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Boots Riley–Sorry to Bother You (2014)

August 23, 2015 by Paul Debraski

sorrySOUNDTRACK: THE COUP-Sorry to Bother You (2014).

coup On the inside cover of this book it says that you can download The Coup’s new record online.  Evidently that was a limited time only because the link no longer works.  Every time I tried recently, the download failed.  I was therefore unable to follow the request:

Let it be known that the editors will look favorable upon those who listen to the soundtrack and read the script at the same time.

Which I would like to have done, since I like The Coup and have Party Music.

You can listen to some of their songs (which are quite dancey even when they are subversive) on their website. (and streaming as well).

I have been listening to the disc online while writing this post and I like the way The Coup makes their songs catchy and the way Riley’s rapping is fast but clear.  “Violet” which is rapped over a lovely violin and strings piece.

My one gripe about the album is a consistent gripe with a lot of rap albums–there’s too many guests.  I don’t listen to The Coup to hear other singers, I listen for Riley and his band.  If I can get the download to work I’ll review the album properly in the future.

[READ: August 15, 2015] Sorry to Bother You

Sorry to Bother You came with McSweeney’s Issue #48.  I have just gotten around to reading it and I’m bummed that I waited because this screenplay is fantastic.

Boots Riley is the creator of The Coup and an activist in general (I love the quote that “a Fox contributor (whose name I simply don’t want to appear on my blog) called his work ‘a stomach-turning example of anti-Americanism disguised as high-brow intellectualism.’  Boots was surprised and elated by the compliment”).

The opening of the screenplay is a note from Boots himself in which he explains that “every scene, every character, every word–is true.” And that McSweeney’s has forced him to change the names of those mentioned.

And then the screenplay begins.  Cassius Green (known as Cash) lives in a garage bedroom (in which the garage door opens some time unintentionally). He has just scored a job at a telemarketing office (his faked resume was hilarious). His girlfriend, Detroit, is an artist.  She wants what’s best for him, but also doesn’t want him to suck up to the man.  But at the same time, they do need some money.

In their neighborhood there are billboards everywhere for WorryFree.  There’s also a TV ad that plays during the movie in which we learn that WorryFree “guarantees you employment and housing for life” (the TV shows six bunk beds, like a prison done up by a hip interior decorator).  The concept of WorryFree permeates the movie. Continue Reading »

Posted in Boots Riley, Consumerism, Corporate skewering, Funny (ha ha), McSweeney's, Sorry to Bother You, The Coup, Work | Leave a Comment »

Jordan Stratford–The Case of the Missing Moonstone (The Wollstonecraft Detective Agency Book 1) (2015) [audiobook 2015–Nicola Barber]

August 22, 2015 by Paul Debraski

[LISTENED TO: August 22, 2015] The Case of the Missing Moonstone

wollensI was immediately attracted to this book because of the title of the series.  What an intriguing idea.  When we started listening to it, I was even more excited because of how Stratford has taken reality and tinkered with it to make this intriguing mystery.

The preface explains exactly what Stratford is up to:

This is a made-up story about two very real girls: Ada Byron, who has been called the world’s first computer programmer, and Mary Shelley, the world’s first science-fiction author. Ada and Mary didn’t really know one another, nor did they have a detective agency together.  Mary and Ada were eighteen years apart in age, not three, as they are in the world of Wollstonecraft.
Setting that aside, the characters themselves are as true to history as we are able to tell.  At the end of the book, there are notes that reveal more about what happened to each of them in real life, so that you can enjoy the history as much as I hope you’ll enjoy the story.  Because the history bit is brilliant.

The plot is a mystery, of course, but it takes a long time to actually get to the mystery (long into the second of three audio discs).  Because the beginning of the book does an excellent job of establishing character and setting.  It even feels like it may have been written in the time period in which it is set–the prose is kind of leisurely and very British (or at least that is how it is read by Nicola Barber, whose voice is simply perfect for this story).  So even though there was no actual mystery I really enjoyed these opening chapters.

