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Archive for October, 2023

[ATTENDED: October 21, 2023] Grace Vonderkuhn 

Grace Vonderkuhn has been on my list of bands to see for a while now, although I don’t exactly remember how I first heard about this band from Deleware.

Grace Vonderkuhn is a 3-piece rock band from Wilmington, Delaware. Uniting in 2016, the outfit consists of Grace Koon, songwriter, singer, and guitarist, Brian Bartling—bassist, and Dave McGrory, who plays the drums and sings. They combine shoegaze, post-punk, and psych influences with sharp pop sensibilities. The band toured throughout the US, showcased at SXSW, recorded an Audiotree live session, and were featured on NPR following the release of their first full-length album, Reveries (2018 Egghunt Records). Grace Vonderkuhn went on to release their sophomore album, Pleasure Pain, on Philly-based record label Sheer Luck Records in 2021. They have shared the stage with countless bands including Camp Cope, Shame, Ought, Titus Andronicus, Lower Dens, No Age, and The Districts. The band is currently working on their third full-length album and playing shows.

I had heard good things about them, but I guess I didn’t actually listen to them that much before the show because they blew me away.

Grace Koon is a killer guitar player. She’s not showoffy at all, but she can play great solos, weird chords and a pretty diverse array of sounds. She also sings in a couple of different styles from gentle to deep and menacing.  Brian Barling on bass doesn’t just keep up with Grace, he often plays counterpoint to her melodies.  And Dave McGrory on drums is the secret weapon. He plays different patterns and rhythm and his backing vocals are great–he often sings high over Grace’s low, grittier vocals. (more…)

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[ATTENDED: October 21, 2023] The Cowpokes

So much was going on tis evening that I didn’t know what I’d get to see.

A long time ago I had purchased a ticket to see Genesis Owusu on this evening.  Then this Wax Jaw show was announced.  I’ve been really wanting to see wax Jaw live, so I decided maybe I’d go to that show instead.  Then I found out that the Wax Jaw show would be over by like 9:30 (because of a late night DJ show at Silk City). Then mu daughter decided to have a birthday party that night.  Fortunately she didn’t need me to be there.

So I left after picking up the food and figured that I’d probably miss The Cowpokes.

Cowpokes are a country rock band from Philadelphia. Comprised of Jia Binder, Cami Bachman, Dylan Michael, and Winnie Malcarney, they are among the enlightened few to understand that the Byrds are better than the Beatles.

I wasn’t sure I’d mind missing them as the whole country angle doesn’t appeal to me.  But a country PUNK band turned out to be a lot of fun.  I arrived in the beginning of their set but missed a song or two.

They were stomping and pogoing.  There was a kind of country twang in the vocals, but it was like a Philly country twang which I rather liked.

I don’t know who was who, but I enjoyed that the guitarist who I presume is male was wearing a house dress.  I loved that the guitar who presented female also played  flute solo and then later played lap steel!  And the bass player/singer had a great voice.   I also loved that the drummer had some really fast fills and rolls and even knocked one of his cymbals off its stand at some point (someone in the crowd jumped up on stage and replaced it).

I don’t know what they played (they have only one song out on bandcamp), but it was rocking and good fun.  I’m glad I caught them.

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[DID NOT ATTEND: October 20, 2023] Palehound / Empath

I saw Palehound twice within a few months back in 2018.

Palehound singer/guitarist Ellen Kempner is a fantastic guitarist and a really compelling frontwoman.  I’m not entirely sure what she’s been up to since then (two albums apparently).

As far as I can see they haven’t played Philly since then.  I was pretty excited to see them, but her date landed right on my daughter’s birthday.  So, yeah, that isn’t happening.

No questions asked.

Empath are a Philly band that play a kind of noise punk.  Rolling Stone says “They sound like four people who sat in a room flexing their own freaky styles until — before they realized their interests might be wholly incompatible — the chaos created its own logic.”  They sound pretty great.

I could have seen Empath 4 times, but each time something happened.  The most recent time, they were supposed to open for Fucked Up but cancelled (and I got to see Pony, so that was okay).

I do hope to see them one of these days.

