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Archive for December, 2022

[DID NOT ATTEND: December 4, 2022] Bit Brigade / Standards

I saw Bit Brigade in 2018 and really enjoyed the show.  The premise of their live show is terrific.

The band plays the soundtrack to a video game while their resident gamer plays the game.  The band is heavy and the sound is amazing.

I can’t believe they were here in May and are back now in December and I didn’t get to go to either show.

For this show they were playing MegaMan II and Ducktails, two games I don’t know at all, so maybe that had some impact on my decision.

Standards opened the set.  Once again, I had not heard of the opening band for a Bit Brigade show.  But once again, they picked wisely.  Broadway World (!!!) has this succinct review of their music

Led by ebullient guitarist Marcos Mena, the pair boast a fruitful combination of musical chops and catchy guitar-driven melodies which has garnished popularity among fans who laud standards for their uniquely danceable brand of complex instrumental rock. For almost five years, their instrumental compositions have captivated audiences all over the world.

I need to reiterate this one part: uniquely danceable brand of complex instrumental rock.

It’s a spot on description.  The guitar is kind of showoffy intense and complicated, but never obnoxious and the light touches of synth and almost chiptune, make the songs really delightful and bright–almost like a video game is scrolling past.

 

 

 

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[DID NOT ATTEND: May 14, 2022] The Dead Milkmen / MC Lars / Gibbous Moon

I wrote this opening for a concert in May.

I’ve been a fan of The Dead Milkmen’s bratty brand of punk for years–probably since 1988.  I’ve never seen them live.

They sort of, but not really, broke up and then reunited and so on.  I didn’t really think I’ve ever get to see them, but they announced this short run of local shows and I thought, YES!  I will finally get to see them.

They seem to be popping up here and there doing shows in the area.  This one at Ardmore Music Hall actually sold out before I could get a ticket (I wasn’t sure if I was free that night).  So good for them.

Having watched a few videos, I’m not sure I want to see them in Philly–I feel like the local crowd is a little too drunk and rambunctious for my liking.  Although the band probably eats that up.

I’d never heard of Those Troublemakers.  They are an old-school Philly punk band that plays short fast songs about silly subjects.

Here’s a review of this very show from That Music Mag with a description of the opening band

 To start, Those Troublemakers tore open the sky and thrashed so hard. The band, consisting of Ashley “Butters” Heitzman (Bass and vocals.), Evan Abramson (Guitar and vocals.) and William F. Orender (Drums) set a fast and fun pace for the rest of the night as they opened the show. With songs from their Beach BodRunnin High, and Your Problem LPs, if you weren’t a fan before you got to Ardmore, you were when you left.

And here’s what they said about the Milkmen

Whether you were a diehard lifelong fan or simply a casual listener, there was something for everyone to latch onto and make a memory from in their setlist. With Dean’s Dream to start the show, the band rolled along through a menagerie of their hits, one by one. From Bitchin’ Camaro and Welcome to Undertown to Punk Rock Girl, the audience slowly and organically began to be enchanted back to a place of reckless abandon. More and more, the audience would be wound up a bit more, move a bit more intently, and sing a bit louder until, like a powder keg erupting, the dank, humid walls of the Ardmore Music Hall would erupt with the energy of a full-blown mosh pit formed on the floor. People were jumping, screaming lyrics & bodies cackling with glee while being tossed about the room. Now, here in that moment, we were undeniably at a punk rock show. A real granular Philly punk rock show.

The band would go on to cover The Cramps’ “Human Fly,” and Rodney would even grace us with his editorial commentary on Nazi lives. (And how they do not, in fact, matter.) The Milkmen would finish with an encore of a few more notable hits like“Smokin’ Banana Peels,” “Big Time Operator,” and the reprise from the earlier-played “Life is Shit.”

Yea, I should probably go next time.

Here’s a couple of videos of The Dead Milkmen’s recent(ish) shows

PhilaMOCA September 1m 2019

Underground Arts, April 13, 2019

 

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[ATTENDED: December 3, 2022] Stars

I have been a fan of Stars since about 2004.  I have wanted to see them for a really long time.  I thought I’d be able to see them last year on their Christmas Together Tour.  It was at LPR in New York (which is just too much of a pain to get to) and at World Cafe Live.  But it happened to be on the same night as our holiday party, so I couldn’t swing it.  I never guessed they’d do another one.  So this year I made sure to get tickets and schedule our party around this show.

The show came around and it was cold and I didn’t really feel like going out, but oh I wanted to see them.  So I drove out to Philly.