As the story opens we meet young Ada.  She is obviously brilliant–reading books at a young age, creating fascinating science experiments (she is trying to imagine how fast a sock would have to fly for it to hurt someone and imagines inventing a sock cannon) and hanging out in the gondola of a hot-air balloon (which is tethered to her house).  But she has no real connection to the world and doesn’t even know the names of her maids and servants (thinking the woman who just left to get married was called Miss Coverlet).  In fact there are some hilarious malaprops later in the book. Her father (Lord Byron) is long gone and her mother is away.  So her mother has hired a tutor to look after Ada. Continue Reading »

Posted in 19th Century, Ada Byron, Audiobooks, Jordan Stratford, Lord Byron, Mary Shelley, Mary Wollstonecraft, Nicola Barber, Percy Bysshe Shelley | Leave a Comment »

Rebecca Stead–When You Reach Me (2009) [audiobook 2009–Cynthia Holloway]

August 21, 2015 by Paul Debraski

[LISTENED TO: July 12, 2015] When You Reach Me

wyrmThis book was read by Cynthia Holloway.

Sarah brought this book home for us to listen to.  It is intended for 9 year-olds and yet I thought the book seemed a bit more YA.  Although the story deals very closely with the real day-to-day exploits of three sixth graders, there s a mystical elements that weaves its way through the story.  It also deals with time travel which is what I thought the kids might have the hardest time grasping (it even hurts my head sometimes).  But I think they got it.

The story is told from the point of view of Miranda (named for the Miranda rights).  She is an only child being raised by a single mother in NYC in the 1970s (I wish the date had been given earlier or more clearly in the story).  I loved the conceit of the book that her mother wants to win $20,000 Pyramid.  And she thinks she has a chance as long as her celebrity isn’t as “dumb as a box of hair.”  As a result, all of the chapter titles are titled the way the pyramid categories would be: Things you lose: things you find: etc.  That was very cool.

Anyhow, Miranda’s mom works hard and has  boyfriend.  There’s no trouble there.  The trouble comes from her best friend Sal.

Sal lives in her building.  Sal’s mom is also a single mom.  The moms met when Miranda moved in and she and Sal have been super close ever since–going to day care together, doing everything they could together.  But lately Sal has been a little distant.  And then once the incident happens, thins change for good. Continue Reading »

Posted in Audiobooks, Cynthia Holloway, Madeleine L'Engle, Rebecca Stead, Sci-fi, Set at School, T., The $20,000 Pyramid, YA Books | Leave a Comment »

Sorel & Seksik–The Last Days of Stefan Zweig (2011) [translated 2014]

August 20, 2015 by Paul Debraski

zweigSOUNDTRACK: TERENCE BLANCHARD FEAT. THE E-COLLECTIVE-Tiny Desk Concert #460 (August 5, 2014).

blnachAfter a few quiet Tiny Desk Concerts, it was fun to get something big and bouncy.  I don’t know Blanchard, but I really enjoyed his band set up.  Blanchard plays trumpet, and with the E-Collective, he’s got a guitarist, bassist, pianist and drummer.

In the first song “Soldiers”, I was sort of amused because when Charles Altura (a guitarist he met online) plays his 2 minute guitar solo, Blanchard isn’t doing anything.  It was  funny way to start the concert with the main guy doing nothing.  But Altura has a great sound–jazzy and interesting with a flair not unlike Frank Zappa.  It continues with a lengthy solo from Blanchard.  I like the jagged edges of this song–the funky bass and the angular rhythms.  It’s about 8 minutes long and it’s fun to watch Blanchard just digging the music when he’s not actually playing.

“Confident Selflessness” begins with a cool drum setup by Englishman Chris Bailey.  Over the great beat, Donald Ramsey, (Blanchard’s high-school classmate) lays down a great funky bass line.  And then it’s a wild solo from pianist Fabian Almazan.  I love the way the song switches back to that angular/funky sound during the refrains.  Blanchard seems to be playing the trumpet with some kind of effect on it during the first part–or he’s playing very quietly.  But later, he gets a good solo in.  Bailey also plays some wild drums fills while the rest of the band repeats the staccato motif.  This song is also about 8 minutes long.

He introduces the final song, “Breathless” by saying that there is typically a spoken word section, but he’s not going to do that.  The title references the police brutality and the dying words “I Can’t Breathe.”  This song is much more mellow, with a lengthy piano solo.  There’s a soaring, uplifting trumpet solo in the middle of the song (which is about 10 minutes long in total).  It’s a really pretty song, although I do prefer the more lively bouncy tracks.

As I was saying after the last two, quieter Tiny Desks, it’s fun to hear the audience whoop it up so much.  And Blanchard even plays a jokey riff at the end.

[READ: May 15, 2015] The Last Days of Stefan Zweig

This is one of those interesting books that I find at work whose pedigree takes some time to unravel.  This is a graphic novel.  It is based on the novel by Laurent Seksik called  “Les Dernier Jours de Stefan Zweig” (2010) which was released in English as “The Last Days.”  This graphic novel was illustrated by Guillaume Sorel and translated by Joel Anderson.