 

(more…)

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[DID NOT ATTEND: October 19, 2023] Bahamas / Fortunate Ones

This is the second concert (which I did not attend) that has been at Union Transfer and then Asbury Lanes (if there’s ever someone I love, I could see them twice!).

I’ve been surprised that the bands are playing these two venues as I tend to think of Asbury Lanes as being very very small.  But I see that the capacity of Asbury Lanes is 700 and the capacity of Union Transfer is 1200.  I would have guessed Asbury Lanes to be about 300, but then I’ve never seen anyone there when it was sold out.

About five years ago I watched a video of Bahamas at Massey Hall and I liked it.

Bahamas is Afie Jurvanen a Canadian folk act. I haven’t followed them much but considered that I might want to see them. But when I listened to their newer songs, I didn’t like them.

It’s very much soft rock with, and I feel that this works for the name Bahamas, a kind of summery vacationy islandy feel.  It’s the kind of thing that I would enjoy hearing while I was walking around in a vacation chalet, but not someone I’d want to see live.

Fortunate Ones is a Canadian indie folk duo from St. John’s, Newfoundland, consisting of Andrew James O’Brien and Catherine Allan.

It’s nice that Bahamas invited another Canadian band along with him.  But I didn’t like either of their voices (which surprises me).

Needless to say I’m not going to this show.

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[DID NOT ATTEND: October 18, 2023] Bahamas / Fortunate Ones

About five years ago I watched a video of Bahamas at Massey Hall and I liked it.

Bahamas is Afie Jurvanen a Canadian folk act. I haven’t followed them much but considered that I might want to see them. But when I listened to their newer songs, I didn’t like them.

It’s very much soft rock with, and I feel that this works for the name Bahamas, a kind of summery vacationy islandy feel.  It’s the kind of thing that I would enjoy hearing while I was walking around in a vacation chalet, but not someone I’d want to see live.

Fortunate Ones is a Canadian indie folk duo from St. John’s, Newfoundland, consisting of Andrew James O’Brien and Catherine Allan.

It’s nice that Bahamas invited another Canadian band along with him.  But I didn’t like either of their voices (which surprises me).

Needless to say I’m not going to this show.

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[ATTENDED: October 17, 2023] Don Broco

I know of Don Broco from a tour in which they did not play when they were supposed to.  They opened for Pierce the Veil and The Used at the Stone Pony Summer Stage.   But that night a huge storm was forecast, so they moved the whole show up (and cut the show short).

We walked in after Don Broco finished.  The only evidence we had of them was when singer Rob Damiani came out later to sing with The Used.  He was a character and he had a great voice.

So when this headlining tour was announced, I grabbed a ticket to check out what I missed. I grabbed a ticket early because that’s what I do, but I had no idea that the show would sell out.  Rob told is that Philly was (probably) the first show of the tour to sell out.

The opening band The Home Team told us that Don Broco would blow us away.  And they did.  They came out and from the start they were running on all cylinders, with Ron wearing a tight white T-shirt that had homemade writing I ♥ Don Broco.

“Gumshield” is super heavy but it opens with this weird little kinda cheesy synth riff (which is really catchy).  As is the chant at the end of the song “Yes, I’m angry and I’m disappointed.”

The crowd was with them 100% right from the start–singing along to every word, even the very very British “Manchester Super Reds No.1 Fan” (which has several super catchy parts).

I was also pretty pleased to read about the meanings behind some of their songs, which only made me like them more.  “Manchester” is (according to reddit)

The song’s actually about toxic fandom and bullying on social media, which is pretty much the opposite of “oi oi lads lads lads” in my opinion.

Rob said “I wanted to write something about an aspect of social media culture I’d really noticed in the last year. Of people tearing other people down, with much of that destructive negativity coming from the supposed fans of bands and teams. In football, you get these ultra fans who go way beyond the point of criticism into cruel, unadulterated bullying.”

