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Archive for the ‘Alane Ferguson’ Category

SOUNDTRACK: IMMANUEL WILKINS-Tiny Desk (Home) Concert #164 (February 3, 2021).

Immanuel Wilkins is a saxophone player who creates mellow but poignant jazz.

Candles and books rest on a trunk at the bottom right corner of the wide shot. There, too, are special photographs of alto saxophonist Immanuel Wilkins with family in his childhood home in Philadelphia.

Wilkins plays three songs from Omega in this twenty minute

Omega was released last year to high acclaim. The project is all about Blackness, Black theory, the Black experience and the struggle and triumph that go with it all.

They open with “Grace and Mercy,” which is “a lyrical story about peace, forgiveness and humility with carefully crafted form and melody.”

He met up with his long time bandmates — Micah Thomas on piano, Daryl Johns on bass, Kweku Sumbry on drums —in Manhattan’s Sear Sound studio to record this set. The quartet has been playing together for years, which is remarkable considering Wilkins is only 23 years old.

There’s a really nice piano solo in the middle of the track from Thomas

“Warriors” opens with a saxophone intro before the band joins in for this

driving, dynamic tune that conveys the shield of protection provided by our inner circles.

Wilkins gets up to some wild soloing in the middle of the song.  As the song comes to an end and Wilkin repeats the same melody, Sumbry gets to show off his chops on the drums.

“The Dreamer” is a tender piece that honors the Black writer and activist James Weldon Johnson and is based on his poem “A Midday Dreamer.” The opening lines are played effortlessly on bass by Johns and when Wilkins joins in, his melodic saxophone exudes the rhythm of the poem’s first stanza: “I love to sit alone, and dream, and dream, and dream…”

This is some wonderfully thought provoking instrumental music.

[READ: March 3, 2021] Super Puzzletastic Mysteries

I was in Barnes & Noble at the end of last year and I was feeling splurgy so I picked up this book, thinking that everyone in the family might like it.  We all love Chris Grabenstein after all.  So this is basically a series of pretty short mysteries.  The end of the story is pushed to the back of the book so you can figure out if you solved the mystery before it is revealed to you.

CHRIS GRABENSTEIN-Introduction
Grabenstein sets up what the book is about.  it was inspired by Donald Sobol (the guy who created Encyclopedia Brown) and his Two Minute Mysteries.  There would be some kind of crime, clues would be presented and the story would end without a  solution.  The end of the story (and the solution) came at the end of the book so you could try to figure it out for yourself.  Amusingly, he also tells us that his story is “based on something I actually saw out the library window when I did a school visit the day after a snow day.”

I’m giving a brief summary of each mystery and then whether my adult brain could solve it. (more…)

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bomarsSOUNDTRACK: SIGUR RÓS-“Ný batterí” (2000).

nyThe single opens with “Rafmagnið búið” a kind of brass introductory piece.  There’s lots of horns building slowly, growing louder but not really playing a melody.  By the end of five minutes, it segues into “Ný batterí” which opens with horns as well.  Then the bass comes in, a slow, deep rumble of simple melody.  After 4 and a  half minutes, the drums are a powerful counterpoint to the sweet melody.

“Bíum bíum bambaló” is a slow piece (aren’t they all) that is mostly percussion.  Apparently it is an Icelandic lullaby.  The final track, “Dánarfregnir og jarðarfarir” was a theme used for death announcements on Icelandic radio.  I love the way it builds from a simple melody into a full rock band version and then back again.  It’s very dramatic.

Both tracks were used in the film Angels of the Universe (and appear on the soundtrack).

That certainly makes this single less interesting than the first one (although I’m not sure that the soundtrack was readily available at the time).

[READ: December 1, 2013] Breakfast on Mars

This is a collection of 38 essays (and an introduction by Margaret Cho).  It also includes an introduction geared toward teachers–an appeal that essays do not need to be dull or, worse yet, scary.  The editors encourage teachers to share these essays with students so they get a feel for what it’s like to write compelling personal nonfiction.  The introduction proper gives a brief history of the essay and then talks about the kind of fun and funny (and serious) essays that are included here.

This was a largely fun and largely interesting collection of essays.  When I grabbed it from the library I didn’t realize it was essays (I was intrigued by the title and then looked at the author list and immediately brought it home).  I know it says essays on the cover, but I chose to ignore that apparently.  When Sarah saw the authors (she knows more of them than I do) she had to read it first.  This proved to be a great counterpoint to the very large novel that I was reading at the same time.

The essays each take on different topics.  And what I liked was that before each essay, they include the question that inspired the essay.  I have included the questions here. (more…)

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