I didn’t know who Stefan Zweig was when I read this book (more shame on me, i suppose).  Zweig was an Austrian novelist, playwright, journalist and biographer.  According to Wikipedia, in the 1920s and 1930s he was one of the most popular writers in the world.

When Hitler came to power, Zweig left Austria for London (where he was considered an enemy because he was German). He was Jewish, although in an interview he said “My mother and father were Jewish only through accident of birth.”  Yet he did not renounce his Jewish faith and wrote repeatedly on Jews and Jewish themes.

He traveled with his second wife Lotte to Petrópolis, a German-colonized mountain town 68 kilometers north of Rio de Janeiro known for historical reasons as Brazil’s Imperial city.  And this is where the story actually begins. Continue Reading »

Posted in Books about writers, Frank Zappa, Guillaume Sorel, Joel Anderson, Laurent Seksik, Religion, Stefan Zweig, Terence Blanchard and the E-Collective, Tiny Desk Concert | Leave a Comment »

Zena Alkayat, Nina Cosford–Jane Austen (2015)

August 19, 2015 by Paul Debraski

austenSOUNDTRACK: SOAK-Tiny Desk Concert #459 (August 3, 2015).

soakSoak is Bridie Monds-Watson.  I hate to mention this, because it’s not the focus, but it is impressive that she’s only 19.  And her voice is really lovely.

I recently bought her album Before We Forgot How To Dream, and it’s really good.  The arrangements are complex and thoughtful.  And the album is beautifully orchestrated.  So this stripped down performance shows that she’s not all about production.

Her voice is pretty heavily accented and is almost a mumble, but not quite–it’s the kind of quiet voice that makes you lean in to hear.

The opening track, “Sea Creatures” (an amazing single) sounds pretty with just the acoustic guitar (I prefer the album version, but this is a really neat rendition).  For “B a noBody” and “Wait” she switches to an electric guitar.  It’s got a cool echo effect on it, but it is still quiet and hushed.

She says that she’s nervous playing at the Tiny Desk, but that looking around at all the CDs and poster it “feels like my bedroom.”  This is another delightfully intimate performance behind the Tiny Desk.

Bob Boilen did an interview with her a few weeks ago and she really won me over with her musical knowledge and sense of humor.

[READ: June 4, 2015] Jane Austen

This book also comes from the series called Life Portraits.

This is a very brief (128 pages, but mostly one sentence per page) biography of Jane Austen.  But the real “selling” points of the book are the beautiful illustrations/paintings by Nina Cosford.  They are lovely watercolors which do a great job illustrating whatever detail is listed on the page.

We get basic birth details–born Jane Austen on 16th December 1775.  She grew up on a farm with six brothers and one sister.  There’s even an illustrated family tree.

Her parents turned their farm into a boarding school so she knew lots of children.  But it was her cousin Eliza, a fantastic woman married to a European Count who spoke French and wore continental fashions who became Jane’s lifelong friend.  With Eliza around, all the girls  talked about marriage and money.  Continue Reading »

Posted in Books about writers, Jane Austen, Mary Wollstonecraft, Nina Cosford, Soak, Tiny Desk Concert, Zena Alkayat | Leave a Comment »

Zena Alkayat & Nina Cosford–Virginia Woolf (2015)

August 18, 2015 by Paul Debraski

woolfSOUNDTRACK: SHAMIR-Tiny Desk Concert #458 (July 31, 2015).

shamirShamir has an amazing voice–a high countertenor that is unsettling and pretty at the same time. He usually creates dance music, but in this Tiny Desk it’s just him and his guitar (on a stool).

The notes say that they asked the interns and staff to sit around him like at a campfire since he looked so alone up there by himself (and after the first song he says he is quite nervous).

He sings three songs. I don’t know the originals (I only know the one dance song from his record “On the Regular” which he doesn’t play here). But these versions are so different from that one that it’s quite shocking.

“In for the Kill” has a lot of intensity in his delivery and the chord structure (even if he plays he guitar rather softly).

The story of his writing “Demons” is very funny.  He was at work at Ross’ and he ran to the changing room when this melody came to him to write it down.  So he was hiding tin the dressing room plinking out notes and humming to himself while trying to get it down before he forgot.  I really like the twist in a song about demons: “If I’m a demon, you’re the beast that made me.”

I’m not sure I’d ever get his record, but I enjoyed hearing this acoustic version of such a dancey singer.

