Feeds:
Posts
Comments

[ATTENDED: June 20, 2025] Demetri Martin

I realized recently that when I think of comedians that I want to see, nearly all of them are British (or from Australia or New Zealand).  This is the Taskmaster effect.  In fact w saw English comedian Sarah Millican just two days before this.

There really aren’t that many American comedians who I want to see.  But Demetri Martin is one of them.

I love his deadpan style and the fact that he includes drawings (and songs) in his act.

He has played the Wellmont before (we couldn’t go in 2022) so I was happy he came back.

The premise of this show was that he wouldn’t have the drawings prepared ahead of time as he usually does.  Rather, he would draw them and talk about them while he drew (and drew quickly, you see).

There were so many drawings and jokes, it’s impossible to remember most of them because we were laughing so hard.  It’s also foolish to try to describe the drawings because they are quick, funny sketches.

There was one bit of improv that we enjoyed quite a lot.  He made a joke about Taylor Ham and it turned into a Taylor Ham vs Pork Roll argument that he wasn’t prepared for (If you’re going to bring up pork roll, be sure you have material about it!). Continue Reading »

[ATTENDED: June 18, 2025] Sarah Millican

I knew (and loved) Sarah Millican from Taskmaster.  I was so excited when she announced her tour and I was excited for her that it sold out and she had to add a second date!

When show time arrived, she came out on stage and gave us a little warm up.  And then she introduced her opening comedian!   I’ve never seen the headliner come out before the support act, but it was fun and classy.

After Matt Kirshen finished his set, Sarah came out and began her own.  I knew that Sarah Millican told adult jokes, and boy does she ever.  I love how demure she looks and yet how unafraid she is to talk about everything.

She had a whole book cataloging what a Late Bloomer is compared to an Eager Beaver.  Each one funnier than the next.  And on the way out she had free buttons an Eager Beaver and a Late Bloomer one.  Continue Reading »

[DID NOT ATTEND: June 19, 2025] Girls Against Boys / Maafa

I was into Girls Against Boys in the early 90s.  Not a huge fan, but I liked their sound and a bunch of their songs.  When this tour was announced, I didn’t know that they were still a thing (they’ve broken up and reformed a few times).

I was instantly intrigued about going to this show (especially at Johnny Brenda’s) but it was in between two nights that I was already going out.  I’m a little bummed to have missed it, but it’s okay.  I would have liked to see Kill the Sexplayer live though (and I’ll have to dig out their CDs to listen to).

I had never heard of Maafa, but they sound pretty amazing

MAAFA is a Brooklyn-based “Afro-progressive hardcore” band founded by Brazilian bassist, vocalist, and composer Flora Lucini. They fuse intense, abrasive hardcore punk with traditional African instrumentation and rhythms, featuring politically charged lyrics that address systemic oppression and the African diaspora.

Looks like this would have been a really fun show.  I should have reconsidered going.

[ATTENDED: June 18, 2025] Matt Kirshen

I knew (and loved) Sarah Millican from Taskmaster.  I was so excited when she announced her tour and I was excited for her that it sold out and she had to add a second date!

When show time arrived, she came out on stage and gave us a little warm up.  And then she introduced her opening comedian!   I’ve never seen the headliner come out before the support act, but it was fun and classy.

Her opening act was Matt Kirshen.  Kirshen is a British comedian who has recently become an American citizen.  We all had a good laugh at his terrible timing of becoming an citizen.  He said that he liked being part of something in its final act.

His routine was really funny–it must be quite challenging to be a less well-known comedian.  But he was great and had us laughing quite hard.

He had his own show at Helium the following month and I’m sure it was really good.

I’m writing this three months after the show and can’t remember his jokes, but I know he had us laughing quite a bit.

If I think of any jokes or see any videos, I’ll add them here.  But I would 100% see him again.  He was great.

 

[ATTENDED: June 16, 2025] Lip Critic

I had not heard of Lip Critic and never imagined that they would be headlining this show.  But when they started I realized why they were better suited as the headliners–because they are crazy and would be very hard to follow.

I actually wondered if they were even playing songs or just improvising loudly on stage (they are playing songs and do have records out, so settle down).  It’s not just that it was loud (it was), it’s that it was chaotic in the extreme.

There were two drummers (yay), a guy who made all the sounds but who faced away from the audience the whole time (but did a lot of dancing)  and then the singer/screamer, who was fun and funny and brought a good time to all the chaos. Continue Reading »

[DID NOT ATTEND: June 18, 2025] Honey Revenge / Vana / Daisy Grenade / Nightlife

I saw Honey Revenge open for Meet Me @ The Altar and I really liked their set.  Honey Revenge is evidently a two-piece: Devin Papadol (vocals) and Donovan Lloyd (guitar), (although live there were two others).  They play an electro pop that is really fun and Papadol is a great front woman.

But this was the same night that I had a ticket to see Hello Mary, who I had really wanted to see, so I blew off this show.

I listened to a Vana song and thought they were a dancey synth band and then about fifteen seconds in the song went total death metal with screaming vocals.  Wow.  There’s a total Poppy vibe–growly vocals interspersed with sweet synth pop verses.  Her bio states

Vana is an independent female alt metal artist from Aotearoa [New Zealand]. She doubles as a musician and content creator and prioritises spending her time sharing her creativity with the world.  Vana’s music is dark and alluring. She strives to make music that represents her pride as a member of the LGBTQ+ community, as well as encouraging women to embrace their sensuality. Her songs encapsulate the feeling of viewing life through rose-tinted glasses, especially the consequences of doing so.

