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Archive for October, 2025

[ATTENDED: October 10, 2025] Balthvs

A couple of years ago we saw My Morning Jacket at the Met.  They played two nights in a row but we only went to one.  I’m not going to say the second night was better, but they played a lot of great songs that second night as well.  So when they announced two nights again, I grabbed GA tickets (to finally get up close to the band).

For both nights, the opener was BALTHVS, a band I didn’t know.

They are from Colombia and when I first heard a song, I lazily said they reminded me of Khruangbin.  I see that online people compare them to Khruangbin a lot, which seems to be unfair.  I don’t know Khruangbin all that well, but both bands have a similar vibe.  However, on further listen, BALTHVS has got its own thing down quite well.  But it’s fair to say they’re in the same general area of “World psychedelic funk.”

BALTHVS is a trio from Bogotá Colombia.  Balthazar Aguirre plays guitar and sings, Vanessa Muñoz a plays 5 string bass and sings and Santiago Lizcano plays drums.  The band came out and jumped into some amazing songs.  [Founding bassist Johanna Mercurian recently had a baby and obviously didn’t tour this time]

Year of the Snake is a cool slinky instrumental and it really showed off Balthazar’s guitar chops.  I also loved that Vanessa’s bass was complex–making great use of the five string.  And Santiago was a beast behind the kit. (more…)

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[ATTENDED: October 8, 2025] Rafia Bhatiq / Ian Chang / Riley Mulherkar

Technically this show is a Rafiq Bhati show, but the show was a trio and they were all equal partners so for me they all get top billing.

I know of Rafiq from his (amazing) work with Son Lux.  When I was lucky enough to see them in 2022 I felt

Drummer Ian Chang is just amazing to watch as he plays all sorts of different things and in unusual rhythms.  But then I would notice that guitarist Rafiq Bhatia was making some incredible sounds out of his guitar and I would wind up watching him for awhile.

So here was Rafiq touring his new album Environments.  This album is more or less an hour of sound shapes and explorations.  Rafiq is a guitarist but there is very little traditional guitar playing on the album.

Watching them live it was fascinating to see that Rafiq would play little bits and pieces and then he would sample himself and mess around with these new sounds.  He sat and played guitar and he had a gear box of some kind next to him.  And he would frequently reach over and twist knobs–and you could hear trills and low notes floating around.

For one song in the middle of the set, he put his guitar down and made sounds using that box– I don’t know what the original sound sources were for this, but it was fun to watch.

Ian Chang is one of my favorite drummers to watch.  He plays spare rhythms with occasional explosions of sound.  He uses brushes, mallets, stick and he has a laptop that he tinkered with from time to time.  When the set opened (Aviary I) he gently touched the various percussive elements on his kit (bells, cymbals, rims).  As the song progressed he had bursts of snare and crashes of cymbals but very rarely did he create a steady beat (except for one song late in the set where they locked into a real groove for a few minutes).  The songs didn’t call for it and his drumming was a great punctuation to Rafiq’s sounds.

I didn’t know Riley Mulherkar at all before this.  I’m not a huge fan of horns, but his trumpet playing was amazing.  For the opening bit (Aviary I), he blew into his trumpet but didn’t produce any notes.  Rather, it was like he was generating a kind of musical wind.  His subtlety was incredible as he played incredibly softly.  My very little understanding of the trumpet is that you blow harder to get the notes higher.  Somehow, he was able to create high notes while playing so delicately as to be almost inaudible.  And of course, he played loud blasts as well.  Of the three, he was the least interesting to watch, but he was the most fascinating to try to understand what he was doing. (more…)

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[CANCELLED: October 8, 2025] Kneecap / Bricknasty

Kneecap was making news all over the world by the time I heard about this show.  And Irish trio who raps in Engliash and Irish?  Sounds amazing.  They are political and very vocal.  And because they are so notorious, this show was sold out. And then, more controversy caused them to cancel their entire U.S. tour:

Kneecap have cancelled the entirety of their 2025 United States tour. The tour was set to being on October 1 in New York City and run for 15 shows; four shows in Vancouver and Toronto will continue as planned.

In a press statement, the Irish rap group said they were forced to pull the dates as they were too close to a scheduled court date for Kneecap member Mo Chara, who faces a terrorism charge for displaying a flag of the militant group Hezbollah during a 2024 concert.

They are still doing their thing, but I have no idea if they’ll come to the U.S. especially right now.

Bricknasty is another Irish rap band.  They blend experimental jazz, hip hop and neo-soul.  They seem like a much mor mellow bunch, but they share the same values.

