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Archive for April, 2025

From Indian Lakes (Asbury Lanes, Asbury Park, NJ, April 21, 2025) [L.S. DUNES]

Posted in Asbury Lanes, Asbury Park, NJ, From Indian Lakes, L.S. Dunes, Night Sins on April 21, 2025| Leave a Comment »

[ATTENDED: August 3, 2025] From Indian Lakes

My son and I saw L.S. Dunes open for Pierce the Veil back in 2023.  We knew a little about them and then the merch guy told us that we would really like them.  But, as seems  to happen at the Santander Arena, the opening bands are just lost in the acoustics of the place.

But I was intrigued enough to want to check them out in Asbury Lanes.  My son and I went for dinner before the show and by the time we found parking, we had missed opening band Night Sins entirely.  And the place was PACKED.  I felt lucky that I could squeeze into the ADA seating area because if I couldn’t we’d have been crowded even further back.  Although I will say that it was not the ideal location–I really assumed we’d be really close to the stage.  And while we weren’t far away, it wasn’t ideal.

By the time we had fully settled in, From Indian Lakes were almost done.  I didn’t know anything about either band, but I was interested in them both and a little bummed to have missed them.

A brief bio: they released their first record since 2019 mid last year, which falls under a shoegaze, indie rock type of genre. The latest album of Head Void was a lot heavier than Dimly Lit in 2019, but compared to L.S. Dunes it’s quite tame.  They are apparently the brainchild of lead singer Joe Vann (Joey Vannucchi) and I don’t know who else was on stage with them.

Joe was totally understated as a front man, but he was also pretty funny, replying to fans shouting things and generally keeping the mood light.  He also had a very funny attitude about talking–just don’t offend anyone and it’s a win.  We saw about three songs in full and I really liked their vibe–very chill and shoegazey.  Although, live there was a harsher element than the soft shimmer of the album.

Overall I enjoyed what little I heard, and I’ve found that I enjoy their albums quite a bit too. (more…)

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Lucy Dacus (The Met Philadelphia, Philadelphia, PA, April 16, 2025)

Posted in Boygenius, Jasmine.4.T, Katie Gavin, Lucy Dacus, Philadelphia, PA, The Met Philadelphia on April 16, 2025| Leave a Comment »

[ATTENDED: April 16, 2025] Lucy Dacus 

I have seen Lucy Dacus quite a few (six) times and she always puts on a mesmerizing show. The first time I saw her was at Johnny Brenda’s (capacity 250), the most recent was at Union Transfer (capacity 1200).  And now here she was starting off her first tour after boygenius in her former home town of Philadelphia by playing The Met (capacity 3800).

And, wow, did she step it up for this bigger venue.  She had a gigantic backdrop designed to look like a museum wall.  There were picture frames and columns and it looked amazing.  And even this was presented theatrically as for the openers and for Lucy’s first song, the whole extravaganza was covered in a dropcloth.  The band even walked through the dropcloth opening at the center of the backdrop.  When it dramatically dropped away, the crowd went nuts.

And as she sang, one (or more) of the frames would display a picture that had something to do with the song she was playing.

Because this was the Forever is a Feeling tour, she played mostly songs from that new album (she played the whole album, but not in order).  The album opens with Calliope Prelude and so did the show.  It’s a short instrumental which is primarily strings and it worked very nicely as “walk on” music.

And then she launched right into Hot & Heavy, a song that opens quietly but builds really nicely to get the whole band involved.  I was surprised that she hadn’t opened with a song from the new album, but she followed that up with five songs in a row from it.  The band includes Sarah Goldstone (keys vocals), Dominic Angelella (bass), Alan Good Parker Guitars), Phoenix Rousiamanis (violin), and Ricardo Lagomasino (drums).

First was Ankles, the big single from the album–I’m always surprised when bands play their new single so early, but it worked to keep the energy up.  This also happened to be the first Lucy album I hadn’t listened to much before the show.  So I didn’t know these new songs all that well.  But Lucy is engrossing as a performer.  And it’s fun to hear a sing for the first time in a live setting.  Like hearing the words to Modigliani–while she projected a Modigliani painting on the screen. (more…)

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Katie Gavin (The Met Philadelphia, Philadelphia, PA, April 16, 2025) [LUCY DACUS]

Posted in Jasmine.4.T, Katie Gavin, Lucy Dacus, Philadelphia, PA, The Met Philadelphia on April 16, 2025| Leave a Comment »

[ATTENDED: April 16, 2025] Katie Gavin 

I Katie Gavin is the singer for Muna.  I didn’t really like the Muna album that much when it came out, but I was really impressed by their live show when I saw them at All Things Go a few years ago.