[READ: June 4, 2015] Virginia Woolf

This book comes from a series called Life Portraits.

This is a very brief (128 pages, but mostly one sentence per page) biography of Virginia Woolf.  But the real “selling” point of the book are the beautiful illustrations/paintings by Nina Cosford.  They are lovely watercolors that do a great job illustrating whatever detail is listed on the page.

Although the biography is short it is still quite comprehensive–skimming over many details in her life to get to the heart of the matter.

We get basic birth details–born Virginia Stephen on 25th January 1882.  We learn about her parents (ferociously intellectual father and philanthropic mother).  There’s even an illustrated family tree.

Then we learn that death followed her everywhere.  Her mother died when Virginia was young.  And that a few years later her half-sister and her father also died.  She remained with her sister Vanessa and her brother Thoby as companions. Continue Reading »

Posted in Biography, Books about writers, E.M. Forster, Katherine Mansfield, Nina Cosford, Shamir, T.S. Eliot, Tiny Desk Concert, Virginia Woolf, War, Zena Alkayat | Leave a Comment »

Maile Meloy–Devotion: A Rat Story (2015)

August 17, 2015 by Paul Debraski

devotionSOUNDTRACK: RHEOSTATICS-Upstairs Cabaret, Victoria, BC (October 26, 2004).

upThis is the final show of 2004 that I’ll be doing.  (The Rheostaticslive site recently add ten shows in a row from a run in Toronto, but I’ll be coming back to that another time).

This show is the first show in Victoria for about three years for the band.  And they do not disappoint.  Although, much like the previous show, there are massive technical problems during the recording.  The recorder (Lucky) says that his DAT recorder turned into a brick that night so he had to borrow a friend’s MP3 recorder, which was low on batteries.  It’s unclear how much of the show he missed (and did he really run out to the car during the show to retrieve the machine?).  He mentions being blown away by “Marginalized” and “The Tarleks” (neither one appears here) and that the batteries run out during “Satan is the Whistler” which he says was amazing.

Nevertheless, the show is great and the sound quality (aside from a few weird moments (in an early song for a few minutes you can only hear drums)) is superb.

They dedicate “Power Ballad” to the Buttless Chaps and sing “I wish I was a buttless chap.”

“Legal Age Life” has BC native Mark Atkinson as a guest.  They tell him to come up and rock out–he’s been doing too much of that acoustic stuff.

It’s also the first time we’ve heard the new song “Shack in the Cornfields.”  They have some fun in the middle of the song by making a “hick” joke about Captain Kirk and a variation of his name “Shat’n’er”  It’s vulgar.  I have to say that the 9 minutes of “Shack” coupled with the 8 minutes of “Here Comes the Image” is some pretty mellow chilled out Rheos.  I might have been a little bored since these are both new songs.  They say that “Mike” plays the keyboards.  And that they will have to start calling him “the Wiz.”  He says he would like a cape.  (I’m not sure if this is MPW or someone else).

Then Morgan from The Buttless Chaps comes out (they toured with the Rheos on the entire West Coast) to add some trippiness to the end of a great “Stolen Car.”

Theree’s a quiet rendition of “Little Bird” and then, when Dave is unready they play a bunch of nonsense called “Tarzan Boy in China” which is pretty hilarious.  “Mumbletypeg” is great with some “I Fought the Law” thrown in.  And then we get just the beginning of “Satan is the Whistler” which has a new intro section.  Before the song someone the audience coordinates with others to shout “Lordy” and Dave seems very confused: “What does that mean?  Why would you shout that?”  “Are you Christians?”  It is unresolved as the batteries have died.

[READ: June 13, 2015] Devotion: A Rat Story

This book is tiny!  It’s only 11 cm high.  I’m not really sure why publishers release books like this.  Sure it’s cool looking, but….  So it’s 100 pages, but it’s really just a short story and can be read in no time at all.

But that’s not my concern.  I enjoyed stuffing it in my pocket while I carried it around with me this weekend.

Meloy has written a pretty broad variety of books over her career from realistic family stories to fantasy teen stories.  To this group she adds this story which is a bit of a realistic psychological thriller (with some grossness included).

The story is about Eleanor.  She had a baby without the father’s assistance (her parents are supportive, but smothering and wanted her to sue the father… among other options).  But rather, she ignored the father and raised the baby in her parents’ house.

