Feeds:
Posts
Comments

Archive for the ‘Authors’ Category

SOUNDTRACK: ATTACK ATTACK!-“Stick Stickly” (2010).

I discovered this video (again, considerably later than the controversy for it) because my friend Rich said he didn’t know there was a genre called “crabcore.”  A search for crabcore suggests that it is a goof “genre” named specifically for this band and the goofy way they dance around.

This song starts with very heavy riffing and some growls and screaming and then jumps quickly into an auto-tuned very catchy chorus (they sound like a more polished and poppy version of Alexisonfire).

Then comes the verses which are screamed very loudly and heavily followed by a bridge (?) that is even more cookie monster-vocals like (with a strange cartoon effect thrown at the end of each line of the chorus).  It’s almost like commercial death metal, and I kind of liked it.  They’re pushing boundaries

Then there’s more chugga chugga heavy riffing and the song is reaching the end and then WHAT? the songs shifts gears into a keyboard fueled discoey dance song.  First it’s hi energy and then it slows into a mellow auto-tuned bit that proceeds to the end.

What the hell?  I’m all for a band pushing the boundaries of genres, but holy cow.  And just to add one more gimmick, they’re a Christian band as well (although you’d never know from the lyrics, whatever the hell he’s singing about).  This is no “Jesus is My Friend,” let me tell you.

So yea, I don’t really know what to make of it. The video makes me laugh with their all black outfits and synchronized everything–and that may be why they have replaced it with a new video which is much more boring.  I assume they’re just anther trendy band that will disappear soon enough (there’s a lot of snarky fun at their expense at this definition of “crabcore“).

I don’t have a clue what the title is supposed to mean, nor half of their other titles on the album: “Fumbles O’Brian” “Renob, Nevada.”  I listened to some samples of the other songs and they seem far more dancey/discoey than death metal, so I’m not really sure what’s up with the rest of the record.

But whatever.  In the meantime, enjoy the silly video

[READ: July–September 10, 2010] K Blows Top

I heard about this book through a great interview on NPR in June of 2009.  It sounded like a really funny book and I was seriously considering reading it.  Of course, then I forgot about it.

About 8 months later, the library received a huge donation of books, and this was right on top, just begging me to read it.  So, I saved it for myself and decided it was about time to crack it open.  Several months after that I finally opened it and was totally hooked.

I didn’t know much about Khrushchev before reading this.  I knew vaguely about “the shoe” incident, but that was it.  In fact, the whole beginning of the cold war era was a bit of a mystery to me.  Since I lived through Reagan, I never felt compelled to find out what had caused the 80s.

But I’m super glad that I read this.  The book follows Khrushchev’s visits to the United States when he was premiere of  the Soviet Union. Carlson combed through tons of newspaper reports about his visit here (ostensibly to visit with Eisenhower, but more just to enjoy himself in the American heartland), and pulls together a fascinating story from a number of sources.

But more than just an interesting look at history, this book is very funny. (more…)

Read Full Post »

SOUNDTRACK: THE MOMMYHEADS-“Box” (2010).

After the two minute bonus track of “Over” comes the lengthy (very lengthy for The Mommyheads) “Box”.

I’m not sure what the song is about, but it’s got some great licks within it.  It opens with a twisted guitar opening, one that never sems to settle.  In fact, the entire first verse seems like the song doesn’t quite know where it’s going (which is deliberate, of course).

Because by the end of the second verse we get a very lengthy instrumental break that is ferocious in its coolness.  It begins softly and then morphs into a psychedelic workout: harmonized guitar notes, funky drumming, and yet all within a mellow styling.  It’s very clever.

Its a strange song and it may be my favorite Mommyheads song of all.  It’s an excellent bonus track.  Check the songs out (and buy them) here.

[READ: September 9, 2008] “New Orleans, LA”

This is probably the most straightforward “reporting” piece that I’ve read by Tower.  As such, it doesn’t have a lot of flair to it.

It’s an interesting look at the rebuilding of New Orleans, into what appears to be a greener, stronger and better city than ever before.  It almost seems like you need a terrible catastrophe and the goodwill of citizens to make a place even better than it was before.

He mentions a few individuals who were (and maybe still are) doing extra work to rebuild the city, and they are quite inspirational.

It’s available here.

Because it was so brief, I’m pairing it with another brief but much more entertaining article: “Extract a Tick from Your Junk” from the “How to Do Everything (Well Almost)” piece from the July 2007 issue.  (more…)

Read Full Post »

SOUNDTRACK: STUYVESANT-Jihad Me at Hello (2010).

