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Archive for September, 2025

[ATTENDED: September 22, 2025] Pool Kids

This was my third time seeing Pool Kids.  I really like their mix of punky alt rock and really cool guitar shredding (so much finger tapping).  I saw them headline at a small place in Philly and they blew the roof off (with singer Christine Goodwyne crowd surfing at the end).

Since I last saw them the put out a new album.  And they played 8 (of 11) songs from it.  They opened with a new song and then immediately jumped back to their previous album

The opening riff to That’s Physic Baby is a mastercalss in cool guitar riffage–sounding like an old school metal intro.  Both Goodwyne and second guitarist Andy Anaya shred impressively with lots of fingertapping.  Anaya seems to add a few extra flourishes while Goodwyne gets back to singing.  The end is a dramatic moment where the chorus telling you what I, telling you what I need, is repeated but at the end the song drops off and she screams (and we all scream along) NEED!

Vocalist/guitarist Christine Goodwyne was fun with a powerful voice that held high notes and also screamed with rage.  She and second guitarist played some great harmony solos together too.

A group chat with goddamn 21 people I wish I was joking but I’m not.

They played one song from their debut (the wonderfully named $5 Subtweet) which has a total progressive rock vibe with a fast riff opening and some complicated intertwining moments.

The new album has a lot more going on–synths, quieter moments, even an AutoTune on the first song).  But there’s still plenty of Pool Kids sound–loud vocals and gorgeous guitar work on Last Word.  But they moved back to another of my favorite songs of their “I Hope You’re Right” with the chorus “You wanna start a fight” which is super fun to sing along to.

I also need to mention bassist Nicolette Alvarez who plays some amazingly complicated parts and adds a lot of backing vocals (which I don’t think she did on the previous album).  Drummer Caden Clinton makes a lot of noise on a fairly small drum kit.  He plays interesting rhythms and different parts of the kit to bring a really full (and dare I say kind of proggy component) to the songs.

After playing most of their bigger songs, they played three new songs.  Sorry Not Sorry is a slower song (where Alvarez’ backing vocals really shone).  Easier Said Than Done is also slower (with soft backing vocals from Anaya).  These songs are all a bit more conventional. but they retain a lot of makes Pool Kids interesting.

Then we were encouraged to sing along to the next song because we all knew it.  Conscious Uncoupling is the first song I heard by them and I loved everything about it–the soft to loud vocals, the cool guitar sounds and the big explosive chorus.

For one of the ending songs, Goodwyne put down her guitar and jumped into the crowd.  The guy next to me had been singing along all night and she ran up to him and they sang a line together.  Later from on the stage she called him over to shout a line with her and he was clearly thrilled.  There wasn’t a large crowd–I felt bad for them, although it was a Monday night–and there was even a small “pit” available because I was standing a little back from the people up front (the sound isn’t very good when you’re right on the stage).  She bounced around and then some short person slammed into her really hard.  She bounced off and seemed game for more.  So they bounced off each other a few more times and then she climbed back on stage.

They ended and it was still about 9:45 (I assuming 10PM curfew).  On their other nights they had been adding an encore and when they left the stage they put their guitars down on the stage in the “we’ll be right back” gesture.  But then the house music came on and it seemed like they weren’t coming back.  But the crowd started a “one more song” chant (again, what happened to encore), and after a few minutes, they came back.  Goodwyne apologized to the sound guy saying they weren’t planning on coming back out.  It may be the first genuinely earned encore I’ve ever been a part of.

They played Swallow, a great song with lots of finger tapping guitar–it’s really fun when Goodwyne and Ayana face each other in a little guitar battle.  It was a great and cathartic end to the show and they were done by 10!

The show was great and I was in for a surprise at the end of the show.  As I was heading up the stairs, two young women were walking down and said my name.  I looked up confused until they revealed that they were the daughters of one of my college friends.  I hadn’t seen them in about five or six years and I don’t know how they recognized me (something about knowing I liked this band and they asked their parents what I looked like to see if I was there).

Turns out they are huge fans of the band and drove 3 hours to see them!  They may also drive down to Philly on Thursday to see them again.  It was great to see them and I immediately texted their mom–it had been too long–and we caught up.

 

House of Independents 2025 Ukie Club 2023 Rooftop 2023 (open for PUP)
Tinted Windows € Swallow Swallow ¶
Arm’s Length That’s Physics, Baby That’s Physics, Baby ¶
That’s Physics, Baby Erso ⊗ $5 Subtweet ⊗
$5 Subtweet $5 Subtweet Arm’s Length ¶
Which is Worse? € Further ¶ I Hope You’re Right ¶
Last Word € Comes in Waves ¶ Conscious Uncoupling ¶
I Hope You’re Right I Hope You’re Right Talk Too Much ¶
Sorry Not Sorry € Pathetic ¶
Bad Bruise € Arm’s Length
Easier Said Than Done € Conscious Uncoupling
Conscious Uncoupling Talk Too Much
Leona Street € encore
Talk Too Much Borerline ⊗
Exit Plan €
encore
Swallow

€ Easier Said Than Done (2025)
¶ Pool Kids (2022)
⊗ Music to Practice Safe Sex To (2018)

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[ATTENDED: September 22, 2025] Truth Club

I saw Truth Club open for Indigo de Souza last year and I really liked their set a lot.

