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Archive for April, 2025

[ATTENDED: April 22, 2025] Steven Page Trio

I have loved Steven Page’s voice for decades.

I’ve really enjoyed his Trio shows, too.  I think I’d like to see him with a full band to really rock out, but even in this trio format, they can still rock.

The trio includes Craig Northey (of Odds) on guitar and Kevin Fox on cello.  I saw this same trio in the same place six years ago and it was great to see them again.

Like last time, they played a mix of BNL songs and Steven solo songs.  It was fun that they opened with It’s All Been Done (Steven acoustic, Craig electric) and the crowd Whoo hoo hoo’d along with them.  They followed it with Steven’s A New Shore (Land ho!) and the on to another BNL song, Jane.

The conundrum is that I love the BNL songs as much as anyone, but I feel a little bad that he doesn’t play more of his great solo stuff.  And yet, when he satted Alternative Girlfriend–one of my all time faves, it was a glorious moment.  The fact that it segued into Odds’ Someone Who’s Cool was a wonderful touch. (more…)

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[ATTENDED: April 22, 2025] Menno Versteeg

Menno Versteeg is a Canadian musician who fronted the awesomely-named (but I’ve never heard or heard of) Hollerado.  I wasn’t aware of him until this show, and I’m not sure how “big” he is in Canada.

Menno was very funny–a lighthearted storyteller (even if the stories were kind of dark).  Sadly, we walked in during the first song (WCL can be a real pain to get to), but we didn’t miss much.

It was him and his acoustic guitar playing songs from Why We Run, his debut solo album–although he has released music under the name Mav Carlo as well.

His songs were about a rough life as a youth in Canada

We would to drink enough whatever there was
To kill a clydesdale every night
But we’d do enough drugs and punching,
To bring that same horse back to life  [from Videostore]

There was a country vibe, but like most of Canadian country music, there wasn’t that awful twang in the vocals.

I particularly enjoyed the two dog songs.  The 4o some second I Got a Dog which is (entirely):

My mother is dyslexic
Sometimes her letters switch around
She failed grade 10 like a good artist does
And passed those ğood ġenes down
She faints plowers, like she saints pun-sets
Haints her Peart when She bolds a hush
And she assured me I would rind my dog
When I wasn’t in a fush

And then Bad Dog was a funny song story about a real bad dog–but Menno loves him still. (more…)

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[ATTENDED: April 21, 2025] L.S. Dunes

My son and I saw L.S. Dunes open for Pierce the Veil back in 2023.  We knew a little about them and then the merch guy told us that we would really like them.  But, as seems  to happen at the Santander Arena, the opening bands are just lost in the acoustics of the place.

So when this show was announced I grabbed tickets assuming that we’d like them a lot more if we could actually hear them.

Perhaps the coolest thing of all was that I won a contest on Instagram which gave me two signed posters from the band (strangely enough, one of this posters is not signed by one of the members, but that’s okay).  It was definitely a cool souvenir.

We missed the opening band Night Sins entirely.  And the place was PACKED.  I felt lucky that I could squeeze into the ADA seating area because if I couldn’t we’d have been crowded even further back.  It was not the ideal location–I really assumed we’d be really close to the stage.  And I was a little bummed to be relatively far from the stage–although I think it would have been way too crowded up front.

However, the crowd was 100% into it and it was kind of fun to be behind the crowd and see all of the fun.

We knew Frank Iero the best in the band (being MCR fans).  I feel like I should have known Anthony Green and Circa Survive, but I didn’t know them at all.  We had seen drummer Tucker Rule and bassist Tim Payne from Thursday, but I didn’t really know at all. We were closest to guitarist Travis Stever who plays in Coheed and Cambria–someone I’ve wanted to see but haven’t.  His soloing was great.