Stuyvesant (one of the hardest band names to spell) is an amalgam of the defunct New Jersey bands Footstone and Friends, Romans, Countrymen.  And so, as you might expect if you know these other bands, they play noisy rock with a healthy dose of pop.

The opener, “Bi-Polar Bears” is a great example of their punky pop (complete with an unexpected horn section).  The second track, “Tape Hiss” sounds like Footstone (Ralphie’s voice is very distinct here) although the “do-do-do” harmonies are something new to the sound.

There’s more surprise from a major break in “Ode to Bish” which features a “waka jawacka” guitar and a horn solo.  “Liars Poker” also features some cool bass vocal harmonies (something of a rare treat in rock music).

Perhaps the biggest surprise is the slow opening of “Broken Red Wing.”  I was pleasantly surprised that after the slow opening, it did not jump quickly into a song that sounded like the rest on the disc.  Guitars kick in but they are not the same crunchy style.  The track shows an unexpected diversity on the disc.

While I have enjoyed both the Footstone and FRC releases, I think this conflation of the two makes for the best overall package.  It’s a great EP, and I’m looking forward to the full length.  This EP is available for free.  That’s right, for free.  So even if you hate it, you can still download it for free.  In any format, and then you can burn it to a CD, in the format that music is meant to be enjoyed.

[READ: September 8, 2010] “The Landlord”

Wells Tower is another 20 Under 40.  I’ve enjoyed the few short stories(although I haven’t read his collection yet) and the non-fiction he’s written for Outside magazine.

This story feels like an excerpt from a longer piece because there are a lot of different characters who seem like there’s more to them.

The main character is the landlord, Mr Pruitt.  He owns a lot of properties, but in the current market he has had to sell a number of them.  And, of course, his tenants are paying him less and less frequently.  As the story opens we meet one of those tenants, Armando Colón, who is three months overdue.  Armando has a solution to his problem which he presents to Mr Pruitt.  When Armando leaves, Mr Pruitt’s worker, Todd Toole mocks him for letting people fuck him over. (more…)

Read Full Post »

[LISTENED TO: Week of September 6] Ulysses

This week I almost finished Episode 15.  I’ve just finished where Bella turns into Bello and things get really weird.  And I have to say that this Episode, for all of its craziness, is masterfully handled by Donal Donnelly.  I’ve already raved about his vocal stylings in the earlier chapters, dealing with so many different men.  But in this chapter he proves to be very dextrous at male and female voices, with a very delicate voice for some and an incredibly masculine woman’s voice for Bello (very well done indeed).  He has also proven himself to be a treat with sound effects (of which there are many here).  I won’t say for certain that it makes this insane Episode a lot clearer, but it certainly makes it easier to follow.

Back to Episode 13. The Gertie section is written in a style that is supposed to be romantic, very quick and flowy.  And Donal really nails it.   After the business of Episode 12, the lightness of 13 is wonderful, and it really brings to life the scene, especially when the rockets go off.

One thing I picked up this time is that Bloom assumes that he knows exactly when Blazes and Molly consummated their affair.  Even re-reading it now, it wasn’t quite as clear as the way he read it aloud:

Funny my watch stopped at half past four. Dust. Shark liver oil they use to clean could do it myself. Save. Was that just when he, she?
O, he did. Into her. She did. Done.
Ah!

So, yes I suppose it’s obvious, but sometimes reading along you just don’t pick things up.  And it took the way he read it for me to realize just what those short sentences meant. (more…)

Read Full Post »

The other night, I was reading the book Overboard to Clark (Which is a bit young for him but he enjoyed the anarchic nature of it). Tabitha had enjoyed it too.  I noticed that the illustrations were similar to another book that we have that I like quite a bit called Baby Cakes.  I though that the illustrator’s name sounded familiar, but I wasn’t entirely sure.

When I thought about it more, I though the illustrations also looked like another book that we read to the kids all the time called My Favorite Toys (Jane Kemp and Clare Walters).  And when I confirmed that he was the same person who illustrated that book, I decided that Sam Williams is easily one of m y favorite children’s book illustrators.

The surprise I had was in trying to find more information about him.  A Wikipedia search doesn’t bring him up at all. And he doesn’t appear to have his own website (really?).  The only information I could find about him was here.  This site, Jacketflap, which I’ve never heard of before, says that he has illustrated over 70 books dating back to 1999. Wow!

