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Archive for September, 2023

[DID NOT ATTEND: September 20, 2023] Bombino

Bombino is a Tuareg guitar player.

Ever since learning about Tuareg musicians from NPR Music, I’ve made a list of four bands that I’d like to see live, They are Mdou Moctar, Tinariwen, Imarhan and Bombino.

I was lucky enough to see Mdou Moctar recently.  Bombino is actually the first of the Tuareg guitarists I’d heard of and I was rather looking forward to seeing him when he announced he was playing the States.

However, this evening proved to be a night with FOUR shows I was interested in.  And, I already had tickets to one of them (Igorrr).  There was also a Breeders tour, and a Melvin/Boris show in Bethlehem (which would be an insane place to see them, but I’m seeing them tomorrow).

So, Bombino had to be pushed aside.  I’m sure he’ll be back and I’ll get to see him another time.  I imagine that Tinariwen are most likely the next band to come back to Philly.  We’ll see if I’m right.

The promotion for this tour has never mentioned if anyone is opening for his show.  I assume someone is, but I cannot find any information about who it might be.

This also continued my streak of NOT going to the City Winery.  I’m sure I’ll get there eventually.

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[DID NOT ATTEND: September 15, 2023] Claud / boyish

I saw Claud open for Soak back in 2019.  I really enjoyed their set–I really liked claud’s voice.  It was clear and quiet but not whispered.  I also really enjoyed the delicate guitar sounds that claud got–even when a song had a loud thumping bass.

Claud’s music is quiet and lo fi.  It would have been a chill night at the Foundry, but I wasn’t really that interested in going.

Boyish was formed by India Shore and Claire Altendahl in 2016 at Berklee College of Music.

Their blurb says (more…)

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[DID NOT ATTEND: September 15,  2023] Babe Rainbow / Molly Lewis

I know of The Babe Rainbow because Levitation Records (who put out all kinds of cool psychedelic music) released a Levitation Sessions album and I like to check out any band that plays a session with them.

Babe Rainbow is from Australia.  They do play psychedelic music but it lands squarely on the delicate 60’s folk side of psychedelia.  Meaning it’s fun to have on, but I don’t need to see them live.

Molly Lewis is an Australian born, Los Angeles-based, musician known for her whistling.

I wasn’t really sure how to describe the music that she whistles over, but Aquarium Drunkard calls it “Pacific impressionism” and I think that’s pretty spot on.  But the key is that she is an amazing whistler.

She works in what is oddly called “exotica,” filled with sultry Bossa Nova guitar, rain sticks, shakers, jazzy instruments and an overall feeling of being far away from everything.  It’s pretty dreamy.  It would also be interesting to see her whistle these lead lines in a live setting, although I feel like perhaps the overall vibe would be too chill to really appreciate.

 

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[ATTENDED: September 14, 2023] Palm 

I discovered Palm by accident back in 2016 when they opened for the band Dilly Dally (who have since broken up).   About that show I wrote:

So Palm was fantastic.  An amazing band to see live (especially from so close).  The band plays noisy, complex music that has parts math-rock and parts shoegaze.  They remind me of Battles, but only in part.  The two guitarists Kasra Kurt and Eve Alpert are constantly playing different (and highly unlikely) chords or notes.  Meanwhile the bassist (Gerasimos Livitsanos) is typically playing his own patterns that somehow meld with the two and keep everything grounded.  And the drummer (Hugo Stanley) is doing complex things of his own.  It’s so hard to tell who you want to watch.

I got to see them headline a few months after that at PhilaMOCA and that was great (although apparently I was shoved aside by a slam dancer at the show).

Six years later and I hadn’t had a chance to see them again when they announced that they were calling it quits as a band.

“Palm is ending. Thank you to everyone who has supported us, to the artists we’ve shared the stage with and to all our collaborators over the past 12 years”.

Not much more was said, and not much more was said in stage either. (more…)

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[DID NOT ATTEND: September 14-15, 2023] Eddie Izzard

I saw Eddie Izzard 20 years ago in Boston.  The show was hilarious and since then she has been one of my favorite comedians of all time.

When I saw that she was coming back to the States to tour I immediately went to the Kimmel Center site to grab tickets.  But they must have been on sale for a long time already because both shows were almost sold out.

