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Archive for the ‘Giuseppe Arcimboldo’ Category

arcSOUNDTRACK: HARI KONDABOLU-Waiting for 2042 (2014).

hariI knew Hari Kondabolu from the much missed Totally Biased with W. Kamau Bell (in fact the liner notes even have Hari thanking Kamau for employment—although at the time of this release, that employment was terminated).

As Hari jokes at one point during this show (recorded in Oakland, CA in 2013), he is “obsessed with race.” And how could he not be. To be alive in 2014, you should be obsessed with it, especially if you are paying attention. And his jokes about race are not only salient, they are different. Like the first one on the disc, “My White Chocolate Joke.” The set up is simple, chocolate is dark and creamy and delicious, why would anyone need to make a white version of it? This leads to a punchline that if you like white chocolate you are racist. But as with most of Kondabolu’s jokes, the punchline is just a set up for a much deeper joke—this one having to do with White Jesus. It’s very funny and really well done. “A Feminist Dick Joke” is self referential and funny, especially when he criticizes his own joke for not going far enough. “Moving to Canada,” pokes fun at Americans who say they are leaving for political reasons and then pokes fun at Canada for not being the panacea these people say it is anyway.

I loved “Environmentally Friendly Pollution Machines” which is about how eco-tourism is encouraging us to see things before the tourism industry destroys them.  “Toby” is such a wonderfully extended joke in which people like me who don’t get the initial joke are gently upbraided until the joke is fully revealed to us and even though we just had a joke explained to us, it was still funny. And the call back at the end of the disc is genius.

“Weezer Broke My Heart” is a very unpolitical joke about the band Weezer and that their fan base demographic has not changed in a decade–and how that’s really creepy.

There’s a lot of race jokes in the next few pieces. The title track about how in 2042, whites will be the “minority” is simply hilarious (whites are only the minority if you consider that the races are “whites” and “everyone else”).  And then the hilarious joke about how “Asians are Well-Behaved” (the Chinese restaurant bits are awesome) and the wonderful dichotomy of Mexican stereotypes (stealing our jobs but also being lazy). There’s also the very funny joke about how minorities never get to time travel for real (referencing the Martin Lawrence movie Black Knight and Back to the Future just to show how current and hip he is) because there would be some real changes.

There are also a number of jokes about homosexuality, and how heterosexuals are totally flamboyant even though they don’t realize it (showing off your spawn is pretty flamboyant, frankly). And the extended riff in “Matthew McConaughey on Tolerance” is just terrific.

Jokes dealing with all of these topics are bound to be inflammatory, but Hari is also not afraid of the deadly curse words, (he actually makes me uncomfortable in one joke with how many times he says the word fuck, although is very funny).

All in all this is a very funny standup show from a comedian who is very funny and will, with any luck, find a wider audience. (Of all races).

[READ: June 20, 2014] Arcimboldo

Giuseppe Arcimboldo was a phenomenal painter who is best known for his paintings of people’s portraits which are made out of fruit.  But he was also a master of detail in realistic sketches, drawings and painting as well.  This tiny book (270 pages) with a paragraph of text on every other page, is a wonderful introduction to the man beyond the fruit.

Perhaps the most amazing thing about his work is that it was done in the 16th century.  I think many of us tend to lump him in with the surrealists or the modern period.  But he worked in this style long before.  For context, his father was friends with a student of Leonardo da Vinci.

Arcimboldo was born in 1527 to nobility.   Interestingly, there are variations on the spelling of his name: Acimboldi, Arisnbolde, Arcsimbaldo, Arzimbaldo and Arczimboldo.  Giuseppe even signed his first name in different ways as well: Giuseppe, Josephus, Joseph or Josepho.  The book doesn’t indicate if this was some kind of intentional obfuscation.

The first dozen or so pages contain amazing illustrations by Arcimboldo–primarily studies of nature, both flora and fauna. They have a distinctively 15th/16th century style, and they are amazingly detailed.  A little later, Arcimboldo began doing studies in deformed creatures–birds with three legs , goats with weird hooves.  Whether this was just because he wanted to explore nature in great detail or because he liked weird things, the book doesn’t say. (more…)

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SOUNDTRACK: VAMPIRE WEEKEND-Contra (2010).

