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[DID NOT ATTEND: June 12, 2024] Pixies / Modest Mouse / Cat Power

This is the same tour that was going on last summer.  I was vaguely interested in it, but knew I wouldn’t go.   Here’s the same thing I wrote last summer.

I saw Pixies for the first time in 28 years at The Stone Pony Summer Stage and it was glorious.  I’ve since seen them two more times and I don’t feel the need to ever see them again.  Even though each show has been very good, and there is some mixing up of songs, I feel like I’ve seen everything they’re going to show me.

I would see Modest Mouse every time they came around.  The shows are totally different and each one feels like a new version of the band.

I have never really liked Cat Power (blasphemy!).  She just doesn’t do anything for me.

With this line up, the nays overrode the yeas.

 

[ATTENDED: June 6, 2024] Melt-Banana

I’ve known about Melt-Banana for years.  I knew they were loud and fast and were from Japan.  But I didn’t know much beyond that.  Turns out they’ve never had a permanent drummer.  They like the freedom of a drum machine.  For over twenty years they had a bass player (Rika Hamamoto) but when they decided to tour again recently, they decided to go just as as duo Yasuko Onuki – vocals and Ichiro Agata – guitars, effects.

I saw them nine months ago when they opened for Igorrr.  I knew they toured a lot but I didn’t think they’d be back again as a headline act.

This show was really really packed and I was on the side of the stage so I didn’t really see all that much, but since there’s only two of them, it was actually not a bad place to stand.

The set wasn’t radically different from the last time I saw them.  I wrote:

After getting all of their gear set up, Yasuko calmly stood with a colorful videogame controller looking device in her hand.  A wall of amps and a laptop behind her.  Off to her left a few feet was Ichiro, with a guitar, a huge array of pedals and his own wall of amps.

He played fast and he looped his sounds and did a million things most of which I can’t even fathom.  Yasuko had her device and from time to time, she would wave her hand and presumably push a button on the gadget and the drums and bass blasted out of the speakers.  And these drums sounded great–they sounded real and not like a preprogrammed device.  I actually wondered if they were somehow triggering the drumset that was set up behind them (they weren’t).

Yasuko sings very high, very fast and sounds kind of angry.  But she never looked angry.  And she never broke a sweat (while Ichiro was a sweaty mess).

They played a whole bunch of songs, I can’t even imagine how anyone could tell them apart.  But someone did, as the setlist below is from the NY show but I believe it is the same (or roughly so) of ours–comparing my clips to what the songs are, it seems like the setlist was the same each night.

Continue Reading »

[ATTENDED: June 6, 2024] The Flying Luttenbachers

The Flying Luttenbachers are an American instrumental unit led by multi-instrumentalist, composer, improviser and producer Weasel Walter. They focus on noise and dissonance, but surprisingly composed and controlled, almost like jazz punk.   And I see that they have been around since 1992!

I wish I was in a better place for this band–I was too far off to the side to see Weasel Walter doing his thing and drummer was obscured from time to time.  But I had a great view of bassist who was a maniac seemingly doing his own thing but always perfectly n synch with the other when needed.

They opened the show with a wall of noise.  Thunderous drumming from James Paul Nadien, rumbling bass from Luke Polipnick and screaming guitars. Continue Reading »

[DID NOT ATTEND: June 8, 2024] TAGABOW / Hotline TNT / Fib / Menu

This was my third missed show at the Ukie Club in a month.  Each one is a show I really wanted to go to.  Although as it turns out, this one was probably the least most interesting one of the three.  I was mostly interested in seeing Hotline TNT who I’ve really been enjoying over the last few months.

TAGABOW I hadn’t heard of until the Slide Away Festival in Aptil–their set was really good (having seen the video).

The other two bands I hadn’t heard of at all.  They are new(ish) indie bands from Philly.

The night’s tickets went to Palestinian Relief, so I didn’t mind getting a ticket since the money went to a good cause.

On the night of I just decided I didn’t really want to go to a full night of bands, even if I would have liked it.  And, watching the videos below, I think I would have.

TAGABOW (They Are Gutting a Body of Water) is a Philly-based shoegaze band that I’ve never heard of.  They seem to be on the noisier side of shoegaze–heavier guitars, more wild distortion, extra noises.   Wikipedia says that genres besides shoegaze that have influenced the band include drum and bass, breakcore, jungle, and reggaeton, which could certainly explain some of the noisier components.

Hotline TNT plays what I can only describe as classic shoegaze, which is definitely having a moment again.  Unlike a lot of their contemporaries, they don’t really mess with the classic shoegaze vibe all that much–not adding elements at all.  Their music warms my heart and I’d love to see them live.

Fib Philadelphia rock band. Logan, charlie, gage, and Damien.  They play noisy, somewhat abrasive rock, with vocals!

I didn’t know Menu at all(they are rather hard to search for online as well).  I enjoyed their set (from the video below) which is the kind of lurching, somewhat off-kilter indie rock that makes me happy.  The first four songs are instrumental, but the fifth does have a few screamed words.

Rampaging post punk from Philadelphia, PA.  Fast guitars like shooting laser blasters. Tracked at home.  This most memorable Rock Band burns bright, quickly leaving you to wonder where it’s gone. We love T.V., just like we’re supposed to

And here’s videos of all four sets from Wallace, Watches!