Many of these titles are board books (which means technically my kids are too old for them). But I see he also has a series of Ready to Read books about twins (written by Ellen Weiss).  He also seems to work a lot with the authors Karma Wilson (I like some of her stuff (like Baby Cakes but find other things a bit less than satisfying) and Sarah Weeks who writes very simple, but rather fun books. (more…)

Read Full Post »

SOUNDTRACK: FRIENDS, ROMANS, COUNTRYMEN-I am Spartacus (2010).

I’ve been aware of Friends, Romans, Countrymen for a number of years, but I’d never heard them.  The bio on the Dromedary site suggests that they broke up some time around 2003.  So, I’m not entirely sure if this CD was released back then or if this is the first time it’s seeing the light of day.

I’ve been streaming the disc all day (and yes, I will buy it as soon as can find my wallet, which, no is not in El Segundo–ooh, old school!)).  I don’t know if it’s my crappy work headphones but the recording sounds distorted in a way that makes me think it was recorded too loud.  Of course as I say it could be the headphones.

Getting beyond that, the band reminds me a lot of middle era Hüsker Dü.  They don’t sound like them necessarily, but the feel: noisy guitars, kind of sloppy (but cool) solos, smooth vocals (at times there is definitely a resemblance to Bob Mould) and harmonies, and fast, rocking beats.

The Dromedary site calls them “burly pop-core” and that’s a really apt description.  The opening song is a tribute to a fellow New Jersey band: “The Day Footstone Died.”  (Footstone’s releases have been covered here).  It’s got some great catchy guitars and a great bridge.  (And the live version that’s on the site sounds like the band never broke up).

There’s some really interesting guitar sounds on “Lee1Blu” (as well as some cool harmonies).  The rest of the disc is equally infectious, all the way down to the two closing instrumentals, “Warm” and, um, “Instrumental.”

So you get about 40 minutes of pretty fine, pretty loud alt-rock.  You can stream the disc (and buy it) here.

[READ: September 8, 2010] “The Science of Flight”

So this post really missed the point of the story.  If you read the comments below you’ll get more details.  Because of the comment, I have re-posted about the story.  You can read it here.

———-

Yiyun Li’s is one of the 20 Under 40 from the New Yorker.  This story (which I assume is not an excerpt) is about Zichen.  Zichen (whose name is unpronounceable to Westerners) emigrated from China to live in America with her then new husband.

As the story opens, we see Zichen at work at an animal-care center.  She is talking with her coworkers about her upcoming visit to England (this will be her first-ever vacation that is not to China).  The men are teasing her about the trip (why would she want to go to the ocean in the winter, she doesn’t know anyone there, etc).  The teasing is friendly, because they are friendly, although Zichen is very reserved around them.  Of course, of all the people she has known, she has opened up to them the most–which still isn’t very much. (more…)

Read Full Post »

SOUNDTRACK: BELLE & SEBASTIAN-“Write About Love” (2010).

This single was released on the bands website on September 7th.  The first 20,000 visitors were able to get a free download.  By the time I’d heard about it (3PM) it was long gone.  But the streaming version is still there.

This song continues in that “groovy” vibe that they’ve been indulging in with the last few listens.  It’s far afield from their earlier, more mellow/acoustic sound, and it features some loud organ and solid guitar lines.  Although I really like the early B&S, I’m also quite fond of this later, louder material, and I think it makes for a well-rounded band.

The song is a duet with Carey Mulligan (who I don’t know, but she was in An Education which I haven’t seen).  B&S have always found great melodies for their songs, and this one is no exception. Even with this more rocking sound, they still haven’t lost their sense of songcraft.

I can’t seem to embed the song, so here’s a link: http://www.belleandsebastian.com/newsstory.php?id=515.

[READ: September 7, 2010] Pinky & Stinky

This is the third book that Sarah received for her birthday.  I’m not sure why I put off looking at it until now, but it was worth the wait.

This is a fanciful graphic novel about two pigs who are sent into space.  I’ve always thought that Kochalka’s drawings were simple/sloppy.  But this book shows them to be not at all sloppy, and perhaps deceptively simple.  Because even though the main characters are cute pigs with very few lines, and (once they get to the moon) the moon men are basically hands, the drawings are consistent and are all quite good (hands are definitely not easy to draw).

But on to the plot…. (more…)

Read Full Post »

SOUNDTRACK: SONSEED-“Jesus is a Friend of Mine” (1983).

