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goonSOUNDTRACK:BOWERBIRDS-Tiny Desk Concert #35 (November 16, 2009).

bowerThis show was recorded July 7, 2009.  It’s fascinating that it didn’t get posted until four months later.

As the Bowerbirds first started I didn’t think I would like them primarily because of the opening lyrics of “Hooves” “Back to when I was born on a full moon, I nearly split my mama in two.” It just seemed an offputting way to start especially when sung over very simple acoustic guitar.  But after the first verse, the band joins in with some Ahhs, which flesh out the song very nicely.  The accordion and violin fill in where necessary and make this a much more compelling-sounding song.

The second song, “Teeth” opens with a very full sound–I really like it–bowed double bass, violin, accordion and guitar and when the backing vocals complement the lead vocal, it’s really quite beautiful.  “House of Diamonds”  is a folkie song, but the final track “In Our talons” (which comes from their first album) is really dramatic, with a some great vocals, a cool section that slows down the tempo and rousing accordion-driven conclusion.  (There’s something a bout an accordion that when played right can add incredible tension to a song).

You can watch it here.

[READ: February 13, 2014] A Visit from the Good Squad

This book made many best of list at the end of 2010.  I’ve wanted to read it for some time now, so when I saw it remaindered at Barnes & Noble, I grabbed it (yes, the library is cheaper, but I find that sometimes I will read things more quickly if I buy them).

I was expecting to be blown away by the book.  But I wasn’t.  At least not at first.  And the real reason for that was because I read it over too long of a span of time.  There are a lot of intricacies in this book that demand attention.  It’s not a difficult book, but the structure of the book is not linear, and there are connections that are made and lost and resumed.  And if you’re not paying attention, it’s easy to miss them.  I enjoyed it quite a lot and I really liked the way the story filled in parts as it went along (you’ll see why that is significant shortly).  And I loved the way the end tied everything together so nicely.  But I found that I got even more out of it while writing this recap because it helped me to make connections I initially missed.  So definitely read this, but either read it quickly or read it twice in a row.

So this book is set up that every chapter is narrated by or focuses on a different person at a different time in the story’s history.  It’s a fascinating way to tell a story for the obvious reasons, but also because most of the characters are interrelated in some way (which was the clever part).  And other characters arrive and disappear while still keeping continuity in the story.

There are thirteen chapters, which means 13 stories.  Naturally there are more than 13 characters, so this makes for an interesting look at this world.

The first chapter and more or less the thread throughout the stories is Sasha.  In the first chapter, (which is third person but in which Sasha is the protagonist), we see her planning to steal the wallet from a woman in the bathroom stall next to hers.  She is on a date with a man named Alex, who is new to New York and is still kind of wide-eyed about it.  He is amazed when later on he sees that Sasha has a bathtub in her kitchen (which she never uses).  Sasha’s chapter is interspersed with her at the therapist’s office as she talks about her kleptomania and about her life as the assistant for Bennie Salazar–THE Bennie Salazar, record producer extraordinaire who discovered The Conduits. (more…)

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   bridegroo,SOUNDTRACK: K’Naan-Tiny Desk Concert #34 (November 9, 2009).

knaanI really only know K’naan from his song “Wavin’ Flag” which was the World Cup anthem in 2010.  It’s an uplifting anthem which would be schmaltzy except that K’naan is Somali-born, spent his childhood in Mogadishu and lived there until the start of the Somali Civil War in 1991, when his family moved to Canada.  “Wavin’ Flag” was for the people Somalia and their aspirations for freedom.

In this set (the first ever hip-hop Tiny Desk Concert–although there is very little hip-hop in the set), K’naan plays three songs. “Take a Minute” is quite beautiful.  It’s funny to me the rap section kind of spoils the song  but because K’naan is a much better singer than rapper.

“Fatima,” which has a less interesting musical style than the other songs (perhaps it’s better when not in this Tiny Desk format) is startling lyrically.  It’s about childhood friend of his, with the harrowing line–“what did the gunman say before he took you away.”

The final song is “Wavin’ Flag” (which was popular but nowhere near as big a hit as it would be soon enough). The anthemic nature of the song still sounds inspiring in this stripped own format.

I’m not a big fan of this style of music in general–poppy/R&Bish, but K’naan has a great sense of melody and brings a very interesting perspective that makes his style unique.  And most importantly, he has a good, subtle voice.  This is a good introduction to his music.

