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Archive for the ‘C.S. Lewis’ Category

SOUNDTRACK: DON BRYANT: Tiny Desk (Home) Concert #116 (November 24, 2020).

I was not familiar with Don Bryant, although I must have heard his music over the years.

Bryant, almost 80, has been in the music business since the early days of rock and roll; he wrote his first hit, the Five Royales’ “I Got to Know,” in 1960. He went on to his biggest success as a songwriter for Hi Records in Memphis …. For a number of years he only recorded gospel music, until 2017 when he began releasing soul records again, backed by members of the Bo-Keys.

Although

Classic soul music feels best in a club, with a lead singer and big band, preferably with horns, playing off the excitement of a sweaty crowd, drawing them in to stories of love, or love lost, or love reclaimed. It’s a hard feeling to find in our pandemic times.

Bryant manages to play some gorgeous old-school soul with just a guitarist (Scott Bomar) and a keyboardist (Archie “Hubbie” Turner).  And his voice, of course.

Wearing an elegant black and grey jacket matching his salt-and-pepper hair, Bryant evokes style and experience – someone who has been in it for the long haul.

This set is three songs from his latest record, You Make Me Feel, all written by him

His voice is powerful and resonant, deeply rooted in gospel. The keyboard sound is a classic soul sound and the guitar provides a mixture of rocking riffs and mellow accompaniment.

In “Your Love is to Blame” he even gives some good James Brown yelps.

Between songs he sounds like a preacher:  I’m going to give these songs to you as strong as I can.

“Is It Over” is slower and more mellow.  His voice sounds great, hitting high notes and unlike contemporary singers, his grace notes sound great–strong and not whiny.

“Your Love is Too Late” is a classic soul kiss-off track: “I found somebody new to do the things I wanted you to do.”  It opens with an old fashioned guitar riff and moves on from there with grooving guitars and fleshed out keyboards.

I don’t listen to much soul, but I do rather like it.

[READ: December 26, 2020] By the Way 2

This is Ann Lane’s second book about public art in Ireland.  She compiled the first in 2010.  I haven’t seen it, so I don’t know what is in it.

She says that in the ten or so years since the first book, more art has been added and she had been made aware of all of the art that she had missed.

But the fact that there are over 1,000 images in this book, that this is her second book and that in the introduction she says that she pretty much ignores the big cities (due to size constraints of the book) makes me think that Ireland is absolutely amazing with the amount of public art that the country has.  Ireland is about the same size as Indiana, and I would bet a ton of money that Indiana does not have 2,000 (some absolutely gorgeous) piece of public art to look at.

This book is broken down by county.  Lane includes many pieces of art from each county and provides some context for the piece, whether it is the impetus for the creation, some comment about its construction or even an occasional personal reflection.

It isn’t easy to photograph pubic art.  Some pieces absolutely fail when taken out of context or when trying to encompass an entire piece of art with a tiny photo.  Sometimes you cannot do justice to a piece because it must be seen from different angles to be really appreciated.  But Lane does a great job conveying these pieces.  And if her main goal is to get you to want to come to Ireland see them, then she has succeeded.

I marked off dozens of pictures in here because they were either my favorites or they were interesting in some way.

I followed this format.
COUNTY
Town: Title (Artist) Location.  Comments. (more…)

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SOUNDTRACK: KING’S X: Out of the Silent Planet (1988).

I just got the newest King’s X CD XV a little while ago, and I really liked it.  I figured I’d go back to the beginning and see how much they’ve changed over the last twenty (!) years.

When I first heard Out of the Silent Planet, I was blown away.  I had never heard anything quite like it.  It had heavy heavy bass (I always said it was like Black Sabbath, but that’s not really accurate), but they also had beautiful harmonies like late-period Beatles.  Add to that Doug Pinnick’s amazing gospel/soulful voice.  And top it off with some great acoustic guitar playing and unusual instruments.  Amazing. The heaviness is more of a dissonant sound that has become more popular in the last few years: complex chords that are played very heavily.   I wouldn’t say that King’s X had anything to do with that popularity, but I heard it from them before I heard others do it.

The one thing that really struck me about the album was just how dissonant some of those chords are. I always think back on the album, which I’ve listened to hundreds of times, as being sweetly harmonic, and yet really the chords are quite aggressive.  And the riffs are in a dark, minor key.  Which is why those beautiful harmonies make such an impression.

The other thing that really struck me was how religious the record is.  Now, when it first came out I didn’t really think of the religious aspects of the disc.  There really weren’t any Christian metal bands back then, (except for Stryper) at least not on the cultural radar, and they didn’t proclaim their religiosity overtly, so I just didn’t see it.

But starting from the title: Out of the Silent Planet is a book by C.S. Lewis (of Narnia fame).  And much as Narnia is a thinly veiled Christian allegory, so is Out of the Silent Planet.  You can read Narnia and not see the Christianity in it, but once you know its there, it’s unavoidable.  Same with this album.  The lyrics are not overtly Christian, but there’s enough symbolism to tell that when he sings about You, it’s not romance, but God he’s singing about.  A verse like “Sometimes my cup is empty; I wish that it stay full; cause I am always thirsty; I can’t get enough of you” can be secular or religious depending on your point of view, and I think that makes the album great.

Plus, it’s got the fantastic “Goldilox” a beautiful song, no qualifications needed.  It’s a gorgeous ballad.  but lest you think that it’s all sweetness, the album closer “Visions” ends with an unqualified thrash out…which comes after the song should end properly.  Ty Tabor’s guitar work is pretty amazing.

Wow, it’s a great album.

[READ: maybe December 2006/January 2007] Absurdistan.

I read this book a couple years ago, certainly before I started keeping this blog, but while I was working at the library.  My memory of it was fuzzy.  But when I referenced it in the Petropolis write up I was sorry that I hadn’t written about it.  As I’m reading the details of the book in a book review, much of it is flooding back, so I feel comfortable saying a few words about it.  Plus, I just did a fascinating thing: I skimmed the book for details.  It was fun to “read” this entire book in about two hours.  I got lots of great details, remembered parts of it, and enjoyed re-reading some of the funnier parts. (more…)

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