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[ATTENDED: March 23, 2024] Drinking Boys and Girls Choir [드링킹소년소녀합창단]

I’ve had limited exposure to Drinking Boys and Girls Choir, except that they are on the same label as Otoboke Beaver.  I knew that they were from South Korea, but only recently learned that Daegu is one of the most conservative cities in the country (“it sucks,” singer/bassist Meena Bae said).

Meena Bae and Myeong-jin Kim (drums & vocals) started the band in 2012.  They’ve gone through a few guitarists over the years and have now grabbed Scottish guitarist Megan Nisbet who joined the band in 2020 (and had been studying Korean for 15 years!).

I was really excited that they were opening for Otoboke Beaver.  I was hoping to buy a copy of their record but I forgot a bag and I didn’t want to hole a record for the entire show (and it’s a good thing, too as Otoboke Beaver fans are wild).

The trio came out and immediately launched into their rockingest songs.  Their debut album Keep Drinking!! is more wild and fun than the follow up Marriage License, although Marriage still rocks pretty hard.  They played songs from both albums and really mixed up the intensity and pacing of the show.

I was in front of Megan, but Meena was very active, running around the stage and making sure we all saw her as she danced and hopped.  She was a bundle of energy and a lot of fun, too.

Their songs are punky and super catchy with lots of backing vocals.  The first couple of songs were fast with the band showing off their chops.  Meena jumped around and Myeong-jin (who goes by MJ) was an impressive drummer–fast and intense and always on beat.

During “Red Shift,” Megan demonstrated her guitar chops with some super impressive soloing.

Some of their songs featured lead vocals by one of their previous members, but they played them anyhow and they sounded great.

But even if the newer songs are a bit softer, “Hit the Corner” is fast and heavy and I was fascinated to see the MJ had a double bass drum pedal and was using it furiously.

Some of the lyrics are in Korean and some in English, so it’s fun to try to figure out if you can figure out the fast words or if they are in Korean.

I was really surprised to hear them play “Linda Linda” a song t hat I know of because of the band The Linda Lindas.  I thought it was odd that they would play this song until I found out that they recorded a single of it before the U.S. band had become known and, in fact, have been playing the song for years.  That’s pretty cool.  Meena jumped off the stage and chatted with a little girl whose name was Lynn.  It was really cute.

“National Police Shit” is super catchy, sung in English and really quite funny.  It’s less than 2 minutes long and features the line “This is just Skateboard!”

It was followed by “History” their first single recorded with Megan (a new album is on the way, I believe).  They ended with a rocking version of “Wish” and Meena ran into the audience to do some slam dancing with the crowd (all while playing).  Then she ran back up on stage to lead the band in a blistering version of their anthemic song Keep Drinking!

The show was awesome and I think they’re winning over audiences all over North America.

Continue Reading »

[DID NOT ATTEND: March 24, 2024] Voivod / Prong / Traverse the Abyss / Black Horizon

Originally I was told that the opening band was War on Women and I was super excited to see them.  Indeed it was Voivod (who I love) and War on Women (who I’ve heard are amazing live) that made me consider getting a ticket.  I used to really like Prong a lot, but that was  thirty years ago and I had no idea they were still making music.   I actually can’t find any official word anywhere that War on Women was going to open, but I didn’t just make it up.  Anyhow, I received an update a couple of days ago that the openers were going to be Traverse the Abyss and Black Horizon.

And that changed everything.

I had been out the night before and it’s hard to get motivated to go out if you’ve been in a cozy house all day.

So, when I saw that one third of the reason I wanted to go was no longer there, it really made me rethink my plans.

I saw Voivod five years ago (it feel much more recent than that) and I would very much like to see the again, but that one show made a lasting impression on me.  I see that the setlist is quiet different than the last time, with a great amount of variety in the music, so it would certainly have been a good show.  But it didn’t feel compelling enough to drive all that way on a Sunday night. Continue Reading »

[DID NOT ATTEND: March 23, 2024] Grouplove / Bully

I really only know one Grouplove song (“Tongue Tied”) but I have heard that their concerts are a ton of fun.  I tried to go to one last year but I couldn’t make the date.