The Thursday night show was the same night as the final Palm concert ever, so I couldn’t miss that and then the Friday night show, well, let’s just say that it would have been a real challenge getting my wife and I to Philly on a Friday night for a show at the Kimmel–especially after her first full week back to work.

So I had to give this one a miss.  She tends to record her shows so I hope this one gets a release because it promised to be revisiting some of the best bits over the last thirty some years.  (more…)

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[ATTENDED: September 14, 2023] Nourished By Time

Nourished By Time is Baltimore producer Marcus Brown.  I could have seen him a while back, but didn’t make that show.  He’s also supposed to open for Vagabon later next month, but I think I’m not going to make that show either.  So this was my only chance to check him out.

During the Palm set, Eve said that they had been listening to his new album Erotic Probiotic 2 all the time.

Nourished By Time was, indeed, just Brown, with a laptop on the floor and keyboard on a stand.  I liked that he had a bandana round his mic cord–I imagined it was his way of keeping track of his stuff.

He played about six or so catchy songs.  They were kind of a blend of new wave and R&B.  His vocal delivery differed for each song, which I really liked.  His first song, “Staring Into the Fireplace” he kind of drawled and sounded almost bored as he rhymed his final lines.

Each song had an instrumental section–either middle or coda which had him playing solos over the prerecorded music.

Some of the later songs got bigger and were even more catchy.  I liked “The Fields.” (more…)

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[DID NOT ATTEND: September 13, 2023] The Lemonheads / Willy Mason

I rather enjoyed The Lemonheads’ anniversary of It’s a Shame About Ray.  I thought I might also really enjoy the anniversary of Come On Feel the Lemonheads.

But when I asked my wife if she wanted to go, she said no. And, while I like that album a whole lot, I think I may have had my fill of Evan Dando.

Willy Mason is a folk singer with a deep voice.  I listened to a little of one song and didn’t like his vibe at all.  So that kind of helped me decide not to go to this tour.

Markit Aneight was there so I didn’t have to be

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[DID NOT ATTEND: September 12, 2023] The Lemonheads / Willy Mason

I rather enjoyed The Lemonheads’ anniversary of It’s a Shame About Ray.  I thought I might also really enjoy the anniversary of Come On Feel the Lemonheads.

They are playing in Asbury Park one night and then Philly the next.  I would have rather enjoyed going to the Asbury Park show more than the TLA.  I’m sure it would be a lot of fun–and he seems to have cleaned up his act somewhat.

But when I asked my wife if she wanted to go, she said no. And, while I like that album a whole lot, I think I may have had my fill of Evan Dando.

Willy Mason is a folk singer with a deep voice.  I listened to a little of one song and didn’t like his vibe at all.  So that kind of helped me decide not to go to this tour.

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[DID NOT ATTEND: September 12, 2023] Palm /Body Heat

Palm is a band I discovered by accident (they were opening for someone) and who I really bonded with.  Their music is weird–catchy (sometimes) obnoxious (sometimes) and always challenging (and yet somehow addictive).

They are ending their life as a band and they announced a show in Philly, which I quickly grabbed a ticket for.  It sold out and they added a second show two days earlier.

Since I had a ticket to the Thursday show, I didn’t feel the need to see the Tuesday show as well.  There are different opening acts for this show.  (more…)

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[DID NOT ATTEND: September 10, 2023] Superchunk / Cable Ties

I’ve seen Superchunk twice in the last half dozen years or so.  The put out one of my favorite shirts (it looks like wordle).  Their shows are filled with energy and fun and the band is always on fire.

Somehow, I don’t see quite how that translates to Ardmore Music Hall, a smaller venue with no room for Mac to jump around.  Plus, I feel like after both shows I’ve seen everything I need to from them.

Cable Ties are a band from Melbourne Australia.  Their blurb says

frenetic lead lines tethered to a hypnotic rhythm section. They take the 3 minute punk burner and stretch itpast breaking point. Suddenly the garage rock gives way as primitive boogie, kraut and post-punk take things way out to the horizon

I like their sound quite a bit, although I’m on the fence about their singer.

I am, however, quite taken with the whole rock scene from Australia, so I’m sure they’d win me over.

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