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Archive for May, 2025

[ATTENDED: May 22, 2025] Victoria Canal

I had not heard of Victoria Canal before this show.

She has a fascinating backstory.  She was born in Germany but is of Spanish American heritage and was raised mostly in Spain.  And yet when she spoke she had no trace of an accent.

Canal was born without her right forearm.  What’s fascinating is that although she does not try to hide it at all, we didn’t notice for the first couple of songs.

Victoria played acoustic guitar and keyboards.  She also had really nice boots on.  Between songs she told delightful stories that really fleshed out songs like the new (and wonderful) Pseudo Zen Buddhist: A Screenplay.  Which she introduced by saying the song was about her ex boyfriend’s next girlfriend murdering him (she works in movies, hence the screenplay part).  It was great.

There was also a really funny intro to Yes Man, a song she write when on a songwriting retreat with Chris Martin of Coldplay.

Canal’s voice is soft and gentle with a really nice timbre.  And she can mix in some falsettos on a song like Totally Fucking Fine. (more…)

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[ATTENDED: May 19, 2025] Pierce the Veil

My son and I have seen Pierce the Veil twice in the last two years.  The first show at the Stone Pony Summer Stage during a pending hurricane.  We got soaked and the show was cut short.

The second show was in a fairly large arena and we were pretty far away from the stage.  It was good but unsatisfying.

But this one was at the Skyline Stage at the Mann, an outdoor venue that allows you to get close.  And this time my daughter wanted to come as well.  So I grabbed us three early tickets.

We had been put in the ADA section (my hip) and the kids were allowed to be there with me or they could leave if they wanted.  The ADA section is raised and is off to the side.  So, you get clear unblocked views of the stage (yea!) but at a weird angle (boo) with slightly distorted sound (boo).

I told the kids that I would not be offended if they wanted to go on  the lawn.  I would have if I was less held up.  So they looked at the setlist and decided that they’d like to be in  the lawn for the first part of the show and then maybe come back at the side for the hits at the end.

They enjoyed being on the lawn although they said it was hard to see the stage very well (it’s a very tall stage).  And then about half way through the show, my daughter came back to hang with my while my son made his way to the pit, where he slam danced for the next 45 minutes.  He had a blast and said it was the best show he had ever been to.

I enjoyed the show quite a lot as well.  Although, WOW was it cold.  I mean, mid-May, but the temps were in the 50s with a heavy wind.  And sitting on the side, there was no place for warmth.  Of course, I would feel much more into the show if I were in the mix with other people. But having said that, the band sounded great.  They were full of energy and seemed to be having a total blast.

We both agreed that this was the best of the three shows BY FAR! (more…)

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[ATTENDED: May 19, 2025] Sleeping with Sirens

My kids both really like Pierce the Veil and I got into them as well.  So when they played the GA stage at the Mann Center, I got tickets for all three of us.

The Mann Center is a great venue, but if you go there at the wrong time, the traffic can really suck.  And when the show starts at 6:30, there’s really no way we were going to arrive for all of the bands.

I was looking forward to seeing Daisy Grenade, but we missed them entirely.  Social Casualty says of them:

Female alt-pop, bubble grunge duo Daisy Grenade is led by Dani Nigro and Keaton Whittakker. They aspire to make diary-entry-like songs, bringing you through the growing pains of being a woman in today’s society. With raw emotions, wrapped up with femininity as a weapon, and a theatrical touch on top, they’re turning bubble grunge into something catchy and sharp with a side of something sweet.

So yea, that was a bummer to miss them. But we did arrive in plenty of time to see Sleeping with Sirens.  (more…)

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[ATTENDED: May 17, 2025] Sessanta V.2: Primus, Puscifer, A Perfect Circle

II really liked Tool when they first came out.  Sober is one of my favorite songs of the 1990s.  I enjoyed the second Tool album and then was excited by A Perfect Circle, but I felt that the two bands were too similar. And I kind of lost interest in Maynard Keenan.  So I never knew anything about Puscifer.  When I heard the name I assumed they were like a hardcore/death metal band.  Which they are not.

