SOUNDTRACK: RHEOSTATICS-Whale Music (1992).
The Rheostatics are from Etobicoke Canada. Their second album was called Melville (named after a town in Saskatchewan, but it has a whale on the cover so…). Their third album (this one) is called Whale Music (inspired by the novel by Paul Quarrington). When they made a film of Whale Music, the Rheostatics were asked to make the soundtrack for it, which they released as Whale Music. So, the band have 2 albums called Whale Music and one called Melville. Perfect soundtrack to Moby-Dick.
The album is chock full of all kinds of music: country tracks, folky tracks, metal tracks, and hooks galore. And it’s all wrapped up in the oddity that is the Rheostatics. This album features guest spots by the Barenaked Ladies and Neil Peart as well as horns, strings, spoken word parts, and “power tools”.
“Self Serve Gas Station” is a great opening. It begins with swirling guitars and a beautiful solo (Rheostatics guitar lines sound so elemental as to seem like they’ve always been around). But just as the vocals begin, the song becomes a sort of country track: a folkie song about adolescnece. But it returns to a good rocking (and falsetto fueled) rock track.
“California Dreamline” is a wonderfully weird track, with more gorgeous guitar melodies. It also has a disjointed section with squealing guitars. While “Rain, Rain, Rain” opens with a lengthy percussion section (played by Neil Peart of Rush) with a weird time signature. It’s a fun singalong. “Queer” meanwhile has some great chugga guitars that turn into a rocking tale of an ostracized brother (and features the great line: “But I wish you were there to see it/When I scored a hat-trick on the team/That called you a fucking queer.”
“King of the Past” is another great track, with a wondrous string sound near the end. It’s a gorgeous song with (again) different sections conveying shanties and jigs (and you can dance to it). Like Moby from last week, Rheostatics, also bust out a fast metal track, but this one works well: “RDA (Rock Death America)” has a major hook and name checks everyone from The Beatles to The Replacements.
“Legal Age Life at Variety Store” is a great folky singalong (and features the piercing harmonies of Martin Tielli). “What’s Going On Around Here?” is the most traditional song of the bunch, a poppy little ditty which avoids complacency with a rocking coda.
“Shaved Head” is a moody piece, wonderful for its roller coaster sensibilities, which is followed by the beautiful Tim Vesely sung ballad “Palomar.” This track is followed by the humorous (but serious) shouted-word piece “Guns” which also features Neil Peart.
“Sickening Song” is an accordion based shanty song. Followed by another pretty, poppy-sounding track, “Soul Glue.” Drummer Dave Clark sings “Beerbash,” an upbeat song. And tye final track is the epic, “Dope Fiends and Boozehounds.” It opens with a beautiful acoustic intro and a wonderfully catchy wheedling guitar solo. It ends delightfully: “Where the dope fiends laugh And say it’s too soon, They all go home and listen to
The Dark Side of the Moon.”
I had been listening to the band live a lot recently, and they play these songs a lot. So it was quite a treat to go back and hear the original with all its full instrumentation.
[READ: Week of June 14, 2010] Moby-Dick [Chapters 62-86]
I never thought I’d ever say this, but I really enjoyed Moby-Dick this week. So far, these twentysome chapters have been my favorite (even the gruesome whale sections), there weren’t any chapters that I thought really dragged. So, good for me!
This week’s read begins with Ishmael stating that harpooners should not have to paddle and then be expected to harpoon as well. They should save their strength for that last, all important act. And that seems logical to me, although one also expects that the harpooners would feel kind of bad while everyone else is paddling. (more…)
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