It was pretty obvious that there was a curfew in place because the bands changed pretty quickly (they were using the same drum set so that helped).  Truth Club came out and opened with a song from their debut album.

Unlike Pony, they played many of the same songs (the don’t have a new album yet, but they do have a bunch of new songs).

I definitely enjoy their second album more than their debut–there’s a lot more dynamics going on.  77x starts slow but in an interesting, lurching way.

And here’s what I loved about them last time and this time.  Singer Travis Harrington plays guitar as well and he plays the basic chord structure.  But in these first few songs, guitarist Yvonne Chazal made some really interesting sounds.  They played lots of high chords and single notes.  They bent the notes and made really interesting textures.  It wasn’t always clear what sounds were coming out, but it made the whole thing feel bigger.

After a couple of songs Yvonne switched instruments with bassist Kam Vann.  If I had to guess I’d say that Kam might be the full time lead guitarist because he was pushing the sounds further than Yvonne did.  He played loud hard chords, but also played some solos and added extra sounds.

And really it’s the song creations from Truth Club that I like so much.  There’s a lot of loud/quiet shifts, but there’s also odd time signatures (for one of the songs Travis counted in to 6).  (more…)

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[ATTENDED: September 22, 2025] Pony

I saw Pony open for Fucked Up about 3 years ago.  I didn’t know them before the show, but I really enjoyed them.  Pop punk energy (like Beach Bunny but a little rougher around the edges).  I was pretty psyched about this lineup.  Three bands I knew and liked.  So I wanted to make sure I arrived early enough for Pony.

The show said 7:30, I strolled in around 7:15 and they were already on!  And apparently had been since 7.  So I only got to see a few songs, but it was enough to know that they still kick butt and I would happily see them again.

Interestingly, their recorded output is far more poppy than their on stage performance.

Pony is from Toronto and is fronted by Sam Bielanski who plays guitar and sings.  She is also a voice actress and voiced Jazz in My Little Pony: Tell Your Tale (hence the band name).  I can’t find a ton of information about the band, but I’m guessing that Matty Morand is an important part of the band.  He played (really cool) guitars at this show.

I don’t know if she played guitar for this set as she wasn’t when I came in and didn’t pick one up.  But her intensity is amazing.  And, she was super nice after the show.

The setlist was almost entirely different from the previous show as they have released two albums since then.  I really would have enjoyed seeing more of this set.

 

2025 [Pool Kids] 2022 [Fucked Up]
Superglue § WebMD ™
Peach ∇ Couch ™
Freezer ¼ Furniture ™
Sucker Punch ∇ Très Jolie ∇
Sick ∇ Sometime Later ™
Middle of Summer § My Room ™
Every Little Crumb ¼ Did It Again ∇
Très Jolie Chokecherry ™

§ single (2025)
¼ single (2024)
∇ Velveteen (2023)
™ TV Baby (2021)

 

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[ATTENDED: September 17, 2025] PUP

My son and I have seen Pup twice and have enjoyed both shows immensely.  I assume I’ll want to see them whenever they come around because they are so much fun.

This was the first time we were fairly close to the stage (we were one person from the barricade at the beginning of the night, although by the end we had been pushed around a bit.  And indeed, my son jumped in the pity later in the night.

This was a busy bill–3 bands, with Jeff Rosenstock playing an hour.  I was really impressed with the efficiency of the night (are you listening Wet Leg?).  15 minutes between Jeff Rosenstock leaving the stage and Pup taking over.

I realized that I hadn’t listened all that much to their new album, which was not a great plan going into a tour for the new album.  All Pup songs are catchy and fun, so it doesn’t really matter if you don’t know them–except that when you know them you can sing/scream at the top of your voice.

But it wasn’t all new songs at all.  They opened with a new song (the opening song of the album). (more…)

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[ATTENDED: September 17, 2025] Jeff Rosenstock

So I didn’t really know Jeff Rosenstock. I’d heard of him and I knew t hat he had done a lot of work with PUP AND I knew that people loved him, but he had completely slipped my radar.

But when he and his band came out, they were a ton of fun right from the get go.  And the crowd went bananas for them.

And he was very funny too.  Wearing orange shorts with a pink dye job on his hair (he said he had done it just before the show and it was still dripping down his neck).

They came out to the Friends theme and Jeff immediately told us to get to know the people around us.  But if we saw some fucking moron grope someone or get in someone’s face, get some other nice person and get that moron outta here.

And as one blurb says, the set was filled with fan favorites, singalongs, and chaos. (more…)

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[ATTENDED: September 17, 2025] Ekko Astral

We arrived at the venue plenty early and were right up near the barrier.  There was a giant “american” flag on stage, except the stripes were rainbow colored, the stars were pot leaves and the middle of the blue field said 666.  Amazing.

I had wanted to see Ekko Atral open for Ted Leo but I was late for that show.  So I was really psyched to be able to see them so soon.  And they were very clear about the rules: no bigotry of any kind would be tolerated.