My friend Doug is a huge fan, though, and he encouraged me to go to this show. I was mostly interested in Primus, but the more he talked about this show, the more I wanted to see the Maynard spectacle.  And it did not disappoint.

Before the show started, there was a video of Maynard in a hospital room.  He looked old and frail and was telling really dumb jokes trying to make a nurse laugh.

This tour package was designed to celebrate Maynard James Keenan’s 60-ish birthday celebration and it was designed to be a lot of fun.  The ad talked about all three bands being on stage and then being together as: Puscimus, Perfmus Circifer, and A Pripusper Circfermus.

The stage was designed in an industrial and very cool way.  Three drum sets sat on the top tier of the stage.  Stairs on either side led down to the stage level where guitars and vocals were.  It was very cool the way the bands could come and go from their gear at will.

Evidently, Maynard does not like recording devices at his shows.  Maynard opened the show with his earnest request that all phones and devices be put away in an effort to detach from distractions and fully immerse oneself into the musical experience. They also had videos showing that anyone who brought out a phone during the show would be ground into meat.  There was no evidence of people being ground up at our show.

The lights dimmed and the drummer for A Perfect Circle came out to his kit.  Then the rest of the band filled out below and they played three songs.  I only know the first album, and they played one from each of the other three.  But I really got into it. The bands sounded great and Maynard has a wonderful stage presence.  (more…)

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[DID NOT ATTEND: May 16, 2025] Japanese Breakfast / Ginger Root

When this show was announced, it sold out pretty quickly.  We were bummed because we saw Japanese Breakfast on Halloween a couple of years ago when she said she’d be going to Korea for a year or so.

But soon after, they announced another show on the night before (I always think it’s funny to have the second show come before the first show, but realistically I suppose it doesn’t matter to the band unless they were planning on going all out for that final show.

So when they announced night 2 I grabbed tickets right away and we enjoyed yesterday’s show from the pit.  The shows were almost the same although I’m a little bummed that they did a final encore of Everybody Wants to Love You which they didn’t do for us.  But I’ve seen the song a few times so it’s no big deal.

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[ATTENDED: May 15, 2025] Japanese Breakfast

We had seen Japanese Breakfast play their last American show for a year or so on Halloween 2023.  It was a lot of fun and felt like a really special night.

When they announced their new album, For Melancholy Brunettes… I was concerned because that sounded like a bummer of an album.  And, first single Orlando in Love wasn’t especially gripping.  It was pretty, but didn’t really have a hook.

But I knew that they always put on a good show so it was definitely worth seeing.

The curtain rose on a giant clam shell, which Michelle Zauner came out and sat in and played Here is Someone and Orlando in Love.

She switched from acoustic to electric guitar and returned to the clamshell throughout the show.

The rest of the stage was cool too, with a nautical theme and billowing smoke.

They played three songs from the new albums, with Honey Water being the most upbeat.  But they didn’t stay on this vibe for the whole show because they moved on to the Soft Sounds album, playing three great songs, Road Head, Boyish and The Body is a Blade.

Then it was back to the new album for the bouncy Mega Circuit and the more chill Leda.

They only played one song from Psychopomp, and then moved up to Jubilee for the bouncy Slide Tackle.  A few more new songs were followed by Kokomo, a really fun song from Jubilee. (more…)

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[ATTENDED: May 15, 2025] Ginger Root

Japanese Breakfast announced a show at The Met and it sold out instantly.  But then they announced another show (for the day before) and I grabbed us a ticket.

Ginger Root opened both shows.  I didn’t know them, but they seemed to have a good following.  And the band was full of charisma.  They are an indie band from California led by Cameron Lew.  He describes the music as “aggressive elevator soul.”

And Camerom Lew is a fantastic front man.  He is also the creative force behind the visual and audio components of Ginger Root.  Indeed video may be more important that audio for the band.