[READ: January 3, 2014] The Bridegroom was a Dog

In continuing the “small book” idea, I recently subscribed to the New Directions Pearl series.  It is a collection of smallish books–novellas or short stories–in starkly beautiful binding.  This was the second book I received in the series (I haven’t read the first one yet).  Incidentally, this book has a list of the other pearls, and I rather hope they will send me some past Pearls as well, as they are quite a great collection.

This was an interesting selection to me because I actually own this book already (it’s the same translator, Margaret Mitsutani).  Although as it turns out the book I own (which has the same title) is actually three short stories while this one is only the title story. I bought the book in 1998 and never read it (there is a bookmark that suggests I read a few pages, but I didn’t remember a thing).  So I was happy to get reintroduced to the book and to finally read it.

And I intend to read the other two stories in the near future as well.

This is a peculiar story (as the title indicates).  In it a teacher, Mitsuko Kitamura runs the Kitamura School which is described as a cram school–an extracurricular school.  And the students learn some interesting things.  Like “snot paper.”  She suggests that using used tissues is better because they are warm and wet.  And indeed, she goes so far as to say that you should use “snot paper” when wiping your behind because “it feels even better.” (more…)

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smekdaySOUNDTRACK: SUPER XX MAN-Tiny Desk Concert #12 (January 27, 2009, recorded Oct. 22, 2008).

superxxI included the recording date because this is the first one that actually mentions the recording date.  I had always known that the shows were recorded before they were posted, but i had no idea they were so far apart.

Super XX Man is another “band” that I only know about because of NPR.  Scott Garred is Super XX Man (pronounced Super Double X Man), and he has recorded most of his albums at home.  Interestingly, he is also a music therapist in the maximum-security wing of the Oregon State Hospital—the location where they filmed One Flew Over the Cuckoo’s Nest.  His job is helping psychiatric patients cope with drug addiction, severe mental illness and other assorted disorders.

I’m not sure exactly what his recorded output is like (he has been recording for 15 years and had recently recorded with a band for Volume XII: There’ll Be Diamonds), but this solo venture is just him with a guitar.  He has a very nice voice and his melodies are simple and catchy.

“There’ll Be Diamonds” is a very nice catchy song—very positive.  The second song, “Big Balloon,” is for the newly admitted patients at the hospital.  It is a very tender look at people who are dealing with something quite traumatic.

“Collecting Rocks” comes from Volume VI, and is based on a story his grandfather told him a while ago.  It’s an incredibly sweet song about two people in love.  But it’s also fun how he gets the room to sing along at the end.  I imagine that NPR employees are more docile than his usual audience.

[READ: January 5, 2014] The True Meaning of Smekday

I have known Adam Rex first as an illustrator.  Then I knew him as a children’s picture book author.  And now, the other day, I saw that he also wrote larger children’s books.  In the library I saw Unlucky Charms. I was going to grab it but then I saw that he was “the author of” other books.  So, being the kind of person I am, I decided to read his first novel first, which was this one.

This novel combines art (photographs—which are drawn by Rex), comics (as drawn by an alien) and a school story written for a time capsule (as such, the font is in a weird sans-serif that I found bothersome to read (man I am really getting old)).

Anyhow, I thought this book was very very funny on so many level.  There were pop culture jokes, there was great dialogue and there were fun internal jokes.  There were some sophisticated jokes and some really juvenile jokes.  And they all combined to make for a very good read.

The only problem with the book was that it was so damned long.  No one needs to write a 422 page book about an alien invasion.  The story could easily have lost 100 pages and not been harmed at all.  And I say that because I loved the beginning and I devoured the end, but I felt rather adrift in the middle. (more…)

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hardluckSOUNDTRACK: LUCKY DIAZ AND THE FAMILY JAM BAND-“Thingamajig” (2013).

luckyThis song made the XPN Kid’s Corner Top ten.   When the played it on the radio, I was surprised at how ..quiet it was.  Even now listening to it, it just seems like all of the sounds are at the same level, it all kind of blends together, which is a shame because the song is really kind of fun.

Now that I’ve listened a few times I like it more.  It actually has a kind of Death Cab for Cutie feel.  The bass is particularly nice, but of course the fun part is the lyrics (a thingamajig, a whatchamacallit, who what where why).

So a couple of listens and I’m won over by the song.  I wish it was a bit more dynamic in the production, but it’s a catchy little number.  And I’m curious to hear what the rest of the album sounds like.

