out that yes, I could rock out to this disc.

In fact, I feel like after track 4 the disc really takes off:  “Paranoid Freak” is a great rocking tune, and hearkens back to the raw writing style of their first disc (even though the song itself is not raw sounding at all).   “I Can’t Stop Laughing” has a great chorus, one built for arenas.  The only really questionable song is their “political” one, “Gun Control.”  Sure, I agree with the sentiment, but such a pointedly simplistic and, frankly, preachy song isn’t really good for anyone.

It’s become something of a guilty pleasure because I can’t think of a record less cool than this one.  There’s simply nothing here for an indie rocker to latch on to.  And yet I still like it.

But the whole time it’s so hard to imagine that this disc came out in 2009.

[READ: September 27, 2009] “Crash of ’69”

This was an early piece by DFW and here’s the write-up from The Howling Fantods (appreciation just assumed at this point) which tells a pretty interesting origin for this story.

“Crash of ’69”. Between C & D, Winter 1989. [NOTES: Between C & D was an experimental literary magazine literally printed on circa 1989 dot matrix printer-paper and sold in a plastic bag. Finding a copy of “Crash of ’69” (in any shape) took work and many thanks go out to those who tracked it down. That being said, it was kind of a mess. A lovingly restored copy is available here.]

Turns out that there is a book of the Between C & D stories.  I can’t find out very much about it, but I’m going to try and interlibrary loan it and see what else I can discover.  If I’m reading what little information I have correctly, it appears that Kathy Acker & DFW may be published in the same book (which is of course funny given his review of her work here).

But on to this short story.

As with much of his short fiction, “Crash of ’69” comes across as rather experimental.  Each paragraph or so is headed by a character’s name (there are three in total, I think, although the female character’s description in the heading changes each time she speaks. (more…)

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