SOUNDTRACK: BEN FOLDS-Free Folds Five E.P. (2011).
With the purchase of Ben Folds’ Imitation of Myself, I received a free download of this E.P. It contains five tracks: three demos and two live tracks.
The demos are for “Underground” (1992), “Stevens Last Night in Town” (1994) and “Song for the Dumped” (1994). Demos are a strange thing. For fans of a song it’s interesting to hear an original version, especially if it is radically different.
These demos are not radically different although there are certainly some differences. “Underground”‘s opening spoken bits sound more comical and less sung (it’s clearly just not mixed well). And “Steven” has a strange spoken word section during the instrumental break. It’s also less manic than the official release.
The most drastic change is in “Song for the Dumped” in which the chorus ends not with the humorous “and dooooooon’t forget my black T-shirt” but with the more abrasive (and Ben said harder for him to sing) “you fuuuuucking whore.” So these demos are interesting for knowing that these songs were pretty much always meant to sound a certain way (and that even Ben has limits for how much he’ll curse). But the official releases are better.
The live versions are both from solo shows. “Narcolepsy” (1999) and “Dr Yang (2008). Ben live is always a fun prospect. He puts on a fun show and often stretches the songs out with fun jams. “Narcolepsy” is notable for the incredibly buzzy bass guitar that they’re playing. Neither one of these songs features any jams, but they both have a heavier, more intense feel than the studio versions.
Since the Imitation of Myself included live songs and demos, these make a nice addition to the set. Although they’re certainly not essential.
[READ: March 15, 2012] “ΦΒΚ: Love of wisdom, the guide to life”
My family has traveled to Colonial Williiamsburg for our last few vacations. We don’t spend all of our time there (Busch Gardens is just down the road, after all), but we have really enjoyed the history. So last year I sent them a nominal fee and got some kind of membership coupon. And then about a week ago, we received this magazine. I don’t know why it took so long to get to us and I don’t know how many more we’ll receive. I wasn’t even sure if I was going to read anything in it (I like Colonial Williamsburg, but probably not enough to read a whole magazine about it). But I was delighted by the content of the magazine. And I’ll mention a few of the other articles in the near future.
This one is about the origins of ΦΒΚ, Phi Beta Kappa. It’s something I never even thought about, but once I started reading it, I found it really interesting.
ΦΒΚ was founded in 1776 by five students at the College of William and Mary. There had been student societies before the creation of ΦΒΚ: The FHC formed in 1750 and the PDA formed in 1773. They were secret and elite and the meanings of their initials were kept secret (so FHC became known as the Flat Hat Club and PDA was known as Please Don’t Ask). Thomas Jefferson belonged to FHC (he was one of six members) and noted that it has no useful object and was designed as more of a social society.
And so ΦΒΚ was started as more of an academic society. The meaning of its initials were also kept secret until notes were uncovered in 1831: Φιλοσοφία Βίου Κυβερνήτης (philosophy, the guide to life). Lombardi reckons that the society was created to be unbound from “Scholastic Laws” to get around topics proscripted by the curriculum. At the meetings they would create written arguments and then debate a topic–topics included:
The Justice of American Slavery, Whether a wise State hath any interest nearer at Heart than the Education of the Youth; Whether anything is more dangerous to Civil Liberty in a few State than a standing army in time of Peace; Whether any form of Government is more favorable to public virtue than a Commonwealth.
Some early bylaws included a five shilling penalty for missing a meeting and a ten shilling penalty for appearance of intoxication.
While the founding of the society was interesting in itself, the fascinating twists that occurred in its history are even moreso. Phi Beta Kappa wanted to split its charter to other universities. In 1779, a charter was founded at both Harvard and Yale.
This proved to be fortuitous as in 1789 Benedict Arnold led a British invasion of Virginia. The College of William and Mary suspended classes. Phi Beta Kappa also suspended its meetings, hiding all papers for safekeeping. But when the College resumed, ΦΒΚ did not–its member were scattered by the war. One of the members took the papers and hid them; they remained hidden until 1848 when they were returned to the William and Mary ΦΒΚ chapter.
The loss of the William and Mary chapter inspired the removal of the secret nature from the New England chapters. Secret societies were also under attack from religious authorities who feared the advancement of philosophy over faith. This also led to a change in focus for ΦΒΚ. The debates slowly went away and by the 1820s it became an honor society for scholarship and academic achievement.
In 1851 the Virginia charter was revived, but ten years later the College was again shut down by war. The Civil War was devastating to the campus. Although ΦΒΚ was again revived in 1875, there were no further meetings until 1893, nearly 100 years after it first shut down.
I suppose anyone who is a member of ΦΒΚ knows this history. I wasn’t and I didn’t. So, thanks to a nice vacation, I found out this fascinating history of smart people.