[READ: December 27, 2013] Diary of a Wimpy Kid: Hard Luck

Clark was so excited for this book!  This is the first one that he knew about before I did.  We decided to save it for a Christmas present, and man was he chomping at the bit.  He even borrowed it from a friend (because there were 100 people on the waiting list a the library).  And yet, even though he had already read it, when it arrived on Christmas, he was still really excited.  And has already read it four times.

And what was sweeter was that he really wanted me to read it.  He thought it was the best one yet.

I was surprised by this as the whole first section is about how lost Greg feels now that Rowley has a girlfriend, Abigail.  I can’t really imagine how he related to that as it’s not an issue for an 8-year-old (in fact the whole series is skewed a little old for an 8-year-old, but he still loves it).  Mostly Greg isn’t so much jealous that Rowley has a girlfriend so much as he is jealous that she is keeping Rowley from being Greg’s slave, I mean, friend.  Normally, Rowley walks in front of Greg to look out for the (newly added, I think) Mingo kids who threaten anyone who comes close to their wood (which is on their way to school) or for dog land mines–the scene where the dog figures out how the electric fence works is so funny.  And speaking of dogs, Clark absolutely cracked up about the joke with the little dog Sweetie who sniffs herself if you make a raspberry sound near her. (more…)

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  hyperSOUNDTRACK: SHEARWATER-Tiny Desk Concert #9 (November 14, 2008).

shearwaterI didn’t really know Shearwater before this Tiny Desk Concert.  I’d heard of them but wasn’t familiar with their music (I assumed it was more countryish).  I was also really surprised to find that Thor Harris was in the band (he is currently playing with Swans–it doesn’t get too much more different between Swans and Shearwater (even if they are both birds).

Jonathan Meiberg is the singer–he was formerly in Okkervil River for a number of years before Shearwater became too big to be a side project.  The setting is perfect for the band as they get to showcase some really quiet insturments.  Like the Waterphone (designed by Richard Waters, although Thor Harris made the one they are using).  It is based on the calimba and they describe it as the sound you hear when something weird happens on Lost.  Thor also plays the clarinet (!).

Meiberg has a great voice, and it perfectly complements these delicate songs.  “Rooks” has melodies on xylophone and Hammered dulcimer (which also looks homemade).  “Leviathan, Bound” is based on the documentary “Blue Water White Death” about great white sharks and whalers.  They explain that this is a new version of the song with banjo.  And before they start the song they nearly knock something over (it is a Tiny desk after all).

“North Col” is the less commonly use approach to Mt Everest.  And this song is just as spare and pretty.  Before playing the final song, they show the album cover (of Rook) and talk about Kahn & Selesnick, the artists who made it (it’s quite striking).  Then he explains the origins of “I Was a Cloud” which he wrote when he was in the Falkland Islands.  They were birding and found a tiny bird living under the wreckage of a fighter jet.  It’s a beautiful image and a beautiful song.

And I definitely need to hear more Shearwater after this.

[READ: December 29, 2013] Hyperbole and a Half

The whole blogs-into-books thing is weird.  You can read everything in these blogs for free on the internet, so why do they come out in books?  Is the internet insecure when it comes to publishing?  Are these things more legitimate as books?  Is it just a way to make money?  Are they in print just in case the internet explodes?  It certainly undermines the concept that books are dead.  Well, whatever, some blogs translate very well to print.  Like this one.

I have enjoyed Hyperbole and a Half a number of times, but I never thought to check it regularly.  So I had no idea that Allie had taken a year off.  And I had no idea that she suffered from Depression so people were concerned about her.  I always just thought her strips were very very funny and didn’t read anything in them.  Of course, knowing she was Depressed (she admits as much in the book) makes the darker stories seem darker, but the funny ones are still really funny.

I mean, just look at drawings! No really, look at the drawings–they are so weird and creepy and so freaking funny.  It seems like she can’t really draw, because the pictures are crazy.  And yet she is so consistent with her lines and styles that I have to assume she is a masterful artist and has chosen this crazy style to accentuate her crazy stories.  And it is genius. (more…)

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shameSOUNDTRACK: REGINA HELCHER YOST-“Up on the Housetop” (2008).

winstonI am introducing my selection of new (to me) Christmas music with this bizarre (and topically appropriate) entry.  I heard this song on NPR’s Holiday music show from 2008 (it’s in the 2009 show as well, but the 2008 version includes the CD opening!).  So Winston is, apparently, the pug on the cover.  And this version of “Up on the Housetop” (a song I didn’t recognize but have since heard other version of which makes this even stranger) is a (mostly) instrumental one.