I felt kind of the same about the Katie Gavin album.  It was okay, but it didn’t excite me all that much.

In fact, I really wanted to see Jasmine.4.T because their song Elephant is one of my favorites this year.  Sadly, I didn’t realize the show started at 7:15 (I assumed 8) and when we rolled up at 7:45, Jasmine.4.T had already ended.

When Katie came out, she was met by thunderous applause, and as soon as she started performing, I was once again blown away by her stage presence.  She joked that people might not know who she is (the applause belied that).

I didn’t love Katie’s album as it leans a little too alt-country for me.  But as with anyone whose albums lean alt-country but who also rock out, in a live setting, the rocking comes to the fore.  And her four-piece band was outstanding, Both bassist Nana Adjoa and guitarist Eric Radloff provided backing vocals.  Adjoa even took a verse or two of some songs (she has a wonderful voice). (more…)

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An evening with Dawes (McCarter Theatre, Princeton, NJ, April 13, 2025)

Posted in Dawes, McCarter Theatre, Parenthood, Princeton, NJ on April 13, 2025| Leave a Comment »

[ATTENDED: April 13, 2025] An evening with Dawes

My wife and I first encountered Dawes in 2013 when they (inexplicably) appeared on Parenthood, a show we watched pretty regularly.  I thought they were a fictional band, but indeed they are not and had two albums out at the time.  I can’t recall at all what their plot line had to do with anything, but Dawes became something of a punchline for us.  The AV Club (who loves Dawes and the episode) jokes that the main character says the word Dawes so much it’s like he wants to be in the band.

And yet, over the years, we heard more and more songs of their that we liked.  It seemed like every new album brought at least one or two songs that we thought were really catchy.  I hadn’t really considered seeing them live until they announced that they were playing at McCarter.  I mean, a show that close to my house?  Sign me up!

So I got us tickets and wondered who the opener would be.  Well, it turned out there was no opener.  So we were given two full sets (20 songs… evidently the typical how on this tour got 17 songs, so I guess it wasn’t a huge difference (except that we got to go home earlier).

This show also happened a few months after the band announced that everyone except the two brothers: Taylor (vocals, guitar) and Griffin Goldsmith (drums) was out of the band.  I had actually wondered if they were going to play just the two of them.  But they didn’t–it was a full band, and they sounded great.

I think we were both a little surprised at what the band looked like, since I clearly never looked at them (since Parenthood).  This tour was for their new album Oh Brother, which I didn’t really know, although I did know and like the song Still Strangers Sometimes–a perfect catchy song from them.  But they started with The Game, a deep cut that I didn’t know but which I thought was quite good.

But I was really psyched when they played Living in the Future, and even though When the Tequila Runs Out is kinda goofy, it was really fun live.  Speaking of fun, this crowd was really really rowdy.  More so than the band, I’d say,  I had no idea that Dawes had such a devoted fan base (one guy was overheard saying he’d seen them a dozen or so times).

And the crowd went nuts for songs that I didn’t know.  I knew a few songs from Good Luck with Whatever, but I didn’t know Me Especially or Didn’t Fix Me.  Nor did I know Right on Time from the album All Your Favorite Bands (which I think we owned).

But that was just a few songs I didn’t know before they played Most People, a ubiquitous song that sounded great live.  They ended the with the mellow A Little Bit of Everything and then finished up the set with  Someone Else’s Café/Doomscroller Tries to Relax from Misadventures of a Doomscroller.  I felt like I knew the song, but it seems like an unlikely radio song–but that guitar riff was really cool.

After a little break, Tyler came out by himself and played a pretty, acoustic Moon in the Water. (more…)

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Deftones (Wells Fargo Center, Philadelphia, PA, April 4, 2025)

Posted in Deftones, fleshwater, Philadelphia, PA, The Mars Volta, Wells Fargo Center on April 5, 2025| Leave a Comment »

[ATTENDED: April 4, 2025] Deftones

I liked Deftones pretty much from when they first came out (the riff for My Own Summer is so good), although like everyone else, it was White pony that really blew me away.