Turned out there was a wedding in the Fillmore main floor so parking was free (yes!).  I even wound up talking to some nice people around me and we had an enjoyable time waiting for the band.  There was a little girl (maybe ten) who was bouncing with excitement over seeing Amy Millan.  She couldn’t wait to meet her and get her autograph. I was so curious about this!  How did this little girl get excited about this (relatively) obscure band from Montreal that sings about relationships and breakups? (I’ll never know). (more…)

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SOUNDTRACK:

[READ: December 4, 2020] “Guided Tour”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

Like we always do at this time: the Short Story Advent Calendar is back for 2022. We had such a great time last year working with our first-ever guest editor, the one and only Alberto Manguel. This year, however, we’re bringing things back to basics. No overarching theme or format, just 25 top-class short stories, selected in-house, by some of the best writers in North America and beyond. It’s December 4. Please enjoy this interview (from Fail Better) with Steven Millhauser, author of Martin Dressler, responsibly..

I have read a lot of stories by Millhuaser, although I had not read this one before.  I tend to like his stories although I have noticed that sometimes there’s something about them that really sticks out for better or worse).

This one didn’t really have a component like that exactly.  It was just so singularly fascinating as to make me wonder what made him think of it.

So the guide tour of the title is a tour of the route that the children of Hamelin took when the pied piper came back to get them–after the adults of Hamelin refused to pay him for ridding the town of the rats. (more…)

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[ATTENDED: December 3, 2022] Lydia Persaud & Christine Bougie

I have been a fan of Stars since about 2004.  I have wanted to see them for a really long time.  I thought I’d be able to see them last year on their Christmas Together Tour.  It was at LPR in New York (which is just too much of a pain to get to) and at World Cafe Live.  But it happened to be on the same night as our holiday party, so I couldn’t swing it.  I never guessed they’d do another one.  So this year I made sure to get tickets and schedule our party around this show.

I didn’t know who would be opening.  Technically, the opening act was just Lydia Persaud, but since it was just Lydia and her guitarist Christine Bougie, (and I’d never heard of either before) I’m listing them both here.

Lydia was speaking for herself, but I believe that they both play together in a lot of things.  Lydia has been a member of The Soul Motivators, The O’Pears and Dwayne Gretzky and she and Christine are part of the the Queer Songbook Orchestra.  

They played a jazzy set of remarkably sad music. (more…)

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SOUNDTRACK:

[READ: December 3, 2022] “Bread of Lifers”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

Like we always do at this time: the Short Story Advent Calendar is back for 2022. We had such a great time last year working with our first-ever guest editor, the one and only Alberto Manguel. This year, however, we’re bringing things back to basics. No overarching theme or format, just 25 top-class short stories, selected in-house, by some of the best writers in North America and beyond. It’s December 3. Robert McGill, author of A Suitable Companion for the End of Your Life, is just going to wait and see how long it takes you to notice.

It seems risky to write a story about one of Canada’s most treasured short story writers.  But, as it turns out, this story, with a character who is rather sick of Alice Munro, is a tribute to Munro is more ways than one.  I’m including some of McGill’s interview here:

RM: As someone who grew up just north of Huron County, Ontario, where Munro has spent most of her life, I long wanted to write a story about a young writer who meets her, but I never got around to it.  Then, last year, I decided to try writing a story with an overarching constraint governing every sentence. Once I realized that I could write my Munro story that way, and once I realized that the constraint would send things in a comic direction, the story came pouring out over the course of one weekend in a way was unprecedented for me.
What kind of research went into this story?
RM: I confess: I wrote a master’s thesis on Alice Munro. And I once met her in Bayfield, Ontario.

It amuses me that he “confesses” this information. 

There a two main characters in this story.  A PhD candidate, Nessa, who is writing her thesis on Munro and a poet, Hadi, who is her best friend (occasionally with benefits).

Nessa talks about Alice Munro all the time (as one would if one was writing a thesis about her, but Hadi has had it.  “always Alice Munro! How long will it be before a day goes by without you mentioning Alice Munro?”

Hadi’s father owns a pharmacy, but Hadi is somewhat estranged from him.  We learn that Hadi’s father left his wife (Hadi’s mother) and Hadi some time ago and things have been tense between Hadi and his father ever since.

But they do still talk and he does still go to his father’s pharmacy.

While Hadi is in the pharmacy, Nessa is sure that Alice Munro is standing outside of it.  She approaches the woman, but of course it is not her.  The woman does know Hadi though, and they have a brief chat.  When the woman leaves, Hadi informs Nessa that Alice Munro is a customer at his father’s pharmacy (she lives in the next town over but uses this pharmacy for privacy) and  his father has invited Munro over for dinner. Nessa is going to meet her.