TAGABOW full set from Wallace, Watches!

0:00 – Intro 0:32 – lude 1 2:24 – 63 skies 6:50 – lude 2 9:40 – texas instruments 11:40 – lude 3 13:49 – eightball 16:35 – lude 4 18:33 – violence I 22:15 – a wasp appears 24:15 – lude 5 27:00 – behind the waterfall 32:20 – closing

Hotline TNT full set from Wallace, Watches!
Menu full set from Wallace, Watches!
0:00 – Intro 0:55 – Song 1 3:35 – Song 2 6:12 – Song 3 9:42 – Song 4 11:04 – Song 5 12:22 – Song 6 15:01 – Peter 17:40 – Sorcery

[DID NOT ATTEND: June 7, 2024] An Intimate Evening With… The Antlers + Okkervil River

I have been interested in seeing Okkervil River, but not aggressively so.  Will Sheff plays in the area a bunch, both as a solo artist and as Okkervil, but I’ve never been fully motivated to go.

The Antlers have been around for awhile and their 2009 album received some buzz.  But when I discovered that main composer Peter Silberman described ‘Hospice’ as the story of an emotionally abusive relationship, told through the analogy of a hospice worker and a terminally-ill patient, I stayed far away from that depressing saga.   Ever since I’ve just assumed their music is sad and depressing and I’m not willing to investigate further.

So this show was a no-go for me. Continue Reading »

[DID NOT ATTEND: June 7, 2024] Say She She / Kendra Morris

My wife has been really enjoying Say She She as of late.  I was a little surprised that they hadn’t done a show in Philly in a little while and then it was announced that they were playing the Summer Concert Series in Camden County. I had been to this location once two years ago and really liked it.

We didn’t make that show (rain).  But two days later they were playing at another outdoor event.  This one was not free and we decided that King of Prussia was a little too far away.  So we missed this one as well.

Kendra Morris is a New York based songwriter.  She compares nicely to the soulful side of Say She She.

[DID NOT ATTEND: June 7 & 8, 2024] The Menzingers / Lucero / The Dirty Nil

I have seen The Menzingers twice.  The first time I missed most of their set.  The second time I was in a terrible location and the sound was dismal.  I told myself that I really wanted to see one good set with them.

But they’ve come around a few times since then and I really just don’t care anymore.   So I guess I’m done with them.

I thought I had posted about Lucero before, that they had opened for someone else before, but  there’s no posts about them.

I have learned

Lucero is an American country-punk/alternative country/alternative rock band based in Memphis, Tennessee, United States. Lucero’s sound has been described as a “synthesis of soul, rock, and country [that] is distinctly Memphisian.” They have released 11 albums and one live DVD, mostly through their own label.

I have grown to like country punk more over the years, but I’d have no real desire to see Lucero.

Continue Reading »

[ATTENDED: June 6, 2024] babybaby_explores

TI moved to the other side of the stage which might have been a mistake as I had something of a worse view for the next three bands.

Up next was babybaby_explores a trio from Providence, RI.  The band members are Lids B-day: effected vox & sampler, sam m-h: electric guitar, and Ramona Cano-Daly: drum machines.

So, basically there was a guitar on stage and two people playing with effects boxes.  Experimental barely covers what’s going on here.

Lids B-day was a weird and funny front person, with a kind of I don’t give a shit attitude.  They were just kind of stomping around and flailing and recite/singing the lyrics.  They projected a great fun attitude. Continue Reading »

[DID NOT ATTEND: June 7, 2024] The Antlers + Okkervil River [FREE AT NOON]

Since Okkervil River and The Antlers were playing at Ardmore Music Hall that night, the Free at Noon was recorded there as well.  They don’t do this often, but have done a few at Ardmore Music Hall.

I have been interested in seeing Okkervil River, but not aggressively so.  They play in the area a lot, but I’ve never been fully motivated to go see them.

The Antlers have been around for awhile and their 2009 album received some buzz.  But when I discovered that main composer Peter Silberman described ‘Hospice’ as the story of an emotionally abusive relationship, told through the analogy of a hospice worker and a terminally-ill patient, I stayed far away from that depressing saga.   Ever since I’ve just assumed their music is sad and depressing and I’m not willing to investigate further.  The review from WXPN says Continue Reading »

[ATTENDED: June 6, 2024] Tomato Flower

I was really excited to see Melt-Banana and I had to assume that any bands that opened for them would be interesting.  I had listened to a little bit of Tomato Flower before the show and I was really interested in them.

And they proved to be utterly fantastic.  I loved everything about them.

Their songs were jagged and indie, weird and delightful.  They reminded me of Palm (one of my favorite weirdo bands) for the unexpected shifts in tempo and direction.  They had two singers Jamison Murphy and Austyn Wohlers (who is also a novelist).

I was in front of these two so couldn’t really see bassist Ruby Mars.  And I couldn’t see drummer Mike Alfieri at all.

Austyn sang most of the lead vocals with Jamison adding a lot of second vocals (not really backing vocals but unique melody lines).  Although the opening song “Destroyer” has Jamison screaming the title word between two quiet guitar lines.  It’s catchy but decidedly weird. Continue Reading »