I was lucky enough to see them in 2016 after they released Gore (an album that I love even though many fans do not).  They played the Sands Bethlehem, not a great venue, but the band sounded great and the band was really interactive with the audience.

I knew I wanted to see them again but the pandemic had other ideas, rescheduling their shows a few times.  When the rescheduled show finally happened in 2022, I wound up going with my daughter to see Beach Bunny instead.  And my son (a Deftones fan) went in my place.  Interestingly, since then my daughter has become a big Deftones fan and wow I’m sure she wished we had gone to Deftones instead of Beach Bunny.

Indeed, when this show was announced, I grabbed four tickets for me, my son, and my daughter.  But then my daughter had a commitment she couldn’t get out of (oh no), so my son’s friend came along–he’s a big fan as well–and all was good.  Actually it wasn’t all good because my car died on the way down.  Luckily it died on the way to his school and not while we were on 95.  Okay it didn’t die exactly, but it gave me a very alarming warning beep that made me quite certain I would not be driving it anywhere except home.

So he drove us in his convertible.  And he handled the nonsense of rte 95, the bottleneck at the Wells Fargo Center and the fact that there was a baseball game at the same time next door very well.  The baseball traffic was the real killer and the reason we missed fleshwater completely.  While we were in line for the exit, a car swerved in front of us and it was one of my coworkers!  How weird.  They were going to the stupid baseball game.

But we had decent seats (straight back but not close) and after Mars Volta we waited with mounting excitement.  It was here that I realized how young (and female) much of the audience was (like my daughter).  I believe that TikTok has introduced them to a lot of new people (good for Deftones, but it means they pay arenas instead of large clubs now).

The lights went down and thier gigantic video screen behind them lit up.  The screen jumped between shots of the band playing and other random projected videos.

The show started with what I guess is their (now) biggest hit.  I believe that Be Quiet is the song that got all the younguns into them.  And it sounded great, even in the cavernous Wells Fargo.  And I was really impressed with how energetic and bouncy Chino Moreno (who is in his 50s now) was. (more…)

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Poppy (Fillmore Philadelphia, Philadelphia, PA, April 3, 2025)

Posted in House of Protection, Philadelphia, PA, Poppy, The Fillmore Philadelphia on April 4, 2025| Leave a Comment »

[ATTENDED: April 3, 2025] Poppy

A few years ago Poppy was supposed to open for Deftones.  The show was postponed and on the new dates, Poppy was no longer available.  I wound up not going to the show anyhow.  She has played Philly once before as a headliner in 2022, but I had plans that night.  So I decided, why not check her out this time around, now that she has fully embraced her heavy metal persona.

I didn’t know how crowded it would be (somewhat), nor how enthusiastic the crowd would be (very).  I casually know Poppy’s music and assumed she’d put on a good show  But people there knew every song.

With five minutes to go before showtime, a countdown clock appeared on the curtain (this was a great idea I thought).  And when it reached zero, a voice read out a whole bunch of thingsas the words were projected onto the screen  I don’t know if this is part of a song or what.  But when it was done, the band emerged.

Her stage was set up with soft fabrics, including a keyhole entryway with soft curtains that she went through a number of times.  Her band was on the left on a large platform.  She was on the right on a large platform.  The view would have been spectacular except the guy who was earlier next to me was now in front of me and he swayed and pogoed in my face for about half the show.  Sigh.

So Poppy has a great stage presence.  She was dressed in what I can only imagine was a fairy wedding dress without the train, which was replaced by short shorts.  Poppy is, of course, an internet creation, so she is well versed in her image.  She also know how to play against type, being cute and bashful in between songs while screaming her head off during them. (more…)

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Mars Volta (Wells Fargo Center, Philadelphia, PA, April 4, 2025) [DEFTONES]

Posted in Deftones, fleshwater, Philadelphia, PA, The Mars Volta, Wells Fargo Center on April 4, 2025| Leave a Comment »

[ATTENDED: April 4, 2025] Mars Volta

I liked Mars Volta when they came out, lost track of them over the years and then assumed they’d broken up for good.  But in 2022 I scored tickets to see them at The Met in Philly.  The show was great and I was really amazed at how good Omar Rodríguez-López’s guitar was and I was even more impressed by Cedric Bixler-Zavala’s voice which can still hit the incredible high notes.

