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Archive for September, 2007

arson.jpgSOUNDTRACK: MARILLION-Fugazi (1984).

fugazi.jpgAh, the delights of Marillion. My best friend in high school, Al, got me into Marillion. And he started me off with this record. As such, I can’t imagine how I could realistically critique it. I must have listened to this thing hundreds of times at this point. I also got into the other Marillion albums (until the theatrical madman and lead singer, Fish, departed). I did get one post-Fish album, Season’s End, but didn’t think too much of it. Although I still regard them highly, and anyone who names an album Anoraknaphobia is still alright in my book, I haven’t heard a note of anything post-Season’s End.

Fugazi, on the other hand is still fantastic after all these years. Fish’s lyrics are often bitter, but always eloquent. (more…)

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SOUNDTRACK: THE KINKS are the Village Green Preservation Society (1968).

This record seems to be a very important record in the history of British pop rock and in the history of The Kinks. I feel that I had always heard about it in practically hushed tones (much like the hushed tones of the record), and yet I had never heard it. Finally, my friend Carrie gave me a copy of it and I listened and was surprised that I didn’t know one single song on it. You can look here and see that I have two Kinks greatest hits records, and not one song from this record is on any either of them.

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makingmoney.jpgOn the website for the new Terry Pratchett book Making Money, there is a contest to “Take and post a photograph of your copy of Making Money — or any Discworld book(s) — in a creative way.” So, here’s my entry. And no, I haven’t read it yet! But I can’t wait!

As you can see, I was so excited to get the book in this fashion, that my picture is a little blurry.

Sorry to everyone who came looking for the picture before it was up.

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I was walking past the New Books shelf in our library last week and saw a book called An Arsonist’s Guide to Writers’ Homes in New England by Brock Clarke. What a great great title! How could I resist? Now, I know you should never judge a book by its cover (but of course I do), but should you judge a book by its title? We’ll soon find out, as I put aside the two other books that I had started (and by jiminy, there’s a new terry Pratchett coming out any minute too!) to dive into this wonderfully titled book. So far (70 pages in) it lives up to its title. We’ll see if he can keep it up, and we’ll see if I have a started a new superficial way of deciding books. Frankly, this title is quite a relief, after spending all day looking up books called Destiny (8 different authors in our library system) or Second Chance (8 authors…shame on you James Patterson and Danielle Steel) or Darkness (4 authors), and if nothing else, Clarke should be applauded just for the title. Of course, today, I saw a positive review in Entertainment Weekly, so I’m going to try and jump on the bandwagon before there is one.

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buzz1.jpgBuzz Cola was a tie-in to the Simpsons Movie. I love the Simpsons, and although I gave up on trying to keep up with their merchandising machine (geez, how could ANYONE keep up with that?) I figured I could take a stab at a fun, cheap item). But, when I saw these at the 7-11, I bought one to taste and one to save. Well, it tastes awful. It’s a very cheap tasting cola, worse than even supermarket brands. But it’s a nice souvenir!

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Don’t worry, I’m not turning into Junk Food Blog!

But I felt compelled to document this experiment since I can no longer recall my thoughts of New Coke, Pepsi Clear, or OK Soda. (more…)

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radar_magazine_cover.jpgSOUNDTRACK: PINK FLOYD-Atom Heart Mother (1970).

c834131hbdw.jpgI decided it was time to review an old album, just to mix it up with all the new stuff I’ve been listening to lately. And, so I went deep into the well, and pulled out Atom Heart Mother. Back in high school, we used to sit around and profoundly discuss music and TV, (but not books, see how times have changed!). Anyhow, turns out one of my friends’ brothers was a big Pink Floyd fan (as was I) and so my friend, although not a big Pink Floyd fan himself, knew enough to discuss them.

This album was always my go-to for an amusing conversation because he declared it was SDI–seriously drug influenced, his highest negative rating. I mean, duh, the cover features a cow’s butt! (more…)

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harpers.gifSOUNDTRACK: BJORK-Volta (2007).

volta.jpgOkay, so Bjork is from Mars. Volta is her newest album. I’ve been a fan of Bjork since the Sugarcubes, way back when. I’ve also really enjoyed her solo recordings. I used to get all of her singles and videos and things, but in recent years she seems to have released a new full length reissue of a concert or remastered disc on a monthly basis. So, I had to go cold turkey.

