SOUNDTRACK: BLACK MOUNTAIN-Live at Sasquatch, May 30, 2011 (2011).
The previous Black Mountain live show I downloaded from NPR was a real disappointment. For me the major problem was Amanda Webber’s voice–she applied a really harsh vibrato to the end of every single line. It was so pronounced it sounded almost like a stutter. I found it very distracting.
She doesn’t do that here, which automatically makes this set 100 times better (she has a minor vibrato on a few places, which is totally fine). This Sasquatch concert covers songs from all three of their albums, which really showcases the diversity they explore within their trippy, space-rock, metal sound. It works like a (brief) greatest hits for the band.
And the band sounds comfortable and fresh in this live setting (the guitars are fantastic and the keyboards add a wonderful spacey feel to the mix). The two tracks of “Wucan” and “Tyrants” is particularly amazing; it’s interesting that they play four songs from their middle album and only three from their most recent.
Regardless, this release has won back my faith in Black Mountain live.
[READ: July 13, 2011] “The Gourmet Club”
I’d never heard of Tanizaki before and I haven’t really read that much Japanese fiction. This translation by Paul McCarthy was really fantastic, and I never felt like I was reading a translation.
When I started this story (the first fiction from Lucky Peach), I was concerned that it was going to be the same kind of story as Neil Gaiman’s “Sunbird” (I realize “Sunbird” was published much later than “The Gourmet Club” originally written in 1919), but I’m glad it didn’t.
Essentially, this story focuses on five Japanese men who live to eat. They are Epicurean to the highest degree, eating only the best at least once a day and often to bursting. They go through all of the restaurants in Japan, traveling across the island to find new foods. But they soon reach the end of their new food options. (more…)