I enjoy the way Rob sings with such intensity but when he sings the opening of “Uber,” he throws in an much thicker accent than he has when he speaks.  And the song is explicitly anti-racist

The song is a fairly explicit recounting of experiences the band had while in America, particularly drawing inspiration from racist Uber drivers they rode with.  “Within the space of a week three separate Uber drivers were openly racist in front of us, I guess assuming as white guys we’d share their views.”  The lyrics reflect those experiences, with lead vocalist Rob Damiani fiercely singing: “I’ve been dealing with the driver who’s sorry for my lot/’Cause my country got us mixing our blood/And it’s boiling his blood/And it’s spoiling my blood.”  “‘Uber’ is about being angry about that,” the band said, “being angry that racists seem to be growing in confidence to speak their hate in public and it’s a reminder to me to call out that discrimination whenever I see it.”

The woman in front of me recorded all of “Come Out to LA” (her camera was right in front of and her footage was so jumpy and erratic that if she watches it again she might throw up).  The drummer Matt Donnelly sings the high vocals in this song (as well as all the harmonies and extra vocals).  His voice is a nice contrast.

And guitarist Simon Delaney was not at the show.  He evidently had to stay back in England for some reason.  For this tour, he was replaced by Marc Okubo from Veil of Maya.  I don’t know if he replicated the band’s sound well, but I thought the guitar sounded amazing.

Rob has been very pleased with the moshing going on and after “Automatic” he insisted on a wall of death shoving mosh pit.  It went very well and when the song was over her called up on stage the kid he had seen in the crowd (a ten year old whom he called fearless).  The kid invited up his brother and Mother? Sister?  to be introduced and they were allowed to stay on the side of the stage or get back in the pit.  Tough choice.  I’m not sure what they chose.

A lot of the Don Broco songs feature screamed/chanted parts.  Like “Pretty” which has some quiet moments features a chanted “eight days a week, sucker eight days a week,” which the crowd loves.  “One True Prince” has a quiet opening that reminds me of Deftones with the whispered way that Matt sings over the quiet guitars.

I also really enjoyed the sound that bassist Tom Doyle managed–a good variety of slapping, funk and really deep and heavy rumbling.  Like the way “Endorphins” starts kind of poppy but then has a huge metal chorus.

Rob talked about how great the Philly crowd was.  He talked about when they played with Pierce the Veil and The Used and how great the crowd was there (that’s the our that my son and I went to, but Don Broco was cancelled because of the rain).

Then he introduced the song with his favorite riff–“Bruce Willis.”  The song is crazy catchy with the Willis-quoted chorus “Yippie Ki Yay Mother Fucker.”  Someone in the crowd had a black bedazzled cowboy hat which Ron wore for the whole song.

“Everybody” has the insanely catchy rising vocal line “No one’s ever seen me like this!”

They ended the set with “Birthday Party,” their new single.  It’s stupidly catchy and featured everybody else–The Color 8, Ryan Oakes and at least the singer from The Home Team) on stage to sing and jump around the stage.  It was delightful chaos and a fun way to end the set.

I knew there’s be an encore (everyone else got one and they loved Philly).  It took a while, but eventually they came out with the heavy new-ish single “Fingernails” which reminds me of the “eight days a week” part of the show with the chanted “one by one by one by one.”

The final song was an older one, “T-Shirt Song,” in which everyone in the crowd waved their (recently purchased one assumes) T-shirts around.  (In one case the T shirt was a spangled bra which made its way to the stage).

I couldn’t see all that well for the show (I was very far back) and videos and pictures were not easy to get.  There were also a few tall guys in front of me.  But it sounded great and I had a lot of fun.

But when that show was over, I bolted out there happy to get out of Philly before the game (which Philly killed in) was over and the fans hit the streets.

I’m really glad I went.

Incidentally, if you like music videos, Don Broco makes AMAZING ones.

SETLIST is not quite accurate but is close.

  1. Gumshield Æ
  2. Manchester Super Reds No.1 Fan Æ
  3. Uber Æ
  4. Come Out to LA
  5. Automatic €
  6. Pretty
  7. One True Prince Æ
  8. ACTION ®
  9. Endorphins Æ
  10. Bruce Willis Æ
  11. Everybody
  12. Birthday Party (with The Home Team, Ryan Oakes & The Color 8 to Perform the USA Remix)
    encore
  13. Fingernails ψ
  14. T-Shirt Song

‰ single (2023)
ψ single (2022)

Æ Amazing Things (2021)
® single (2019)
⊕ Technology (2018)
€ Automatic (2015)

Incidentally, when they played Asbury Park, their setlist was only seven songs. My show was a much better way to see them.