It was weird when my daughter suggested that she’d like to see them too.  But that was only casually mentioned, so I don’t know how serious she was.

If I hadn’t had plans to see Voivod on the same night I would have grabbed her a ticket and we would have gone together.  Well, I’m sure they’ll be back again.

I was actually more excited to go once I saw that Bully would be opening.  Bully is great and I have seen them once before.   She put on a great show when opening for two band where noone cared about them.  Since then they have gotten a little bigger and I’m sure will be better received.

Honestly I’d prefer a Bully headlining show.

[ATTENDED: March 23, 2024] Party Nerves

I saw Party Nerves open for Say Sue Me back in November and now t hey are opening for Drinking Boys and Girls Choir and Otoboke Beaver.  There seems to be a pattern.

Since it’s only been four months, my opinions of them haven’t changed that much.  Except to say that they sound even better.  Tighter, more powerful.  And the size of this venue didn’t affect them at all.

After a song when someone shout “shit is tight bro” Mike the bassist said thanks, “we practice.  A lot.  We don’t have lives.”  And then drummer Pavlo chimed in, “hey, I have a dog.  And a wife.”

All three members are super in tune with each other, but fairly or unfairly, most of the attention has to go to guitarist Woolly since he’s the one playing the lightning fast, non-stop surf guitar riffs. Yup, rocking surf guitar that reminds me of Shadowy Men on a Shadowy Planet (the band who made The Kids in the Hall theme song), although listening to them this time, they have more urgency and intensity that Shadowy’s laid back vibe).

Admittedly a lot of the songs are samey–I mean, it’s instrumental and it’s all kind of reverbed and riff-based.  But each guy is really good and the riffs are tasty.

The crowd was really impressed.  Everyone I heard talk about them had nothing but good things to say.

Like last time, 30 minutes was pretty perfect for me to enjoy their stuff without getting overwhelmed by the surf vibes.  I wonder what the longest show they’ve played is.

Party Nerves is a great opening act, check them out! Continue Reading »

[DID NOT ATTEND: March 22, 2024] Latetia Sadier

I was once a huge fan of Stereolab.  When I finally saw them live in 2019, it was an amazing experience.  I couldn’t believe how well they duplicated the sounds, but kept it all so lively.

I saw them again in 2022 and had a less wonderful time.  More because of the crowd, but they also played a lot of stuff I didn’t know and it was kind of tedious.

I didn’t know that singer Latetia Sadier put out solo records, although it makes sense that she does.

I was sort of intrigued to see her, but with me going to many many other shows that week, I had to give this one a miss.

Opening for her is Storefront Church who I’d never heard of.

Storefront Church’s surreal, lush, and dark atmospheres are the creation of Los Angeles musician Lukas Frank.  The band specializes in atmospheric and melodramatic indie rock.

I listened to one song (with Phoebe Bridgers guesting) and it was slow and melodramatic and I did not care for it at all.

 

I was  onceahigefanofStereolab.

[DID NOT ATTEND: March 22, 2024] Rx Bandits / Zeta

I was not familiar with Rx Bandits when they announced this show.  Indeed the only reason I was interested in this show at all was because Zeta was announced as the opener.

I had seen Zeta once and they blew me away. I would do just about anything to see them again.

But this show, which is right in the middle of a bunch of other shows that I’m going to, was just too much.

When I read about this tour, though it did make me think two or three times about whether I should go.  There’s only a handful of shows, and I always feel special when I am able t o go to a little tour like this. Continue Reading »

[DID NOT ATTEND: March 21, 2024] Wax Jaw / Wonderglu / Lowercoaster

Thursday nights at Love City Brewing (which I had never heard of before–it opened in 2018) are Free Music Nights.

