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Archive for the ‘Canadian Content’ Category

walrusjuly SOUNDTRACK: MOXY FRÜVOUS-Wood (1995).

wood

Moxy Früvous is a band that can totally be judged by their covers.  Their first album had a cartoon animal dog thingy, and the disc was whimsical and fun.  Wood, their second disc shows the quartet in an autumnal scene covered in sweaters.  And the content is autumnal and snug.  There’s very little whimsy on the disc. It’s as if they fully matured in two short years.

I would say that this is my least favorite of the MF discs.  However, it also contains my all-time favorite MF song: “Fly” so I can’t dismiss it entirely.

In fact, the first 5 or so songs are all really enjoyable.  I find myself singing “horseshoes have got to be tossed” (from “Horsehoes”) all the time for some reason.  And then we get “Fly.”  It starts out simply enough with an acoustic guitar, but as it builds and the harmonies come in, “we’ll take a last flight you and I….Hold on tight” it’s amazing every time.

“Present Tense Tureen” is similar to the Bargainville style of wit, although it is banjo infused folk rather than pop.  And “Poor Mary Lane” has a Beatlesque stomp going on.

From there the album sort of drifts into pretty, fairly undistinguished folk songs. “Nuits in Rêve” is a 6 minute folk ballad in French.  It’s very pretty, although I don’t know what it’s about.  Finally, the last song “Sad Today” wakes the disc up somewhat, as it feels likes something of a drunken shanty.  There’s also a bonus track called “Organ Grinder” (I suppose) that is the funnest, craziest thing on the disc and feels like pure insanity compared to the rest.  It’s a big shit-stompin’ song.

So as I say, the disc is quite different from the first.  It even feels a little claustrophobic in the production which is something I don’t really notice.  I’m not sure why the band left out their fun songs, maybe so they wouldn’t be pegged a novelty act, but they are sorely missed.

(It’s also likely why they release b shortly afterward).

[READ: June 24, 2009] “The Nerve”

This is the second short story in The Walrus‘  Short Story issue.  This one is labeled as Romance genre, and yet it also transcends the genre and is more  about a man falling in love than any of the other romance tropes. (more…)

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jestSOUNDTRACK: HÜSKER DÜ-Land Speed Record (1982).

landspeedMentioning Hüsker Dü during the Replacements reviews made me bust out their records too.  Land Speed Record was their first release, and it always amazed me that their first record was a live record.

It is an amazing blast of hardcore punk.

It is poorly recorded, stupidly fast and impossible to follow.  The CD is divided into two track (sides one and two) despite the 17 songs.  Most of the songs are simple, balls-out screaming punk.  In fact, it’s surprising how much you can tell it is Hüsker Dü given how shouty Bob Mould sounds.

In truth, it’s not entirely impossible to follow one song to the next (there are times when you can hear the choruses (“Guns at My School” and “Do the Bee” stand out).  But really it’s a pretty shocking discovery for anyone familiar with their alterna-pop that would come later.

The one real highlight is the final song, “Data Control.” It slows the pace and adds some mood (although it’s not that easy to discern).  But it contains a great deal of depth (for this album) and suggests that maybe the Hüskers were going to be more than a simple hardcore band.

The funniest part is that after the 25 minutes or so of noise, Bob Mould says, “we’ll be back for another set.”

[READ: Week of June 22, 2009] Infinite Jest [78 pages + endnotes]

So as I said, I’m going to be doing this Infinite Summer thing, reading 75 or so pages every week.  I haven’t figured out what I’m going to say each week, just some observations and characters to help keep things straight.  But there will be spoilers, so be warned.

Having read this before certainly helps put some context on things, even if I don’t remember a lot of the book.  But, for instance, it helps to know ahead of time that the “Year” chapter headings have been subsidized.  However, I don’t remember the chronology of them at this point.  See below, footnote endnote for more on the chronology.

The characters:   (as of page 78): (more…)

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walrusjulySOUNDTRACK: MOXY FRÜVOUS-Bargainville (1993).

moxyI first heard Moxy Früvous on an NPR weekend morning show. They performed “Johnny Saucep’n” (a tongue twisting a capella marvel) live and it blew my mind.  And, lest I forget, these 4 guys do AMAZING a capella. Amazing. Their harmonies are simply magnificent. I immediately went out and got whatever their latest album was (Live Noise, I expect). And I worked my way back from there.

Bargainville
is the band’s first disc. It is youthful and silly and is a good mix of their folky sound and their silly songs. Comparisons to Barenaked Ladies abound as they are both Canadian and “funny”. The Früvous funny is more witty than silly, although silliness definitively crops up.

I think of Früvous as one of my favorite bands because, without question, they have written some of my favorite songs. And yet, not every song is a favorite.  But even the ones that don’t blow you away are solid and good.