My friend Nick sent me a link to this song.  And he said that it would  have been the theme song to his radio show back in college.  (We went to a Jesuit school, so it could be taken seriously as well).  Of course, knowing him, he absolutely would have played it as his intro music.

Anyhow, I listened to it and enjoyed the video in the spirit of gentle mockery that it was sent.  But I found myself listening to it quit a lot and I have concluded that I now enjoy it irony-free.  And how can that be?

Well, first off, Christian rock generally sucks.  In addition to many other reasons, it’s often played with a style that is inappropriate to the message.   And Gawd, forget the bombast of arena Christian rock bands (who shall remain nameless).

What I like about this song is that a) the musicians are really good. It’s a live song (I assume–they wouldn’t lip synch on  Christian TV show would they?) and they are tight.  Also, the music (ska!) is upbeat, just like the message.  Finally, while lyrically not very clever (most of the lyrics are pretty laughable), they are sincere and not aiming too high.

And, I hate to say, it’s catchy as hell (although I suppose you have to like ska to like it).

Evidently, I’m not the only one to be transfixed by this strange group (and, it seems I’m at least two years late to the party, as there is already a great deal of chatter (and even controversy) about this video).  So, let me be the umpteenth person to post it on his blog.

[READ: September 2, 2010] McSweeney’s 35

This new issue shocked me because I noticed that it was printed in Canada, not Iceland. I’m not sure when this switch occurred, but I feel somewhat saddened for the Icelandic press!

The cover is a (softcover) foldout (with two flaps).  The front shows two people crossing a street, but even more shocking than the Canada thing is the cover itself…something I didn’t notice until I left it out in the car.  The black of the cover (see above) is actually heat sensitive.  When it gets warm, it reveals a secret underworld to the picture.  Very very cool!  I was really confused when I picked up the book and it was no longer black but green with fishes swimming around, and I couldn’t imagine why I ever thought it was black.  Pretty sneaky, sis.

This issue features a newly revised letter column (although “letter” is a subjective term here).  There are four longer stories, and the rest of the book has two sections.  The first is comprised of an awesome photo series of lunch bags (which I will attempt to emulate for my kids when they begin school).  The second is “a Portfolio of Stories from Norway.”  The Norwegian Stories are great, and really show the strength of literature coming from the country. (more…)

Read Full Post »

SOUNDTRACK: A HOUSE-Live in Concert (1998).

This is a strange live collection of songs.  The first half are “band” efforts.  And they are pretty good, although the backing vocals on some of the later songs seem a bit much.

The second half of the disc, however, is an acoustic set.  I initially thought it was just Dave Couse, but there are clearly two guitars.  This more intimate set is cool because it shows that their songs are solid even without the effects and silliness some of the originals had. I especially liked “Blind Faith” because he sort of teases the audience into singing with him.

This disc is certainly not essential A House listening (In fact, I can find virtually no record of its existence on line–Wikipedia and Zop list it but there’s precious little information about it).  Hey, maybe it’s a collector’s item (that I bought used for $2 used).  But since there’s no other live recordings of A House that I’m aware of, this will have to do.

[READ: June 26, 2010] Citrus County

I read this book several months ago, but with all of the big summer projects, I didn’t have a chance to say anything about it.

Citrus County is a dark book.  Make no mistake.  It is set in a world of adolescents, high school and crime.  And even within those dark boundaries, this book is quite dark.  And yet it is also kind of funny.

The story is also something of an indictment of Citrus County, Florida, a county I didn’t know existed, although sure why wouldn’t it.  When Shelby Register moves there, she thinks that she’ll be in Disneyland, or at least by the beach, but what she finds herself in is a kind of backwater swampland.  Just what ever teenaged girl wants. (more…)

Read Full Post »

[LISTENED TO: Week of August 30, 2010] Ulysses

While I was reading Ulysses for the group read at Infinite Zombies, I thought it would be (more) enjoyable to listen to the book.  So much of the book is, if not musical, at least euphonious [since I’m talking Ulysses, I’m throwing in big words, eh?].

Nevertheless, when you receive the Ulysses box from another library and you see that it is FORTY discs, and the running time is over 40 hours, it’s a bit daunting.   When you start reading a book you have a vague sense of how long it will take you, but you never see it written so starkly: 40 hours.  Jaysus wept.

I’m almost 20 hours into the book now, so I’m going to mention things up to Episode 12. (more…)

Read Full Post »

« Newer Posts - Older Posts »