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Archive for January, 2019

SOUNDTRACK: KATE CARR-“The Ladder Is Always There” (2018).

At the end of every year publications and sites post year end lists.  I like to look at them to see if I missed any albums of significance.  But my favorite year end list comes from Lars Gottrich at NPR.  For the past ten years, Viking’s Choice has posted a list of obscure and often overlooked bands.  Gottrich also has one of the broadest tastes of anyone I know (myself included–he likes a lot of genres I don’t).  

Since I’m behind on my posts at the beginning of this year, I’m taking this opportunity to highlight the bands that he mentions on this year’s list.  I’m only listening to the one song unless I’m inspired to listen to more.

Messa is an Italian band (although they seem to sing in English).

The song opens with some feedback and a heavy guitar (and a single cymbal bell, which I quite like).  After playing the riff a few times, everything pulls back to reveal some delicate Fender Rhodes notes and Sara’s softer, muted voice.  Then things take off.  But it’s not fast or super heavy, it’s just spot on.

They have a great stoner rock sound but with a seriously metal edge to the riffs.  What really sets them apart is vocalist.  Their singer Sara has a great soaring 70’s classic rock voice.  It goes really well with the low end of the songs.

The end of the (eight-minute) song has a great guitar solo and then harmonizing vocals.  It’s an awesome song and I will definitely be checking out the rest of the disc on bandcamp.

[READ: January 3, 3018] “Living Animals”

This begins the 13th year of this blog.  So why not start it with a criticism of online content.  This essay was originally written in 1999 (Gass died in 2017), and I’m sure his concerns multiplied on the decade plus since.  This is also an excerpt from the essay.

Gass talks about the permanence of the printed word whereas

words on a screen have visual qualities…but they have no materiality, they are only shadows and when the light shifts they’ll be gone.  Off the screen they do not exist as words.  I cannot carry them beneath a tree or onto a side porch [well, now you can, but you couldn’t in 1999], I cannot argue in their margins [now you can, sort of].

But then he gets more specific of what you cannot do. (more…)

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SOUNDTRACK: KASVOT VÄXT-“We Have Come To Outlive Our Brains” (1981/2018).

After reviewing all of the songs that Phish covered from Kasvot Växt, I discovered that a fan uncovered a really good-sounding copy of one of the original songs from the album (which is all but lost) and then posted it online.

Once again I am kind of surprised at how everyone thinks of them as prog, because this song is not all that proggy.

It certainly has an 80’s vibe, as you might expect from something released in 1981 and the Phish cover is remarkably faithful.

The bass sounds great–it’s a really catchy bass line.  I prefer Phish’s vocals, possibly because these are a bit more condensed in an 80s way.  The “I see you in the distance” voice is a bit reedy too.  But the “I’m the glue in your magnet” part is fun and the music is really solid with an almost reggae feel to it.

The end of the song has a pretty wild solo (quite muted) as the rest of the band continues as if ignoring the guitar.

The biggest surprise for me is that this song is in English, when the original album had the Icelandic title of “Við Erum Komin Lever Utover Hjernen.”  Perhaps it was a stab at commercial success?

It was Brandon S. Meyer of Keanu Trees who posted this song.

[READ: January 2, 2019] “A Divine Pat”

The setup of this piece makes it seem like it was presented as a talk (it’s called a Sermon) and it opens with him apparently addressing people, but there’s no indication of to whom he spoke.

But it does cut to the chase in the opening”

It must have seemed some kind of risk to request a sermon from a man once so widely accused of blasphemy.

He talks about the outrage from Monty Python’s Life of Brain but also points out that they never felt the movie was against religion per se, but against the way people practice religion: “an idea isn’t responsible for the people who believe in it”

After listing the litany of horrible things people have done in the name of religion–all religions–he mentions his own introduction to the church in the 1950s.  He says this turned himself and man of his friends off of religion for twenty years.

But then he starts quoting from people who spoke well of religion. (more…)

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SOUNDTRACK: PLACEBO-Running Up That Hill (2003).

Kate Bush’s “Running Up That Hill” is a masterpiece of a song–weird and wonderful and surprisingly moving.

This Placebo cover is much darker, with the sleazy/sultry/hopeless/hopeful edge that Placebo is based around.  The video is a collection of fan-submitted headshots of people singing the song, which makes it all the more moving.

I will always love the original more, but this version is pretty great as well.

[READ: December 30, 2018] Barefoot BF [Posts 1-8]

I don’t normally write about blogs. Heck I don’t normally read many blogs (I’m a print guy).  I would also never be drawn to a blog about running.  But this blog is different. It is about running but it is about a lot more: music, redemption, friendship, relationships and running as a way of coping with the shit you’ve done in the past.  And the writing is great–suspenseful, passionate and honest.

This blog about running will have you riveted as he talks about how a run was a metaphor for dealing with the crazy family nonsense that he was coping with–and it is pretty crazy.  He writes about the races that he’s run, but he writes in such a way as to make the outcome ever in doubt–running with plantar fasciitis?  Running when your foot is swollen and the only conceivable relief is removing the shoe (hence the barefoot title)?  Running on Cape Cod in a Nor’easter while your girlfriend is miles behind you?

It’s some pretty intense stuff. (more…)

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