  1. Pretty
  2. Everybody
  3. Come Out to LA
  4. Gumshield Æ
  5. One True Prince Æ
  6. Bruce Willis Æ
  7. T-Shirt Song

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[ATTENDED: October 17, 2023] The Home Team / Ryan Oakes / The Color 8

I wasn’t entirely sure if I was going to this show.  I was sort of off going, but since I’d missed the Saturday shows, I figured I wouldn’t blow off this one.  Even if I wasn’t that excited about the opening bands.

I left later than I normally do, since the listing said that the show started at 7:30.  I figured if I got there around 8, I’d miss Ryan Oakes.  If I got there around 8:30, I’d miss some of The Home Team, and that would be grand.

Traffic was really light and, shockingly, South Street parking was widely available.  AND, because the Phillies are in the playoffs (I assume that’s why), parking was free.  I parked 500 feet from TLA.  Nice.

The show was sold out (which surprised me, but good for them) and I walked in to hear… Ryan Oakes.  He was finishing up two songs or so.  And the places was PACKED.

So it turned out there was ANOTHER opening band called The Color 8.  Okay, so if you read that poster carefully, it appears that The Color 8 are playing all the shows, and only Ryan Oakes and Skyler Accord are rotating shows.

I’ve never heard of them, although I see that they (along with everyone else on this bill) did a remix of a Don Broco song “Birthday Party.”

Suffice it to say that I missed them entirely.  The Home Team raved about them saying that The Color 8 plays the same instruments that they do, but they do incredible things with them.  I’ve listened to a few songs and I’m on the fence.  I hate the saxophone, although I do applaud them for including it on some of these metal rap songs just for a change of pace.

There is no genre that they are afraid to use, although I’d say they comfortably sit in a metal/rap vein. (more…)

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[DID NOT ATTEND: October 14, 2023] Pinkshift / Jhariah / Pollyanna 

I wanted to go to this show more than the one at House of Independents because I love the Ukie Club.  But I already had tickets to Algernon Cadwallader for this night.  The fact that my son was home from college and I didn’t go to anything this night is totally fine.   And now I’ve found out that the HOI show was rescheduled, so all is good.

I have seen Pinkshift three times and they are amazing.  They get better with each show, but I have yet to see them headline.  So I would have really liked to get to this show.

Jhariah plays musical theater.  But on the heavy end, like when My Chemical Romance goes theatrical.  He throws in all kinds of cool and interesting sounds.  This is wacky and fun and he clearly relishes the theatricality.  I would love to see him live.

Pollyanna are from New Jersey and they absolutely rock: Lead singer and guitarist Jill Beckett, drummer Daniel McCool, bassist Brandon Bolton, and guitarist Jack Rose.  They mix

power-pop, loud rock, bubble grunge, and punk influences.  Their name directly derives from the dictionary definition, “to be unreasonably or illogically optimistic” – perfectly describing front-person Jill Beckett’s ‘stuck in 2017’ incredibly optimistic attitude. After meeting in the first grade, Dan and Jill started the band at just 13 years old, eager to create and play music that would reach audiences beyond the confines of Jill’s open garage doors. Brandon made them a trio in early 2019, bringing 90’s femme punk influence to the group. At the start of 2021, Jack completed the bands’ lineup, adding his elemental stabby guitars and love for shoegaze and metal into the mix. After completing almost 5 tours around the east coast and the midwest, Pollyanna has won over a following in the New Jersey music scene along with cities in the tri-state and beyond. They plan on growing as far as possible and leaving a unique mark in the music industry.

Their album Slime is great–snotty and brash with great sounds and Beckett’s excellent vocals.  So, yes, I hope to see them some time.

Sorry about the flooding (it was really terrible), but I’m glad I get to see the show next year.