Ginger Root was without a doubt the best live band I have seen for music that I didn’t really like all that much.  Not that the music was bad, it just wasn’t quite my vibe.  But the live show was so good I would 100% see them again.

As they took the stage there were two video screens that announced We are your openers for this evening.  We’ll be done in ~40 minutes.

And as soon as the band started, their on-stage cameraman began filming them and projecting it on the screens.  He used all kinds of old-school effects, giving the video and almost 80’s feel.  Especially when the screens were bordered with a white line and the legend: You’re listening to Ginger Root. (more…)

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[ATTENDED: May 10, 2025] The Dead Milkmen 

It took me 35 years to see The Dead Milkmen live.  And now I’ve seen them twice in about a year.  The last show was so much fun; I was really excited when they announced more shows at Underground Arts.  But those days were booked for me.  Bummer.  But then they announced this show at White Eagle Hall (where they have played a few times recently).

I arrived late (because parking there sucks).  I almost gave up and went home, but I found a reasonable parking spot. And the usher brought me to the ADA section which was pretty cool because I had been really far back.  But the ADA section was in the balcony and I was able to get really close to the stage.  Rodney Anonymous is such a wild and inclusive front man that he gets everyone involved in every song.  And even though he never looked up at the balcony, I felt like a participant.

Last time I was on the far side and could barely see bassist Dan Stevens or drummer Dean Clean.  This time I was on Joe Jack Talcum’s side and could see the whole stage easily.  I was also able to watch Jack’s guitar playing which is surprisingly complex.

One of the fun parts of sitting where I was that I could see all of the people slam dancing–and really making their pit large (to the dismay of other around them).  And for once I was really glad that I was upstairs away from the action.

The setlist wasn’t radically different from the previous show, but the order was very different and there were a few songs thrown in that they hadn’t played last time (I was pretty thrilled to hear The Thing That Only Eats Hippies). (more…)

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[ATTENDED: May 10, 2025] Miss Teen America

Parking around White Eagle Hall is a nightmare.  Despite arriving 25 minutes early for the show, I missed the first half of Miss Teen America.

But I did catch about half of their set and I enjoyed it quite a lot.

As I was watching I thought they had a really My Chemical Romance vibe.  But their earlier stuff.  It was very funny to me when, on my way back to the car, a young woman was talking with her friends and she said “That opening band was like what it must have been like to see My Chemical Romance when they first came out.  The singer even looked like Gerard Way.”

The band had a great look.  Their (new) bassist was awesome in fishnets and super high boots.  And their lead guitarist had a look that I couldn’t see all that well (the stage was pretty dark) but which was cool from afar.

They played four or five song while I was there including a song that they played together for the first time that night.  They describe themselves as traditional goth with “punk rock energy and a pop sensibility” and that’s pretty accurate.  I feel that the goth part is more from their look than their sound, but they definitely fall into the punkier side of goth. (more…)

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[ATTENDED: May 6, 2025] Oshima Brothers

This was our first time going to Archer Music Hall or it’s smaller companion The Arrow.  It’s a great set up with the two venue attached and yet somehow totally independent.  Our show was a quiet folkie show and downstairs were The Melvins and Napalm Death and we couldn’t hear any of it.

I had never heard of the Oshima Brothers.  Actually, that’s not true, they played Guster’s On the Ocean Festival (which we didn’t go to), but I hadn’t head them at all.

The brothers came out and there was a joke about one of them (Sean) looking like Nick Jonas (he does).  So they are Japanese-Italian folk-pop siblings from the coast of Maine.  Sean and Jamie play keys, bass, drums, looping, dance moves, and magic.

They had a great stage presence–lots of smiling and crowd interactions.  And their musical prowess was impressive–the amount of things they could play with looping.

Their songs were gentle and sweet but kind of forgettable.  The kind of songs that work well and are enjoyable live, but when you listen to them later, they’re just sort of okay. (more…)

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