I had listened to the new album once or twice but didn’t really know their music all that well.  But I knew it would be great.  I loved the way Like Magick started slowly with Anthony Green singing over strummed chords and then boom, the song took off.  Fatal Deluxe showed the dichotomy of Green’s vocals–screamed intensity and then quieter very high-pitched vocals. (more…)

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[ATTENDED: August 3, 2025] From Indian Lakes

My son and I saw L.S. Dunes open for Pierce the Veil back in 2023.  We knew a little about them and then the merch guy told us that we would really like them.  But, as seems  to happen at the Santander Arena, the opening bands are just lost in the acoustics of the place.

But I was intrigued enough to want to check them out in Asbury Lanes.  My son and I went for dinner before the show and by the time we found parking, we had missed opening band Night Sins entirely.  And the place was PACKED.  I felt lucky that I could squeeze into the ADA seating area because if I couldn’t we’d have been crowded even further back.  Although I will say that it was not the ideal location–I really assumed we’d be really close to the stage.  And while we weren’t far away, it wasn’t ideal.

By the time we had fully settled in, From Indian Lakes were almost done.  I didn’t know anything about either band, but I was interested in them both and a little bummed to have missed them.

A brief bio: they released their first record since 2019 mid last year, which falls under a shoegaze, indie rock type of genre. The latest album of Head Void was a lot heavier than Dimly Lit in 2019, but compared to L.S. Dunes it’s quite tame.  They are apparently the brainchild of lead singer Joe Vann (Joey Vannucchi) and I don’t know who else was on stage with them.

Joe was totally understated as a front man, but he was also pretty funny, replying to fans shouting things and generally keeping the mood light.  He also had a very funny attitude about talking–just don’t offend anyone and it’s a win.  We saw about three songs in full and I really liked their vibe–very chill and shoegazey.  Although, live there was a harsher element than the soft shimmer of the album.

Overall I enjoyed what little I heard, and I’ve found that I enjoy their albums quite a bit too. (more…)

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[ATTENDED: April 16, 2025] Lucy Dacus 

I have seen Lucy Dacus quite a few (six) times and she always puts on a mesmerizing show. The first time I saw her was at Johnny Brenda’s (capacity 250), the most recent was at Union Transfer (capacity 1200).  And now here she was starting off her first tour after boygenius in her former home town of Philadelphia by playing The Met (capacity 3800).

And, wow, did she step it up for this bigger venue.  She had a gigantic backdrop designed to look like a museum wall.  There were picture frames and columns and it looked amazing.  And even this was presented theatrically as for the openers and for Lucy’s first song, the whole extravaganza was covered in a dropcloth.  The band even walked through the dropcloth opening at the center of the backdrop.  When it dramatically dropped away, the crowd went nuts.

And as she sang, one (or more) of the frames would display a picture that had something to do with the song she was playing.

Because this was the Forever is a Feeling tour, she played mostly songs from that new album (she played the whole album, but not in order).  The album opens with Calliope Prelude and so did the show.  It’s a short instrumental which is primarily strings and it worked very nicely as “walk on” music.

And then she launched right into Hot & Heavy, a song that opens quietly but builds really nicely to get the whole band involved.  I was surprised that she hadn’t opened with a song from the new album, but she followed that up with five songs in a row from it.  The band includes Sarah Goldstone (keys vocals), Dominic Angelella (bass), Alan Good Parker Guitars), Phoenix Rousiamanis (violin), and Ricardo Lagomasino (drums).

First was Ankles, the big single from the album–I’m always surprised when bands play their new single so early, but it worked to keep the energy up.  This also happened to be the first Lucy album I hadn’t listened to much before the show.  So I didn’t know these new songs all that well.  But Lucy is engrossing as a performer.  And it’s fun to hear a sing for the first time in a live setting.  Like hearing the words to Modigliani–while she projected a Modigliani painting on the screen. (more…)

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[ATTENDED: April 16, 2025] Katie Gavin 

I Katie Gavin is the singer for Muna.  I didn’t really like the Muna album that much when it came out, but I was really impressed by their live show when I saw them at All Things Go a few years ago.