And wow, what an opening.  We were right in front of bassist and singer Jael Holzman.  She was amazing and intense. Across the stage was guitarist Liam Hughes and he played the kind of noise guitar that I had to wonder how one even thinks of making sounds like that–and how he knew they would work so well.

On drums was Miri Tyler, playing loud and fast and acting almost like a distortion pedal for the overall sound. (more…)

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[ATTENDED: September 16, 2025] Garbage

Back in the 90s Garbage was my favorite band.  I loved everything about them.  I saw them twice when I lived in Boston (and wish I remembered those early shows better).  I’d seen them twice in the 21st century (but was surprised to see that the last time was eight years ago!).

Like a lot of people I don’t like the newer stuff quite as much as the older stuff.  I’m not sure what’s different–maybe it’s just me.  I like individual songs but don’t love listening to the albums front to back as much.

But the individual songs are still great.  And they sounded fantastic as they opened the show with two killer new tracks.  The band sounded huge and Shirley Manson’s voice was great.  She was wearing a leather jacket which she took off after the first two songs to reveal a jump suite with a handwritten Free Gaza on the back.

They handled the loud/quiet transitions on a song like Hold perfectly–even the lights were perfect.

The band members (aside from Shirley) don’t do a lot on stage (I just found out that guitarist Duke Erikson is 74 years old–no wonder this is their last big tour).

After the first two songs, they moved on to Empty–a super catchy song from a few albums back.  Guitarist Steve Marker (only 66) played the opening chords and like last time it was cool being able to hear the different guitar sound the guys had. (more…)

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[ATTENDED: September 16, 2025] Starcrawler

I wanted to see Starcrawler for a few years before I finally got to.  And the buildup was more than the band could live up to.

I saw them last year open for Boris (a strange fit) when they played for an hour and I found them more or less unpleasant.  They really make me like the and hate them at the same time.

Last time I quoted someone else as saying “they strike me as rich kids cosplaying as punk rockers,” which seems fairly apt.  Also that

singer Arrow DeWilde tried to irk the crowd by referring to San Francisco repeatedly as “Frisco” after commenting, “Last night in Fresno was better than this shithole.” I have a friend who had seen them in Fresno the night before who said that Arrow said something similar onstage then.

This was one of the things that I found so irritating about them in the past, they are strangely confrontational.  It may be part of the schtick, but it’s weird–especially for an opening band.

Arrow was less confrontational than in the past, although she did yell at the audience for not bouncing their heads along to their song (weirdly, that was to the slowest song they played–we certainly bounced for the faster songs). (more…)

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[ATTENDED: September 15, 2025] Wet Leg

I saw Wet Leg three and a half years ago when they were something of a novelty buzz band because of their song Chaise Lounge.  I saw them at Underground Arts (capacity 650).  It was packed and I could barely see them, but it was still a fun show.

After the show, I thought “I’m not sure if the band will do anything more after this.  But they certainly felt like more than a joke band with one hit.  It will be interesting to see if they comeback to Philly and can fit into a larger venue.”

Now, three years later, the band has released their second album, have an entirely new look and have a bunch of songs that are bona fide–not novelty–hits.  So it’s no surprise that they are playing a bigger venue (FMH is 2500 people).

FMH is one of my least favorite venues to go to.  It’s always overcrowded and full of really tall people.  Most shows annoy me and I should probably stop going there all together, but it is the last small venue before bands move on to much bigger stages, so there are certain bands that can only fit in a venue that size.  I dislike the parking (it’s even worse now that all of the nearby lots have been attached to parking meters (and Jesus, there were NO spots on the street–on a Monday night??)  So we drove around a bit and arrived a little later than I wanted to, so we were just behind the ring of tall people who always seem to build a wall around the short people up front. (more…)

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[ATTENDED: September 15, 2025] Mary in the Junkyard

Mary in the Junkyard is a trio from London. The band consists of vocalist and guitarist Clari Freeman-Taylor, viola and bass player Saya Barbaglia and drummer David Addison.

I had never heard of them and they have an EP and some singles out, so they are pretty new.

I listened to the singles today and rather liked them.  But they really didn’t come across very well at Franklin Music Hall.  It felt like everything was wrong to me.  The drums were really loud.  The guitars were sometimes loud, but Clari’s vocals were always quiet–very hard to hear.

I had pretty high hopes for their set because the songs had really interesting components–guitar lines or when Saya switched from bass to viola and added some really weird sounds to the songs.  But None of the songs had any hooks.  Which is weird because they’re there on the album.

I suspect that seeing them in a smaller venue (FMH is quite cavernous) would suit their sound much better.  I’d be interested in seeing them again, but in a small club.

At least the crowd reacted positively to them–and there was a lot to like–they just never won me over (and I love finding great opening bands).

I’m assuming this is the setlist.  It’s what they’d played at most of their shows

  1. Drains §
  2. Blood
  3. Midori
  4. Goop
  5. New Muscles
  6. Web
  7. Tuesday  ¾
  8. This is my California ¼

§ single (2025)
¼ single (2024)
¾ single (2023)
∠ This Old House ()

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