They arrive at Hadi’s father’s house.  The second part of the story switches to the second person singular.  With Hadi addressing his father.  The story shifts gears and become incredibly personal, whereas the first section was more comical.

Hadi sees his father’s humanity (he has a wound from a recent surgery) and sees that his father is trying to hide things from Hadi as well.

The final section returns to the third person as the reality of the evening settles in on everyone–and both Nessa and Hadi have questions they need to ask themselves.

I really enjoyed this story, too.

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[DID NOT ATTEND: December 2, 2022] Dinosaur Jr. / Guided By Voices / Eugene Mirman

I have seen Dinosaur Jr. three times and I don’t really need to see them again.  They were great but there’s not a lot new in the mix to make it worth the trip. And that’s fine.

Guided By Voices are supposedly the greatest (or at least the most prolific) indie band of the 90s. And I’ve never really gotten into them.  I like some of their songs just fine, but I feel like Robert Pollard plays two chords for 80 seconds and write some nonsense and there’s the new GBV song.

If I had seen them open for someone I’m sure I’d appreciate it, but they weren’t going to drag me to this show.

Eugene Mirman is a comedian and the voice of Gene on Bob’s Burgers.  I wanted to go to this show just for him.  But I didn’t.  Once again, though, I love a comedian opening for a rock band.

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SOUNDTRACK:

[READ: December 2, 2022] “Little Sanctuary”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

Like we always do at this time: the Short Story Advent Calendar is back for 2022. We had such a great time last year working with our first-ever guest editor, the one and only Alberto Manguel. This year, however, we’re bringing things back to basics. No overarching theme or format, just 25 top-class short stories, selected in-house, by some of the best writers in North America and beyond. It’s December 2. Randy Boyagoda, author of Dante’s Indiana, is shifting to a minor key.

Usually, when I read the Advent Calendar I find a couple stories that I’ve read elsewhere.  I haven’t really been reading many short stories in the last year or so, so i wasn’t sure if I’d find stories I’d already read.  But here was one.

I read this in July of last year, when it was in the summer fiction Walrus issue.  I wrote then

This story, about many things, but focusing on the moment children are taken from their parents, is a tough read.

The story is also not set at a specific time or place.  Some clues are given.  The parents are called Amma and Appa but those words are used in both Korean and Tamil.  The opening line asks, How do you find sweet syrup at the end of the world?

Things were bad.  The family would soon head into the basement and then “see if there was still an upstairs.” (more…)

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[DID NOT ATTEND: December 2, 2022] Open Mike Eagle / Serengeti / Video Dave

This was the first show I saw advertised at Silk City.  I was intrigued (I’m always intrigued by a new venue).

Open Mike Eagle is probably my favorite rapper at the moment.  His lyrics are clever and thoughtful with bite and I really enjoy the music he puts with the lyrics.

I was in a bit of a concert burnout by this time of year though.  December is not my favorite time of year to go to shows, so I never got tickets or anything.

This was Open Mike’s first tour in Philly since the pandemic, so I probably should have gone.  But I do hope he comes back (in the fall, maybe).

I have not heard of Serengeti and his bio says something like: a rapper from Illinois who has released many albums since the 2000s. His latest song is called “a okey test,” featuring sicker man, and is streaming now.

But this article from The Guardian makes him sound amazing: [some highlights here but the whole article is fascinating] (more…)

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[DID NOT ATTEND: December 1, 2022] Pond [rescheduled from January 12]

I saw Pond back in 2018 at Union Transfer.  The show was really fun and the crowd was really intense.

I was surprised that they’d downgraded their tour to Underground Arts this time.

I’m not sure what didn’t inspire me about this show as my recollection of the previous show is petty positive.  And it has been four years.

Well, maybe next time the come I’ll go to that one.

Opener Cryogeyser says this about themselves on their bandcamp: “Three piece from Los Angeles. Cute.”

Flood Magazine writes that

 Distortion and reverb are their friends, but none of their music feels consumed or overwhelmed by such effects. A mix of dreampop, shoegaze, and grunge, the LA-based trio balance their stone-heavy rhythmic section of bassist Hunter Martinez and drummer McCoy Kirgo with the swirling melodies and heaven-reaching vocals of singer-guitarist Shawn Marom.

Their music is quite stark and spare, though for all the reverb.  There’s also a sense of 50s girl group about them.  I’d be curious to see how that translates live.

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