Then Volta came out. I saw a live performance of two of the songs on Saturday Night Live, and they were pretty different, even for her. It seems like Bjork has had a unifying sound on each of the last few albums. On Volta, it is a horn section. This is a more organic sound than some of her recent electronic releases. And, overall, I find that it doesn’t work all that well for her.

Bjork’s voice is, and I mean no disrespect because I love her voice, but it has many similar qualities to a horn. It is loud, she can hold notes for a long time, and it can often be quite brash. And, she is an alto, which many of the horns are too. So, I find that her voice blends in too much with the music. Whereas on previous records, her voice really stood out. There’s a similar problem in the duet with the ubiquitous Antony (of Antony and the Johnsons). Their voices are so similar, that any sense of conflict or drama is really lost. (I’m not mocking Antony’s voice. It is quite sublime on his own records, but I feel that it doesn’t do much for “Dull Flame of Desire,” even though the song itself is great.)

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firstamong.jpgSOUNDTRACK: TORI AMOS-American Girl Posse (2007).

americandoll.jpgI had been pretty down on Tori records since Scarlett’s Walk, which I felt was kind of blah. The Beekeeper followed and it didn’t do that much for me either. So, I was basically not that excited when this latest record came out. I probably would have gotten it eventually, but then my wife bought it for me for my birthday. Thank you!

Because, this is easily her best album since From the Choirgirl Hotel. It has everything that I felt her last two albums were missing: real tempo changes, really powerful singing, and great, great hooks.

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but-enough.jpgSOUNDTRACK: RUSH-Snakes and Arrows (2007).

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I’ve been a Rush fan since Moving Pictures, back in 1980. Some of my 8th grade classmates had made a parody of the song “Tom Sawyer” called “Father Sawyer,” (hilarious Catholic school humor!) and I thought it was funny, and that’s how I learned about Rush. In high school, my best friend was a big Rush fan as well; and then in college, my best friend and eventual roommate was a huge Rush fan too. After college, there was no one for me to hang out and talk Rush with (aside from these old friends, of course, but I wasn’t seeing them every day anymore), so I still bought the albums, but I wasn’t quite the maniac I was back in the day.

Rush went on hiatus for a few years. They came back with the fabulous, rocking Vapor Trails, and followed that up with an excellent concert tour. They seemed revitalized. And their latest, Snakes and Arrows, continues in this strong, rocking format. (more…)

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wintersmith.jpgSOUNDTRACK: INVERSE ROOM: Pieces for the Left Hand (2005).

inverse.jpgInverse Room is the musical alter ego of J. Robert Lennon, author of The Funnies, Mailman, and other works. A few years ago he wrote a collection of short stories called Pieces for the Left Hand. The book is only available in England as far as I can tell. This CD, available from his site, is a companion piece of sorts. I had enjoyed The Funnies many many years ago, and was delighted to see that he still had some works being published. It was only when I stumbled onto his site that I discovered Inverse Room.

This CD contains 99 songs (the reviews all say 100, so maybe the Part I and II song can count for 100.) Obviously, the songs are short. Very short, in fact. There are only a couple that are over one minute long.

So, what does it sound like? Well, everything, really. In what is an amazing exercise in creating melodies, Lennon has crafted 99 different songs in different genres and different styles. It is an incredible hodgepodge of music, and it is very fun. Song titles include: “Political Song for Barney to Sing” (very funny), “Set the Controls for the Heart of Denver,” and “Heavy Metal Summer Camp.” Most of the songs are funny (but a joke that doesn’t wear out its welcome in 23 seconds), some are instrumental, and Lennon plays everything.

But what does it sound like? Well, to be honest it sounds like They Might Be Giants. Lennon’s voice is very close to one or both of TMBG’s Johns. And, considering that TMBG did a similar experiment on Apollo 18’s “Fingertips,” this album is not unprecedented. And if you liked “Fingertips” you will love this CD. I guarantee it.

If you’re not familiar with “Fingertips,” then you’ll have to go with the description above: 99 songs, no two songs sound anything alike, and they’re all really short. Still not convinced? The CD costs $5 from his website. There’s bound to be one song you’ll like, right?

[READ: Fall 2006] Wintersmith

Terry Pratchett has written a million books or so, most of them focusing on Discworld. I’m not even going to try to get you up to speed on Discworld. For a nice synopsis and a list of all of the books in the series, check out the Wikipedia entry. But to sum, it’s like an alternative universe to our own except that the world is flat and is held aloft by four elephants that are standing on the back of a giant turtle floating in space. Got it? Good. (more…)

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