I absolutely loved Vampire Weekend’s debut album (and still do).  It was my favorite record of last summer and always makes me think of summer fun and hijinx.  Critics trotted out the “world/ethno/Paul Simon” vibe when discussing the album.  But I really didn’t hear it.  I mean, yes  I suppose it was there but the album felt more like a punky ska album of fun.

On this, their follow up, it’s as if they took all those critics to heart and decided to make the album that everyone was describing. This disc emphasizes all of the ethnic music sounds,  and downplays the guitars and more rock elements.  I was a little disappointed by this on the first listen or two.  However, subsequent listens showed me that the songwriting was still there and it was just as strong.

There’s still lots of rocking elements, it’s just that they are hidden under the other divergent influences.  But for the most part, the album is still bouncey and full of fun summer tunes.  There are three songs that slow down the pace, “Taxi Cab” and “Diplomat’s Son” (at 6 minutes, it’s a little long).  And the final song “I Think Ur a Contra” is a bit too divorced of beats (it works as an end to the disc, but I’d never listen to it on purpose).

The rest of the disc however, is very enjoyable, and I find that the 7 other songs work just as well as anything off the debut. “Horchata” is a delightfully fun world music treat (I hear Paul Simon, yes, although come on, Graceland came out 24 years ago!).  “White Sky” has delightfully catchy falsetto screams.  “Holiday” is practically classic ska and “Cousins” has a delightfully tricky guitar riff.

This feels like a band who has matured and experimented and yet not lost track of who they are.  I’m really looking forward to their next release.

[READ: Week of April 12, 2010]  2666 [pg 702-765]

Last week I concluded that

It almost seems as though Bolaño is saying that even Nazi Germany is better than Santa Teresa.

Oh how wrong I was.  Despite the fact that I found the bulk of this section enjoyable and fascinating (twisted and dark certainly, but fascinating nonetheless), the ending killed me.  The opening’s entire writers among writers, within writers, with communist party members and secret diaries was completely captivating.  And then it is all shattered by the reality of WWII. (more…)

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SOUNDTRACK: MUSE-The Resistance (2009).

If someone were to create a band that tickled all of my fancy spots, on paper it would be Muse.  Vocals like Thom Yorke from Radiohead.  Heavy heavy guitars.  And yet, not afraid to have prog rock keyboard sections.  On top of that, throw in pretentious titles (how about a subtitle in French?), or, just for kicks, a three part suite called “Exogenesis: Symphony.”  Oh, sure and let’s just throw in a clarinet solo in one of the songs too.  Okay, so that’s Muse.

I’ve been a fan of Muse for quite a few years, before they really broke in the U.S. (Origin of Symmetry being a particular favorite).  I’m still amazed that they’ve had success here, given their proclivities towards excess.  But more power to them.

For some reason, this disc (despite all the pros in the first paragraph) didn’t really grab me that much at first.  The first single “Uprising,” is awesome: heavy, rocking, over the top choruses, everything you could want in a pseudo political rebellion type song.  But somewhere after that I felt the disc drifted a bit.

Further listens changed my mind though, and I think that “United States of Eurasia” is great while “Guiding Light” (which could easily be mistaken for Queen) is fantastic.  In fact the entire end of the album, “MK Ultra,” “I Belong to You/Mon Coeur S’Ouvre a Ta Voix” and the symphony are a wonderfully decadent 25 minutes of music.

Clearly Muse isn’t for everyone, but I’m really pleased that they’re finding their fans.

[READ: Week of February 1, 2010] 2666 [pg 102-159]

This week’s reading contains a lot of dreams and it often felt like a dream while reading it.

We pick up right where we left off, with El Cerdo telling our friends about his visit with Archimboldi.  We learn a little about why Archimboldi called El Cerdo, but nothing about what he was doing in Mexico City. It turns out that El Cerdo knows Archimboldi’s publisher Mrs Buber. (And Dieter Hellfield speculates that she, herself, may be Archimboldi. [I secretly wondered if he might be a woman given that earlier in the book, it was mentioned that [part of what was so unusual about Archimboldi’s name was that it was a feminine form of the name.]  However, his incredible height has definitely thrown me. And of course, since El Cerdo reports to have talked to him, it seems very unlikely at this point.) (more…)

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