I felt kind of the same about the Katie Gavin album.  It was okay, but it didn’t excite me all that much.

In fact, I really wanted to see Jasmine.4.T because their song Elephant is one of my favorites this year.  Sadly, I didn’t realize the show started at 7:15 (I assumed 8) and when we rolled up at 7:45, Jasmine.4.T had already ended.

When Katie came out, she was met by thunderous applause, and as soon as she started performing, I was once again blown away by her stage presence.  She joked that people might not know who she is (the applause belied that).

I didn’t love Katie’s album as it leans a little too alt-country for me.  But as with anyone whose albums lean alt-country but who also rock out, in a live setting, the rocking comes to the fore.  And her four-piece band was outstanding, Both bassist Nana Adjoa and guitarist Eric Radloff provided backing vocals.  Adjoa even took a verse or two of some songs (she has a wonderful voice). (more…)

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[ATTENDED: April 13, 2025] An evening with Dawes

My wife and I first encountered Dawes in 2013 when they (inexplicably) appeared on Parenthood, a show we watched pretty regularly.  I thought they were a fictional band, but indeed they are not and had two albums out at the time.  I can’t recall at all what their plot line had to do with anything, but Dawes became something of a punchline for us.  The AV Club (who loves Dawes and the episode) jokes that the main character says the word Dawes so much it’s like he wants to be in the band.

And yet, over the years, we heard more and more songs of their that we liked.  It seemed like every new album brought at least one or two songs that we thought were really catchy.  I hadn’t really considered seeing them live until they announced that they were playing at McCarter.  I mean, a show that close to my house?  Sign me up!

So I got us tickets and wondered who the opener would be.  Well, it turned out there was no opener.  So we were given two full sets (20 songs… evidently the typical how on this tour got 17 songs, so I guess it wasn’t a huge difference (except that we got to go home earlier).

This show also happened a few months after the band announced that everyone except the two brothers: Taylor (vocals, guitar) and Griffin Goldsmith (drums) was out of the band.  I had actually wondered if they were going to play just the two of them.  But they didn’t–it was a full band, and they sounded great.

I think we were both a little surprised at what the band looked like, since I clearly never looked at them (since Parenthood).  This tour was for their new album Oh Brother, which I didn’t really know, although I did know and like the song Still Strangers Sometimes–a perfect catchy song from them.  But they started with The Game, a deep cut that I didn’t know but which I thought was quite good.

But I was really psyched when they played Living in the Future, and even though When the Tequila Runs Out is kinda goofy, it was really fun live.  Speaking of fun, this crowd was really really rowdy.  More so than the band, I’d say,  I had no idea that Dawes had such a devoted fan base (one guy was overheard saying he’d seen them a dozen or so times).

And the crowd went nuts for songs that I didn’t know.  I knew a few songs from Good Luck with Whatever, but I didn’t know Me Especially or Didn’t Fix Me.  Nor did I know Right on Time from the album All Your Favorite Bands (which I think we owned).

But that was just a few songs I didn’t know before they played Most People, a ubiquitous song that sounded great live.  They ended the with the mellow A Little Bit of Everything and then finished up the set with  Someone Else’s Café/Doomscroller Tries to Relax from Misadventures of a Doomscroller.  I felt like I knew the song, but it seems like an unlikely radio song–but that guitar riff was really cool.

After a little break, Tyler came out by himself and played a pretty, acoustic Moon in the Water. (more…)

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[ATTENDED: April 4, 2025] Deftones

I liked Deftones pretty much from when they first came out (the riff for My Own Summer is so good), although like everyone else, it was White pony that really blew me away.

I was lucky enough to see them in 2016 after they released Gore (an album that I love even though many fans do not).  They played the Sands Bethlehem, not a great venue, but the band sounded great and the band was really interactive with the audience.