Wax Jaw, whom I have now failed to see six times, announced this special show as part of their short tour (after the tour dates had been set).  I grabbed a free ticket from DICE and was all set to go.  I was even going to blow off my Wednesday night show so that I’d only have one show during the week.  I thought my wife and daughter were doing something but when I found out they weren’t I decided to stay home and try out Senor Tacos in Bradley Gardens (which was delicious).

So again, no Wax Jaw for me (I have seen them once, at least).  But it’s getting silly how many times I haven’t seen them now. Continue Reading »

[DID NOT ATTEND: March 20, 2024] Bombay Bicycle Club

 

The show opened with bouncy horns and fanfare as they sang the song “Just a Little More Time.”  The live version was bigger and felt more fun than the record and I knew that this was going to be an enjoyable set.

This segued into the second song on the new album, which had lots of drums and a cool guitar riff and sound.  I really enjoyed watching guitarist Jamie MacColl, confidently playing these riff and getting such varied sounds.

The middle of the song has Jack Steadman whispering I want to let go and forget and he was indeed whispering it pretty quietly.  So much so that some jackass yelled “fix the mic” just before he started getting louder.  Duh. Continue Reading »

[ATTENDED: March 20, 2024] Mustard Service

Mustard Service is an indie rock band based in Miami, Florida, formed in 2015. Self-described as “zest pop”, the band’s music draws influences from rock, surf, jazz, funk, and bossa nova.

When they came out and started playing I thought they were joking.  They play with a total wedding band vibe.  There’s soft gently echoed guitars, wavery synths, and a kind of crooning vocal.

And yet, the lyrics are contemporary and funny.

The amusingly titled “Get Fucked” (which has no curses in the lyrics), features this gem:

So when I tell you, hun that I just need to go outside and smoke a blunt, the world seems like it’s spinning, I don’t wanna die, my skin might disagree, but then my heart, it flies, every single day I’m going down.

The songs are all mostly quite short, and yet there were solos galore.  Leo Cattani played a few great keyboard solos (with all kinds of settings on the machine).  And even Augusto “Tuto” Di Catarina had a brief bass solo in one of the songs.

Adam Perez on drums was always smiling and was quite amusing as he introduced “(Your Cat) Don’t Stand a Chance” by saying it was a song about their cat Smoky.  Amusingly it’s about cats fighting, but it’s smooth and discoey.

The band was a four piece for this show with Marco Rivero Ochoa on lead vocals and lead guitar.  Apparently the band has a lead guitarist guitar, Gabriel Marinuchi (or “Nuchi”) but he was not there.  Rivero Ochoa’s solos were good but not amazing or anything. Continue Reading »

[ATTENDED: March 18, 2024] Sleater-Kinney 

This was my fifth time seeing Sleater-Kinney.  I saw them twice back at the turn of the century and then two more times in the last few years.

I wasn’t entirely sure I wanted to see them again, but I thought a show at TLA would be a great way to see them and when my wife said she wanted to come along too, I knew it would be super fun.

The band has a new album out and they played 9 of ten songs from it.  However, they played 24 songs in total so it’s not even a majority of tracks.   (Interestingly they barely played anything from the other records “from this century.”

The older songs definitely got the most love from the audience, but I think this new album is quite good and most of the new songs received appropriate accolades.

They opened with “Hell” and “Needlessly Wild” a chance for both Corin and then Carrie to sing lead.

The setlist was pretty varied from there, including a number of older songs that I hadn’t heard live before.   Like “Oh!” from One Beat, a super fun song with great harmonies from the rest of the band.

The band this time was similar to their 2019 band: Angie Boylan (drums), Katie Harkin (guitars/keyboards) and Toko Yasuda (keyboards). but Katie Harkin, who has played with them a lot was replaced by Teeny Lieberson.  Their backing vocals were terrific–something I never really thought about with S-K before, but their voices really fleshed out the overall sound. Continue Reading »