Daisy Grenade opened for Pierce the Veil but we missed them. I wanted to see them because I like what they call bubblegrunge.  Although I think I like Vana more (because I’m obsessed with New Zealand).

Daisy Grenade is an alt-pop duo led by Dani Nigro and Keaton Whittakker hailing from their hometown of NYC. Their songs hit like chaotic diary entries equal parts heartbreak, rage, delusion and rebellion. They’re giving bubblegrunge a bloody nose, wrapping raw vulnerability in distortion and glitter.

Nightlife is a Baltimore-based “soul-punk” band formed by Hansel Romero (vocals/production), Julian Lofton (bass/guitars), and Isaiah Walker (drums/percussion).  They are known for blending energetic, melodic punk with soulful vocals, featuring popular tracks like “new low,” “fallback,” and “strangeluv”.

I haven’t heard of blending soul and punk.  I’m all for genre melding, although this feels more like soul with loud guitars.

 

[ATTENDED: June 16, 2025] Hello Mary

Iwas supposed to see Hello Mary about a half dozen times and it kept falling through for one reason or another.

So when they announced this show at Warehouse on Watts, where I had never been before, I grabbed a ticket quickly, having no idea how quickly it would sell out.  I loved that the venue was so small, and I had great access for seeing them for the first time.

They had a newish album out for this tour and I was ready for it.  I was closest to bassist Mikaela Oppenheimer who plays some awesome basslines.  On the far side was singer guitarist Helena Straight (who makes some gorgeous noise/feedback while not playing cool melodies), and and then at the kit was drummer Stella Wave.   Float started with washes of keys (from Mikaela) and guitar while Stella and Helena ooh’d the intro.  By the end, the song was a wall of noise and screamed vocals.  It was a great opening.

They followed it with a classic 90s-sounding rocker Stinge from their debut album–a great guitar riff and intermittent quiet parts.  Even their quieter songs like Courtesy have a good grunge tone. Continue Reading »

[ATTENDED: June 16, 2025] Halloween

I first heard about Warehouse on Watts back in 2021, when some kind of Yves Tumor Halloween show was being presented there.  I didn’t understand what was happening that night and really had no idea what to think of this venue.  I’ve only been interested in the venue one other time since then, but I didn’t go to it.  But here at last was someone (Hello Mary) that I really wanted to see and they were playing there.

Imagine my surprise to find out it’s a block away from The Met Philly.  It’s a cool, small club with a short stage and walls that you can lean against if need be.  I really liked it and would happily go back.

So I arrived really early and was able to check out the place a but before Halloween started.  I can’t believe that in 2025 a band can call themselves Halloween and there’s no real conflict.  Has no one ever called their band Halloween before?

Halloween is a Philly based band and they play an interesting mix of sounds.  They are probably based around shoegaze, with fuzzy swirling guitars.  The vocals are quiet ( I often couldn’t hear them, but I could tell there was singing).  Guitarist Sia Dokos (who also sang lead sometimes) played really cool interesting chords and noises and I wished that I was on their side of the stage to really see what was going on). Continue Reading »

[DID NOT ATTEND: June 6, 2025] The Head and the Heart / Futurebirds / Anna Graves

One of the worst shows I’ve been to was The Head and the Heart at this very venue in 2019.

It wasn’t the band’s fault, it was the crowd.  They were terrible.  And I’m not going to revisit the details.  We saw THATH in New Brunswick and the show was a much better experience.  But it also happened to be the same night as The Last Dinner Party’s only Philly show and I’m really bummed to have missed that one.

So THATH have a bit of a curse on them for me.  But there was no way I was going back to that venue for this band.

Futurebirds are from Georgia and sound like a country Tom Petty. Not something I’d be excited to see, although they’re probably fun at a beach concert.

Anna Graves is an alt-folk artist  who was raised on a farm in southern Minnesota.  She left home chasing big dreams and bright lights, only to return years later and rediscover the mystical magic that first sparked her songwriting.  She has a pretty voice and is probably delightful live, although she’s not that exciting to me.

[DID NOT ATTEND: June 4, 2025] Bloc Party / Blonde Redhead /Joan

I was originally excited about this tour because Metric was co-headlining and was going to play Fantasies in its entirety.  They cancelled pretty close to the last minute saying “Bloc Party’s team made some sudden production decisions that broke the agreement we made.”  I have no idea what that means and many people had nasty things to say about Metric online.  But I was glad I hadn’t gotten a ticket.

I never got into Bloc Party, although I feel like I should have.  It wasn’t that I didn’t like them, I just never had the time for them.  When I listened to this record I liked it, but didn’t love it.  So, no big dela to miss out on this one.

Blonde Redhead was a band that I really liked for a while and then forgot about.  I probably should have been more excited about this announcement, although I didn’t realize that they have been making music all this time (an album every few years).  I assumed they had broken up and were back together for this tour.  Turns out they played mostly songs from their latest album, which I didn’t know.  So no big deal.

Come on guys, you can’t call yourselves Joan.  Not because it’s a woman’s name, because it’s impossible to search for.  Even if antimusic calls you “Beloved alt-pop duo joan-Alan Benjamin Thomas and Steven Rutherford.”  But their music is surprisingly big for just the two of them, with a soft vocalist.

Beware, though, unbelievably, there’s another band called simply Joan.

The band playing this show has an album called superglue.