I knew I wanted to see them again but the pandemic had other ideas, rescheduling their shows a few times.  When the rescheduled show finally happened in 2022, I wound up going with my daughter to see Beach Bunny instead.  And my son (a Deftones fan) went in my place.  Interestingly, since then my daughter has become a big Deftones fan and wow I’m sure she wished we had gone to Deftones instead of Beach Bunny.

Indeed, when this show was announced, I grabbed four tickets for me, my son, and my daughter.  But then my daughter had a commitment she couldn’t get out of (oh no), so my son’s friend came along–he’s a big fan as well–and all was good.  Actually it wasn’t all good because my car died on the way down.  Luckily it died on the way to his school and not while we were on 95.  Okay it didn’t die exactly, but it gave me a very alarming warning beep that made me quite certain I would not be driving it anywhere except home.

So he drove us in his convertible.  And he handled the nonsense of rte 95, the bottleneck at the Wells Fargo Center and the fact that there was a baseball game at the same time next door very well.  The baseball traffic was the real killer and the reason we missed fleshwater completely.  While we were in line for the exit, a car swerved in front of us and it was one of my coworkers!  How weird.  They were going to the stupid baseball game.

But we had decent seats (straight back but not close) and after Mars Volta we waited with mounting excitement.  It was here that I realized how young (and female) much of the audience was (like my daughter).  I believe that TikTok has introduced them to a lot of new people (good for Deftones, but it means they pay arenas instead of large clubs now).

The lights went down and thier gigantic video screen behind them lit up.  The screen jumped between shots of the band playing and other random projected videos.

The show started with what I guess is their (now) biggest hit.  I believe that Be Quiet is the song that got all the younguns into them.  And it sounded great, even in the cavernous Wells Fargo.  And I was really impressed with how energetic and bouncy Chino Moreno (who is in his 50s now) was. (more…)

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[ATTENDED: April 3, 2025] Poppy

A few years ago Poppy was supposed to open for Deftones.  The show was postponed and on the new dates, Poppy was no longer available.  I wound up not going to the show anyhow.  She has played Philly once before as a headliner in 2022, but I had plans that night.  So I decided, why not check her out this time around, now that she has fully embraced her heavy metal persona.

I didn’t know how crowded it would be (somewhat), nor how enthusiastic the crowd would be (very).  I casually know Poppy’s music and assumed she’d put on a good show  But people there knew every song.

With five minutes to go before showtime, a countdown clock appeared on the curtain (this was a great idea I thought).  And when it reached zero, a voice read out a whole bunch of thingsas the words were projected onto the screen  I don’t know if this is part of a song or what.  But when it was done, the band emerged.

Her stage was set up with soft fabrics, including a keyhole entryway with soft curtains that she went through a number of times.  Her band was on the left on a large platform.  She was on the right on a large platform.  The view would have been spectacular except the guy who was earlier next to me was now in front of me and he swayed and pogoed in my face for about half the show.  Sigh.

So Poppy has a great stage presence.  She was dressed in what I can only imagine was a fairy wedding dress without the train, which was replaced by short shorts.  Poppy is, of course, an internet creation, so she is well versed in her image.  She also know how to play against type, being cute and bashful in between songs while screaming her head off during them. (more…)

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[ATTENDED: April 4, 2025] Mars Volta

I liked Mars Volta when they came out, lost track of them over the years and then assumed they’d broken up for good.  But in 2022 I scored tickets to see them at The Met in Philly.  The show was great and I was really amazed at how good Omar Rodríguez-López’s guitar was and I was even more impressed by Cedric Bixler-Zavala’s voice which can still hit the incredible high notes.

So I was pretty excited that they were opening for Deftones on this arena tour.

But when they came out on stage I realized the flaw.

Mars Volta plays intricate, complicated songs with many parts and wild shifts.  Which totally got lost in this giant arena.  Plus, they were playing their brand new (not yet released) album in its entirety.

It’s fun to hear new songs for the first time live.  But it is tough to hear an entire new album for the first time in a giant arena with thousands of people around you who are only waiting for the headliner. (more…)

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