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Archive for December, 2014

tibSOUNDTRACK: INDIGO GIRLS-Holly Happy Days (2010).

hollyhappyI know I bought this for Sarah for Christmas a few years ago (I like that it looks like a present).  Sarah and I have both been fans of the Indigo Girls (and we’ve both seen them, but at different events).  This seemed like an obvious fun record for the holidays.  But we both felt a little let down by it.

I’m not exactly sure what’s not quite right, but after listening  again, I think the record is just too much of a downer for Christmas.  I mean even the Indigo Girls’ more serious songs counterbalance with lively singing, but much of this album feels very dirge-like to me.

The main unexpected thing for me is that the record is largely bluegrass-inflected–not something I expect from the Indigo Girls–or Christmas music.

But that’s just how it opens–banjos and fiddle and whooping on “I Feel the Christmas Spirit” a song I didn’t know before.  It’s fun, just unexpected.  “It Really is (a Wonderful Life)” reminds of Barenaked Ladies for some reason (not their voices obviously). It’s folky and is another a song I didn’t know.  I like it–it’s fun having new Christmas songs.
“O Holy Night” has a very weird quality to it.  I usually love this song, but I don’t really care for the way they did this one–it feels flat or something.  Or maybe it’s the violins and folk trappings?  Actually, the middle part (with their great harmonies) sounds really good–I guess it’s just the opening I don’t like.

“Your Holiday Song” sounds more like  a”real” Indigo Girls song–great harmonies, cool chord progressions.  (This one was written by Emily Saliers, so that makes sense).  It’s the first song I really like on the disc.

It’s the middle of the disc that really loses any steam it had.  “I’ll be Home for Christmas” is certainly a sad kind of song, but their version is practically suicidal.  Oh it’s such a downer with that slow violin solo.  Who would want to listen to this version of this song?
“Mistletoe” is an Amy Ray original.  Coming right after the downer of “I’ll be Home” this one is also slow and a downer.  I find that Ray’s voice also sounds really different on this song–I would never have guessed this was her.
“Peace Child” is the third downer in a row, and you just want to give up on your festive mood after this one.

But it picks up with a rollicking bluegrass “The Wonder Song” (written by Amy Ray).  It’s the most fun song on the disc and while it doesn’t scream Christmas, it is a holiday song.

Obviously no one is making “In the Bleak Midwinter” into an upbeat poppy song.  Their version is quite pretty, and their harmonies are wonderful.

Perhaps the strangest song is their cover of Woody Guthrie’s “Happy Joyous Hanukkah.”  It feels very Guthrie, which means it should be done in a folk style (which it is).  The surprise is the full bluegrass rendition of a Hanukkah song (how many Hanukkah songs have whooping in them?  It’s fun, though.

“Angels We Have Heard on High” sounds great with their harmonies.  Although the mandolin solo kind of brings the song down to earth in a weird way.

The disc ends as it middled, with a slow, mournful song,”There’s Still My Joy.”  While I know that not everyone is happy at Christmastime, this record goes a bit too far into the darkness for my liking.

[READ: December 2, 2014] Tib and Tum Tum

Here is another translated comic.  It is done with great flair by Carol Klio Burrel who also did Nola’s World.  This story is aimed more at kids though (but is not existential at all–see yesterday’;s post about translated stories).  The biggest surprise for me with this is that it is actually a series of one page strips rather than a long graphic novel (I think).  Well, there is a long story arc, but every page seems to have a “punchline” as if the story was sequential rather than continuous.

It’s a very simple premise. The book is set in caveman days.  Tib is a small boy with a giant birthmark on his face.  The other kids make fun of him for this.  His mother is overprotective (the joke about him always being safe is very funny) and his father is an oblivious storyteller (whoppers of tales, I must say).  In that first strip, Tib runs into Tum Tum, a baby dinosaur.  He is adorable (and a little scary too, of course).  And Tib decides that this red guy is pretty cool.  Tum Tum spends most of his time chasing (an eating) butterflies.