So I was pretty excited that they were opening for Deftones on this arena tour.

But when they came out on stage I realized the flaw.

Mars Volta plays intricate, complicated songs with many parts and wild shifts.  Which totally got lost in this giant arena.  Plus, they were playing their brand new (not yet released) album in its entirety.

It’s fun to hear new songs for the first time live.  But it is tough to hear an entire new album for the first time in a giant arena with thousands of people around you who are only waiting for the headliner. (more…)

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House of Protection (Fillmore Philadelphia, Philadelphia, PA, April 3, 2025) [POPPY]

Posted in Fever 333, House of Protection, Philadelphia, PA, Poppy, The Fillmore Philadelphia on April 3, 2025| Leave a Comment »

[ATTENDED: April 3, 2025] House of Protection

A few years ago Poppy was supposed to open for Deftones.  The show was postponed and on the new dates, Poppy was no longer available.  I wound up not going to the show anyhow.  She has played Philly once before as a headliner in 2022, but I had plans that night.  So I decided, why not check her out this time around, now that she has fully embraced her heavy metal persona.

I didn’t know who would be opening and when she announced it would be House of Protection, I assumed they would be a metal band that was super heavy.

I wasn’t expecting a duo.  Aric Improta ran out and sat at the drumset which was sideways and sitting at the front of the stage.  Seconds later Stephen Harrison also ran out.  He sang and played guitar.  But mostly he incited the crowd.

Improta sang the first song while drumming in a very elaborate (and yes, I’ll say it, a very California) style with lots of arms flailing around.  He was exceptionally theatrical, standing on his drum stool and waving a cymbal around, and really trying to get the crowd into it.

Harrison was equally as theatrical.  He literally ran all over the stage (his guitar was remote, so no cables held him in place).  He spun around, he punched the air, he swung his guitar around his neck.  He was exhausting to watch.

He also commanded the crowd in a way that an opening band very rarely does.  But it turns out that both guys were in Fever 333 (who I don’t know, but who sound pretty cool) and are veterans of the stage. (more…)

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Nanocluster : Immersion | Suss (Johnny Brenda’s, Philadelphia, PA, April 1, 2025)

Posted in Immersion, Johnny Brenda's, Philadelphia, PA, Suss on April 1, 2025| Leave a Comment »

[ATTENDED: April 1, 2025] Nanocluster : Immersion | Suss

I stumbled upon Suss one night when I was looking for music to relax to.  I got a kick out of the name–my kids had been using it as slang quite a lot at the time–and really enjoyed their music.  The seem to be described as “ambient country” which would have turned me off.  I’d rather think of them as a soundtrack to the open spaces in the midwest and west (even though all three members are from New York City.

The trio is Jonathan Gregg: Pedal Steel, dobro ; Bob Holmes: Mandolin, baritone guitar, acoustic guitar, harmonica, violin, Keyboards ; Pat Irwin: Electric guitars, National guitar, eBow, harmonium, keyboards, melodica, loops.

Then one night I was listening to Echoes on NPR and they had an interview with Suss.  Which seemed coincidental.  And they mentioned this album that they had made with Immersion.   Immersion is a project from Colin Newman of Wire.  He and Malka Spigel (his wife) who played in Minimal Compact started this electronic project some 30 years ago.  Then in 2021 they started doing Nanocluster projects where they collaborated with others.  Volume 3 featured Suss.  So this was a tour of the album (which is short) as well as sets from each band.

I almost never sit in the balcony at Johnny Brenda’s.  I like to be up by the stage.  But this show, which promised to be very chill, seemed like a great opportunity to go upstairs and grab a stool!

Suss came out first.  They were clustered close together because there was so much gear on the stage.   They had two screens behind them.  Each one projected the same thing (which was weird when it was a  camera panning over a landscape since it seemed like it should continue from one screen to the next rather than being the same thing, but that’s fine.

The three guys bent over their instruments and made beautiful instrumental music.  Keys, slide guitar and other instruments created a dreamy feeling of being in open spaces.  After about 15 minutes or so they were joined by a bass player (whose name I didn’t catch),  he didn’t add fancy bass lines, just a nice low end.  They ended as a trio with one of the guys whistling a sad mournful melody.  (more…)

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