The main melody is played on a tin whistle with flute, accompaniment.  But that’s not the only accompaniment, because Winston chimes in throughout the song.  He makes barks and growls and whines and, at the very end of the song he barks in tune with the beat (or should I say his barks were placed in time with the beat).  Despite how goofy it is, the whistle is done very well and the song is actually quite pretty.

Normally NPR tells you a lot about the artists that they play, but not a word was given about Regina.  Here’s what I found out about this CD: “A fun CD featuring beautiful traditional Christmas flute melodies played by internationally acclaimed flutist Regina Helcher Yost and accompanied by her pug dog, Winston to help support the Pug Rescue of North Carolina.”

Amazon has samples of tracks online.  While I think this track is cute, “The 12 Pugs of Christmas” may be the most interminable version of that interminable song I have ever heard (and I only heard 20 seconds of it).  But there you have it.

Ho Ho Woof.

[READ: December 6, 2013] Dog Shaming

Typically by the time a blog gets a book, the blog has outlived its usefulness, or funny-ness.  I don’t know how long Dog Shaming has been around (not very long I don’t think).  I only visited the site once, but I was delighted by the premise and the entries.  So when I saw this book at the library I knew I had to check it out.

This is the perfect blog-into-book thing.  There is a very brief introduction which explains the origins of the site (something I never bothered to find out online).  It also talks about what a huge phenomenon Dog Shaming is (I guess).  And implies that the site will live forever (I think it’s good they got a book deal when they did).

But snarkiness aside, this book is really frikkin funny.  Evidently it is largely photos that were unused on the site (I’m not sure why they were unused, as it implies that one or the other was not good enough for the photos), but whatever, it’s nice that the book isn’t just the web site.  It also says that there are fan favorites from the site included.  As I said I’ve only visited once, so I don’t know which is which. (more…)

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bomarsSOUNDTRACK: SIGUR RÓS-“Ný batterí” (2000).

nyThe single opens with “Rafmagnið búið” a kind of brass introductory piece.  There’s lots of horns building slowly, growing louder but not really playing a melody.  By the end of five minutes, it segues into “Ný batterí” which opens with horns as well.  Then the bass comes in, a slow, deep rumble of simple melody.  After 4 and a  half minutes, the drums are a powerful counterpoint to the sweet melody.

“Bíum bíum bambaló” is a slow piece (aren’t they all) that is mostly percussion.  Apparently it is an Icelandic lullaby.  The final track, “Dánarfregnir og jarðarfarir” was a theme used for death announcements on Icelandic radio.  I love the way it builds from a simple melody into a full rock band version and then back again.  It’s very dramatic.

Both tracks were used in the film Angels of the Universe (and appear on the soundtrack).

That certainly makes this single less interesting than the first one (although I’m not sure that the soundtrack was readily available at the time).

[READ: December 1, 2013] Breakfast on Mars

This is a collection of 38 essays (and an introduction by Margaret Cho).  It also includes an introduction geared toward teachers–an appeal that essays do not need to be dull or, worse yet, scary.  The editors encourage teachers to share these essays with students so they get a feel for what it’s like to write compelling personal nonfiction.  The introduction proper gives a brief history of the essay and then talks about the kind of fun and funny (and serious) essays that are included here.

This was a largely fun and largely interesting collection of essays.  When I grabbed it from the library I didn’t realize it was essays (I was intrigued by the title and then looked at the author list and immediately brought it home).  I know it says essays on the cover, but I chose to ignore that apparently.  When Sarah saw the authors (she knows more of them than I do) she had to read it first.  This proved to be a great counterpoint to the very large novel that I was reading at the same time.

The essays each take on different topics.  And what I liked was that before each essay, they include the question that inspired the essay.  I have included the questions here. (more…)

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[LISTENED TO: November 20, 2013] “Urban Planning” podcast

podcastIn the third New Yorker fiction podcast, Donald Antrim reads Donald Barthelme.  I know both writers, but neither one all that well.

The story is absurdist and very funny.  In it, the narrator buys “a little city,”Galveston, Texas.  He keeps things pretty much the way they are–he doesn’t want anything too imaginative going on.  He tears down several houses and builds new developments (cut in the shape of puzzle pieces).  But he’s a little bored so he goes out and shoots 6,000 dogs, and then makes a front page announcement that he had done it.  This causes some upset (naturally), and he’s appreciative for the excitement.