Now, four years later, Eleanor is ready to move out of her parents’ house with her daughter Hattie. Continue Reading »

Posted in Maile Meloy, Mark Atkinson, Parenting, Rats, Rheostatics, Small Books, The Buttless Chaps | Tagged | Leave a Comment »

Haruki Murakami–The Strange Library (2014)

August 16, 2015 by Paul Debraski

murakamiSOUNDTRACK:  RHEOSTATICS–The Media Club, Vancouver, BC, (October 23, 2004).

media clubEvery year, the Rheostatics would perform what they called Green Sprouts Week in Toronto.  In 2004 they did a West Coast version. Five nights in a row at The Media Club (with each show being crazier than the last).  There aren’t always recording available for these shows, but on this leg there are recordings from the third, fourth and fifth nights.

This recording is the best of the 3 available shows.  Although in the notes, Tyson reveals that he had technical difficulties and was only able to record about an hour of the show.  In addition to the songs he missed for technical difficulties, there were also some quieter acoustic songs “Don’t Say Goodnight and “Joey” which he couldn’t get.

And yet, this is an amazing set of music–outstanding by any barometer, with great sound quality (aside from a few drop outs) and an amazing collection of songs. The final night of a run is usually really long, so it’s fun to imagine how much more they would have thrown into this set.

The 7 songs included are “Shaved Head” which is slow and amazing.  A raw and raging “Feed Yourself” with a dash of The Jam’s “Eton Rifles” and The Tragically Hip’s “Bobcaygeon” thown in.  “Saskatchewan” is broody but also great.  “Horses” is intense and goofy at the same time, with someone on the voice modulator doing a computerized “Play that funky music, white boy” recitation.

Torben Wilson from the Buttless Chaps plays drums on “Claire.”  “A Midwinter Night’s Dream” is one of those rare songs that the band throws out once in a while, and it sounds great here.  They invited the crowd on stage to sit around campfire style.

And “Fan Letter to Michael Jackson” is great here too.

It’s a fantastic collection of songs, leading me to think the entire show must have been amazing.

[READ: May 11, 2015] The Strange Library

I saw this book when we were in a bookstore in Denver.  I mentioned it to Sarah and she clearly bought it then and gave it to me for my birthday.

It wasn’t exactly risky because it is by Murakami with art direction and design by Chip Kidd (how could you go wrong?) but the book was shrink wrapped in the store, so you couldn’t flip through it.

Imagine my surprise when the slipcase proved to be not a slipcase at all, but a double flip cover that does not get removed but opens up like a secret document.  And every (or every other) page is chock full of art from Kidd.  My guess is that all of the art is found (rather than created) by Kidd as it appears to be old Japanese pictures and designs.  And they reflect (more or less) the action of the story.

The story itself is one of Murakami’s more surreal ones. Continue Reading »

Posted in Chip Kidd, Funny (ha ha), Funny (strange), Haruki Murakami, Library Related, Mark Z. Danielewski, Rheostatics, Short Story, Ted Goossen, The Buttless Chaps, The Jam, The Tragically Hip, Translation | Tagged | Leave a Comment »

Aziz Ansari–Modern Romance (2015)

August 15, 2015 by Paul Debraski

modernSOUNDTRACK: RHEOSTATICS-The Media Club, Vancouver, BC (October 22, 2004).

media clubEvery year, the Rheostatics would perform what they called Green Sprouts Week in Toronto.  In 2004 they did a West Coast version. Five nights in a row at The Media Club.  This recording is from the fourth night.

Once again, the recording quality isn’t great (although it’s better than the previous night’s).  And once again the show is edited down (it’s barely 90 minutes–just long enough for a cassette).

It feels like perhaps Martin’s voice was hurting by this night.  As an introduction he says, “I’m going to try to sing a song called ‘P.I.N.'”  Even though most of the banter has been removed, there is a funny part with Dave talking via the cymbals (being very silly indeed).

They play the first version I’ve heard of “Here Comes the Image” with a very long synth solo.

They cover XTC’s “Radios in Motion” with vocals by local musician Paul Myers.  They also play The Clash’s “London Calling” and while Myers vocals are great, Tim can’t seem to get the notes on the bass right.

Strangely, for an edited show, it accidentally repeats “Aliens” twice and leaves off “Fan Letter.”

The intro to “Stolen Car” gives Dave a chance to throw in an “obligatory Beatles reference” when he starts singing the words to “Norwegian Wood.”  And the end is scorchingly good.