I don’t have anything bad to say about this disc. In fact, it’s a great disc to put on with friends, and pick out the occasional great couplet. But I’m not certain that the disc will blow you away.

There are some outstanding tracks on here. “River Valley” is a beautiful acoustic track about saving the river alley and its drinking water. “Stuck in the 90s” is catchy as all get out” “Fell in Love” is a great song full of sweeping vocal moments. “The Lazy Boy” is another one of those great a capella moments that amazes. Its also a very silly song with references to Charlie’s Angels (the blonde one, the third one).  In fact this whole section of the disc is fantastic. “My Baby Loves a Bunch of Authors” is an amazing track about, well, books and authors. What’s not to like. See how many authors you recognize! It’s also amazing how catchy one can be with literary rhymes (Who’s pounding the ouzo? Mario Puzo).

“The Drinking Song” is one of their more serious songs and it is terrific. Substance, sadness, superb  And, amazingly moving. “King of Spain” is silliness beyond belief. And yet, seeing this song live is a treat and a half. Plus how many songs get to rhyme “zamboni?” The disc ends with “Gulf War Song” an a capella song that is quite serious and very passionate.  A fantastic ending to this disc.

Future discs would be a bit more serious, but this is a great start.

Oh and if anyone has a copy of the Indie Tape they’d like to copy for me, I’d love to get “Green Eggs N’ Ham,” which I hear on the radio from time to time but have never seen anywhere.  Thanks Kids Corner for playing this track on WXPN in Philadelphia!

[READ: June 23, 2009] “The Crow Procedure”

This issue of The Walrus is the Summer Fiction Issue.  It seems to be dedicated to “genres” specifically.  Each story is devoted to a genre (and there’s even a genre fiction contest this issue).  This first one is science fiction.

The twist seems to be that although the stories are in genres, they move beyond what we normally consider genre fiction. (more…)

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efolkThe 30th Edmonton Folk Festival!
Dates for 2009: Aug 6-9
Note: Festival 4-day passes sold out June 4!

The Edmonton Folk Festival’s final (more or less) lineup has been announced.

epl

But before I get to that I have to give major kudos to the Festival’s own website for cleverly and sagely linking to the Edmonton Library’s catalog so you can check out all of the performers’ CDs.  Bravo!  And I’ll link to it too:

Festival Performers in our [Edmonton Public Library] CD Collection (Blues, Folk, Jazz)

And look!  An extra concert has been added on
Wednesday August 5 (not part of 4-day pass)

Forever Folk Fest Concert – Special Fundraiser for the Festival Endowment Fund
Featuring Sarah McLachlan and special guest Meaghan Smith and a mystery guest to be announced.

Program: 7:30 – 11:00PM
Tickets $70 adult, $35 youth. If available August 1, these tickets will be $90 adult and $45 youth.
Full ticket info here

As for the Festival itself:

The main stage schedule is available but the other stages are not finalized.   some of the now-confirmed main stage artists are pretty impressive.  Each of these links goes directly to the Folk Festival’s write up of the band.

Arrested Development
Neko Case
Chumbawamba Acoustic
Steve Earle
Kathleen Edwards
Patty Griffin
Hot Tuna
Iron & Wine
Ashley MacIsaac
Oysterband
Spirit of the West
The Wailers
Loudon Wainwright III


Here’s the main stage lineup: (more…)

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walrusSOUNDTRACK: PEARL JAM-No Code (1996).

nocodeI’d always sort of liked this disc because of its principles–I believed that the title came about because there is no barcode on the disc.  Pearl Jam is always tilting at some windmill or another, and I can support that.

I’ve also learned that this is PJ’s least popular and lowest selling album.

And I can see why.  Although there are a number of great songs on the disc, the overall tempo is somewhat flat.  The disc is also quite varied, without any of the really typical Pearl Jam songs on it.  None of this is necessarily a bad thing, but it adds up to a Pearl Jam disc that doesn’t rock as hard as the others, and sounds rather unfamiliar.

“Sometimes” starts off the disc very slowly.  Something of an anomaly in itself for PJ. The song is strong but it doesn’t really build.  This is a stronger track live, where the atmospherics kick in better.

“Hail Hail” is a typical Pearl Jam number, perhaps the only one on the disc.  It’s pretty fast and furious and features some great bass work.  “Who You Are” was the first single, a slow Middle-Eastern tinged song.  The drums are also quite different on this track, as they are more tribal than rocking.  It’s a really enjoyable song but it’s not the kind to attract the masses.

“In My Tree” and “Smile” form the middle/mellow sound of this album.  Neither one has very loud guitars, although the chorus of “Smile” allows Eddie to give a good yell “I miss you already.”  (It also features a Neil Youngesque harmonica).  “In My Tree” features what sounds like a zither(!), and comes with more tribal drumming.

