SOUNDTRACK: THE BLUE HAWAIIANS-Christmas on Big Island (1995).
I was to get this disc used because I already knew one of their songs and I thought that a surfing Christmas album would be fun.
So I was pleased to add this to our collection. But upon listening to it, I learned that while I enjoy surf guitar instrumentals, I do not enjoy the Hawaiian style of music popularized by Elvis. This album features both of these types of songs.
The songs that I like include these instrumental surf guitar renditions: “Christmas Time is Here” (the Peanuts song); “White Christmas,” “Jingle Bells” (the guitar is a little too untamed for my liking in this version). “Have Yourself a Merry Little Christmas” is a good instrumental, but there’s a very lengthy middle section that makes the song too long. “We Four Kings (Little Drummer Boy)” is my favorite track on the album and the one that made me look into more from them. It’s a great surf guitar rendition of “We Three Kings” with some excellent tribal drumming as a segue into a surf version of “Little Drummer Boy.”
The vocal songs are fine, they’re just not my style. “Jingle Jangle” and “Blue Christmas” are just way too Elvis-y for my liking (we actually just watched some of Blue Hawaii so it’s in my head). “Big Island” stars with Hawaiian style drums which I like, then it turns into a kind of blues song. “Mele Kalikamak” is my favorite song with vocals, probably because of its nontraditional nature (to me). It ends with about 20 seconds of waves breaking.
“Enchanted Xmas” ends the disc with some Western sounding guitars and some cool wordless backing vocals. It gives the whole thing an eerier (or enchanted) feel. Pretty cool.
So something of a mixed bag, but a great album to select tracks for a fun Christmas mix.
[READ: December 15, 2014] The Professor’s Daughter
From the team who brought us Sardine comes this very different kind of story. Interestingly, in this book, it is Sfar who wrote it and Guibert who drew it. And I have to say I like it a lot more than the Sardine books (both in content and drawing style).
The story is quite unexpected. As it opens, a young lady (in Victorian times) is seen stepping out with, well, with a mummy. It turns out that he is Imhotep IV and she has taken him from his holding spot and is going about town with him. (And no, it isn’t all a dream. At least I don’t think it is).
They go out for tea (which makes him tipsy). He causes all manner of mayhem, including offending someone who slaps his face and challenges him to a duel. Later when the police come, the professor’s daughter takes matters into her own hands (which only makes the situation worse!). A man is killed and the mummy is the suspect (which leads to a few very funny scenes).
Things get even weirder (yes) when Imhotep III gets involved. He kidnaps the professor’s daughter and sails away with her. He pledges his love for her (she looks like his wife evidently). This leaves Imhotep IV despondent and alone (not to mention wanted by the police).
When the professor’s daughter revels she was with Imhotep IV, Imhotep III agrees to return to London to see his son. And the trial (for the murder of the man) begins. Imhotep III is found guilty, but Imhotep IV plans to free him. This involves making Queen Victoria fall in love with him–he was king after all.
There’s an interesting twist at the end of the story which twists the whole story back on itself. It makes the plot a little hard to fully understand, but it’s fun to puzzle out.
I really enjoyed this book a lot, especially the drawing style and how the color palette changes with every new scene). It was translated by Alexis Siegel and was an easy (and often surprising) read.

Leave a comment