Hi Paul – ok, here I go again… brace yourself, another rant coming up 😉
When I saw this post on Ben Folds, I went looking for others and found your comments on his University A Capella. So this is really a reply to that post. A little late. 😉
I adore Ben Folds, but not so much for his music (I only really know “Fred Jones” and “Brick” and I’m kind of ok on them) as for his musicianship and what he does for music. Such as the University A Capella project. He’s the “brains” of the outfit on The Sing-Off (which Zin has been blogging for the past 2 seasons).
Please don’t give up on a capella on the basis of Ben’s album.
I grew up in choirs and choruses, so I’m biased. I love choral music. But I’ve always been annoyed by “choral arrangements” of pop songs – give me something by Randall Thompson, or a madrigal, or an opera chorus, but spare me the four-part “Yesterday.”
However – “pop” a capella has evolved, thanks to beat-boxing and show choirs. It’s a whole new form. And university choirs don’t always show it off to its best advantage. Neither, by the way, do audio recordings.
I know you don’t do electronic music like iTunes, but can I tempt you to venture over to YouTube to watch some of the numbers from The Sing-Off?
See, with college groups especially, a lot of the appeal is visual. Take, for example, the Queen medly by Dartmouth Aires – Queen is particularly good for a capella because they used so much close harmony; the last minute or so (Michael bending over backwards on “Find Me Somebody to Love”) shows they understand the value of cheese. And superb cheese it is. But it does lose something when converted to audio-only. My personal favorite of the college groups, from all three Sing-Off seasons, was the Beelzebubs from Tufts doing their version of Styx’s “Come Sail Away”, but again, it doesn’t translate to audio at all (the lead has a few serious pitch issues) – and probably doesn’t translate to someone who didn’t see the show, which, in its first season, was an unadvertised week-long Christmas hiatus drop-in that took us choral geeks by storm, so it holds a special place in my heart.
However… and here’s the point… there’s more to modern a capella (meaning “popular” as opposed to “classical” music) than university groups. As evidence, allow me to recommend (I’ll include a variety since it depends on what music appeals to you):
Florence and the Machine’s “Dog Days are Over” by Pentatonix: Pentatonix won the last Sing Off. Their vocal percussionist, Kevin, has videos where he plays the cello and beat-boxes at the same time; he introduces them in Mandarin. Their vocal bassist can do anything with his voice. And the three vocals, well, about 2/3 through this performance, Mitch shows what he’s made of, and it’s pure gold. And while we’re on Pentatonix – try their take on The Buggles’ Video Killed the Radio Star. Anything they do is great, but these two really show off their ability.
Radiohead’s “Creep” by Street Corner Symphony: I never heard this song until these guys (runners up from Season 2) did it, and I’m obsessed with it: is it about a lonely misfit or a psycho? It’s just magic. They have a studio version (audio only), but I prefer this one. There’s an ad first, but you can dismiss it pretty quickly.
Bell Biv Devoe’s Poison by Urban Method: This is so far from what I’ve ever listened to, it’s hilarious that I’m intoxicated by these guys, specialists in rap-capella.
Afro Blue’s mashup of I Believe I Can Fly by R Kelly and Fly by Nicki Minaj ft. Rihanna: great R&B; they’re jazz specialists. Glee did a version of this mashup, but I like this arrangement better. Not to mention it’s done live, with no Auto-Tune and no instruments. Ben Folds took some flack because he was the vote that sent these guys home; he gave a passionate defense of himself that increased my respect for him.
I didn’t think it mattered who was sent home; Pentatonix was the only choice for winner in season 3, and The Sing Off, unlike some reality shows we know, is pretty accurate when it comes to going by performance rather than “story” – they’ve given the early boot to singing families with adorable 14-year-olds, a group of African refugees from Milwaukee, and a studio assemblage of street kids put together just a few months before the competition, because they simply weren’t as good as the other groups. That’s another reason I love Ben Folds. Afro-Blue was probably a mis-step (they were arguably the most technically talented musicians, though their performances didn’t always work) – but an understandable one. And they actually performed on TV as much as the top three groups.
I’m gonna stop ranting now, because, well, you’ve been so patient. 😉
Once again, you’ve given me a lot to think about and a list to back it up!
For the record, I don’t dislike a capella at all. In fact I find a lot of acapella to be really moving. But I’m also not very exposed to what I’d consider “good” a capella.
I had no idea that that’s what the Sing Off was about. I purposefully don’t watch Idol or Voice or those shows in part because I don’t think a pop singer should be voted on by a committee or people who want to spend 99 cents to vote. But I can totally accept the a capella thing (it’s not like there’s a huge market there, right?).
So I will check the show out. I am a big fan of Ben, both as a musician and a fan of music and I did want to watch the show, but I was very leery. Maybe instead opf watching your suggested videos I’ll see if the seasons are streaming now. Since all of my dozens of shows seem to be having season finales all of a sudden, I’ll have some extra time.
I’ll keep you posted.
Thanks!
🙂