This would have been an interesting show to be sure.

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[DID NOT ATTEND: October 7, 2025] Queens of the Stone Age: Catacombs Tour / Paris Jackson

Queens of the Stone Age is a band who has two albums that I love to death and a couple albums that I think are pretty good.  I’ve wanted to see them live for a while, but they never play venues I want to go to.  Until now.  They played the Met, a fun venue with a good pit.

But this tour was the Catacombs tour: “one-night-only evenings” at historic theaters featuring all-new musical arrangements of their catalog.

Which is exactly what I did not want.  Since I’ve never seen them live, the last thing I wanted to see was them playing gentle versions of their rocking songs.  So I said no thanks.

I’d never heard of Paris Jackson.  Turns out that she is a model and singer.  I heard an acoustic song that was quite pretty, but she also rocks out in a catchy sort of way.  I also just learned that she is the daughter of Michael Jackson and Debbie Rowe.  Woah.  She hasn’t put out new music since 2020, so that’s an unusual choice for an opening act.

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[ATTENDED: October 3, 2025] Deltron 3030

I really enjoyed the Deltron 3030 album. Del the Funky Homosapien is one of my favorite rappers.  Dan the Automator is an amazing producer and Kid Koala is the king of the turntables.  Their futuristic band set in 3030 was a great combination of the three of them.

When this tour was announced–the 25th anniversary of their debut album–I grabbed tickets immediately.  I brought my son with me (he was not born when the album came out) because I thought he’d really like the show.  And he did!

After Kid Koala’s set, the trio emerged.  Dan the Automator stood behind a massive bank of sound equipment, Kid Koala took his place behind his turntables and Del (Deltron 0) walked out and stood in the middle of the other two.

And then came the opening announcement from the album–and we were all thrilled.

Then Del started rapping 3030 and it was real. There were visuals on the screen behind them–perhaps videos from 25 years ago–or maybe new for the show.  They often had lyrics on the visuals and occasionally, they showed the cameras facing Kid Koala’s turntables. (more…)

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[ATTENDED: October 4, 2025] Neko Case

I have thought about seeing Neko Case since around 2022.  I even had tickets to see her in Jersey City, but wound up doing something else that night.

She had played Ardmore Music Hall in 2024, but I felt the tickets were really expensive.  And this show was the night after my son and I went to see Deltron 3030.  But my wife won tickets to this show at XPNFest.  And boy that was hard to pass up.

The biggest surprise was how undersold the show was.  We have been to The Met a lot and this was the first time that I can recall that they had the back seats curtained off.  Presumably anyone who had seats in the back were given seats closer to the stage.  I never looked after the show started, but before Neko went on there were a lot of empty seats.

In fairness, White Eagle Hall holds 800 people and Union Transfer is around 1200.  So The Met seating (and it was all seated) at roughly 3500 people was reaching way too far for her.  But still that’s got to suck to see a half empty place.

And it felt like Neko was kind of mad for the show.  Now, I follow her on Instagram and she seems (justifiably) mad most of the time.  So I don’t know if that’s just what she’s like on stage or if she was in a particularly bad mood.  I have only seen her one other time with the New Pornographers and she was only one of about 8 people on stage, so it was hard to judge her.  Although after that show she had a lengthy rant about people filming her.

The most memorable moment of this show was when she yelled at someone in the balcony for having their phone light on while filming.  She pointed at them directly an told them to turn their fucking light off.  After the following song, she admitted that the light that was bothering her was actually from the aisle lights.  I’m not sure if she apologized exactly but everyone laughed about it.

So yeah.

There’s a ton of Neko Case songs that I like.  But there’s also a joke from a show that I can’t recall in which when a couple breaks up, she says to her ex that she hopes the next concert he goes to they play all new songs.  It’s a great curse and it’s pretty much what happened here. (more…)

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[DID NOT ATTEND: October 5, 2025] Amy Millan / Diana DeMuth

I know Amy Millan from the band Stars.  Her voice is gorgeous in their songs.  But I’ve never listened to her solo music.  I had seen Stars last year and thought it might be interesting to see her live.  But I wasn’t all that motivated to go to this show, so I never got a ticket.

Diana DeMuth is a singer songwriter from Massachusetts.  She sings quiet folk songs, with a voice that is pleasingly rough.

This would have been a fairly mellow night I think.

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[ATTENDED: October 4, 2025] Des Demonas

I thought I had never heard of Des Demonas, but I see that they were supposed to open for Tropical Fuck Storm in 2020 (!) but it was cancelled for Corona.