When Tib tells the elders about the dinosaur they tell him of course that dinosaurs are extinct.  (I love that the story is set in caveman times but that they talk in a more or less contemporary way (no grunting) and are knowledgeable (there’s a sewing joke which is very funny).  When he tries to show Tum Tum to them, the dinosaur hides so no one can see him.  Eventually his mom thinks he has an imaginary friend. (more…)

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aamaSOUNDTRACK: KRISTIN CHENOWETH-A Lovely Way to Spend Christmas (2008).

chenoLast year I thought about doing a Christmas CD every day in December as my soundtrack.  But I forgot until a week or so in.  But this year I remembered.  Yuletide joy!

Since Sarah and I have a lot of Christmas CDs from over the years, I decided to just pick some at random this year.  And we start with this one which I got for Sarah I thought last year, but if it’s from 2008, perhaps I got it earlier?

I knew Chenoweth from her great role on Pushing Daisies.   I didn’t know she was a singer then.  She has since done some amazing runs in various roles and her voice is great.  This disc features a mix of traditional songs, a few more religious songs and a number of unexpected “mashups.”  It works pretty well, although it tends to cross the line into cheese a bit too much for me.

“I’ll Be Home for Christmas” has her in great voice.  Although I hate the cheesey sax solo.
“Christmas Island” is a new favorite song for me.  Her version is fun (although the original Hawaiian version is much more fun).
“The Christmas Waltz” is a song I don’t know.  It is probably best song on the disc.
“Do You See What I See” also suits her voice very well.  It’s the first song to mash in another song (“Angels We Have Heard on High“) which is quite pretty
“Sleigh Ride/Marshmallow World” I like her part, I’m not sure about the blend.  I don’t know who John Pizzarelli is, but he sings it too clean.  The original of “Marshmallow World” is sung in an almost drunken fashion which makes the weird lyrics better.   Nevertheless, the two of them have a good vocal chemistry.  And there’s some goofy fun at the end.
“Sing” (you know, sing, sing a song).  It’s a really weird inclusion here.  But she sounds great.
“Silver Bells” also sounds great.
“Come On Ring Those Bells” is another song I don’t know.  This version is way too pop country for my liking.
“What Child is This” is also perfect for her voice.
“Home on Christmas Day” is another song I don’t know (who knew there were so many unfamiliar Christmas songs?), and it works well “Born on Christmas Day” is a rather dull more religious song, which seems somehow out of place.
“Sleep Well Little Children/What a Wonderful World” is another mash up. It works pretty well and I kind of get why she chose it to end the album, but it’s another weird non-Christmas related song.

So overall this is a decent Christmas album. There’s some lovely traditional songs, some odd choices, and a few clunkers.  But her voice is really fantastic throughout.

[READ: November 29, 2014] Aama

I’m surprised and delighted with how many unusual, translated graphic novels are being published in the States these days.  There’s always something about the art that screams “not American.”  So when I get books like this (especially if the author’s last name is Peeters), I immediately look for the translator to confirm my suspicions.  This book was translated by Edward Gauvin.

While translated childrens book often seem slightly weird to my family (fun, but always slightly askew), the graphic novels don’t usually seem as weird to me.  (Maybe the childrens authors just expect more existential thought from their kids).

Having said all of that, I found that I really couldn’t get into this story.  There were some great elements to it, in both storytelling and character creation, but, and maybe more will be explained in future books, but the main plot was a little too vague to me.

But I loved the way it was constructed.  We open on a man face down.  As he comes to, he realizes that he has no idea who he is.  While he tries to get himself together, a weird looking ape comes up and calls him Verloc.  The ape has no hair on his legs (so they look human).  The ape is named Churchill and he is a custom built robot.  As Verloc tries to come to grips with what’s happening, Churchill gives him his “memoirs” to read.  The book is “real paper” which Verloc appreciates.  And they started just a week ago.

Pretty cool opening. (more…)

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