“Off He Goes” is one of the mellowest songs PJ have done.  The live song tends towards more emotion.  Its a great song, but it loses a bit in this studio recording.

On what would be the second side, Pearl Jam flexes its punk muscle: “Habit” and “Lukin” are some of the heaviest/hardest songs they’ve done.  And live, they are even faster.  The songs themselves are great, yet they really stick out on this mellow disc.

“Red Mosquito” is another midtempo rocker, although the guitar solo is pretty scorching.  “Present Tense” begins very slowly and sparsely.  It takes a long time to build although the conclusion is satisfying.

Another anomaly for this disc is the new vocalist: Stone Gossard sings “Mankind,” a pretty straight ahead rocker, that only stands out because of Gossard’s unusual voice.  It’s always funny to hear them play it live as it’s something of a unique treat, even if the song itself isn’t amazing.

I guess really the problem comes at the end…the disc just sort of fades away.  Neither of the last two songs is bad, but neither is really memorable.

I hate to dismiss the album as I do because the good songs are very good, it just feels kind of hodgepodgey.  There is talk of a lot of dissent within the band at the time of this recording and maybe that has something to do with it.

[READ: April 24, 2009] “The Intruder”

This story started out a little slow, progressed into an adrenaline rush, twisted into something potentially comic and then inverted itself in the last sentence. (more…)

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walrus-409SOUNDTRACK: PEARL JAM-Ten [remixed] (2009).

ten1Pearl Jam reissued Ten this year with a new mix by Brendan O’Brien, the producer who has mixed the bulk of their catalog.  So, this gives everyone a chance to hear what it would have sounded like if it were released after Vs., or something like that.

The great news is that he barely changed anything on the record.  In fact it still sounds fantastic and rocks just as hard as the original.  Really there are two notable differences: the guitars sound a lot cleaner (word is that the band has been displeased with how much reverb was on the original recording).  And cleaning up the reverb has the same effect as if you had a copy of the tape and listened to it 100 times and then bought a new copy…everything sounds clear and bright and amazing.

This clean up allows you to hear a lot of the subtleties that were lost in the original mix: acoustic guitars and some bass parts come through, as does Eddie’s vocal track.  And that’s another feature of the remix: Eddie’s vocals are very clear.  Some of those lyrics where you never quite understood what he was saying are now clear, and his voice is closer in the mix, like he’s in the room with you.

There’s a few other minor changes, mostly in the end of songs, where one aspect is louder than it used to be.  Or, for instance the harmonic notes in the beginning and end of “Jeremy” are a little quieter.

All in all, there’s nothing revolutionary about this mix, it just makes the disc sound better.  I listened to the disc several times this weekend, and I really enjoyed it.

[READ: April 14, 2009] “The Whole Story”

This is a brief story about writer’s block.  The narrator is spending time in an artists’ colony as a way to be away from the world and finish her novel.

As the writers’s block and procrastination sets in, she finds new ways to not write her novel: playing piano, drawing swans, wandering around the grounds.  It is only when she actively helps some of the other artists, that she feels that she herself is no longer broken.

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CV1_TNY_3_23_09_09.inddSOUNDTRACK: DEAR MR. PRESIDENT-Dear Mr President (1988).

dearSo, I mentioned these guys in a previous post about The Airborne Toxic Event.  I said maybe I’d listen to the disc again (it’s been at least ten, maybe fifteen years since I listened to it).  Sarah walked in and said it sounded like Bon Jovi, which may or may not be true.

The band is a weird amalgam of things.  They look like Ratt, almost exactly like Ratt, in fact.  And yet musically they are all over the place.  The opening, rather cool, track is “Hey Daddy Have You Ever Been Arrested?”  It starts slow with the singer’s weird, sort of whiney, but almost bitterly angry voice reciting some lines over bass.  A distorted guitar comes in and the chorus rocks out.  There”s some heavier stuff as the song ends, including a rocking solo.

What’s most notable about the song, and the disc though is the lyrics.  Certainly not the first or even the most “political” band, but for the supposed genre they are in, lyrically they are thoughtful if not thought provoking.  And, even with doses of humor, they’re a lot more than a sex drugs and rock n roll band.

But after that first track the album diversifies.  “Fate” is a ballad, with the singer’s hesitant voice opening the track.  “Love and Violence” sounds like a late 80s metal song, but with a twist: the singer’s voice is just off-kilter enough to keep it interesting.  Meanwhile “Where is the Love?” is positively funk-filled, with a slapping bass line and big horns.  And then there’s “Flesh & Blood” which has something of a smooth jazz trumpet solo as it winds down.  It also seems to get more mellow as the track progresses.  Keep a mental note about this song title.