The final song is a fun version of “Legal Age Life.”  It starts with him asking someone to blow into his beer bottle for notes.  The song ends with a twist contest.  And the prize is the new Sting CD, which they love mocking.  They even joke that Sting has a song called “Stolen Car” but it has a parenthetical “(Take Me Dancing)” which makes it an entirely different song.

It’s another great fun night of Rheos music

[READ: July 14, 2015] Modern Romance

I was really excited to see this book in the bookstore.  Although I like to keep up with new books, I had no idea Aziz had a book out.  And since he is hilarious and other recent Parks and Rec folks have had hilarious books out I was prepared for a lot of laughing.

Well, it turns out that this book isn’t exactly funny. I mean it’s funny because Aziz wrote it, but it’s actually a sociological book about modern romance.  Really.  He has enlisted the help of NYU sociologist Eric Klinenberg and they have compiled and studied all sorts of data.  They have sponsored panels and had discussions and really tried to discover how romance has changed in the last 50 or so years.

It sounds like it might be dry, but again, Aziz throws his snark and wit all over it so just as you get a little tired of statistics, there’s a funny joke about a rapper or some such. I mean any book that opens with “OH Shit!  Thanks for buying my book!” has got to be funny right? (especially if you imagine Aziz saying it). Continue Reading »

Posted in Aziz Ansari, Eric Klinenberg, Paul Myers, Rheostatics, Sting, Technology, The Clash, XTC | Tagged | Leave a Comment »

Salman Rushdie–“The Duniazát” (New Yorker, June 1, 2015)

August 14, 2015 by Paul Debraski

june1SOUNDTRACK:  RHEOSTATICS–The Media Club, Vancouver, BC, (October 21, 2004).

media clubEvery year, the Rheostatics would perform what they called Green Sprouts Week in Toronto.  In 2004 they did a West Coast version. Five nights in a row at The Media Club (with each show being crazier than the last).  There aren’t always recording available for these shows, but on this leg there are recordings from the third, fourth and fifth nights.

This recording is about 90 minutes and I assume is edited (most of their GSMW shows are quite long and there’s no banter).  There’s also crazy static on a certain instrument, which mars the quality somewhat.

The band has added keyboards, although I’m not sure who is playing them.  Morgan from The Buttless Chaps guests on a nice rendition of “Claire.”  They play a great version of “Jesus Was Once a teenager Too” with a folky breakdown in the middle.  “Take Me in Your Hand” is slow but really good.

There’s goofing on “Song of Flight” with them ending the song quickly and booing and yelling “stinky” I wonder what happened).  “Marginalized” is blistering and “Record Body Count” is a little goofy.  Perhaps the highlight of the night is “Horses” which is an amazing rendition and ends with a few lines and acoustic guitars from “When Winter Comes”

The encore starts with “Pornography” a song later recorded by Bidiniband.  Then there’s some great harmonies on “Dope Fiends and Boozehounds.”

They do a rocking version of Talking Heads’ “Life During Wartime” which is musically spot on, even though no one really knows the words.  The last few songs are more covers.  A very fast version of Jane Siberry’s “One More Colour,” and then a perfect version of “Takin’ Care of Business” (the guitar and vocals sound right on) which segues into a sloppy/fun “My Generation.”

The Green Sprouts shows often allow the band to mess around a bit which is great for fans.

[READ: July 21, 2015] “The Duniazát”

I generally like Rushdie’s work.  This story is told in the style of a 1001 Arabian Nights tale and consequently I didn’t enjoy it that much.  Although I was interested to find out some details about those stories.  There was originally a Persian book called “One Thousand Stories” which had been translated into Arabic.  In the Arabic version there were fewer than a thousand stories but the action was spread over a thousand nights, or, because round numbers are considered ugly, a thousand nights and one night more.  Huh.

The stories featured a beautiful storyteller knows as Sheherazade, who told her tales to a murderous husband in order to keep him from executing her.

Anyone, in this story, Rushdie tells a similar type tale.

Set in the year 1195, the great philosopher Ibn Rushd (I enjoyed the play on his own name there) was a physician to the Caliph.  But when he started espousing liberal views, he was discredited (sound familiar?).  He wound up living in a village where Jews were forced to convert to Islam and could not speak of Judaism.  So he felt right at home as an outcast. Continue Reading »

Posted in Bachman Turner Overdrive, Bidiniband, Jane Siberry, Marriage Trouble, Myths, New Yorker, Old Age, Religion, Rheostatics, Salman Rushdie, Short Story, Talking Heads, The Buttless Chaps, The Who, WNYE 91.5--Radio, New York | Tagged | Leave a Comment »

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