And here’s what I wrote:  Lead singer Jacky Cougar Abok has a delivery like early Nick Cave and their bio is fascinating.

Jacky Cougar Abok is the six-foot-five-inch tall Kenyan punk singer who has drummed with Thee Lolitas and Foul Swoops. Guitarist Mark Cisneros has bent strings with Kid Congo & The Pink Monkey Birds, Deathfix, and Medications and pounded the traps for The Make-Up and Benjy Ferree, the latter alongside organist Paul Vivari. Joe Halladay (Citygoats) on bass and Ryan Hicks (Suns Of Guns) on drums round out this squared circle of sight and sound.

We wound up being a few minutes late.  This wasn’t a big deal since my wife has won tickets to the show at XPNFest (!).  The venue also had to arrange ADA seating for us, so that took some time.  They are a raw punk band–really quite different from Neko Case. I really liked them, but I imagine many people didn’t enjoy them.  Their main driving sound was an old-fashioned organ sound–quite unexpected for their propulsive vibe.  (more…)

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[ATTENDED: October 3, 2025] Kid Koala x Lealani

I’ve been a fan of Kid Koala for a really long time.  His turntable skills are incredible.  I was able to see him once (I can’t believe it was 7 and a half years ago).  I’ve been wanting to catch him again ever since.  And here he was, playing with Deltron and doing his own set.  I didn’t know what the X Lealani meant, but we would soon find out.

Kid Koala came out and moved over to his three turntables.  And as he started playing some records, he said, I’m Kid Koala and I’m here to play records incorrectly.  And then his cameras turned on.  He had cameras mounted above the turntables so you could watch his hands as he scratched and spun his vinyl.

His set was so much fun and having the cameras on meant you could see that he had taped marks and other notifications on his vinyl that helped him keep track of where to put the needle.  Watching him spin the vinyl backwards to get it to exactly where he wanted it was amazing.  He didn’t play any of his own songs, he played samples and snippets of songs and had everybody bopping along.

After a few minutes, he brought Lealani out (I think she was eating dinner with him at La Chinesca–my son and I ate at La Chinesca.  And, lo and behold Kid Koala was sitting there two tables away.  I was going to say hi, but with the cane I am not subtle or fast.  So I assumed he would walk past us and I’d say hi then; but he went out a different way.  Waah wahh.)  Lealani is from Pomona California and Kid Koala introduced her as an incredible electronic musician.  She had one of those light up boxes that makes sound.  I don’t know what they’re called.  There was a camera on her as well and her hands were incredible.  She played elaborate beats and melodies on this box and the whole room was blown away.

Lealani left and Kid Koala played some more.  And then Lealani came back out with a guitar. She sang a kicking punk song while Kid Koala played some drums.  And then Kid Koala told us that he and Lealani had started a new band together and that they would be touring early next year.  This band is called Distorter and I’ll be there when they come to town.

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[DID NOT ATTEND: October 4, 2025] The Sound of Animals Fighting / Soft Blue Shimmer / The Casket Lottery / This Will Destroy You

I hadn’t heard of The Sound of Animals Fighting until I looked further into Anthony Green’s work.  Then I learned of this band and how they were a masked supergroup.  I gather they don’t wear masks anymore, but maybe they do.  The lineup is Rich Balling (Nightingale) Anthony Green (Skunk) Matt Embree (Walrus) Chris Tsagakis (Lynx) Steve Choi (Koala) Matthew Kelly (Wolf) Keith Goodwin (Penguin).  Two of the guys are from RX Bandits.

I was really interested in seeing them and seeing what their live show was like, but I already had events lined up for tonight, so I didn’t bother getting a ticket.  They seem to tour infrequently, so maybe they’ll be back.

I saw Soft Blue Shimmer open for Touche Amore and rally liked them.  I would have been happy to see them again.

I had not heard of The Casket Lottery but they have been around since 1997.  I listened to a couple of songs and liked them.  PunkNews says

Casket Lottery provide a lot of contrast in their music, and each song offers something different at every turn. Equal parts gritty and melodic, straining and beautiful. They’re obviously extremely tight and cohesive musicians, as everything flows very well together, with mathy drum beats, powerful bass, and guitar that can be clean and rhythmic, yet loud and crunching. Either sound can be put into a song without sounding forced or contrived, and it just builds off what came before it.

And they’re right, there’s a lot of stuff going on in these songs and I’m really surprised I hadn’t heard of them before.

This Will Destroy You is from Texas.  They formed in 2004, but I hadn’t heard of them either.  They play cinematic instrumentals not unlike Explosions in the Sky.  They sound great.

This would have been a fun (but long) night.

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