But overall he is unsatisfied because he is in love with a married woman.  And she won’t leave her husband (and may not even know who the narrator is–except that he owns the city).  Eventually he had to sell the city back (and he took a real soaking financially on that deal).

The story has many many funny lines–laugh out loud funny–and (dog killing aside) it is a funny and delightfully weird story that retains its voice no matter how odd it seems. (more…)

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SOUNDTRACK: PHISH-Live Bait 04 (2011).

bait04This Live Bait free sampler is compiled of songs from some of their summer tours (all songs are from June-August).  And it’s a fun collection of mostly long jams.

“Scent of a Mule” dates from 1996 and has a very “old” quality, like the band doesn’t sound as full as normal (the vocals also have an unexpected country feel). There’s a bit of “Sunshine of Your Love” from the guitars while Page is doing an elaborate solo.  Indeed there’s a lot of piano on this track—much more than usual (and some of it is crazy).  There’s a Jewish music section done on both guitar and voice which abruptly ends when the song returns to “Scent”.

“You Enjoy Myself” is one of my favorite Phish songs.  This version clocks in at almost 25 minutes.  At around 21 minutes the song devolves into them making a bunch of silly rhythmic noises, which must be very fun to see.  The next track is “The Landlady” (from 1993), a wonderful instrumental that morphs into “Tweezer” which has a pretty wild and raucous jam component.  There’s also a repeated guitar motif (which I don’t recognize) that seems to be a cue for the band to do things (play loud and fast or really slow—including their impossibly slow rendition of The Simpsons theme song.  It’s a neat trip.

The next track is “Mike’s Song.”  It opens a 36 minute jam that devolves at around 18 minutes into real silliness with spacey effects and controlled laughter.  At about 20 minutes, it morphs into the simple song “Contact” and eventually into “Weekapaug Groove.” Which starts in an unusual way—instead of Mike only playing the bass, the band joins the song in progress.

“Split Open and Melt” has some loud bass—I hadn’t really noticed the bass so much before, and in this version in particular Mike seems like maybe he’s mixed a little louder and he’s playing some really funky stuff (and making quite a few errors, it must be said).  Next comes the silly “NO2” (from 1999), which duplicates the effects of the record pretty well, and the guitar solo at the end of very pretty.  “My Friend My Friend” is a pretty dark song but it starts with the very pretty guitar work until the minor keys take over.  It slowly morphs into “McGrupp and the Watchful Hosemasters,” a lyrically insane but musically great song.  Page gets a lot of solo time in this song, too.

The next song is “Twist” always a fun and energetic live track.  There’s a very slow jam in the middle of the song (which in total is 29 minutes) before it turns into a very echoey “Slave to the Traffic Light.”

The next song is a nearly 20 minute, joyous “Free”.  It morphs into a beautiful “What’s the Use” yet another or f Trey’s gorgeous rising melodies.  “Axilla” is a fast almost punky version as is the near barbershop quartet riot of ”My Sweet One” which is the fastest I’ve heard it done.  And “Run Like an Antelope” is as frenetic as I’ve heard it—the pace of this segment (from 1993!) is insane.

“David Bowie” begins but then pauses as Trey sings “Catapult” a short piece that I don’t think I’ve ever heard played before.  Then “David Bowie” resumes for the remaining 10 or so minutes and it is a fast and furious cut as well.  This great free set ends with a 15 minute “Divided Sky,” which sounds as good as ever.

Phish releases a lot of concerts, so it’s nice that they throw these free compilations to us once in a while.

[READ: October 15, 2012] “Puppy”

This story is included in George Saunders’ new collection Tenth of December.  But since I was able to find it at the New Yorker, I figured I’d read it now (this means that of all of the stories in the collection I have only not read two).

This story is dark.  Although it doesn’t seem so at first.

The story begins by looking at a married woman who has their two kids in the car with her.  She is trying to get them interested in the beautiful autumnal day but they have heard it all before.  And besides, her son is deeply engrossed in his video game Noble Baker “Not now, Mom, I’m Leavening my Loaves” (ha).  Which is better than the game he wanted, Bra Stuffer.  We go into the woman’s head and (at least in my case) pity her a little bit for trying so hard with kids who clearly aren’t interested.  Like when she read the instructions to her son’s video game so she could offer him tips while he played (and he swats her away, but at least it is “affectionately”).