As the disc continues, things get really weird: horns start featuring in the songs with more and more frequency.  And at one point there’s something of a disco vibe.  There’s even a song about wanting to dance like Fred Astaire. (full of sizzling keyboard blasts!).

“Reality” is  slow ballad with era-appropriate keyboard splashes in the chorus.  And “Fatal Desire” sounds not unlike a Pearl Jam track (except for the vocals of course). The last three tracks on the disc have their track number in red (the others are in white) which leads me to think that maybe they were bonus tracks?  They include an 8 minute song “Get It Together” that sounds like it could be a background soundtrack to a 80s show like 21 Jump Street, especially the atmospheric guitar washes.  This disc ends with a weird little 1 and a half minute thing called “Who Killed Santa Claus?”

Whats amazing is that even with the internet’s omnipotence, there is virtually no information about this album, or even the band, anywhere.  Nor what happened to them (I discovered that two of the members played on other bands’ records).  You can’t even find anything about their other band name.  For some reason, the powers that be didn’t like the name Dear Mr President, and they had to change the band’s name to Flesh & Blood.  They released the album as Dead White and Blue.  I’ve never actually seen that disc though.

But after some searching around, I found one article about the band.  It answers some questions, like about their name change.  And evidently I have one of the few copies of the original disc.  Huh.  And to think that I bought it on a whim back in college when I bought bands without knowing anything about them.

So, for all of your Dear Mr. President needs, check out this article.  There’s even two downloads, too!

[READ: March 27, 2009] “She’s the One”

This story is one of the few stories I’ve read that is about writing and writers in which the main character isn’t a writer.  Ally works at a writer’s workshop as the secretary.  She encounters all kinds of writers, but in this particular term, she encounters a Canadian woman with short, white hair named Hilda.  Hilda is in her late fifties, has lived a pretty full life, and since most of her faimily is in England, she has settled down there too.

Ally runs into Hilda at the supermarket and casually asks how her novel is going. Hilda is very guarded and quite rude, until a few minutes later when she apologizes and takes a keen interest in Ally and her life.  Ally, caught off guard, reveals a family secret that she never feels comfortable talking about.  And, she soon finds comfort in this off-putting stranger’s cozy cottage.

Ally also learns more details about Hilda’s novel, and her fascinating family story about a Canadian folk singer’s impact on all of their lives.

I really enjoyed this story both for its unconventional look at writers, and for its interesting dealing with family crises.  A very strong story.  Although I have a quibble.  Ally and her coworkers can only think of one Canadian folksinger: Robbie Robertson.  Now, I realize that I’m a Canuckophile and all but, come on.  At least include Neil Young in the list.

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newyorker2SOUNDTRACK: WRFF 104.5 FM.

1045I stumbled upon this station by accident one day.  I was working outside, trying to tune in a radio station, and, although I was near a classic rock station from New York, I heard a very cool alternative song.  So, I tuned in this staticky station and later learned that I was listening to 104.5, WRFF out of Philadelphia.

It’s weird to me that these “90’s” stations are popping up, and that it’s a retro sound, but then, there is a market for those of us Lollapaloozers.  This station plays a great selection of 90’s rock, with an occasional dip into the 80s and of course, new music by any of these bands.  They don’t go too heavy, although they’re not afraid to really rock out.

Now if only I could get that signal a wee bit clearer.

[READ: March 26, 2009] “Author? Author”

This was a very short, but very funny piece about Sedaris’ book tours.  He started and ended this tour in a Costco…and trying to picture Sedaris in a Costco is about as funny as anything he wrote about.  Having said that, the bit about condoms and strawberries with optional olive oil had me laughing all day.

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3000030,000 views may not be a milestone for many blogs. But, for a blog like this which was intended mostly as a record of what I’ve read, the fact that I’ve had 30,000 views is pretty exciting. And it seems appropriate to let you, the readers know what you the other readers have been reading here. So, here is the top ten most read posts on I Just Read About That… with a director’s commentary tacked on.

1. 819 views
Gordon Korman–Son of the Mob (2002)
SOUNDTRACK: GORDON LIGHTFOOT-The Complete Greatest Hits
I’m pretty much 100% certain that Gordon Lightfoot is NOT the attraction that made this post my highest one. Son of the Mob is usually a summer reading book. However, I get hits on this throughout the year.  I’m guessing it’s just a popular book.

(more…)

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Congratulations Martin Brodeur for breaking Patrick Roy’s record and becoming the NHL’s winningest goalie!  You make New Jersey
(and Montreal) proud.

200px-martinbrodeur1

brodeur-2

Save during the 2nd period of historic game.

brodeur2

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