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[DID NOT ATTEND: October 14, 2023] Tigers Jaw / Another Michael/ Greg Mendez

I’ve seen Tigers Jaw twice and both shows were great.  I really like their catchy pop punk, but I’m not sure I need to see them again.  But man if I was a die hard fan, here’s three days in a row of really close concerts I could go to.

And yet…  Here’s what they say about these two shows (they love playing Crossroads)

Mystery Setlists? We’re pulling out all the stops for Garwood this weekend. We’ll be playing two very distinctive sets for people who might want to come to both shows.
One of the shows setlists will concentrate on two worlds + spin, and the other will be charmer + I won’t care heavy. (Not full album plays, just most of both records, plus both sets will have some self titled oldies and newer Ep songs.)
We’re not saying which night is which combo. 🤔
So many songs. Maybe a fun cover.

I could have seen Another Michael open for Pinegrove and Ratboys.   But those shows were cancelled.  I feel like his name pops up a lot but I’ve never seen him/them.

A few years ago I wrote “From what I can tell they play a kind of mellow indie rock with lead Michael’s vocals veering into R&B styles.”  Although their new album sounds a lot more like Pinegrove than anything else.  And I rather liked it.

Greg Mendez plays mellow folk music with a gentle voice.  According to Bandcamp Daily, he is

one of the Philly DIY scene’s best-kept-secrets, the soft-spoken songwriter with a preternatural ability to craft brief yet powerful songs is enjoying a raised profile with the release of his self-titled full-length. On the strength of a few early singles, the initial run of vinyl sold out within a month of the album’s announcement, but with releases and demos dating back to 2006, Mendez is hardly an overnight success.

It’s fascinating that Tigers Jaw encourages mellow openers when their shows tend to really rock out.

 

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[DID NOT ATTEND: October 14, 2023] Algernon Cadwallader / Knifeplay / Church Girls / Huey, the Cosmonaut

Algernon Cadawallader announced two shows at Union Transfer last year.  I bought tickets to one and then couldn’t go.   I hadn’t even heard of them before the show, but I had since listened to them and thought they sounded pretty great.  My show sold out and the second night did so eventually as well, I believe.

When this night of Philly Music Fest was announced, I immediately grabbed a ticket assuming this would easily sell out.  But as of the night of the show there were still tickets left.  That seems very weird to me.

I was pretty psyched for this show mostly for the opening acts, but then my son came home from college and I stayed home to hang out with him and the fam.

Of course this means I didn’t go to any Philly Music Fest shows this year.

Knifeplay plays a kind of moody acoustic music.  The guitars feel acoustic but the songs are layered in washes of synths and feedback. There’s a  cool shoegaze feel and the vocals sound almost like he’s singing made up words (ala the Cocteau Twins) although he isn’t.

Knifeplay is a band that eludes definition, existing somewhere between the nihilistic detachment of shoegaze and the emotional honesty of folk songwriting. Originally a solo bedroom recording project of Tj Strohmer’s.

The whole vibe of the album is great.  I’d have liked to see them.

Church Girls play indie punk right in my sweet spot.

Church Girls write propulsive melodies and achingly vulnerable lyrics wrapped in the throbbing anxiety of post-punk and joyous aggression of pop-punk. Formed in 2014 by Mariel Beaumont.

The record sounds big and full with too many guitars and too many big vocals and it is glorious.  I absolutely wanted to see them.

Huey, the Cosmonaut plays in a variety of genres.  The first song of his that I heard I didn’t like. But the others I did.

I’d like to think that my music exists in the space between emo, R&B, bedroom pop, lofi hip hop and jazz. Some of the themes in my music include a focus on loneliness, traveling, nostalgia, melancholy, everyday sensations, black history, renewal, growth, cartoons, comic books, the cosmos and imaginary worlds. I feel that I’m constantly caught between different worlds in my personal life and musical aspirations.​ Through my music, I seek to unite some of those things. All of my music is produced from the bedroom. I’ve been playing with a band recently though.

Knowing that he plays with a band makes me want to see him more than if he was by himself.

Bummer that I missed the show but it was great seeing the college kid.

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