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Archive for the ‘Aleksandar Hemon’ Category

SOUNDTRACK: CITY AND COLOUR Live at the Sasquatch Festival, May 29, 2011 (2011).

City and Colour have a new album coming out soon.  So it’s kind of surprising that this seven-song show is three songs from their previous album, two from their first album, a cover, and only one new track (“Fragile Bird”).

This is the first time I’ve heard City and Colour live with a band (most of the recordings I have by them are just Dallas Green solo).  It’s nice to hear how powerfully they work together (giving some of those songs an extra push).

Despite the brevity of the set (and the amusing banter about airport etiquette) you get a pretty good sense of what the “pretty-voiced guy” from Alexisonfire can do on his own.   I found the cover, Low’s “Murderer,” to be a really perfect choice–one that suits the band and their slightly-off harmonies, rather well.

I’m looking forward to their new release–“Fragile Bird” is another beautiful song.  But in the meantime, this is a good place to hear what they’ve been up to.

[READ: early June 2011] 2011 Fiction Issues

Five Dials seems to always generate coincidences with what I read. Right after reading the “”Summer’ Fiction” issue from Five Dials, I received the Fiction Issue from the New Yorker.  A few days later, I received the Summer Reading Issue from The Walrus.

I’m doing a separate post here because, although I am going to post about the specific fictions, I wanted to mention the poetry that comes in The Walrus’ issue.  I have no plan to write separate posts about poetry (I can barely write a full sentence about most poetry) so I’ll mention them in this post.

The main reason I’m drawing attention to these poems at all is because of the set-up of The Walrus’ Summer Fiction issue.  As the intro states: “We asked five celebrated writers to devise five guidelines for composing a short story or poem. They all traded lists–and played by the rules.”  I am so very intrigued at this idea of artificial rules imposed by an outsider.  So much so that I feel that it would be somewhat easier to write a story having these strictures put on you.  Although I imagine it would be harder to write a poem.

The two poets are Michael Lista and Damian Rogers.  I wasn’t blown away by either poem, but then I don’t love a lot of poetry.  So I’m going to mention the rules they had to follow. (more…)

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SOUNDTRACK: DOMO GENESIS-“Super Market” (2010).

The other band that Sasha Frere-Jones mentions in the New Yorker article is Odd Future Wolf Gang Kill Them All a ten-member collective from L.A.  They have released a slew of albums (all available for free on their website), but none are released under that collective name.  This song seems is released by Domo Genesis on the album Rolling Papers.

This song is really bizarre.  It’s a silly story of two guys fighting because one of them cut in line at the grocery store.  The two guys argue throughout the track with ever-escalating threats.

But the really interesting thing about the track is the backing music.  It sounds like a march from some kind of 70s TV show.  It is almost menacing but mostly it’s comical.  And when you couple that with the crazy threats: “I’m a fucking ninja and a Jedi and I’m from Compton”;   “I’ll push you into an old lady bagging plastic”;  “I’ll stab you with this fucking rocket launcher” (!), it’s hard to know what to think of them.  (I think it’s funny, but I fear that they’re serious).

It’s utterly juvenile (but then all the members of the band are teenagers, so that’s expected).  The musical choice for backing tracks is pretty inspired though, and I like to think that if the guys get some real ideas to rap about, they could really be an ungrounded sensation.

[READ: November 19, 2010] “Borscht”

It’s interesting that there is another article from an Eastern European writer in this collection.  Hemon’s family is from Bosnia (via western Ukraine), where the family developed the perfect borscht.

As with Bezgemos’ family, the recipe was never written down. Mostly, this is  because there was no recipe, it included lots of things that were in the garden, and usually at least one surprise ingredient.  But whatever the ingredients, the results were always wonderfully, vinegary tarty goodness.

The article mentions a family dinner where 42 people were counted at the table.  And borscht is a poor people’s food, where you can reasonably make enough for 42 people.  It is designed “to ensure durability.” (more…)

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bookpeopleSOUNDTRACK: PEARL JAM-Vs. (1993).

vsTen was a solid record, and although it had diversity within it, overall the sound was pretty consistent.  On Vs., Pearl Jam mixed it up sonically and otherwise.

It opens with “Go,” a track that rocks harder than anything on Ten but which retains a great Pearl Jam chorus.  “Animal” is also loud, with Eddie’s voice sounding incredibly rough and raw.

It’s on the 3rd track that PJ begin to really mix it up with their first ballad: “Daughter,” their first acoustic track.  It’s catchy, and really works with Eddie’s voice.  I can never listen to the next track “Glorified G” without thinking of my college roommate who spoiled it for me.  And I’ll spoil it for you because every time you hear the chorus you will now think “glorified version of a pelican.”  It’s not my favorite song anyway, as the chorus is kind of weird, but the verses are really strong and do redeem this track.

“Dissident” and “Blood” continue the great rocking vein.  Although they are quite different from each other, (“Blood” being much harder) they both showcase Pearl Jam’s excellent rock aesthetic.

The track between them, “W.M.A.” is the other track on the disc that shows Pearl Jam’s experimental side.  It’s percussion heavy and seems like a rambling track…it works much better live, actually.

“Rearviewmirror” on the other hand is PJ at their best, a fantastic rocking (but not too heavy) song with a great chorus, and excellent vocals by Eddie.   Its complement is “Elderly Woman…” which highlights the other end of PJ’s spectrum: a sort of ballad that rocks more than you might think.

“Rats” and “Leash” are two rough, almost punk songs that continue to mix up the tempo and tenor of the disc.  “Rats” seems to get ignored a lot even though its chorus is a good one, and “Leash” is another angry song that’s, again, enjoyable live.

“Indifference” ends the disc and it’s a song that I wasn’t all that excited about initially.  However, again, after hearing the live versions, I gained a much better appreciation for the song and now I really enjoy it.   All in all Vs, is a great step forward for Pearl Jam, strangely enough pulling them away from arena anthems and into more intimate areas.

[READ: April 16, 2009] The Book of Other People

I discovered this book by searching for A.M. Homes in our catalog.  I was surprised I had never heard of it.  The premise of this collection, put out by McSweeneys and benefiting 826 is that each author was asked to make up a character.  The requirement was that the story would be named after the character.  There were no other rules.  And as such, you get a wide variety of stories about all different characters: people and otherwise.  In fact, it’s surprising what a diverse collection of stories have arisen from this rather simple concept.

bookpeople2Zadie Smith is the editor and she wrote the introduction.  I like to cover all of the written pieces in the book, but there’s not much to say about the introduction except that it fills you in on the details of the collection.  She thanks Sarah Vowell for the idea but I gather that the rest of the work was done by her.

I’m not grousing about the different covers this time, I’m just showing the UK one.  It has the same basic set up, including pictures by Daniel Clowes, but as you can see, it’s slightly different.

And check out this roster of talent that has written (or drawn) a story: it’s like a who’s who of contemporary young writers. (more…)

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