She keeps her spirits up.  But every example seems more sad than nice.  When she thinks about her husband who says “Ho HO!” to anything that comes up.  Like all of the animals that they own, and how few of them are actually played with by the children.

The other day she spoke of their dog as a puppy and her daughter cried because she didn’t remember it.  So of course she had to get them a new puppy.  She saw an ad for a puppy and decided to go check it out. (more…)

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corin SOUNDTRACK: THE DISMEMBERMENT PLAN-“No One’s Saying Nothing” (2013).

IDismembermentPlan_CVR-a71cdf7d3b8dde6270c3a01bb56278949eddb5fa-s1 thought I knew The Dismemberment Plan, but I must have them confused with someone else, because this song doesn’t sound anything like what a band called The Dismemberment Plan ought to sound like (which is noisy and chaotic and probably death metal).  This song has big vocals, organ and piano.  Nevertheless, it is rather raucous and is quite fun (and has what sounds like a drill sound effect in the beginning and middle).

Lyrically, the song is odd–“If you press the space bar enough, cocaine comes out.  I really like this computer.”

But it has a very fun devil-may-care, throw in everything attitude that I really like it.  The entire album was streaming on NPR, and I’m looking forward to hearing more from them–including their back catalog work, to see if they ever sounded like what I thought they sounded like.

[READ: October 1, 2013] One Hundred Apocalypses and Other Apocalypses

I was excited to get this book because I thought the title was quite intriguing (and the crazy way the cover is cut out was also interesting).

There are four “stories” in the book.  The first three are about twenty pages each while the fourth is over 100 and is comprised of the titular 100 apocalypses (I didn’t count them).

“Eyes of Dogs”
This story contained marginalia (which is sort of like footnotes but not attached to anything specific). In this story a solider meets a witch and she tells him how to get money—climb down a hole and encounter three dogs.  He must wink at the first, blink at the second and hold his eyes closed for the third.  The story seems to be going along sensibly like a fairy tale but then it grows introspective and stops.  I was disappointed in this one.

“Madmen”
This story was utterly bizarre and yet by the middle of the story the bizarreness was explained and by the end I enjoyed it very much.  The premise of this story is that when children grow old they are given a madman to take care of (it is told matter of factly which makes you have to wonder if madman is code for something else.  When boys reach a certain age and when girl;s have their first period (which is an unfair division of genders) they get to go to the asylum and pick which madman (or woman) they want to bring home and care for.  The bulk of the story is at the asylum with the girl “interviewing” the candidates and her mother being mad at her choices.  Ultimately the story turns onto a nice moment between the girl and her dad, who may or may not have married his own madman.  As I said very weird, but satisfying.

“Godzilla versus the Smog Monster”
This was the most “real” of the four stories and it was my favorite.  A fourteen year old boy is watching “Godzilla vs the Smog Monster.”  He found the unlabelled video of it in his father’s sweatshirt drawer and assumed it was porn.  He’s bummed that it turns out to be this Godzilla movie.  In a parallel story, when the boy goes to school his class is watching live footage of California burning—and this burning is uncontainable.  The whole state is slowly engulfed in flames.  This fire, which seems to be some kind of attack obviously changes the minds of everyone in the story, including Sara, a girl who Peter thinks is pretty but who never talks to him.  But when she crashes her car in front of his house, he helps her and they go for a ride to a cave.  Images of the smog monster crop up in interesting ways.  Things get weird and less tangible, but because the beginning was so real it made the ending okay.

“A Hundred Apocalypses”
So this selection disappointed me because it proved to be 100 (I assume) flash fiction pieces.  And I have more or less come down against flash fiction these days.  Especially the kinds of stories that make an interesting “sketch” but aren’t really stories The other problem is that all 100 seemed to be about “apocalypses” which is a useless words when tossed around so much and which loses all meaning when there are 100 that seem to be about actual apocalypses.  Or something.  I also just learned that apocalypse means un-covering or revelation, not really the end of the world, but whatever.

There were probably 6 out of the hundred that I really enjoyed.  Sadly, I didn’t mark them and I don’t remember which ones they were.  The rest were okay or worse.

I am ready for flash fiction to go away.  And I fear that my beloved McSweeney’s is one of the prime generators of the genre, so perhaps they could knock it off for a bit.

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